Rush

Rock & Roll Hall of Famer

Category: Performer

Inducted: 2013

Inducted by: Dave Grohl and Taylor Hawkins

Nominated: 2013

First Eligible: 1999 Ceremony

Inducted Members: Geddy Lee, Alex Lifeson, Neil Peart

Induction Ceremony Songs:

Song	Performed By
The Spirit of Radio	Rush
Tom Sawyer	Rush
2112: Overture	Dave Grohl, Taylor Hawkins and Nick Raskulinecz

Inducted into Rock Hall Revisited in 2005 (ranked #121) .

R.S. Top 500 Albums (?)	Rank	Version
Moving Pictures	379	2020

R.S. Top 500 Songs (?)	Rank	Version
Limelight (1981)	435	2021

Essential Albums (?)	Wikipedia	YouTube
Fly By Night (1975)	☆	☊
2112 (1976)	☆	☊
A Farewell To Kings (1977)	☆	☊
Hemispheres (1978)	☆	☊
Permanent Waves (1980)	☆	☊
Moving Pictures (1981)	☆	☊
Exit...Stage Left (1981)	☆	☊
Signals (1982)	☆	☊
Grace Under Pressure (1984)	☆	☊
Power Windows (1985)	☆	☊
Presto (1989)	☆	☊
Roll the Bones (1991)	☆	☊
Counterparts (1993)	☆	☊
Clockwork Angels (2012)	☆	☊

Essential Songs (?)	Wikipedia	YouTube
Working Man (1974)	☆	☊
Fly By Night (1975)	☆	☊
2112 (1976)	☆	☊
Closer To The Heart (1977)	☆	☊
The Spirit Of Radio (1980)	☆	☊
Freewill (1980)	☆	☊
Tom Sawyer (1981)	☆	☊
Limelight (1981)	☆	☊
YYZ (1981)	☆	☊
Subdivisions (1982)	☆	☊
New World Man (1982)	☆	☊
Time Stand Still (1987)	☆	☊

Comments

1290 comments so far (post your own)

He he ----where is Mr. D*ouche bag Kit (and his entourage) now? Hmm.. Kit proven wrong.....Rush is going in - the Hall finally came to its senses and will be putting these legendary musicians in! Point proven - some people just blabber on when they have no clue what they are talking about.

Posted by Mitch on Sunday, 01/13/2013 @ 16:04pm

What Rush has that Leonard Cohen does not:

A star on the Hollywood Walk of Fame
A maple leaf on Canada's Walk of Fame

What Leonard Cohen has that Rush does not:

An induction into the U.S. Songwriters Hall of Fame

What Rush and Leonard Cohen both have:

Both inducted into the Canadian Music Hall of Fame
Both inducted into the Canadian Songwriters Hall of Fame
Both inducted into the Rock and Roll Hall of Fame
Both invested with the Order of Canada

What Rush and Leonard Cohen both don't have:

A Kennedy Center Honor

Posted by Roy on Sunday, 01/13/2013 @ 16:52pm

Alex Lifeson, Jeff Jones, John Rutsey, Geddy Lee and Neil Peart are all mentioned in the Rock Hall's bio for Rush, but the inductees have not been listed yet.

Posted by Roy on Wednesday, 01/16/2013 @ 11:13am

Dave Grohl, from a trio called Nirvana, is inducting Rush, a trio. This was done on purpose.

Posted by Roy on Wednesday, 01/23/2013 @ 22:54pm

Why?

Posted by Dezmond on Wednesday, 01/23/2013 @ 23:08pm

http://rockhall.com/inductees/rush/timeline/

Error in the Rush Rock Hall Timeline

1980: Rush releases "Permanent Waves." The album sells more than four million copies and includes such tracks as "Tom Sawyer" and "Limelight."

"Tom Sawyer" and "Limelight" are from the 1981 Moving Pictures album.

WHAT A BUNCH OF CARELESS IDIOTS

ERROR REPORTED!

Posted by Roy on Thursday, 01/24/2013 @ 07:11am

Posted by Roy on Thursday, 01/24/2013 @ 07:13am

It's been fixed

Posted by Roy on Thursday, 01/24/2013 @ 16:39pm

The only reason Rush is being inducted is because the Rock Hall got tired of all the fans sending them letters about Rush, and certain inductees wanted them inducted as well. Jann Wenner does not care about Rush. He just decided to listen to the fans for once. Deep Purple was more deserving. Heart got in because they are women. Heart and Rush will add to the votes for Deep Purple. Rush and Heart never did drugs.

Posted by Roy on Friday, 01/25/2013 @ 10:23am

yep, thats why the hall kept out DP. Cos they did drugs. I mean, it's not as if any RNRHOF inductees have done drugs, what a ridiculous thing that would be to say!

Posted by GFW on Friday, 01/25/2013 @ 11:12am

Another trip to Fantasy Island by Roy...

Posted by Paul on Friday, 01/25/2013 @ 11:35am

I was implying that Rush and Heart got in even though they didn't do drugs. The Rock Hall likes to induct artists who did do drugs.

Posted by Roy on Friday, 01/25/2013 @ 12:17pm

Dave Grohl, from a trio called Nirvana, is inducting Rush, a trio. This was done on purpose.

Posted by Roy on Wednesday, 01.23.13 @ 22:54pm

Why?

Posted by Dezmond on Wednesday, 01.23.13 @ 23:08pm

In preparation for a Nirvana induction.

Posted by Roy on Thursday, 01.24.13 @ 07:13am

What exactly do they need to "prepare" for? And how does allowing Grohl to give a fanboy speech about Rush better prepare anyone for the inevitable induction of Nirvana?

Posted by Dezmond on Friday, 01/25/2013 @ 20:27pm

Artists mentioned in the Rock Hall biography for Rush:

Buddy Holly, Led Zeppelin, Cream, King Crimson, Yes, Van der Graaf Generator, The Who, The Yardbirds

Posted by Roy on Friday, 01/25/2013 @ 23:55pm

RUSH

THE 1994 JUNO/CANADIAN MUSIC HALL OF FAME
THE 1997 ORDER OF CANADA
THE 1999 CANADA HONOURS/CANADA'S WALK OF FAME
THE 2010 HOLLYWOOD WALK OF FAME
THE 2010 CANADIAN SONGWRITERS HALL OF FAME
THE 2013 ROCK AND ROLL HALL OF FAME
THE 20?? SONGWRITERS HALL OF FAME
THE 20?? KENNEDY CENTER HONORS

Posted by Roy on Wednesday, 02/6/2013 @ 18:42pm

I was first introduced to the music of Rush in early 1979 with the album, "Hemispheres." At that time, it had been the most amazing piece of music that I had ever heard. After enrolling in the University of Arizona, I would be re-introduced to "Hemispheres" by a fellow student in the autumn of 1980. I have been an aficionado of Rush's music ever since. With the possible exception of most of the songs on their debut album, with the exceptions of 'Here Again' and 'Working Man'.and 'Lesson' from 2112, I have enjoyed almost all of Rush's vast catalogue. I feel that Rush is one of those bands who is undoubtedly amongst the most consistently excellent songwriters of all time. Their upcoming induction into the Rock & Roll Hall Of Fame is long overdue. My hope is that other "progressive rock" bands will be inducted in their wake. I am also hoping that this is the first of many honors yet to be bestowed upon them. They deserve to receive induction into both the American and U.K. Songwriter's Hall Of Fame, a lifetime Grammy award and the Kennedy Center Honors.

Posted by Enigmaticus on Monday, 03/4/2013 @ 09:24am

Rush talks about their fellow inductees on page 26 of this week's Rolling Sone magazine. Mumford and Sons on the cover.

Posted by Roy on Thursday, 03/21/2013 @ 22:24pm

Why does Geddy Lee wear shirts that say RASH instead of RUSH?

Posted by Roy on Tuesday, 03/26/2013 @ 07:45am

Roy,

If you ever see the "Time Machine Tour" video, you will understand where the Rash reference comes from. By the way, now that Rush is finally getting inducted, whom will you place your support behind for induction in 2014?

Posted by Enigmaticus on Saturday, 03/30/2013 @ 13:10pm

Do you mean if they are nominated who will I support, or who do I support regardless of whether or not they are nominated in 2014? Chicago!

Posted by Roy on Saturday, 03/30/2013 @ 20:31pm

What if Nile Rodgers shows up to give the induction speech for Donna Summer, meets Rush, and produces their next album?

Posted by Roy on Tuesday, 04/2/2013 @ 11:26am

THE 2013 ROCK AND ROLL HALL OF FAME BIOGRAPHY

RUSH

Inductees: Gary Lee Weinrib aka Geddy Lee (vocals, bass; born July 29, 1953), Neil Peart (drums; born September 12, 1952), Alex Zivojinovich aka Alex Lifeson (guitar; born August 27, 1953)

Equal parts Led Zeppelin, Cream and King Crimson, Rush burst out of Canada in the early 1970s with one of the most powerful and bombastic sounds of the decade. Their 1976 magnum opus 2112 represents progressive rock at its grandiose heights, but just a half decade later they had the guts to put epic songs aside in favor of shorter (but no less dynamic) tunes like “Tom Sawyer” and “The Spirit of Radio” that remain in constant rotation on radio to this day. Absolutely uncompromising in every conceivable way, the trio has spent the last 40 years cultivating the largest cult fan base in rock while still managing to sell out arenas around the globe.

Rush was formed in August 1968 in the Willowdale neighborhood of Toronto. The original lineup included Alex Lifeson on guitar, Jeff Jones on bass and John Rutsey on drums. Jones was soon replaced by Geddy Lee, and, in 1974, after the release of the group’s debut album, Rutsey left and was replaced by Neil Peart. That lineup – Lee on vocals, bass and keyboards; Lifeson on guitar, and Peart on drums – has remained stable throughout the years.

The group played around on the Toronto scene for a few years and then, in 1973, released its first single, a cover of Buddy Holly’s “Not Fade Away.” The record didn’t do well, and the band decided to form its own label, Moon Records. The group released its first album, Rush, in 1974. The album wasn’t faring too well until a Cleveland radio station, WMMS (100.7 FM), added the song “Working Man” to its playlist. The album was then picked up by Mercury Records in the U.S., and sales began to skyrocket.

The following year, Rush released two albums, Fly by Night and Caress of Steel. The group’s big breakthrough came the following year with the release of the album 2112. The album featured a 20-minute title track divided into seven sections. It went platinum in Canada, and Rush hit the road, touring the U.S. and Canada. The tour culminated with a three-night stand at Massey Hall in Toronto. The group recorded the shows and released its first live album, All the World’s a Stage, in 1976.

Rush then re-located to the U.K., where the band recorded its next two albums, 1977’s A Farewell to Kings and 1978’s Hemispheres, at Rockfield Studios in Wales. The music on those two albums ventured more in the direction of progressive rock. “As our tastes got more obscure, we discovered more progressive rock–based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands," said Lee. "They made us want to make our music more interesting and more complex, and we tried to blend that with our own personalities to see what we could come up with that was indisputably us.”

Rush’s popularity continued to soar, and in 1980, with the release of Permanent Waves, the group became one of the most successful bands in the world. The album marked something of a change in the group’s sound. The songs were shorter, and the group’s influences now included reggae and New Wave. Permanent Waves reached the Top Five in the U.S. The following year Rush released Moving Pictures. That album reached Number Three and sold more than four million copies.

With the release of Signals in 1982, Rush’s sound underwent yet another change. Synthesizers were now at the forefront of the group’s music. In addition, the album included Rush’s only Top 40 hit single in the U.S., “New World Man.” The album also expanded the band’s use of ska, reggae and funk.

Through the rest of the Eighties, the band kept a somewhat lower profile, not spending as much time on the road. Even so, its albums continued to go gold or platinum. With the 1989 album Presto, Rush once again began emphasizing guitar instead of keyboards. The transition from synthesizer to guitar continued with 1993’s Counterparts and 1996’s Test for Echo. After touring to support the latter album, Rush began what amounted to a five-year hiatus in 1997. The layoff was brought on by personal tragedies in Peart’s life. Peart's daughter Selena died in an automobile accident in August 1997, followed by the death of his wife Jacqueline from cancer in June 1998.

The band returned to the studio and released a new album, Vapor Trails, in 2002. For the first time since the Seventies, Rush did not use a single synthesizer, organ or other keyboard on the album. To celebrate their 30th anniversary, Rush released Feedback, a studio EP, in June 2004. The recording featured Rush’s covers of eight songs by some of the artists that influenced the group, including Cream, the Who and the Yardbirds. The band also hit the road in the summer of 2004, playing anniversary shows in the U.S., Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic and the Netherlands.

Rush continued recording and touring, releasing the albums Snakes & Arrows in 2007 and Clockwork Angels in 2012. The group also released a live album, Time Machine 2011: Live in Cleveland, in 2011. The album was recorded on April 15, 2011, at Quicken Loans Arena in Cleveland, Ohio.

While they have never gotten the critical respect they so richly deserve, Neil Peart has inspired countless young drummers to take up the instrument over the past 30 years. No less impressive is Geddy Lee’s ability to play keyboards and bass in concert while never missing a note of his lead vocals, and guitarist Alex Lifeson is a virtuoso simply without peer. Rush is a band completely removed from the mainstream music scene yet remain one of the most popular rock bands in the world. It is a dichotomy that has fueled the group from the very beginning.

TIMELINE

1952: Neal Peart is born in Hamilton, Ontario.

1952: Geddy Lee is born as Gary Lee Weinrib in Toronto.

1953: Alex Lifeson is born as Alex Zivojinovich in Surnie, British Columbia, Canada.

1968: Rush forms in the Willowdale section of Toronto. The original lineup includes Alex Lifeson on guitar, John Rutsey on drums and Jeff Jones on bass.

1968: Geddy Lee replaces Jeff Jones on bass.

1973: Rush releases its first single, a cover of Buddy Holly's "Not Fade Away."

1974: Rush releases its first album, "Rush."

1974: John Rutsey plays his last show with the band, in London, Ontario.

1974: Neil Peart becomes Rush's drummer.

1976: Rush releases "2112," it's fourth studio album. In 2012, the album is ranked Number Two on "Rolling Stone's" list of "Your Favorite Prog- Rock Albums of All Time."

1981: Rush releases "Moving Pictures." The album sells more than four million copies and includes such tracks as "Tom Sawyer" and "Limelight."

1996: Rush releases "Test for Echo", its 16th studio album. The album reaches Number Five. The band supports the album with a tour without any opening acts. The tour is called "An Evening with Rush."

1997: Neal Peart's daughter is killed in an automobile accident, and the band takes a five- year hiatus.

2002: Rush releases "Vapor Trails, its 17th studio album.

2004: Rush begins its R30: 30th Anniversary Tour.

2011:Rush plays the Quicken Loans Arena in Cleveland. The show is recorded and released on the album "Time Machine 2011: Live in Cleveland."

Posted by Roy on Friday, 04/12/2013 @ 23:12pm

Rush wants Deep Purple, Yes, King Crimson, Emerson, Lake and Palmer, The Moody Blues and Jethro Tull inducted into the Rock and Roll Hall of Fame.

Posted by Roy on Sunday, 04/14/2013 @ 20:52pm

http://www.futurerocklegends.com/statistics.php

When is Rush going to be taken off the Voting Statistics page to make room for someone else? Most Votes and Most Yes Votes categories.

Posted by Roy on Saturday, 04/20/2013 @ 21:35pm

I am certain that this issue has been beaten to death many times over, but I have to know one thing.

In your opinion,

Which choice best describes Rush:

A) a simplistic "heavy metal" group?

B) An enduring "progressive metal" band with a whiny voiced vocalist?

C) An engaging heavy "progressive rock" band, whose roots lie in the "hard rock" bands of the mid to late 1960's and the early "progressive rock" stylings of King Crimson, Yes, Genesis, Jethro Tull and Emerson, Lake & Palmer?

D) An innovative major "art rock," symphonic and eclectic "progressive rock" band, whose influences have included: The Beatles, The Moody Blues, Procol Harum, King Crimson, Jefferson Airplane, Cream, Led Zeppelin, The Who, Yes, Genesis, Jethro Tull and Gentle Giant, in addition to The Police, Talking Heads and other "art rock" bands, whose primary incarnation has been as a "power trio?" The unique thing about Rush, lies in their incorporation of folk rock, classical guitar and string sections to support their vision, they are also impeccable songwriters and experimental musicians whose talent lies in often composing in "odd" time signatures which are flawlessly integrated into the body of their songs, the creation of "concept songs" within "concept albums" and the ability of the band to incorporate various styles, such as hard rock, blues, jazz, hip hop and classical music into their songs and structures. Additionally, they have created and incorporated unusual "arty" videos and comedy into their live shows. Along the way, they have been a band which has influenced "progressive rock" musicians, "hard rock" artists and although, not a "heavy metal" band have inspired the development of the genre of "progressive metal?"

Posted by Enigmaticus on Saturday, 05/11/2013 @ 12:27pm

Anyone know where I could get a transcript of Alex Lifeson's RRHOF induction speech?

Posted by Joe on Monday, 05/20/2013 @ 17:38pm

Blah, blah, blah. Summarizes most Rush songs perfectly.

Posted by astrodog on Tuesday, 05/21/2013 @ 14:00pm

I have just a few more comments about Rush:

#125 - Posted 4/23/13 @10:02AM by Enigmaticus [contact]

Shall we get back to the earlier subject, please?

I had just read the Allmusic Guide's Discography for Rush. It appears that they have not yet become enlightened, unfortunately.

I was glad to hear that David Wild has finally eaten his words. It has taken over 2 decades to make this a reality, but now since Rush is now a member of the Rock & Roll pantheon, it was worth it.

Now, as to the ratings on the Rush discography:
Firstly, let's divide their recordings into 5 distinct periods.

The Early Period

Rush ***
Fly By Night *** 1/2
Caress Of Steel *****
2112 ****
All The World's A Stage *** 1/2

The Middle Period

A Farewell To Kings **** 1/2
Hemispheres *****
Permanent Waves *****
Moving Pictures *****
Exit... Stage Left *****

The Early Modern Period

Signals *****
Grace Under Pressure ****
Power Windows *****
Hold Your Fire ****
A Show Of Hands ****

The Middle Modern Period

Presto *****
Roll The Bones *****
Counterparts ****
Test For Echo ****1/2
Different Stages *****

The Late Modern Period

Vapor Trails ****1/2
Rush In Rio ****
Feedback (EP) ****
R30 *****
Snakes & Arrows *****
Snakes & Arrows Live *****
Time Machine Tour ****
Clockwork Angels *****
Clockwork Angels Live *****

#68 - Posted 4/20/13 @7:11PM by Enigmaticus [contact]

Ladies and gentlemen, I can certainly understand your frustration over Rush being snubbed for induction for 15 years. As I have said numerous times before, I have supported their induction since the very beginning. I have to wonder if Jann Wenner was the individual responsible though. From what I have read, it has been critic David Wild who had allegedly detested Rush from the very beginning. Of course, Wild was quick to praise Foreigner, Bad Company and even after a while, Heart- their "Behind The Music Remastered" episodes attest to that fact.

In Jann Wenner's defense, I would like to mention the 2nd Rolling Stone Record Guide (the blue one) from 1983, wherein John Swenson had given most of Rush's albums 3 & 4 stars, respectively. I feel that a critical reevaluation of Rush's discography is definitely in order. Critic Greg Prato, from the Allmusic Guide needs to amend their discography and his review of "Exit.. Stage Left" is completely unwarranted.

If I were to rate Rush's discography (of studio and live albums), I would give most of them 5 stars, These include the following : (Caress Of Steel, Hemispheres, Permanent Waves, Moving Pictures, Exit.. Stage Left, Signals, Power Windows, Presto, Roll The Bones, Different Stages, R30, Snakes & Arrows, Snakes & Arrows Live, Clockwork Angels & the upcoming Clockwork Angels Live)
4 1/2 stars to: A Farewell To Kings, Test For Echo & Vapor Trails
4 stars to: 2112, Grace Under Pressure, Hold Your Fire, Counterparts, Rush In Rio and the Time Machine Tour.
3 1/2 stars to: Fly By Night & All The World's A Stage
3 stars to: Rush

What are your opinions?

Posted by Enigmaticus on Wednesday, 05/29/2013 @ 10:12am

After seeing the edited HBO version of the 2013 Rock & Roll Hall Of Fame Induction ceremony several times, was there ever any doubt that Rush belongs there?

Posted by Enigmaticus on Tuesday, 06/11/2013 @ 02:08am

Recently, a longtime critic of the band had described Rush as the greatest rock & roll band of all time.

Posted by Enigmaticus on Sunday, 06/23/2013 @ 13:41pm

Now that Rush has been firmly ensconced in the Rock & Roll Hall Of Fame, who should be next?

Posted by Enigmaticus on Sunday, 06/30/2013 @ 00:16am

Now that Rush has been firmly ensconced in the Rock & Roll Hall Of Fame, who should be next?

Posted by Enigmaticus on Sunday, 06.30.13 @ 00:16am
--------------------------------------------------
That's the most open question you could ask, period. Pick any one of a zillion groups who all have a claim to the Hall (and who are eligible, obviously) & you'll find someone to support them.

Age-wise, the 50's acts have it over anyone. Link Wray, the Rock & Roll Trio, etc., all have an obvious case. If not them, then Chubby Checker, Dick Dale, & a lot of early 60's acts.

The flip side here is Nirvana, but they're just simply waiting for the call. There's a fair amount who are new and waiting, but they can always hold another yr. or two.

In between those parameters, you make the call. Just throw a name out there, & you'll find support.

Posted by Cheesecrop on Sunday, 06/30/2013 @ 19:40pm

The first five names that popped into my head are Kraftwerk, Roxy Music, MC5, the Cure and Johnny Burnette & the Rock and Roll Trio.

That's obviously a biased list for those who know my taste. There are plenty of deserving acts in other subgenres that are less on my personal radar and plenty who aren't white males.

Posted by DarinRG on Sunday, 06/30/2013 @ 21:23pm

I would personally chose the following:

1. Duran Duran
2. The Moody Blues
3. Chicago
4. Carly Simon
5. The Doobie Brothers
6. Electric Light Orchestra
7. Carole King (as performer)
8. Foreigner
9. Stevie Ray Vaughan
10. Yes

Posted by Enigmaticus on Monday, 07/1/2013 @ 01:47am

I was first introduced to the music of Rush in early 1979 with the album, "Hemispheres." At that time, it had been the most amazing piece of music that I had ever heard. After enrolling in the University of Arizona, I would be re-introduced to "Hemispheres" by a fellow student in the autumn of 1980. I have been an aficionado of Rush's music ever since. I have enjoyed most of Rush's vast catalog, with the exception of the majority of the songs on their debut album, except for 'Here Again' and 'Working Man.' I have never been very fond of 'Lessons' from 2112. I feel that Rush is one of those bands who's members are undoubtedly amongst the most consistently excellent songwriters of all time. Their induction into the Rock & Roll Hall Of Fame was long overdue. My hope is that other "progressive rock" bands will be inducted in their wake. I am also hoping that this is the first of many honors yet to be bestowed upon them. They deserve to receive induction into both the American and U.K. Songwriter's Hall Of Fame, a lifetime Grammy award and the Kennedy Center Honors.

Posted by Enigmaticus on Monday, 03.4.13 @ 09:24am

Posted by Enigmaticus on Monday, 07/1/2013 @ 03:17am

I was first introduced to the music of Rush in early 1979 with the album, "Hemispheres." At that time, it had been the most amazing piece of music that I had ever heard. After enrolling in the University of Arizona, I would be re-introduced to "Hemispheres" by a fellow student in the autumn of 1980. I have been an aficionado of Rush's music ever since. I have enjoyed most of Rush's vast catalog, with the exception of the majority of the songs on their debut album, except for 'Here Again' and 'Working Man.' I have never been very fond of 'Lessons' from 2112. I feel that Rush is one of those bands whose members are undoubtedly amongst the most consistently excellent songwriters of all time. Their induction
into the Rock & Roll Hall Of Fame was long overdue. My hope is that other "progressive rock" bands will be inducted in their wake. I am also hoping that this is the first of many honors yet to be bestowed upon them. They deserve to receive induction into both the American and U.K. Songwriter's Hall Of Fame, a lifetime Grammy award and the Kennedy Center Honors.

Posted by Enigmaticus on Monday, 03.4.13 @ 09:24am

Posted by Enigmaticus on Monday, 07/1/2013 @ 05:46am

Posted by Enigmaticus on Monday, 07/1/2013 @ 09:46am

If I were to choose the most deserving artists, not yet in the Rock & Roll Hall Of Fame, my list would look something like this:

1. The Moody Blues
2. Chicago
3. Yes
4. King Crimson
5. Jethro Tull
6. Procol Harum
7. Duran Duran
8. Styx
9. Kansas
10. Supertramp
11. Carly Simon
12. Carole King
13. Stevie Nicks
14. Pat Benatar
15. Deep Purple
16. Judas Priest
17. Iron Maiden
18. Twisted Sister
19. Peter Gabriel
20. Stevie Ray Vaughan
21. Steve Miller Band
22. Boston
23. Journey
24. Foreigner
25. Bad Company
26. Doobie Brothers
27. Gentle Giant
28. Sade
29. Lionel Richie
30. Garth Brooks
31. Shania Twain
32. k.d. lang
33. The Zombies
34. Don Henley
35. Alan Parson's Project
36. Emerson, Lake & Palmer
37. Bread
38. America
39. The Carpenters
40. Electric Light Orchestra
41. The Cars
42. Depeche Mode
43. Roxy Music
44. Bryan Ferry
45. Three Dog Night
46. The Monkees
47. Echolyn
48. Soundgarden
49. Pearl Jam
50. Queensryche
51. Jim Croce
52. Warren Zevon
53. Free
54. Toto
55. Soft Machine
56. Asia
57. Camel
58. Tangerine Dream
59. Kraftwerk
60. Wham
61. Culture Club
62. Dream Theater

Posted by Enigmaticus on Monday, 07/1/2013 @ 10:07am

Wow, with the possible exception of the blue-eyed soul Doobie Brothers, Sade is the only R&B act on that list, and certainly the only Black act. That's why the Foundation will never take people like us seriously, Enig. I've seen lists with 300+ Rock Hall snubs that have maybe five R&B/Black acts on there, and you can be damn sure none of them are rap/hip-hop. It's all about the suburban White culture, especially about bands that were themselves, or influenced by British bands. Many of them are definitely deserving, but they will condemn your list as racist and short-sighted as quickly as I noticed it if you've got Gentle Giant (whom I've never even heard of) and not the Spinners, Marvelettes, GAP Band, etc./whatever.

I know it's not about race for you. I think either Cheesecrop or astrodog summed up your position: you want to induct bands, not groups that used session musicians. Only bands matter for you (unless they're singer/songwriters like Zevon or Simon). But that has never been what the Hall is about, and it's a strawman to the powers-that-be.

On a purely personal note: Garth and Shania? *puke*

Posted by Philip on Monday, 07/1/2013 @ 11:29am

you'd best bump Kraftwerk up that list son

Posted by GFW on Monday, 07/1/2013 @ 12:52pm

A Snub List (along w/a few comments):

1. The Funk Brothers - These gentlemen played on the majority of what Motown released. Although I do not have exact numbers to bear this out, I'm willing to bet that you'd have to add up the combined output of the Beatles, The Stones, Dylan, & the Beach Boys to reach the amount of #1's these gentlemen were a part of.

What, was the Film enough??!!!

2. (tie) Dick Dale/Link Wray/The Rock & Roll Trio - The future is in view here. The train was rolling as early as 56... then it rumbled through town in 58... before hitting the Pacific Coast Hwy. (61)... then in the words of the Surfari's...

"ha, ha, ha, ha, Wipe Out!"

& 50 yrs. later, they put out a video game called "Guitar Hero".

5. Deep Purple - Will somebody please complete the British metal trio (Zeppelin, Sabbath, Purple), please?!

6. Chubby Checker - Cause dance music has a history, but the modern club audience can't be bothered with it. Apparently the Trans-Europe Express makes no stops at the old American Bandstand studios...

7. Jethro Tull - Cause Living in the Past ain't where it's at (or at least it shouldn't be). From Phish's kick-off in the mid-80's through the hordes of H.O.R.D.E'rs in the mid-90's, the good ship Jam Nation had a Tull hull.

8. Def Leppard - Yes, VH put down the guitar sound, but Def Lep laid the studio foundations down for a decade of bands. That used to be worth something, but before we start living in the past again...

9. Chicago - Miles Davis is in as an influence - yet nothing he influenced (McLaughlin/Mahavishnu, Weather Report, Herbie Hancock, BS & T, Chick Corea, etc.) is in... so what's he influencing?

Unless you count the Doors as an early influence (& Jim Morrison was counting Oedipus Rex as more of an influence than Miles here... Get Him to the Greek(s) alright!), just who did Miles influence?

Here's a nice place to begin.

10. War - We're harder than Earth, Wind, & Fire, but we're not quite Funkadelic. We've a Latin influence, we fit as Funk/Rock/R&B, & we were the soundtrack of the mid-70's for a lot of people. But we're not in. Why?

11. Kraftwerk - The Rock & Roll Trio promised us the train would keep a' rollin', all night long. Apparently that wasn't enough for these guys. They wanted a Metro-Liner...

12. Duran Duran - Two reasons why DD haven't made the Hall:

a. They did a song called "Wild Boys". The Stones did a song called "Some Girls". The voting committee's majority male. Who do you think they Are going to choose?

b. They did a song called "Hungry Like The Wolf". Bad call. Zevon can't get in, & he's had a whole pack of werewolves runnin' with him for a while...

Lon Chaney Jr. - "When the moon rises, I turn into a wolf..."

Lou Costello - "You & 20 million other guys".

(Abbott & Costello Meet Frankenstein)

13. Kool & the Gang - We've got a sound that's harder than E,W,&F, but not Funkadelic. However, we had a pop side that took us to the top of the charts in the disco era, & kept us there till the mid-80's. Yet you all forgot about us. Why?

14. The Monkees - Check back in ten yrs. when they want to elect Britney & N'Sync, & watch the squirming begin...

oh, & btw - they actually picked up the instruments & kept it real (as some rappers might say) later on...

15. T-Rex - Go to the beach, & take a T-Rex album. When you get to "20th Century Boy" & "Solid Gold Easy Action", pick up a seashell & hold it next to the album, as it's playing...

You'll hear Prince & the Revolution complaining that they wished they'd done these songs themselves...

That's my first 15. Maybe I'll come back & do a few more in a bit.

Posted by Cheesecrop on Tuesday, 07/2/2013 @ 05:59am

Ladies and gentlemen,

When I had started making that list, I was not ranking those artists in order, nor was I being literal. That list is simply representative of some of the great artists which have not yet been inducted. I would personally rather see Living Colour and The Commodores inducted also. I do have a few issues with individuals who sang someone else's songs, but were not involved in the creative process of creating their own works. If I had added all of my personal favorite artists that list would be much shorter and slightly different, concentrating upon "progressive rock," for the most part. In my honest opinion, Gary Clark Jr. is already doing very impressive
things. I think that any great group would be enhanced by his
presence.

Posted by Enigmaticus on Tuesday, 07/2/2013 @ 10:14am

Since this is the Rush page, I have determined that it has been necessary to amend my list. Overall, in my honest opinion, these are Rush's best recordings. All are worthy of 5 stars:

1. Exit... Stage Left
2. Roll The Bones
3. Power Windows
4. Moving Pictures
5. Clockwork Angels
6. Permanent Waves
7. Snakes & Arrows
8. Presto
9. R30
10. Snakes & Arrows Live
11. Signals
12. Different Stages (Live)

Of course, the upcoming live album from the "Clockwork Angels" tour will undoubtedly shift that list around again.

Posted by Enigmaticus on Thursday, 07/4/2013 @ 13:23pm

http://www.youtube.com/watch?v=ymPD0_xMexg

Full induction video surfaces.

Posted by Roy on Friday, 07/5/2013 @ 10:06am

Posted by Enigmaticus on Monday, 07/8/2013 @ 08:51am

Rush has only 2 essential albums amongst their discography, how is this even remotely possible? The way that I see it, Rush has released a "classic," or "essential" album approximately every 5 years since releasing 2112. In this case, excluding 2112, they have no less than 5, amongst these are:

1. Moving Pictures (1980)
2. Power Windows (1985)
3. Roll The Bones (1991)
4. Test For Echo (1996)
5. Vapor Trails (2002)
6. Snakes & Arrows (2007)
7. Clockwork Angels (2012)

Personally, using this rule, I feel that "Moving Pictures," "Power Windows," "Roll The Bones," "Snakes & Arrows" and "Clockwork Angels" are amongst their best studio albums.

Of course, IMHO, "Exit... Stage Left" is still their best live album and "Permanent Waves," "Signals" and "Presto" are great albums as well. "Test For Echo" and "Vapor Trails" are very good also, but are not amongst my favorites.

Posted by Enigmaticus on Monday, 07/8/2013 @ 09:35am

How is it possible that Rush has only 2 "essential" albums amongst their discography? The way that I see it, Rush has recorded and/or released a "classic," or "essential" album approximately once every 5 years. Excluding 2112, IMHO, there are at least 5 masterpieces which follow this particular pattern:

1. Moving Pictures (recorded in 1980, released in 1981)
2. Power Windows (1985)
3. Roll The Bones (1991)
4. Snakes & Arrows (2007)
5. Clockwork Angels (2012)

Of course, "Test For Echo" (1996) and "Vapor Trails" (2002) are also very good albums.

Of course, "Permanent Waves," (recorded in 1979, released in 1980) "Signals" (1982) and "Presto" (1989) do not necessarily follow this rule. "Exit... Stage Left," (1981) arguably, Rush's greatest live album does however.

Posted by Enigmaticus on Monday, 07/8/2013 @ 10:14am

Could there be a connection between the album ratings in the "New Rolling Stone Record Guide," (1983 edition) and the artists who have been inducted into the Rock & Roll Hall Of Fame? If so, then it would certainly explain the partial list of present inductees.

etc., etc., on down.

One wonders then, if Rush's recent induction into the Rock & Roll Hall Of Fame earlier this year will ultimately lead to a further revision of their album ratings. What do you think?

Posted by Enigmaticus on Monday, 07.8.13 @ 08:51am
--------------------------------------------------
I wouldn't put too much faith in RS's Album guides. First, your using a 1983 guide as a basis. There are new writers at the magazine who have a diff. view of the group, and would probably challenge their fellow colleagues here. In addition, a lot of these guides, not just from RS but from any magazine, work as unintentional extensions of the mags philosophy. What you're reading there are the partial views of the writer, along w/an edited view of RS's public stance on Rush, at the moment.

Amore updated guide might give you a better take on whether the view on Rush changed, how it changed, & who was responsible for the shift (if any). It will also give you a better clue on which way the prevailing winds blow, via other acts not in the Hall yet.

Posted by Cheesecrop on Tuesday, 07/9/2013 @ 05:50am

Cheesecrop,

It is certainly true that various critics will have differing views with respect to Rush, as they do with Yes, The Moody Blues, etc.

Case in point, the 1979 (orange) Rolling Stone Record Guide had given Yes much higher ratings. If I am not mistaken, both "The Yes Album" and "Close To The Edge" were given 5 star ratings. "Tales From Topographic Oceans" was given 4 stars.

The critics were not nearly as kind to Rush. I seem to recall that Alan Niester, a Toronto high school teacher had given Rush appallingly low ratings. I believe that he had even quipped something along these lines, 'This power trio which boasts a vocalist who sounds like a cross between Donald Duck and Robert Plant on helium reached the pinnacle of success it was discovered by Circus magazine and turned into fanzine wall decoration material. Rush is to the late '70's what Grand Funk was to the early '70's the power boogie band for the 16 Magazine Graduating Class...' I was certainly confused; what did this even mean?

When I had read that review, (amongst others) it had made me absolutely furious. I had vowed to change the prevailing opinion about "progressive rock," in general and Rush, in particular. The advent of the Internet had made this possible. Therefore, I had started creating my website in May, 1997. I
had one particular goal in mind, to find other like minded individuals and reverse those opinions.

Posted by Enigmaticus on Tuesday, 07/9/2013 @ 08:52am

I had been reading the online biography of William Shakespeare's life and works over the past several days, after having seen, "Shakespeare In Love" once again. This magnificent movie had motivated me to consider the concept of what makes someone truly great. Certainly, Shakespeare had used universally recognized themes in the creation of each of his characters, which had made his works popular during his own lifetime.

Sometimes, the works of particular artists are even more highly regarded than even during their own lifetimes. Such are the cases of such artists as: Shakespeare, Mozart, Beethoven, Tchaikovsky, Claude Monet, Pierre Auguste Renoir, Edouard Manet and Salvador Dali, to name but a
few.

I think that the works of such artists transcend their lifetimes and eventually make those artists works immortal. How will historians look upon the culture of the late twentieth and early twenty first century? Will the music of Rush be played 100, or even 1,000 years from now? Only time will tell, but my thoughts on the subject, indicate that Rush's works will survive their lifetimes and become immortal, as well.

Posted by Enigmaticus on Tuesday, 07/9/2013 @ 09:22am

"Shakespeare, Mozart, Beethoven, Tchaikovsky, Claude Monet, Pierre Auguste Renoir, Edouard Manet and Salvador Dali" And then Rush?

I like Rush. A lot.

But no. Let's get some perspective here.

Posted by Dezmond on Tuesday, 07/9/2013 @ 09:57am

Sometimes, the works of particular artists are even more highly regarded than even during their own lifetimes. Such are the cases of such artists as: Shakespeare, Mozart, Beethoven, Tchaikovsky, Claude Monet, Pierre Auguste Renoir, Edouard Manet and Salvador Dali, to name but a
few.

I think that the works of such artists transcend their lifetimes and eventually make those artists works immortal. How will historians look upon the culture of the late twentieth and early twenty first century? Will the music of Rush be played 100, or even 1,000 years from now? Only time will tell, but my thoughts on the subject, indicate that Rush's works will survive their lifetimes and become immortal, as well.

Posted by Enigmaticus on Tuesday, 07.9.13 @ 09:22am
--------------------------------------------------
No offense here, Enigma, but I'm w/Dez here on the Rush = Shakespeare, Mozart, etc., comparison.

You're dealing w/the idea of timely vs. timeless. A lot of people directly connected w/rock will tell you that it's all about the moment. It's the reason we have the reaction we do to artists like Elvis, the Beatles, Michael Jackson, etc.

Thing is, it's all but impossible to have an art that's both "timely" in such an intense manner, and then "timeless", in the sense that the person experiencing it many yrs. down the line has the same exact effect. I think the crux of the R&R Hall came from the realization that some of these artists in the 50's & 60's weren't going to really last forever in the minds of younger people as the "no doubt about it greatest" acts ever.

If you check the Bob Dylan page, I believe, you'll see that some time back, I had the same conversation w/someone else. A bunch of us were involved (in fact, this was when Liam was on the board. It may have been one of the rare times we were in full agreement on an issue). I think I quoted from a book I have on this. I'm pretty sure.

Posted by Cheesecrop on Wednesday, 07/10/2013 @ 05:45am

Enigmaticus:

This is the conversation I was looking for:

And Piggies and Bungalow Bill were great songs, but you had to be there. And you weren't. Stick with what you know Liam.

Posted by Dameon on Sunday, 09.28.08 @ 22:01pm
--------------------------------------------------
Please understand... please... I am not picking on you specifically.

I have heard this comment, or seen it on here, from many other folks. It is a common defense against younger rock fans by older ones, and I have always felt it was a ridiculous way to defend "classic" rock. Until recently I found I could not properly articulate why this was, despite the fact that I could relate why certain elements of this were wrong. Then I found this:

"Kill Your Idols" - Jim De Rogatis/Carmel Carillo (2004) Barricade Books

pg. 7
"Primarily members of Generation X & Y (with a few strays who are, technically speaking, demographic Baby Boomers, though they identify philosophically as X'ers), the men and women who've written for this book resent the notion that they missed out on everything just because they weren't at Woodstock. They've seen the movie and it sucked, and many of them have been to raves in warehouses and muddy fields that had much cooler soundtracks, not to mention better drugs. How much of the "classic rock" of the last fifty years is defended by the lame notion that, "You really had to be there?" Shouldn't a great album speak to you even if you weren't?

Posted by Cheesecrop on Monday, 09.29.08 @ 05:06am
--------------------------------------------------
Most of what we've all listed & voted on here is timely art, no matter what it is. The pre-rock songs we've listed are the songs that will stand the test of time. What is referred to as the "Great American Songbook" needs no Hall of Fame set up to honor it. At the same time, it's also the reason why the reaction to big bands is different than the reaction that rock acts received.

I'm not trying to down Rush in any sense of the word, when it comes to rock. They'll be remembered, but within the confines of what they were & where they were. My favorite act is Pearl Jam, & even though I'd like to think they'll be remembered in the same way 50 or 100 yrs. from now, even I know that's not going to be the case.

The R&R Hall is an attempt to do a little dance around the "timely vs. timeless" issue. It's a little thing we call "having our cake and eating it too."

Posted by Cheesecrop on Wednesday, 07/10/2013 @ 06:01am

Cheesecrop,

This is certainly an interesting idea. Is the art of our time ephemeral, or is it eternal? Will a young girl, who is just starting to play the piano, learn how to master a work, such as 'Jacob's Ladder,' or even 'Xanadu?' Will the music of Rush and the other progressive rock greats be taught by universities, alongside Bach, Mozart, Beethoven, Tchaikovsky, Prokofiev, Stravinsky, Gershwin, Copland and others?

When the work of an artist begins to appeal to the next generation and subsequently, the following generations revere that artist as well, then their works become timeless. Did Rush do anything other than build upon what had preceded
them?

I happen to remember meeting the late Dr. Timothy Leary at a book signing, back in the late 1980's. At that time, he had
been accompanied by Yoko Ono. After having provided an eloquent introduction, I had asked him a very important question: "Will Rush's music become part of the great continuum? Will their work's become immortal?" To his credit, he had given his response as a resounding, " Yes."

What makes an artist immortal, is their ability and desire to tap into so-called universal truths. Did Neil Peart's lyrics deal with the superficial, or did they delve into the deeper world of the subconscious?

When Geddy Lee and Alex Lifeson had composed their music, was it trendy, or was it rooted within the realms of tradition?
that work becomes timeless.

Posted by Enigmaticus on Wednesday, 07/10/2013 @ 09:58am

Posted by GFW on Wednesday, 07/10/2013 @ 10:41am

Enigma, I admire your allegiance to Rush. I feel that same way about my favorites. Their music is a fabric of my life and I am sure future generations of rock fans will also appreciate them. BUT, Rush and 99.99999% of the other great rock bands will not be remembered in the same way as Mozart and Beethoven have been over a similar length of time after their demise. It is not the nature of rock music and too much has cluttered the scene and, well, Mozart and Beethoven were amongst the handful of artists who have defined Western musical structure and form.

I think that putting any rock or rock and roll artist in the same category as Mozart and Beethoven (even The Beatles or Elvis or Chuck Berry) just is not really taking a realistic and historical perspective. That is no insult to Rush or any of my favorites. It doesn't have anything to do with the fact that most days I'd rather listen to The Who over Mozart.

There were thousands and thousands of probably great musicians in Mozart's time. Time has filtered most of the out.

Posted by Dezmond on Wednesday, 07/10/2013 @ 13:28pm

Cheesecrop,

This is certainly an interesting idea. Is the art of our time ephemeral, or is it eternal? Will the music of Rush and the other progressive rock greats be taught by universities, alongside Bach, Mozart, Beethoven, Tchaikovsky, Prokofiev, Stravinsky, Gershwin, Copland and others?

When the work of an artist begins to appeal to the next generation and subsequently, the following generations revere that artist as well, then their works become timeless. Did Rush do anything other than build upon what had preceded
them?

What makes an artist immortal, is their ability and desire to tap into so-called universal truths. Did Neil Peart's lyrics deal with the superficial, or did they delve into the deeper world of the subconscious?

When Geddy Lee and Alex Lifeson had composed their music, was it trendy, or was it rooted within the realms of tradition?
that work becomes timeless.

Posted by Enigmaticus on Wednesday, 07.10.13 @ 09:58am
--------------------------------------------------
I edited you down here a little.

It's not that Rush's stuff won't last, it's that at a certain point it'll give out, just like all the other rock bands. Rock & Roll has to be taken as a whole. Anyone can do a ballad, so any group can have a timeless song. When you're dealing w/the harder stuff that the groups made their stock and trade, you've got issues.

For me, a classic example of timely vs. timeless is the Guess Who's "American Woman". When the song hit the airwaves in 1970, lots of kids probably cheered the end, where the fading vocals can be heard to sing:

"Goodbye, American Woman,
"Goodbye, American S***"

By the 1980's, D.J.'s were making it a point to talk over the words, since the sentiment was no longer in vogue. They still do it today. It's a good rock song, but it's timely, not timeless.

Most rock is like this (so's most hip-hop, most dance, etc.), though not as dramatic in intent.

Taken individually, Rush is timely & awesome. Taken as a whole, Rush will last through the ages, but not with the hype that came from it's immediacy. In other words, someone studying popular culture in the yr. 2100 will hear Rush as a prime example of what the music as a whole sounded like in the late 70's and early 80's. They'll be taken alongside Bowie, Bad Co., Zeppelin, etc. prior to them (1970-1975?), and Bon Jovi, Def Lep, & GN'R after them (1983?- 1990) as part of a long continuous line.

Posted by Cheesecrop on Wednesday, 07/10/2013 @ 15:55pm

I'll be pretty dissapointed if Bon Jovi is remembered as one of the defining bands of the 80's and not Pixies or somethin'...

Posted by GFW on Wednesday, 07/10/2013 @ 17:35pm

This is certainly an interesting idea. Is the art of our time ephemeral, or is it eternal? Will a young girl, who is just starting to play the piano, learn how to master a work, such as 'Jacob's Ladder,' or even 'Xanadu?'
____________________________________________________

Xanadu? As in, the ELO song?

I certainly hope not!

Posted by GFW on Wednesday, 07.10.13 @ 10:41am

--------------------------------------------------------------------------

Very funny GFW,

I certainly hope that you have found that your comment, regarding E.L.O. was as hilarious, as I had thought that it had been. But no, in this case, I was referring to the Rush epic, 'Xanadu' which had been inspired by the poem, "Kubla Khan," by Samuel Taylor Coleridge.

"... I had heard the whispered tales of immortality..."

Of course, those lyrics deal with the issue of immortality also, as do the lyrics from 'Dreamline,' from "Roll The Bones."

"...When we are young
Wandering the face of the earth
Wondering what our dreams might be worth
Learning that we are only immortal
For a limited time..."

Which brings up an interesting question.

Did Rush write their music with the intent of their works becoming immortal, or did they see their music and lyrics as lasting only a limited time?

Posted by Enigmaticus on Thursday, 07/11/2013 @ 09:42am

In the final analysis,

The members of Rush are impeccable musicians, magnificent songwriters, superb composers and amazing showmen.

Posted by Enigmaticus on Saturday, 07/13/2013 @ 00:25am

I doubt very many artists write songs with the express intent that "this will become immortal!" I imagine it is more just sitting down, being inspired and writing good music. The immortality is too unpredictable and takes care of itself. I doubt even Mozart was writing his music and thinking that people would still listen to it hundreds of years later. It was just brilliant stuff in his head that he had to get down on paper and he also had to make a living.

That being said, Enigma, I do agree at least with your final analysis, that "The members of Rush are impeccable musicians, magnificent songwriters, superb composers and amazing showmen." That I can go with.

Posted by Dezmond on Saturday, 07/13/2013 @ 07:06am

Thank you Dezmond,

Now I would like to discuss Rush's greatest songs and epics from each decade per album. If I were to choose at least two songs from each album, the list might look as follows:

Rush (1974)

'Here Again'
'Working Man'

Fly By Night (1975)

'Fly By Night'
'Bytor & The Snow Dog'

Caress Of Steel (1975)

'Bastille Day'
'The Fountain Of Lamneth'

2112 (1976)

'2112'
'A Passage To Bangkok'
'Tears'
'Twilight Zone'

A Farewell To Kings (1977)

'Xanadu'
'Closer To The Heart'

Hemispheres (1978)

'Cygnus X-1 Book II Hemispheres'
'The Trees'
'La Villa Strangiato'

Permanent Waves (1980)

'Freewill'
'Jacob's Ladder'
'Different Strings'
'Natural Science'

Moving Pictures (1981)

'YYZ'
'Red Barchetta'
'Limelight'
'Tom Sawyer'
'The Camera Eye'
'Vital Signs'

Exit... Stage Left (1981)

'Xanadu'
'Jacob's Ladder'
'La Villa Strangiato'
'The Trees'
'Closer To The Heart'
'Red Barchetta'
'Broon's Bane'
'Freewill'
'Tom Sawyer'
'A Passage To Bangkok'
'The Spirit Of Radio'
'YYZ'

Of course there are certainly exceptions (even from the mid 1970's into the early 1980's) such as: '2112,' 'Hemispheres' 'Permanent Waves,' 'Moving Pictures' and 'Exit... Stage Left.' Those albums simply have too many great songs on them to narrow the list down to 2. Throughout the remainder of Rush's career, their songwriting would become so exceptional, that one would be hard pressed to find a single (less than great) song on an album.

Posted by Enigmaticus on Tuesday, 07/16/2013 @ 09:51am

Just a few more notes about Rush:

On July 29, Geddy Lee had a birthday. July 29th had also marked the 39th anniversary of the current lineup (Lee, Lifeson and Peart).

Even if Rush does not release another studio album, they will eventually be remembered for writing some of the greatest songs of all time in two different centuries. Even though their induction into the Rock & Roll Hall Of Fame had been long overdue, they still deserve to be honored with the Lifetime achievement Award in Songwriting, the Grammy for Lifetime achievement and The Kennedy Center Honors.

Rush had deserved induction at least a decade ago. Instead of waiting 15 years to induct other noteworthy acts, I think that it is paramount to ensure that Duran Duran does not suffer their fate: this iconic band has deserved induction into
the Rock Hall for several years, as well.

Those bands which have influenced Rush, such as: The Moody Blues, Yes, King Crimson, Jethro Tull, Supertramp, Gentle Giant. ELP and Deep Purple deserve to be enshrined also. Hopefully, these will not be posthumous inductions.

Posted by Enigmaticus on Thursday, 08/1/2013 @ 10:11am

I had pulled out another one of my album review guides today. In this case it is "Music Hound: The Essential Album Guide." Upon reviewing the Rush album reviews, one realizes that Rush has quite a few 4 bone albums.

Posted by Enigmaticus on Sunday, 08/4/2013 @ 05:23am

Approximately every two years, or so, I purchase a new remastered copy of "Exit.... Stage Left" on cd. I have purchased at least 5 copies of thee remastered version of "Exit... Stage Left," during the past decade. I am hoping that Audio Fidelity will finally release a gold or SACD version of the remastered version of Exit... Stage Left during the next couple of years.

Posted by Enigmaticus on Tuesday, 08/6/2013 @ 02:36am

Approximately every two years, or so, I purchase a new remastered copy of "Exit.... Stage Left" on cd. I have purchased at least 5 copies of the remastered version of "Exit... Stage Left," during the past decade. I am hoping that Audio Fidelity will finally release a gold or SACD version of the remastered version of Exit... Stage Left during the next couple of years.

Posted by Enigmaticus on Tuesday, 08/6/2013 @ 03:16am

The "Clockwork Angels" tour has finally come to an end. Now, the members of Rush can take some well deserved time off to recharge their batteries. Their recent induction into the Rock & Roll Hall Of Fame will definitely be one of their high points. Who knows what will transpire next year, as their present incarnation reaches their 40th anniversary? Of course, Geddy Lee and Alex Lifeson will have a milestone to celebrate next month, the 45th year since Rush was founded.

If I had to pick one particular album, from their vast discography which embodies the greatness of Rush, I would have to choose "Exit... Stage Left." Approximately every two years, or so, I have purchased a new remastered copy of "Exit.... Stage Left" on cd. I have purchased at least 5 copies of the remastered version of "Exit... Stage Left," during the past decade alone. I am hoping that Audio Fidelity will finally release a gold or SACD version of the remastered version of Exit... Stage Left sometime within the next couple of years.
Posted by Enigmaticus on Tuesday, 08.6.13 @ 03:16am

Posted by Enigmaticus on Wednesday, 08/7/2013 @ 09:47am

Posted by Enigmaticus on Wednesday, 08/7/2013 @ 09:49am

Rush has written many great songs over the past 5 decades:

The 1970's

Songs:

Working Man
Fly By Night
Bastille Day
A Passage To Bangkok
The Twilight Zone
Closer To The Heart
The Trees
Circumstances

epics (and instrumentals)

The Fountain Of Lamneth
2112
Xanadu
Cygnus X-1 Duo-logy
La Villa Strangiato

The 1980's

Songs:

The Spirit Of Radio
Freewill
Different Strings
Entre Nous
Tom Sawyer
Red Barchetta
Limelight
Vital Signs
Subdivisions
Digital Man
New World Man
Losing It
Countdown
Distant Early Warning
Afterimage
Red Sector A
Red Lenses
Between The Wheels
The Big Money
Grand Designs
Manhattan Project
Marathon
Territories
Middletown Dreams
Mystic Rhythms
Force Ten
Time Stand Still
Open Secrets
Second Nature
Prime Mover
Lock & Key
High Water
Show Me Don't Tell Me
The Pass
War Paint
Scars
Presto
'anagram' (for Mongo)
Red Tide
Available Light

Epics:

Jacob's Ladder
Natural Science
The Camera Eye
War Paint

Posted by Enigmaticus on Saturday, 08/17/2013 @ 01:14am

The 1990's

Songs:

Dreamline
Bravado
Roll The Bones
Heresy
Ghost Of A Chance
You Bet Your Life
Animate
Cut To The Chase
Nobody's Hero
Between Sun And Moon
Double Agent
Everyday Glory
Test For Echo
Half The World
The Color Of Right
Time & Motion
Carve Away The Stone

Instrumentals:

Where's My Thing
Leave That Thing Alone
Limbo

2000's

Ghost Rider
Peaceable Kingdom
Vapor Trail
Earthshine
Far Cry
Armor And Sword
The Larger Bowl
The Way The Wind Blows
Faithless
Good News First

Instrumentals:

The Main Monkey Business
Hope
Malignant Narcissism

2010's

Songs:

Caravan
BU2B
Clockwork Angels
The Anarchist
Halo Effect
The Wreckers
Headlong Flight
BU2B2
The Garden

Posted by Enigmaticus on Saturday, 08/17/2013 @ 04:01am

Posted by Enigmaticus on Saturday, 08/17/2013 @ 15:53pm

I would like to hear what Rush thinks of Chicago. More specifically, Geddy Lee on Peter Cetera, Alex Lifeson on Terry Kath, and Neil Peart on Danny Seraphine. Rush has only commented on Deep Purple, Yes, King Crimson, Jethro Tull, The Moody Blues, Emerson, Lake and Palmer, and Kiss. They want them all inducted. I want to hear what Rush has to say about Chicago. Does Rush want Chicago inducted?

Posted by Roy on Saturday, 08/17/2013 @ 21:55pm

Roy,

Honestly, I do not know. I would say that the members of Rush would support the inductions of The Moody Blues, Yes, Jethro Tull, King Crimson, Deep Purple, Supertramp, Procol Harum and Duran Duran.

I know that Chris Squire of Yes has asked why Chicago wasn't there, however.

Rush did use a brass band on various songs on "Hold Your Fire," although they appear to be more partial to the support of a string section, or a full symphony orchestra.

I would expect

Posted by Enigmaticus on Saturday, 08/17/2013 @ 23:11pm

I read the Chris Squire interview with RS.

Posted by Roy on Saturday, 08/17/2013 @ 23:19pm

Roy,

I can certainly understand your appreciation of the music of Chicago. I think that their first two albums are brilliant and I even like Peter Cetera's ballads. Of course, I am an aficionado of the music of Rush and progressive rock, in general.

#163 - Posted 8/18/13 @9:43AM by Enigmaticus [contact]

#162 - Posted 8/18/13 @9:36AM by Enigmaticus [contact]

For those of us who have been aficionados of Rush's music for more than 3 decades, I will impart the following story.

My first exposure to the music of Rush was on a sunny day, a few weeks after my 17th birthday, in February, 1979.

At the time, I was attending the Heart Seminar (for High School students interested in medical careers) being given at the University of Arizona College of Medicine, in Tucson, Az.
I was a Junior in High School at the time and I could not carry on a conversation, to any extent about Rock music. My parents had forbidden either my sister, or myself from listening to any rock & roll while growing up, with the possible exception of The Carpenters which were considered okay, in their eyes. My only exposure to any other music came from either the radio, or television via the tv show, "Solid Gold." Therefore, as far as modern music was concerned, I was only familiar with disco music and songs like 'Love To Love You Baby,' by the late Donna Summer, 'Ring My Bell' by Anita Ward and 'Don't Bring Me Down,' by The Electric Light Orchestra. Otherwise, I was familiar with some of the romantic music of Peter Illyich Tchaikovsky, some motion picture soundtracks, and some jazz and big band era music.

That all had changed in February, 1979 however when I had followed two of my fellow high school students into a record shop, where I would first hear "Hemispheres." This, to me, this was a sonic revelation, it was both new and familiar simultaneously. I was overwhelmed by it's beauty and complexity. I was mesmerized by it's melody, I was enthralled by the bombast. It was, up until that time, the most amazing music that I had ever heard in my life. My world had changed, I had been exposed to "progressive rock." Unfortunately, it would be another year and a half before I would hear it once again.

Posted by Enigmaticus on Sunday, 08/18/2013 @ 10:22am

Roy,

I can certainly understand your appreciation of the music of Chicago. I think that their first two albums are brilliant and I even like Peter Cetera's ballads. Of course, I am an aficionado of the music of Rush and progressive rock, in general.

#163 - Posted 8/18/13 @9:43AM by Enigmaticus [contact]

#162 - Posted 8/18/13 @9:36AM by Enigmaticus [contact]

For those of us who have been aficionados of Rush's music for more than 3 decades, I will impart the following story.

My first exposure to the music of Rush was on a sunny day, a few weeks after my 17th birthday, in February, 1979.

At the time, I was attending the Heart Seminar (for High School students interested in medical careers) being given at the University of Arizona College of Medicine, in Tucson, Az.
I was a Junior in High School at the time and I could not carry on a conversation, to any extent about Rock music. My parents had forbidden either my sister, or myself from listening to any rock & roll while growing up, with the possible exception of The Carpenters which were considered okay, in their eyes. My only exposure to any other music came from either the radio, or television via the tv show, "Solid Gold." Therefore, as far as modern music was concerned, I was only familiar with disco music and songs like 'Love To Love You Baby,' by the late Donna Summer, 'Ring My Bell' by Anita Ward and 'Don't Bring Me Down,' by The Electric Light Orchestra. Otherwise, I was familiar with some of the romantic music of Peter Illyich Tchaikovsky, some motion picture soundtracks, and some jazz and big band era music.

That all had changed in February, 1979 however when I had followed two of my fellow high school students into a record shop, where I would first hear "Hemispheres." This, to me, was a sonic revelation, it was both new and familiar simultaneously. I was overwhelmed by it's beauty and complexity. I was mesmerized by it's melody, I was enthralled by the bombast. It was, up until that time, the most amazing music that I had ever heard in my life. My world had forever changed, I had been exposed to the forbidden world of "progressive rock." Unfortunately, it would be an additional year and a half before I would hear it once again.

Posted by Enigmaticus on Sunday, 08/18/2013 @ 11:17am

#164 - Posted 8/18/13 @10:11AM by Enigmaticus [contact]

One and a half years had passed. It was now October, 1980 and I was now a Freshman majoring in Architecture, at the University of Arizona. A fellow student had invited me to his room, to hear a cassette of his. On one side was "Dark Side Of The Moon," by Pink Floyd. The other side was "Hemispheres," by Rush. Prior to that time, I had discovered 'Nights In White Satin,' by The Moody Blues, from my roommate's radio. I had also purchased as my first two cassettes, please don't laugh, "Lost In Love," by Air Supply and "Xanadu: The Original Motion Picture Soundtrack."

I had really enjoyed both sides of that cassette, and from that initial exposure to both Pink Floyd and Rush emerged my overall taste in music. As a result, I would become one of progressive rock's strongest advocates and would make it one of my life's goals to expose others to the music of Rush and progressive rock, in general. In the ensuing remaining months of 1980, I would become more familiar with the music of Styx, especially "The Grand Illusion," The Moody Blues, Kansas, Heart and of course, Rush.

Posted by Enigmaticus on Sunday, 08/18/2013 @ 13:40pm

On a cold rainy day in December, 1980, I would stop in at a now-defunct record store named "Roads To Moscow" to make my first purchase of a Rush album on cassette.

For the price of $8.00 + tax, I had purchased "A Farewell To Kings." When I had returned to my dorm room, I climbed up into the top bunk and fell asleep while listening to 'Xanadu' on my primitive cassette player. As the song had played, I had conjured up amazing visions of riding the winged horse, Pegasus, across the high mountaintops of the Himalayas. Finally, I had landed by a cave, near the top of Mt. Everest.

Posted by Enigmaticus on Sunday, 08/18/2013 @ 15:21pm

Okay,

Just a few more questions about Rush:

Was their induction into the Rock & Roll Hall Of Fame earlier this year long overdue, or was it at the appropriate time?

Did too many artists get in much earlier than they should have?

What about the artists who have yet to be inducted?

What did those artists contribute to the fabric of Rock & Roll and how did their work affect you personally?

Posted by Enigmaticus on Tuesday, 08/20/2013 @ 09:46am

Just a few more questions about Rush:

Was their induction into the Rock & Roll Hall Of Fame earlier this year long overdue, or was it at the appropriate time?

Did too many artists get in much earlier than they should have?

What about the artists who have yet to be inducted?

What did those artists contribute to the fabric of Rock & Roll and how did their work affect you personally?

Posted by Enigmaticus on Tuesday, 08.20.13 @ 09:46am
--------------------------------------------------
I'm split on whether they were long overdue, or it was the right time. I wouldn't say they were long overdue, but I would've put them in at least 5 yrs. ago.

When you talk about artists who get in earlier than they should have, it's a relative question. I've always said that if you're an obvious choice, you shouldn't have to wait. Some acts are clear cut choices, & they shouldn't have to wait. I'm not just talking Elvis or the Beatles either. There was a backlog of sorts when Bruce Springsteen came up, & he got in right off. Makes sense, since he deserved the vote right off. Guns N' Roses made it on the first vote, and they should have. Nirvana's up next yr.; they should be voted in w/out question. Why make the obvious one's wait?

When you ask about the artists still waiting, is this in relation to Rush? If it's a general question, there are a fair amount of artists who should be there. I'll not name who I think are obvious picks here (I'd prefer a separate list), but there are enough to go round.

If you are referring to artists who are still waiting, who maybe should've been voted in before Rush, that's anybody's guess. If you really wanted to be a stickler about putting acts in along the lines of "oldest to youngest", you'd have to say Dick Dale, Link Wray, the Rock & Roll Trio, and some late 50's, early 60's acts should've gone before them. That's only if you're a stickler for the "oldest comes first" scenario - which I'm not.

The last question, about what the other (as yet n-named) artists contributed to the music, & how it affects someone, is simply too log to answer here. If you really want my take on some acts that are waiting, I'll be glad to spout. I won't do it in this post, though, & I'll wait for you to say so (or if the whole site just starts riffing on this idea - if it's a free-for-all, I'll jump in).

Posted by Cheesecrop on Tuesday, 08/20/2013 @ 16:11pm

Will Rush's induction into the Rock & Roll Hall Of Fame have any lasting impact, or will it return to the "business as usual" routine of induction, once again?

Posted by Enigmaticus on Sunday, 08/25/2013 @ 11:33am

It's a very well known fact that over the years The Rock Hall has gotten thousands of letters from fans of The Moody Blues and Rush. More than any other bands. The Moody Blues pre-date Rush, but Rush might get inducted first, to add to the votes for The Moody Blues. The Moody Blues were nerd Rock long before Rush came along.

Posted by Roy on Saturday, 11.3.12 @ 22:31pm

Thank you. I had found this statement to be inspirational, prophetic and revelatory, Roy.

Now that Rush has been firmly ensconced into the Rock & Roll Hall Of Fame, will their induction forever change the way that the Rock & Roll Hall Of Fame Nomination Committee goes about conducting business?

Posted by Enigmaticus on Sunday, 09/8/2013 @ 03:32am

My favorite Rush albums of those released in the 1980's:

1. Exit... Stage Left
2. Power Windows
3. Presto
4. Moving Pictures
5. Permanent Waves
6. Signals
7. Hold Your Fire
8. Grace Under Pressure
9. A Show Of Hands

And the greatest songs of the 1980's:

1. Xanadu
2. Mystic Rhythms
3. Available Light
4. Tom Sawyer
5. Jacob's Ladder
6. Losing It
7. Time Stand Still
8. Red Lenses
9. Marathon
10. La Villa Strangiato
11. Territories
12. Scars
13. The Camera Eye
14. Different Strings
15. Digital Man
16. Open Secrets
17. Red Sector A
18. Grand Designs
19. Presto
20. Red Barchetta
21. Freewill
22. Subdivisions
23. Prime Mover
24. Between The Wheels
25. Middletown Dreams
26. The Pass
27. Limelight
28. Entre Nous
29. New World Man
30. High Water
31. Afterimage
32. The Trees
33. 'anagram' (for Mongo)
34. YYZ
35. Freewill
36. Chemistry
37. Distant Early Warning
38. Force Ten
39. The Spirit Of Radio
40. The Big Money
41. Red Tide
42. Vital Signs
43. Natural Science
44. The Analog Kid
45. Second Nature
46. Chain Lightning
47. Emotion Detector
48. Witch Hunt
49. Countdown
50. Lock And Key

Posted by Enigmaticus on Sunday, 09/8/2013 @ 04:31am

Posted by Enigmaticus on Sunday, 09/8/2013 @ 04:32am

My favorite Rush albums of those released in the 1980's:

1. Exit... Stage Left
2. Power Windows
3. Presto
4. Moving Pictures
5. Permanent Waves
6. Signals
7. Hold Your Fire
8. Grace Under Pressure
9. A Show Of Hands

And the greatest songs of the 1980's:

1. Xanadu
2. Mystic Rhythms
3. Available Light
4. Tom Sawyer
5. Jacob's Ladder
6. Losing It
7. Time Stand Still
8. Red Lenses
9. Marathon
10. La Villa Strangiato
11. Territories
12. Scars
13. The Camera Eye
14. Different Strings
15. Digital Man
16. Open Secrets
17. Red Sector A
18. Grand Designs
19. Presto
20. Red Barchetta
21. Freewill
22. Subdivisions
23. Prime Mover
24. Between The Wheels
25. Middletown Dreams
26. The Pass
27. Limelight
28. Entre Nous
29. New World Man
30. High Water
31. Afterimage
32. The Trees
33. 'anagram' (for Mongo)
34. YYZ
35. Broon's Bane
36. Chemistry
37. Distant Early Warning
38. Force Ten
39. The Spirit Of Radio
40. The Big Money
41. Red Tide
42. Vital Signs
43. Natural Science
44. The Analog Kid
45. Second Nature
46. Chain Lightning
47. Emotion Detector
48. Countdown
49. Witch Hunt
50. Lock And Key

Posted by Enigmaticus on Sunday, 09/8/2013 @ 05:30am

Of course when dealing with Rush, I have divided their albums into 5 distinct periods. I have differed from Prog Archives opinion wise on Rush being classified as a " Heavy Progressive" act.

The Early Period (1968-1976)

Heavy Progressive

1. Rush
2. Fly By Night

Heavy Symphonic Progressive

3. Caress Of Steel
4. 2112
5. All The World's A Stage

Middle Period (1977-1981) aka The Classic Period

Symphonic Progressive

6. A Farewell To Kings
7. Hemispheres

Symphonic Progressive/Art Rock

8. Permanent Waves
9. Moving Pictures
10. Exit... Stage Left

Early Modern Period (1982-1988)

Art Rock

11. Signals
12. Grace Under Pressure
13. Power Windows
14. Hold Your Fire
15. A Show Of Hands

Middle Modern Period (1989-1998)

Art Rock

16. Presto
17. Roll The Bones

Art Rock/Eclectic Progressive

18. Counterparts
19. Test For Echo
20. Different Stages

22. Late Modern Period (1999-201?)

Progressive Hard Rock

21. Vapor Trails
22. Rush In Rio
23. Feedback

Symphonic Eclectic Progressive

24. R30
25. Snakes & Arrows
26. Snakes & Arrows Live
27. Clockwork Angels
28. Clockwork Angels Live

Posted by Enigmaticus on Sunday, 09/8/2013 @ 07:41am

I am very disappointed that none of the following Rush songs are part of the Rock Hall Revisited lists:

1. Dreamline
2. Bravado
3. Roll The Bones
4. Ghost Of A Chance
5. Heresy
6. The Big Wheel
8. You Bet Your Life
9. Animate
10. Nobody's Hero
11. Between Sun And Moon
12. Cold Fire
13. Everyday Glory
14. Test For Echo
15. Half The World
16. Totem
17. Time & Motion
18. Carve Away The Stone

Posted by Enigmaticus on Sunday, 09/22/2013 @ 20:29pm

I am very disappointed that none of the following Rush songs are part of the Rock Hall Revisited lists:

1. Dreamline
2. Bravado
3. Roll The Bones
4. Ghost Of A Chance
5. Heresy
6. The Big Wheel
7. Where's My Thing (instrumental)
8. You Bet Your Life
9. Animate
10. Nobody's Hero
11. Between Sun And Moon
12. Cold Fire
13. Everyday Glory
14. Leave That Thing Alone (instrumental)
15. Test For Echo
16. Half The World
17. Totem
18. Time & Motion
19. Carve Away The Stone
20. Limbo (instrumental)

Posted by Enigmaticus on Sunday, 09.22.13 @ 20:29pm

Posted by Enigmaticus on Sunday, 09/22/2013 @ 23:11pm

Yeah, with all of the important artists with important songs who have little to no representation, we'll just go and induct 20 Rush songs.

Seriously, pop your bubble. You've become a caricature.

Posted by DarinRG on Monday, 09/23/2013 @ 00:07am

Not to mention that the definitive Rush songs not inducted are "Xanadu" and "Subdivisions" (which he didn't even list), while most of those are pretty minor tracks from after their prime. The "Roll the Bones" album is probably more generic than most of their other stuff. I'm a Rush fan, but although "Subdivisions" is my favorite, I admit their representation is pretty sufficient.

Posted by Sean on Monday, 09/23/2013 @ 00:49am

Oh drat, I forgot 'Resist.'

DarinRG,

I did not say that I had wanted all 21 Rush songs from the 1990's nominated. I said that I was very disappointed that not a single Rush song from the 1990's was nominated. But then again, I did not see a single song by: Yes, Jethro Tull, Genesis, Pink Floyd, King Crimson, or ELP listed either. With the exceptions of Duran Duran and perhaps, Queen, this list has completely ignored PROG, or "art rock."

Posted by Enigmaticus on Monday, 09/23/2013 @ 09:38am

Or for that matter, not a single song by The Moody Blues, nor Peter Gabriel are listed either.

These artists were still creating great music even then. It is very disappointing to see this. It is almost like someone does not think that "progressive rock" had any importance whatsoever. Please keep in mind that it was in the 1990's that many of those so-called alternative bands had declared the aforementioned artists as an influence.

Posted by Enigmaticus on Monday, 09/23/2013 @ 09:50am

About Rush, Enigmaticus wrote:
Or for that matter, not a single song by The Moody Blues, nor Peter Gabriel are listed either.

These artists were still creating great music even then. It is very disappointing to see this. It is almost like someone does not think that "progressive rock" had any importance whatsoever. Please keep in mind that it was in the 1990's when many of those so-called alternative bands had declared the aforementioned artists as an influence. I am sure that Roy could list all of the honors bestowed upon those artists during that decade, if he really wanted to.
Monday, 09.23.13 @ 09:50am

Posted by Enigmaticus on Monday, 09/23/2013 @ 10:00am

Yeah we clearly utterly hate Prog. That's why all the bands you just mentioned are inducted, and have songs and albums inducted.

Posted by GFW on Monday, 09/23/2013 @ 16:26pm

Enigmaticus: What are you talking about? We have songs and albums inducted from all of those groups. Not from the 90's because other then "Steam" by Peter Gabriel, all those acts did nothing worthy of our recognition in that decade.

Posted by Gassman on Monday, 09/23/2013 @ 17:23pm

Wow, your honesty is quite refreshing Gassman. Of course, I was taken aback by your previous statement. To completely ignore any of those aforementioned acts in the 1990's and beyond is disheartening to say the least.

Yes had released the brilliant "Keys To Ascension 1 & 2." The Moody Blues had released "A Night At Red Rocks," in addition to "Strange Times." Jethro Tull had released "Roots To Branches," ELP had released "The Atlantic Years" and "Black Moon." King Crimson had reemerged as a double trio to release "Thrak" and "B'Boom." Rush had released "Roll The Bones," "Test For Echo" and "Different Stages," in addition to "Counterparts." Pink Floyd had released "The Division Bell" and "Pulse."

Posted by Enigmaticus on Tuesday, 09/24/2013 @ 23:30pm

My favorite Rush studio albums from worst to best:

20. Rush

Other than 'Working Man' and perhaps 'Here Again,' none of the other songs warrant my attention.

19. Fly By Night

The title track and 'Making Memories' are good; 'Bytor And The Snow Dog' is interesting; 'Rivendell' is boring.

18. Feedback

A good cover's album. I especially like Rush's cover of 'What It's Worth,' 'Mr. Soul' and 'The Seeker.'

17. 2112

I like the '2112' suite and 'A Passage To Bankok,' 'Twilight Zone,' 'Tears' and 'Something For Nothing.' 'Lessons,' however is horrible.

16. Grace Under Pressure

I like 'Distant Early Warning,' 'Red Lenses,' 'Red Sector A' and 'Between The Wheels.'

15. Vapor Trails

A relatively good album, overall. The new version might be spectacular. My favorite songs are: 'Peaceable Kingdom,' 'Vapor Trail,' 'Ghost Rider,' 'How It Is' and 'Nocturne.'

14. Counterparts

'Animate,' 'Leave That Thing Alone' and 'Nobody's Hero' are
brilliant. The rest of the songs with the exception of 'Stick It Out' are very good.

13. Hold Your Fire

'Prime Mover,' 'Second Nature,' 'High Water,' 'Time Stand Still' and 'Force Ten' are brilliant. The other songs are quite good as well.

12. A Farewell To Kings

'Xanadu' is Rush's magnum opus. 'Closer To The Heart,' 'Madrigal' and 'Cinderella Man' are very good, as well. 'Cygnus X-1' is very interesting.

11. Caress Of Steel

'Bastille Day' and 'The Fountain Of Laneth' are great. 'Lakeside Park' is very good. 'The Necromancer' is good. 'I Think I'm Going Bald' is okay.

10. Test For Echo

'Test For Echo,' 'Time & Motion,' 'Resist,' 'Carve Away The Stone,' 'Totem,' 'Half The World' and 'The Colour Of Right' and 'Limbo' are excellent. 'Dog Years' is humorous.

Posted by Enigmaticus on Wednesday, 09/25/2013 @ 10:07am

Rush's studio albums from worst to best part I:

About Rush, Enigmaticus wrote:
My favorite Rush studio albums from worst to best:

20. Rush

Other than 'Working Man' and perhaps 'Here Again,' none of the other songs warrant my attention.

19. Fly By Night

The title track and 'Making Memories' are good; 'Bytor And The Snow Dog' is interesting; 'Rivendell' is boring.

18. Feedback

A good cover's album. I especially like Rush's cover of 'What It's Worth,' 'Mr. Soul' and 'The Seeker.'

17. 2112

I like the '2112' suite and 'A Passage To Bangkok,' 'Twilight Zone,' 'Tears' and 'Something For Nothing.' 'Lessons,' however is horrible.

16. Grace Under Pressure

I especially like 'Distant Early Warning,' 'Red Lenses,' 'Red Sector A' and 'Between The Wheels.'

15. Vapor Trails

A relatively good album, overall. The new version might be quite spectacular. My favorite songs are: 'Peaceable Kingdom,' 'Vapor Trail,' 'Ghost Rider,' 'How It Is' and 'Nocturne.'

14. Counterparts

'Animate,' 'Leave That Thing Alone' and 'Nobody's Hero' are
brilliant. The rest of the songs with the exception of 'Stick It Out' are very good.

13. Hold Your Fire

'Prime Mover,' 'Second Nature,' 'High Water,' 'Time Stand Still'
and 'Force Ten' are brilliant. The other songs are quite good
as well.

12. A Farewell To Kings

'Xanadu' is Rush's magnum opus. 'Closer To The Heart,'
'Madrigal' and 'Cinderella Man' are very good, as well.
'Cygnus X-1' is very interesting.

11. Caress Of Steel

'Bastille Day' and 'The Fountain Of Lamneth' are great.
'Lakeside Park' is very good. 'The Necromancer' is good. 'I Think I'm Going Bald' is okay.

10. Test For Echo

'Test For Echo,' 'Time & Motion,' 'Resist,' 'Carve Away The Stone,' 'Totem,' 'Half The World' and 'The Colour Of Right'
and 'Limbo' are excellent. 'Dog Years' is humorous.

Wednesday, 09.25.13 @ 10:07am

Posted by Enigmaticus on Wednesday, 09/25/2013 @ 10:23am

Rush's best studio albums (worst to best) part II

The following nine studio albums are the best of Rush's output. For those of us who have been aficionados of their works for years, these are the best of the best.

9. Hemispheres

This was the album which introduced me to the greatness and magnificence of Rush. It has only four songs, but each of those songs are extraordinary individually, or when taken as a whole. 'La Villa Strangiato' is probably Rush's greatest instrumental. 'Cygnus X-1 Book II : Hemispheres' is probably Rush's greatest side long work. 'The Trees' is an exemplary example of an insightful song dealing with class struggle, disguised as a minor fairy tale. 'Circumstances' is a song dealing with the personal struggles and uncertainties in our daily lives.

Posted by Enigmaticus on Thursday, 09/26/2013 @ 01:49am

Continuing the countdown of Rush's greatest studio albums:

8. Snakes And Arrows

After a five year hiatus due to Neil Peart's personal tragedies, Rush had returned with the bare bones sound of the aforementioned "Vapor Trails."

"Vapor Trails" was a triumphant return to form, yet it had lacked the progressive rock dynamics of Rush's earlier works. After touring Brazil, Rush was inspired to release a covers album,
"Feedback" which had payed homage to some of their earliest influences, such as: Buffalo Springfield, The Who, The Yardbirds and Cream, amongst others. From that aforementioned recording, as far as I am concerned: 'For What It's Worth,' 'Mr. Soul' and 'The Seeker' are standouts.

In 2004, Rush had embarked on a 30th anniversary tour and the efforts of their live recording, "R30" was quite spectacular.

In 2007, after another brief hiatus, Rush had returned to form with the spectacular, "Snakes & Arrows," an album which had dealt with various aspects of spirituality and religion.

"Snakes And Arrows" is a true return to form, representing a mature Rush plus it pays homage to their progressive rock predecessors by showcasing a mellotron on various tracks. "Snakes & Arrows" is more mellow than it's predecessor and includes such standouts as the spectacular: 'Far Cry,' 'Workin' Them Angels,' 'Armor and Sword,' 'The Way That The Wind Blows,' three great instrumentals: 'The Main Monkey Business,' 'Malignant Narcissism' and 'Hope.' 'Hope' is a beautiful Alex Lifeson guitar piece. My favorite song on this album is the poignant, 'Faithless,' one of Rush's greatest songs, the string section on this song is used to great effect, enhancing the atmospheric nature of this work. The other songs are great also, but the 3 instrumentals in addition to those aforementioned songs make "Snakes & Arrows" one of
Rush's greatest works and a spectacular return to form.

Posted by Enigmaticus on Thursday, 09/26/2013 @ 10:00am

Before discussing my 7th favorite Rush album, I thought that it would be appropriate to discuss the albums that had preceded that change:

In 1977, Rush had released, "A Farewell To Kings," which had contained the magnificent magnum opus, 'Xanadu,' and the great single, 'Closer To The Heart.'

In 1978, Rush had released, "Hemispheres," which was previously discussed in even the most terse manner possible, had included, 'The Trees' and 'La Villa Strangiato.' "Hemispheres" was considered by many to be Rush's last epic work.

I will discuss the next three albums in Rush's discography at a later date. For now, let's discuss the new wave and it's impact on Rush.

In the late 1970's, a new style of music was forthcoming. After the advent of punk rock and it's return to the basics, a new generation of musicians had seen the opportunity to form bands and consequently change the way that music was heard and seen. It has been stated that the members of Rush had loved the music of that period and had sought to incorporate those styles into their arsenal.

Hence, in 1982 Rush had released:

7. Signals

After Rush's great "middle period," Rush had decided to simplify their sound. On a more personal note, I had developed an interest in urban planning and city design, back in 1980. In the autumn of 1980, I had decided to approach urban planning via enrolling in the College Of Architecture. While there I had met a fellow student, who would re-introduce me to the music of Rush and to the music of Pink Floyd. By the summer of 1981, I had become a major progressive rock aficionado. For over 32 years, I have been a very strong advocate for this style of music. By 1997, I had the ability to create a website which would finally discuss my appreciation of "art rock," or "progressive rock."

I had purchased a copy of "Signals" in the autumn of 1982. I was encouraged to see more personal lyrics and a slew of great songs on this album. I was also impressed by most of the music, especially the keyboard focus on this album. It was obvious that Rush was listening to the new music and that they were fully embracing the style. The sings were shorter in length and they even had a top 40 hit with 'New World Man.'

Posted by Enigmaticus on Saturday, 09/28/2013 @ 15:36pm

My favorite songs from "Signals" are: 'Losing It,' 'Digital Man,' 'Chemistry,' 'Countdown,' 'New World Man,' 'Subdivisions' and 'The Analog Kid.'

For example, I really like the incorporation of Ben Mink's electric violin into the song, 'Losing It.' I also like the lyrics. I like the dominance of the synthesizers on this particular recording as well.

My appreciation of "Signals" had led me to the further appreciation of the music of Duran Duran, The Police, Talking
Heads and U2. As time went on, I would look forward to each and every new recording by Rush. Each new recording was like receiving a great birthday present. Rush's music was foremost in expanding my interest in new musical genres and the appreciation of earlier artists as well. As a result, I would thoroughly embrace "art rock" and cautiously embrace "new wave. Unlike other artists, with very few exceptions, Rush has never disappointed me.

Posted by Enigmaticus on Saturday, 09/28/2013 @ 16:04pm

Continuing the countdown of greatest Rush albums, I have a
bit of a dilemma. I have found that both #6 and #5 are equally magnificent for the most part. So after a great deal of deliberation on this matter, I have decided to choose "Permanent Waves" as their 6th greatest recording.

6. Permanent Waves

What can you say about this great record? It has 6 superlative songs (2 of which have become radio staples, 'The Spirit Of Radio' and 'Freewill.') and this is thankfully, also the point at which, Geddy Lee stops singing with that extremely obnoxious shriek and begins to finally sing in his normal register. This album has two magnificent progressive rock masterpieces, the mini-epics, 'Jacob's Ladder' and 'Natural Science,' and two other great songs, 'Different Strings' and 'Entre Nous.'

One of my favorite songs on this recording is 'Jacob's Ladder.' for me, it represents the perfect melding of instrumental expertise and lyrical minimalism. It conveys the atmospheric sense of being within the middle of a major thunderstorm. It is at first, intense and energetic, then it subsides to a deliberate and pervasive calm as the storm passes.

Not to be outdone, 'Natural Science' is another magnificent mini epic, in this case, it starts with the calm of the tide pool and evolves into the fury of a whirlpool which almost intensifies into witnessing the birth of the universe itself. Finally, the ska like beat adds to the lyrical magnificence, at the end however it once again, resorts to the calm of the tide
pools.

Posted by Enigmaticus on Saturday, 09/28/2013 @ 17:11pm

'Different Strings' is one of Rush's most beautiful songs. In many ways, it harkens back to 'Tears' from "2112." For one thing, both of these songs were written by Geddy Lee. Both songs also feature keyboard playing by Hugh Syme. In the case of 'Tears,' Hugh plays the mellotron and in the case of Different Strings, Hugh plays the piano. as a result, one gets the sense that Rush has a mellow melodic side as well.

Another great song on "Permanent Waves" is 'Entre Nous.' According to the band's documentary, "Beyond The Lighted Stage," 'Entre Nous' had emotionally connected with Billy Corgan of The Smashing Pumpkins.

I need not discuss the importance of either 'Freewill,' nor 'The Spirit Of Radio,' suffice it to say that both songs have been on heavy rotation on classic rock stations for over 3 decades.

Overall, "Permanent Waves," is a superlative recording, worthy of 5 star status.

Posted by Enigmaticus on Sunday, 09/29/2013 @ 01:07am

Before, I mention Rush's fifth greatest studio album, I think that it would be advantageous to recapitulate the previous 5 albums:

10. Test For Echo

The last recording before the 5 year long hiatus.

9. Hemispheres

The album which had first introduced me to the music of Rush in February, 1979.

8. Snakes & Arrows

The great progressive rock album which had arrived 5 years after "Vapor Trails."

7. Signals

The album which had changed Rush's style from "symphonic progressive rock" to "art rock."

6. Permanent Waves

The recording which had decreased the length of their epic songs and had introduced the shorter song format.

And now, presenting the moment that you have been waiting for:

5. Moving Pictures

This is the album which had established Rush as a serious contender for the title of greatest group within the realm of "progressive rock." I was fortunate to have started re-discovered the magnificence of their music, just a few months prior to thie release of this recording. My appreciation of "Moving Pictures" had led me to the greatness of such groups as Yes, Genesis and Jethro Tull. It had also increased my newfound appreciation of such groups as: The Moody Blues, the Electric Light Orchestra and The Alan.Parson's Project. It would also cement my interest in finding earlier Rush albums.

Prior to the arrival of "Moving Pictures," I had spent the early winter of 1980/1981 listening to "A Farewell To Kings," my first Rush recording purchase. Their epic song, 'Xanadu' had awakened within me a desire to discover more of Rush's back catalog. When "Moving Pictures" had arrived, it had also led me to an appreciation of more "classic rock" bands, such as Heart, The Eagles, Fleetwood Mac, Styx, Kansas and Foreigner.

For me, the music on "Moving Pictures" also led me to an appreciation of more minimalistic music and psychedelic music, also. In my honest opinion, "Moving Pictures" has six great songs and one very good one.

'Tom Sawyer' is arguably Rush's signature song. It is the one
that you will probably most often hear played on the radio. For a long time, I did not really like it. It was such a radical departure from such epic works as 'Xanadu.' but as time went on, I had begun to realize that it was a great song it's own right. As far as I am concerned, 'Tom Sawyer' is still the bridge that links psychedelia with minimalism. My appreciation of 'Tom Sawyer' would eventually lead me to a newfound interest in such groups as Jefferson Airplane,

'Red Barchetta' is a great song about a car, but what an exciting song about a car it is. It propels one into the cinematic scope of being within a car racing it to the nth degree.

'YYZ' is one of Rush's greatest instrumental. It combines different styles which ultimately lead to a newfound appreciation of world music.

'Limelight' is another one of Rush's greatest songs. It focuses on the danger and the distance felt by various artists when they become famous. Ironically, Rush would become very famous after this release.

'The Camera Eye' is the last of Rush's epic songs. It provides a cinematic backdrop to the contrast between two different cities, the modernity of New York City and the more traditional London. It is a great song from beginning to end.

'Witch Hunt' is my least favorite song on "Moving Pictures." It's dark moody synthesizer throughout exemplifies the intolerance of our world towards new things, different ideas, etc.

In sharp contrast, 'Vital Signs' is more upbeat. It is the song which will lead Rush into the new stage of their career.

"Moving Pictures" is the last of Rush's seventies type albums. Afterwards, Rush would shorten their songs tremendously and would wholeheartedly embrace the new musical waves.

Posted by Enigmaticus on Sunday, 09/29/2013 @ 07:28am

Before, I mention Rush's fifth greatest studio album, I think that it would be advantageous to recapitulate the previous 5 albums:

10. Test For Echo

The last recording before the 5 year long hiatus.

9. Hemispheres

The album which had first introduced me to the music of Rush in February, 1979.

8. Snakes & Arrows

The great progressive rock album which had arrived 5 years after "Vapor Trails."

7. Signals

The album which had changed Rush's style from "symphonic progressive rock" to "art rock."

6. Permanent Waves

The recording which had decreased the length of their epic songs and had introduced the shorter song format.

And now, presenting the moment that you have been waiting for:

5. Moving Pictures

This is the album which had established Rush as a serious contender for the title of greatest group within the realm of "progressive rock." I was fortunate to have rediscovered the magnificence of their music, just a few months prior to the release of this recording. My appreciation of "Moving Pictures" had led me to the greatness of such groups as Yes, Genesis and Jethro Tull. It had also increased my newfound appreciation of such groups as: The Moody Blues, the Electric Light Orchestra and The Alan Parson's
Project. It would also cement my interest in finding earlier
Rush albums.

Prior to the arrival of "Moving Pictures," I had spent the early
winter of 1980/1981 listening to "A Farewell To Kings," my
first Rush recording purchase. Their epic song, 'Xanadu' had
awakened within me a desire to discover more of Rush's
back catalog. When "Moving Pictures" had arrived, it had also
led me to an appreciation of more "classic rock" bands, such
as: Heart, The Eagles, Fleetwood Mac, Styx, Kansas and
Foreigner.

For me, the music on "Moving Pictures" also led me to an appreciation of more minimalistic music and psychedelic music, also. In my honest opinion, "Moving Pictures" has six great songs and one very good one.

'Tom Sawyer' is arguably Rush's signature song. It is the one
that you will probably most often hear played on the radio.
For a long time, I did not really like it. It was such a radical
departure from the grandeur of such epic works as 'Xanadu.' but as time has passed, I had begun to realize that it was a great song in it's own right. As far as I am concerned, 'Tom Sawyer' is still the bridge that marries psychedelia with minimalism. My appreciation of 'Tom Sawyer' would eventually lead me to a newfound interest in such groups as Jefferson Airplane,

'Red Barchetta' is a great song about a car, but what an exciting song about a car it is. It propels one into the
cinematic scope of being within a car racing it to the nth
degree.

'YYZ' is one of Rush's greatest instrumentals. It combines
a myriad of different styles which would ultimately lead to a newfound appreciation of world music, including but not limited to Peter Gabriel's solo work.

'Limelight' is another one of Rush's greatest songs. It focuses
on the danger and the distance felt by various artists towards their audience when they become famous. Ironically, Rush would become very famous after this release.

'The Camera Eye' is the last of Rush's epic songs. It provides a cinematic backdrop to the contrast between two different cities, the modernity of New York City and the more traditional London. It is a great song from beginning to end.

'Witch Hunt' is my least favorite song on "Moving Pictures." It's dark moody synthesizer throughout exemplifies the
intolerance of our world towards new things, different ideas, etc.

In sharp contrast, 'Vital Signs' is more upbeat. It is the song
which would lead Rush into the new stage of their career.

"Moving Pictures" is the last of Rush's seventies type albums. Afterwards, Rush would shorten their songs tremendously and would wholeheartedly embrace the arriving new musical
waves.

Posted by Enigmaticus on Sunday, 09/29/2013 @ 08:25am

After the cinematic grandeur of "Moving Pictures," Rush would radically change their direction for the next 30 years. In those ensuing decades, I would discover such groups as: King Crimson, Talking Heads, ELP, Gentle Giant, Renaissance, Echolyn and Jefferson Airplane. I would also listen to a great deal of Yes, discover the earlier works of Genesis, aka The Peter Gabriel era, embrace the psychedelic era works of The Beatles, The Beach Boys, Cream and others.

All of this would eventually lead me to a further appreciation of "progressive rock" and "art rock."

Posted by Enigmaticus on Sunday, 09/29/2013 @ 08:45am

Continuing the countdown of Rush's greatest studio albums and we finally arrive at their last album of the 1980's:

4. Presto

When I had first heard Presto, I was astonished by how great of a recording it was. With the possible exception of 'Superconductor,' this album is surely a Rush tour de force. "Presto" addresses such issues as: teen suicide, the pollution of the environment, evolution and magic. It is another cinematic album by Rush. Each of the individual songs, convey multiple images. In my honest opinion, many of Rush's greatest songs are here, including: 'Available Light.' 'Presto,' 'Scars,' 'Red Tide,' 'Anagram (for Mongo),' 'Chain Lightning,' 'The Pass' and 'Show Don't Tell.'

Posted by Enigmaticus on Monday, 09/30/2013 @ 01:15am

I have just purchased the box set of Rush studio albums from "Presto" through "Snakes & Arrows." Since, two of those albums will feature prominently on the list of top 5 Rush studio albums, I will be reviewing the final four (in more detail) at a later date. Suffice it to say, that the remastered version of no. 4, "Presto" may have various sonic revelations, heretofore unknown.

Therefore, announcing the third greatest Rush studio album, may be appropriate at this time. It is none another than Rush latest studio album, "Clockwork Angels."

3. Clockwork Angels

There are so many great songs on this most recent Rush recording that elucidating them individually will most certainly be a monumental task. Suffice it to say, that supplementing the support of a string section to Rush's superb instrumental acumen enhances it in many ways. Many of Rush's greatest songs are here, also. Those extraordinary songs include: 'The Garden,' 'The Wreckers,' 'Halo Effect,' 'Clockwork Angels,' 'The Anarchist,' 'Caravan' and 'Brought Up To Believe (BU2B)' and 'BU2B.'

As a hint of what my top 2 Rush studio albums are: one is featured somewhat prominently in the "Clockwork Angels Tour" list and the other on various compilations, and earlier tours. Oh yes, one more thing: a supposedly "true Rush fan" will be aghast at my selection. Thank goodness, I am not a
"true Rush fan," but instead an aficionado of their music,
otherwise my top two studio albums would be considered
heretical, to say the least. ;-)

Posted by Enigmaticus on Wednesday, 10/2/2013 @ 05:50am

I have just purchased the box set of Rush studio albums from "Presto" through "Snakes & Arrows." Since, two of those albums will feature prominently on the list of top 5 Rush studio albums, I will be reviewing the final four (in more detail) at a later date. Suffice it to say, that the remastered version of no. 4, "Presto" may have various sonic revelations, heretofore unknown.

Therefore, announcing the third greatest Rush studio album, may be appropriate at this time. It is none another than Rush latest studio album, "Clockwork Angels."

3. Clockwork Angels

There are so many great songs on this most recent Rush recording that elucidating them individually will most certainly be a monumental task. Suffice it to say, that supplementing the support of a string section to Rush's superb instrumental acumen enhances it in many ways. Many of Rush's greatest songs are here, also. Those extraordinary songs include: 'The Garden,' 'The Wreckers,' 'Halo Effect,' 'Clockwork Angels,' 'The Anarchist,' 'Caravan' and 'Brought Up To Believe (BU2B)' and 'Headlong Flight.'

As a hint of what my top 2 Rush studio albums are: one is
featured somewhat prominently in the "Clockwork Angels
Tour" list and the other on various compilations, and earlier tours.

Oh yes, one more thing: a supposedly "true Rush fan" will be aghast at my selection. Thank goodness, I am not a "true Rush fan," but instead an aficionado of their music,
otherwise my top two studio albums would be considered
heretical, to say the least. ;-)

However, all is right in the world, since my favorite Rush recording is not really a studio album per se, and later this month, that particular album will be celebrating it's 32 year old birthday. It may finally be dethroned by next month's release of the "Clockwork Angels Tour" cd, dvd and BluRay however.

All that I can say now, however is "Stay tuned."

Posted by Enigmaticus on Wednesday, 10.2.13 @ 05:50am

Posted by Enigmaticus on Wednesday, 10/2/2013 @ 06:09am

Therefore, announcing the third greatest Rush studio album may be more appropriate at this time. It is none other than Rush's latest studio offering: "Clockwork Angels."

3. Clockwork Angels

As I had noted earlier, after the prolonged 5 year long hiatus, due to the personal tragedies that Neil Peart had faced, Rush had returned with a renewed focus.

Posted by Enigmaticus on Wednesday, 10/2/2013 @ 06:46am

"Clockwork Angels" is another Rush tour de force. In my honest opinion, I feel that the music of Rush had always been written to be played by symphony orchestras. Back in the mid 1980's, Geddy Lee had stated that he had "...preferred to think of Rush's music as being orchestrated, rather than simply arranged..." With the inclusion of the "Clockwork Angels string ensemble," the great music of Rush is enhanced immensely by the incliusion of cellos, violins and violas.

This makes one wonder if Rush will do a symphonic orchestration for 'Xanadu' in the near future?

In any event, there is certainly an emotional connection for me at some level, to such beautiful songs as: 'Clockwork Angels,' 'Halo Effect,' 'The Wreckers' and especially, 'The Garden.'

In my opinion, 'The Garden' is one of Rush's greatest masterpieces. I have always been far more impressed by the mellower and more melodic side of Rush, as opposed to
Rush's harsher side. I feel that the softer passages that Rush has incorporated into their style, emphasize the scope of their versatility, both musically and lyrically.

Certainly this album's heavier pieces, such as 'Caravan,' 'BU2B,' 'Seven Cities Of Gold' and 'Headlong Flight' deserve to be acknowledged also.

Other than perhaps, 'Wish Them Well,' I like most of the selections on "Clockwork Angels." "Clockwork Angels" is one of those albums that deserves to be heard in it's entirety, fro. Beginning to end. The overall theme, might be somewhat nebulous, however "Clockwork Angels" certainly does share something in common with one of Rush's first epics: 'The Fountain Of Lamneth,' from "Caress Of Steel." Both share the theme of looking back upon one's life and the adventures that one has experienced.

Posted by Enigmaticus on Sunday, 10/6/2013 @ 01:43am

Before I continue the countdown of Rush's greatest studio albums, I would like to emphasize the importance of the incorporation of a string ensemble into Rush's songs. Certainly, Rush's greatest songs are enhanced by the support of more instrumentation.

About Rush, Enigmaticus wrote:
"Clockwork Angels" is another Rush tour de force. In my honest opinion, I feel that the music of Rush had always been written to be played by symphony orchestras. Back in the mid 1980's, Geddy Lee had stated that he had "...preferred to think of Rush's music as being orchestrated, rather than simply arranged..." With the inclusion of the "Clockwork Angels string ensemble," the great music of Rush is
enhanced immensely by the inclusion of bass violins, cellos, violins and violas.

This certainly makes one wonder if Rush will do a symphonic
orchestration of their epic 'Xanadu' in the near future?

In any event, there is certainly an emotional connection for
me at some level, to such beautiful songs as: 'Clockwork Angels,' 'Halo Effect,' 'The Wreckers' and especially, 'The Garden.'

In my opinion, 'The Garden' is one of Rush's greatest
masterpieces. I have always been far more impressed by the
mellower and more melodic side of Rush, as opposed to Rush's harsher side. I feel that the softer passages that Rush has incorporated into their style, emphasize the scope of their versatility, both musically and lyrically.

Certainly this album's heavier pieces, such as 'Caravan,' 'BU2B,' 'Seven Cities Of Gold' and 'Headlong Flight' also deserve to be acknowledged as impressive works in their own right.

Other than perhaps, 'Wish Them Well,' I like most of the selections on "Clockwork Angels."

"Clockwork Angels" is one of those albums which deserves to be heard in it's entirety, from beginning to end.

The overall theme, might be somewhat nebulous, however "Clockwork Angels" certainly does share something in common with one of Rush's first epics: 'The Fountain Of Lamneth,' from "Caress Of Steel." Both share the theme of looking back upon one's life and the adventures that one has experienced, in addition to the lessons that the individual has learned throughout his, or her life. Ultimately according to the lyrics from 'The Garden,' "... The treasure of a life is the measure of love and respect, so hard to earn, so easily burned, in the fullness of time, a garden to nurture and protect.."

Sunday, 10.6.13 @ 01:43am

Posted by Enigmaticus on Sunday, 10/6/2013 @ 02:13am

Before I discuss Rush's two greatest studio albums. I would like to reiterate just how great Rush's recordings are, overall. Rush is one of the most consistently excellent rock bands of all time. Historians of the future, will eventually look back at the music of the 20th and 21st centuries and acknowledge those bands which had the most significant impact upon the musical culture of the time.

One simply cannot argue that The Beatles will be acknowledged as one of the most significant artists of all time. Their experimentation had foreshadowed later movements in rock music, including the advent of progressive rock.

In 1967, The Beatles had released "Sergeant Pepper's Lonely Hearts Club Band." This recording is still acknowledged as one of the most significant and influential recordings of all time. During that same year, The Moody Blues had released "Days Of Future Passed." The Jefferson Airplane had released "Surrealistic Pillow" and Procol Harum had released their debut album- "progressive rock" was born.

The inclusion of string ensembles, symphony orchestras and choirs to enhance an artist's music was common during that era. To a certain fledgling band in Toronto, this movement would significantly impact their music in the future. Taking a cue from such artists as The Beatles, Procol Harum and The Moody Blues, Rush had released one of their greatest albums in the mid 1980's. That album is none other than "Power Windows."

Posted by Enigmaticus on Sunday, 10/6/2013 @ 02:48am

2. Power Windows

For over 27 consecutive years, "Power Windows" had remained my favorite studio album by Rush. "Power Windows" has always been a great concept album about "power."

Posted by Enigmaticus on Sunday, 10/6/2013 @ 03:00am

In my earlier statement, I had said that the album, "Power Windows" was a concept album about power. Some critics would lead you to believe that Rush's only complete concept album was/ is "Clockwork Angels."

Actually Rush has several thematic albums. Sometimes the concept is not as clearly delineated however. With regards to power, Rush has several thematic songs about power on this album:

'The Big Money' is a song dealing with the abuse of power. In this case, Neil Peart's lyrics deal with the evils of corporations and organized religion.

'Grand Designs' is a glorious song about the power to choose one's own path.

'Manhattan Project' deals with the development of the atomic bomb, the ultimate weapon, and how our society had permanently changed afterwards. The string sections are used to emphasize the effect of being inside of the atomic bomb during the blast.

'Marathon' is about a race, the choir and string sections are utilized to their fullest.

'Territories' concerns the issues of nationalism and pride and the separations between societies. The ultimate lesson is the unity of purpose, rather than the division of society.

'Middletown Dreams' is about the power to choose one's own destiny, to follow one's dreams. Within the context of the song, three creative pursuits are discussed: writing, art and music.

Finally, 'Mystic Rhythms,' which is one of Rush's greatest songs, concerns those forces which exist outside of our own being and how insignificant we are within the context of the universe. The lyrics, "...the more we think we know about, the greater the unknown, we suspend our disbelief and we are not alone..." emphasize this completely.

"Power Windows" is overall, another majorbtour de force by Rush, but there is still one greater studio album. Before I discuss this album, i would be remiss, if I did not discuss the other 18, in some detail.

20. "Rush" has no true unified theme and no signature sound. 'Working Man' and 'Here Again' are the highlights.

19. "Fly By Night" really has no unified theme and only a few great songs, but it does signal a stylistic change from the previous album.

18. "Feedback" is a covers album paying tribute to some of Rush's earliest influences.

17. "2112" deals with censorship and control. It was Rush's first successful album which allowed them to forge a path outside of the mainstream.

16. "Grace Under Pressure" deals with the dangers of the modern world.

15. "Vapor Trails" does not really have a unified theme. It does however discuss the pains, associated with loss and fear.

14. "Counterparts" is about love and instinct and the nature of our being.

13. "Hold Your Fire" deals with the creative impulse.

12. "A Farewell To Kings" does not have a unified theme either, but it does have quite a few great songs.

11. "Caress Of Steel" deals with mortality and death.

10. "Test For Echo" deals with communication.

9. "Hemispheres" is Rush's first masterpiece, it is tied to the previous album but does not seem to have a unified theme, either.

8. "Snakes & Arrows" is about spirituality, faith and religion.

7. "Signals" deals with the issues of the modern world.

6. "Permanent Waves" is about choice and change.

5. "Moving Pictures" is cinematic in it's approach, dealing with fame.

4. "Presto" is about a multitude of subjects, not clearly reflecting a unified theme.

3. "Clockwork Angels" deals with an individuals life and his experiences along the way.

2. "Power Windows" concerns power.

1. This brings us to Rush's greatest studio album. The one with the most unified theme overall. Some Rush fans would verbally excoriate me for listing this album as their best. But all of Rush's elements had finally come together with this
masterpiece. The unified theme is chance, and Rush's songwriting has never been better, Geddy Lee's vocals are magnificent and the sound is impeccable. Rush's greatest studio album therefore is none other than "Roll The Bones."

Posted by Enigmaticus on Sunday, 10/6/2013 @ 07:04am

1. "Roll The Bones"

I know what you're thinking; has he lost his mind? Undoubtedly you've been told by the powers that be, that this is Rush's worst studio album. I can assure you that this is definitely not the case. For those individuals who would like to skip over their early 1990's period and embrace "Counterparts," this album is surely an anathema. Some individuals would like to forget that this one exists, but there is a definitive reason why songs from this album continue to
return to their set lists. Four of these songs are certifiable masterpieces: 'Dreamline,' 'Bravado,' 'Roll The Bones' and 'Ghost Of A Chance.' There are individuals who absolutely despise this album; overall, those individuals are not quite as
enlightened as they might claim to be unfortunately and probably never will be. I have several different versions of this recording in my possession, the original cd from 1992, the remastered version, the Audiofidelity gold cd version and the new version from the recently released Atlantic Box Set.

While the members of Rush themselves endorse this recording, their fan base is split with regards to how to evaluate it. I have read quite a few reviews which have made me quite furious. It is one thing to listen to an album and not appreciate it, it is entirely another thing to disregard it, due to the prevailing popular opinion. In my opinion, every single song on this album is a masterpiece and each song stands on it's own merit. The detractors would like you to believe that this is not a progressive rock album, the songs are not long enough, nor complicated enough. They will say, "How dare Rush incorporate rap into one of their songs?"

The way that I see it, "Roll The Bones" was somewhat experimental and because several songs were played on the radio did not mean, that this was a "pop album." This album however epitomizes how amazing Rush really is. Afterwards, Rush would start to receive awards from institutions such as The Harvard Lampoon. An article in Maclean's magazine would emphasize how popular this recording was.

I will discuss every single song, in greater detail, on this
masterpiece at a later date.

For now, I would like to mention briefly something about Rush's greatest album. The epitome of their live albums. The one regarded as the 9th best live album overall by a Classic Rock opinion poll, regarded as one of the greatest live albums of all time. In my honest opinion, the other bookmark to the "progressive rock" era, the greatest progressive rock live album and the best progressive rock album overall. The absolute epitome of the genre: "Exit... Stage Left."

Posted by Enigmaticus on Sunday, 10/6/2013 @ 07:42am

Before I discuss "Exit... Stage Left" in any great detail, I would be remiss if I did not discuss the other live Rush recordings.

8. "All The World's A Stage"

It is Rush in a raw and heavier form, including songs from the early period. In a word, it is unpolished. The song list is okay, but I have never been particularly fond of it, overall.

7. "A Show Of Hands"

This recording was made during the "early modern" period of
Rush's development. This seems to be extremely modern, yet colder sounding.

6. "Rush In Rio"

These are great songs, but they are played in a raw and unpolished manner.

5. "Time Machine Tour"

There is a great deal of energy to this set list. These are great songs, also.

4. "Snakes & Arrows Live"

Another great set list. This is one of Rush's greatest live recordings.

3. "R30"

What's not to love about this recording, or this set list? This includes many of Rush's greatest songs.

2. "Different Stages"

One of Rush's greatest live albums. It showcases the "middle modern period" songs on two discs and includes a third disc from the "A Farewell To Kings' tour" from the Hammersmith Odeon.

1. "Clockwork Angels Live"

Another live tour de force for Rush. It includes the support of a string section, the only way that Rush could possibly sound better, would be with the support of a full symphony orchestra.

Posted by Enigmaticus on Tuesday, 10/8/2013 @ 09:56am

I am so sorry, I stand corrected. I had meant "Clockwork Angels Tour," not "Clockwork Angels Live." this recording is scheduled to be released on November 19. In my honest opinion, the only way that a Rush live recording could possibly be better is to have been recorded with a full symphony orchestra.

Back in Rush's early days, their sound was much rawer, their second live recording is still in my honest opinion, the greatest live Rush recording, the greatest Rush recording, the greatest progressive rock live album and the greatest progressive rock album. Ladies and gentleman, that recording is none other than "Rush: Exit... Stage Left."

***** 1. Exit... Stage Left *****

For nearly 32 years, this has held the number one position amongst my favorite recordings. This is where Rush as a three piece is transformed into the "world's smallest symphony orchestra."

With the possible exception of 'Beneath, Between & Behind,' which really does not belong here, every single song on this recording is a masterpiece, made even better by the fact that "Exit" is a live recording.

The set list is magnificent, the sound is incomparable and the musicianship is superlative. I had even been inspired to paint various scenes by listening to 'Xanadu,' which is arguably Rush's greatest work. I had become even more enamored of progressive rock and art rock music, as a result of my appreciation of this recording. I have been an avid supporter of both genres for nearly 32 years. The reason why I had embraced such different artists as: Duran Duran, The Moody Blues, Yes, Genesis, Gentle Giant, King Crimson, Echolyn, The Police, The Talking Heads, Roxy Music, etc. is directly related to my appreciation of this recording. Over nearly those past 32 years, I have also listened to a great amount of new age music as well, including such as artists as: Shadowfax, Yanni, Vangelis and Andreas Vollenweider.

Posted by Enigmaticus on Wednesday, 10/9/2013 @ 10:00am

@Enigmaticus, I loved reading your list. It was good to see someone take apart all their albums and I can't wait to see what you have to say about the individual tracks on "Roll the Bones." My top 5 contains two your top 5. My top 5 is as follows

5. Clockwork Angels: It is just a wonderful story and reading the novel even makes it better. My favorites are "Wish Them Well," "The Wreckers," "Halo Effect" and "The Garden." But, I love the whole album.

4. Counterparts: A good album throughout and also one of their most commercially successful. "Animate," "Double Agent" and "Everyday Glory" are the highlights for me. The only weak link for me is "At the Speed of Love." Even though Neil Peart is one of the greatest lyricists of all time, he has no business trying to write a "love song."

3. Power Windows: Solid throughout and probably the most melodic of their albums. My favorites are "Territories," "Manhattan Project," and "Middletown Dreams." It is one of those great albums with really no weak link.

2. Roll the Bones: The album that made me a fan of the band. Again an album with no weak links. I think it also has one of their most cleverly written songs on it, "The Big Wheel." I love the line "I was lined up for glory, but the tickets sold out in advance." Being 19 when that album came out I could really relate. I would like to go track by after you post yours.

1. Presto: The first Rush album I ever owned. For this one I will go track by track.

"Show Don't Tell" - A youth anthem if their ever was one. Great guitar work too.

"Chain Lightning" - So poetic. Just a wonderful song.

"The Pass" - This song literally has saved my life on more than one occasion. Suicide may be a downer, but Neil wrote the song with so much optimism. No matter how low you feel there is always hope.

"War Paint" - Another good self-esteem song. "To the beautiful and wise, the mirror always lies." My teenage daughter loves this one.

"Scars" - Great bassline, but that's all it really does for me.

"Presto" - Possibly my favorite of all of their songs. What a brilliant way to describe the human condition. Also, the live version on Time Machine breathes new life into it.

"Super Conductor" - "Packaged like a rebel or a hero: 'target: mass appeal.'" This is Rush at their poppiest and I believe they meant for it to
be a pop song and it works.

"Anagram (For Mongo)" - Such clever writing! I know it's not all true anagrams but even the partial ones are pretty cool.

"Red Tide" - This song is just a good Rush song. I really can't put my finger on why, I just like it.

"Hand Over Fist" - A great tune about the fine line between peace and violence.

"Available Light" - A consider this to be a "micro-epic." It puts so much power and feeling into five minutes. My favorite line is "A play of light, a photograph, the way I used to be, some half-forgotten stranger doesn't mean that much to me.."

Again I can't wait until your next post.

Posted by Ray on Wednesday, 10/9/2013 @ 19:50pm

Thank you Roy, for your polite response. I will return to my analysis of the top Rush recordings in the not-too-distant future.

Posted by Enigmaticus on Thursday, 10/10/2013 @ 16:17pm

I was looking back over 16 years to the creation of my now archived website. I had created this (now archived) page approximately 16 years ago.

http://reocities.com/SunsetStrip/Lounge/1254/exitstageleft.htm

Posted by Enigmaticus on Friday, 10/11/2013 @ 01:46am

Before I get into the many reasons why I feel that Rush is the greatest rock band of all time, I would like to discuss one of their biggest influences: Yes.

Now that Rush's recent induction has finally opened that door for more progressive rock bands to be inducted, I think that the Rush fan base should throw their support behind Yes.

Given that Yes and Rush are roughly as old as each other, (both were formed in 1968) I think that acknowledging Yes' worthiness of being enshrined by the RRHOF should be discussed. So let's do this; shall we?

Posted by Enigmaticus on Friday, 10/18/2013 @ 09:51am

I have not forgotten; I will get back to my analytical discussion about Rush recordings at a later time. In the meantime, Yes, Peter Gabriel and Deep Purple have all influenced Rush; they deserve to be inducted as soon as possible.

Posted by Enigmaticus on Friday, 10/25/2013 @ 06:54am

Two exciting developments in the world of progressive rock are occurring next month, the release of the Yes studio albums box set and the release of Rush's "Clockwork Angels Tour" on cd, DVD and BluRay.

This month however marked the release of the Rush box set of Atlantic Studio albums recorded from 1989- 2007. As I had said before, this represents the release of several of Rush's greatest studio recordings:

4. Presto *****
1. Roll The Bones *****
14. Counterparts ****
10. Test For Echo **** 1/2
15. Vapor Trails ****
8. Snakes & Arrows *****

Thus far, I have only heard "Presto" and "Roll The Bones" and I have to admit that the remixes are magnificent.

Posted by Enigmaticus on Saturday, 10/26/2013 @ 12:37pm

The new YouTube videos of the rock & roll hall of fame inductees are very interesting.

Posted by Enigmaticus on Wednesday, 11/6/2013 @ 23:30pm

Before I get into the many reasons why I feel that Rush is the greatest rock band of all time, I would like to discuss one of their biggest influences: Yes.

Now that Rush's recent induction has finally opened that door for more progressive rock bands to be inducted, I think that the Rush fan base should throw their support behind Yes.

Given that Yes and Rush are roughly as old as each other, (both were formed in 1968) I think that acknowledging Yes' worthiness of being enshrined within the Rock & Roll Hall Of Fame should be discussed. So let's do this; shall we discuss Yes' accomplishments in great detail?

Posted by Enigmaticus on Saturday, 11/9/2013 @ 11:45am

I am going to have to rethink this original scenario:

Future inductions of "prog" and "art rock" bands:

Rush ---> Moody Blues ---> Yes, Deep Purple ----> King Crimson ---> Jethro Tull ---> Gentle Giant ---> Dream Theater

Rush ---> E.L.O. ---> Styx ---> Procol Harum---> Supertramp
---> Kansas

Rush ---> Duran Duran ---> Roxy Music

Posted by Enigmaticus on Monday, 05.6.13 @ 05:05am

Posted by Enigmaticus on Saturday, 11/9/2013 @ 11:55am

I am definitely looking forward to the release of "Clockwork Angel's Tour" on November 19, 2013. It is possible that this live recording may finally surpass "Exit...Stage Left" as Rush's finest recording.

Posted by Enigmaticus on Saturday, 11/9/2013 @ 12:03pm

Future inductions of "art rock" and "progressive rock" bands:

Rush -----> Yes ------------> King Crimson ---/-----> Jethro Tull -------------> Gentle Giant --------> Dream Theater --------> Tool -------> Mastodon

Rush -----> Deep Purple --------/

Rush --------------------------> Moody Blues

Rush --------------------------> Duran Duran --------> Roxy
Music

Posted by Enigmaticus on Sunday, 11/10/2013 @ 04:34am

Posted by Enigmaticus on Sunday, 11/10/2013 @ 13:46pm

Although, I have enjoyed many episodes of Sam Dunn and Scott McFadyen's series, "Metal Evolution," I have a differing opinion with regards to the progenitors of "progressive metal."

Instead of placing Rush under the "progressive metal" banner, I would argue that Uriah Heep deserves that accolade, instead. Rush is a progressive rock, not a progressive metal band. Certainly, they may have flirted with a harder sound initially, but they have a different demeanor than the heavy metal bands and their flirtation with harder sounds represents a miniscule portion of their overall output. They may have inspired the development of "progressive metal," but they would probably deny the parentage as well.

Posted by Enigmaticus on Sunday, 11.10.13 @ 13:46pm
--------------------------------------------------
Agree. Rush skirts the metal universe of the time, but were always juts short of crossover. At the same time, a lot of folks did perceive them in metal terms. A lot of groups that showed up in the second half of the 70's were pegged as "metal" just because they sounded louder than what had come out a yr. or two prior.

The old "Rolling Stone Illus. History of Rock" (1992) has Rush listed as metal, along w/Boston, Journey, Styx (I believe), & a few others. Under the old heading of "Art Rock", which I presume is meant for progressive, they mention Zappa, Yes, ELP, Pink Floyd ("Dark Side of the Moon" onward-Floyd), & a few others (Eno, Tangerine Dream, etc.). Mind you, that was 1992. I think they may have a diff. take now.

It's a bit of a shock to see this in the "Metal Evolution" series, though maybe the filmmakers simply liked Rush, & wanted to find a way to squeeze them in somehow.

Posted by Cheesecrop on Sunday, 11/10/2013 @ 20:43pm

Yes Cheesecrop,

However, I would argue that actually Yes and King Crimson are actually much heavier bands. Perhaps the best description of Rush is "atmospheric symphonic progressive rock."

Posted by Enigmaticus on Sunday, 11/10/2013 @ 22:38pm

Rush is absolutely one of the early prog metal bands. It certainly can be argued, on many different fronts, that they are THE most important band of this sub-genre. There is plenty of prog metal to be found in early Rush - Anthem, By Tor, Bastille Day, Necromancer (check out the 7-8:30 mark if you think Yes is a heavier band), Temples, Cygnus X-1, even as late as Natural Science can you find elements of prog metal. As far as influence, look up the major prog metal bands (like Dream Theater, Queensryche, and Fates Warning) and check out who their influences are (I'll give you a hint - Rush, especially early Rush). Even a band like Metallica, who dabbled in prog metal(Puppets, And Justice For All) cites Rush as a major influence. Were other bands such as King Crimson and Uriah Heep also in the mix as far as the beginnings? Absolutely. But to claim that Rush isn't a precursor of or at one point practitioners of prog metal is incorrect. Just because they didn't wear black leather and studs doesn't mean that some of their early music didn't qualify as metal. As a matter of fact, go on Rush sites that reprint early magazine articles and you'll see Rush listed as a metal band in most of their reviews and clippings up until the mid-80's.

Posted by Classic Rock on Monday, 11/11/2013 @ 22:59pm

I would like to amend the list of progressive rock bands:

__________________________

PROGRESSIVE ROCK

___________________________

THE MOODY BLUES

PINK FLOYD

GENESIS

PROCOL HARUM

JETHRO TULL

YES

RUSH

KING CRIMSON

GENTLE GIANT

RENAISSANCE

EMERSON, LAKE & PALMER

STYX

KANSAS

CAMEL

___________________________

Posted by Enigmaticus on Monday, 11/11/2013 @ 23:03pm

Classic Rock,

I am not arguing over the issue of whether Rush did or did not have a flirtation with harder rock styles. Yes, I will acknowledge that they did. However, the subject matter of most of Rush's work did not demean women, nor represent women as sexual objects, like many of the heavy metal bands. I do recall a quote by Alex Lifeson, "We've never considered ourselves to be a heavy metal band anyway. We feel that we have more to offer than that."

I have made every attempt, by creating my website over 16 years ago, to correct those early erroneous opinions. I had not supported Rush's induction for the past 16 years to have them labeled as a "heavy metal" band. I have been an avid supporter of "progressive rock," instead. For me, AC/DC is the ultimate heavy metal band and I strongly detest them!

Posted by Enigmaticus on Monday, 11/11/2013 @ 23:27pm

The following is a link to one section of one of my long archived web pages:

http://reocities.com/SunsetStrip/Lounge/1254/exitstageleft.htm#genre

Posted by Enigmaticus on Tuesday, 11/12/2013 @ 00:17am

IMO, Wishbone Ash and The Gods would also qualify as progressive bands.

Posted by Paul in KY on Tuesday, 11/12/2013 @ 08:26am

Thank you Paul in Ky,

I am not familiar with The Gods, but I have heard a song by Wishbone Ash. "Progressive Rock" is such a diverse category, it has grown to include such "proto progressive" bands, as: The Doors, The Who and Cream.

Back in the early 20th century, one of the U.K.'s television networks had named the top 10 progressive rock bands, based upon their time spent on the British charts. They are:

10. Camel
9. King Crimson
8. Hawkwind
7. Rush
6. Emerson, Lake & Palmer
5. Yes
4. Jethro Tull
3. The Moody Blues
2. Genesis
1. Pink Floyd

Of course, with regards to the U.S. Charts, Pink Floyd is still in the number one position, but the remainder of the list is slightly different and in a different order.

Posted by Enigmaticus on Thursday, 11/14/2013 @ 05:16am

Without expanding the traditional definition of "progressive rock," we have only 8 entries in the U.S. Charts:

8. Jethro Tull
7. Electric Light Orchestra
6. Yes
5. Kansas
4. Styx
3. Genesis
2. Rush
1. Pink Floyd

Posted by Enigmaticus on Thursday, 11/14/2013 @ 05:42am

"Progressive Rock" is such a diverse category, it has grown to include such "proto progressive" bands, as: The Doors, The Who and Cream.

Posted by Enigmaticus on Thursday, 11.14.13 @ 05:16am
--------------------------------------------------
I'd definitely differ here. Groups such as the ones listed above were never perceived as "progressive" in their original moment.

The way I always perceived it, "progressive" rock was rock that showed influences of classical music. Outside of this, anyone can be perceived to be progressive. It's true that these acts fiddled about w/semi-"prog" touches to their work, but it's only a passing part of Cream (maybe "Deserted Cities of the Heart") & The Doors ("The Soft Parade" album).

With The Who, it's a little greater, but most folks wrote "Tommy" off as the extension of the psych-era. I think "Love, Reign O'er Me" sits more w/in the definition of "prog", but outside of pulling "Tommy" out of the hat over & over again, I'm not sure where the "progressive" part is. As a matter of fact, going back to "Tommy" over & over again (movies, stage shows, etc.) actually comes off as regressive, unless mining a product for every last cent is now the new "progressive". Of course, big business has been doing this for yrs. now, so maybe they're right & I am quite wrong (ha-ha!).

Posted by Cheesecrop on Thursday, 11/14/2013 @ 06:19am

Enigmaticus,

When you talk about the US Charts are you talking about sales figures? A large amount of Progressive music charted in the 70s in the states. Those were are the top certified Prog acts in the US by sales. But charting acts were numerous. Emerson, Lake & Palmer are a top performing Albums act in the US, even Utopia nabbed 10 charting albums in a decade. And they are a far lesser known act. Everybody charted on the album charts, the American music market is massive. Prog was quite popular in it's heyday and even smaller acts were finding chart action.

Posted by Chris F. on Thursday, 11/14/2013 @ 07:07am

Enigmaticus, check out album 'Genesis' by The Gods. Might actually be more psycadelic (misspelled that) than prog. Listened to some more Wishbone Ash the other night & they have more blues in them then I had previously thought. Another band to check out would be Blossom Toes. They are also in the progressive genre, IMO.

Posted by Paul in KY on Thursday, 11/14/2013 @ 07:44am

Yes Chris F.,

That list of "progressive rock" artists is in reference to album sales by the aforementioned artists:

I wonder if there is an existing correlation between album sales and Rock and Roll Hall Of Fame induction?

Certainly, it is true that Pink Floyd, Rush and Genesis are all inductees.

If this is the case, then why isn't Chicago there?

Posted by Enigmaticus on Thursday, 11/14/2013 @ 08:27am

Yes Cheesecrop,

Most of the artists in the progressive rock genre tend to have a familiarity with classical music styles (baroque, classical and romantic composers). According to Chris Squire, Yes' music was more deeply rooted in choral music. On the other hand, Rush's music is firmly rooted in classical music styles. "2112" even borrows from Tchaikovsky.

As far as the proto progressive rock groups are concerned, Prog Archives has expanded to include them under the "prog rock" umbrella.

Although, The Who's "Tommy" is progressive, aren't "Quadrophenia" and "Who's Next," also?

I wonder how long it will take Prog Archives to start embracing Duran Duran?

Posted by Enigmaticus on Thursday, 11/14/2013 @ 08:40am

Just thought I'd throw this out there as a "fun" fact. The top performing Prog acts on the US Album Charts:

30) Dixie Dreggs
29) Gentle Giant
28) Kraftwerk
27) Renaissance
26) Tool
25) Roxy Music
24) Utopia
23) Triumph
22) Procol Harum
21) Uriah Heep
20) King Crimson
19) Todd Rundgren
18) Queensryche
17) Steve Winwood
16) Dream Theater
15) Kansas
14) Traffic
13) Alan Parson's Project
12) Emerson, Lake, & Palmer
11) Peter Gabriel
10) Electric Light Orchestra
9) Styx
8) Genesis
7) Yes
6) The Moody Blues
5) Frank Zappa
4) Rush
3) Jethro Tull
2) Chicago
1) Pink Floyd

I was just going to do 15, but realized that some of these acts may be less "Prog" and it is always important to note that the more popular acts branched into the mainstream to achieve that success. So I just gave a top 30. Marillion & Camel would be at 31 and 32 respectively.

Enigmaticus,

Chicago is paying for the stuff they put out in the second half of their career. When they drifted away from being a tight band of skilled musicians and moved squarely into Pop territory. I don't think the Hall has been able to ignore that when they consider the band. It is a shame, the Pop stuff was middle of the road, but their early records are fantastic. The Hall only considers Pop when it is really fantastic stuff (ABBA) or when it has stood the test of time (Neil Diamond). I've always disagreed with that especially looking at the less deserving acts that have been inducted.

Posted by Chris F. on Thursday, 11/14/2013 @ 08:45am

Was gonna comment on Kraftwerks inclusion there, but then realized that they're more musically progressive than any of the others :p

Posted by GFW on Thursday, 11/14/2013 @ 13:58pm

GFW,

I figured if I didn't include them someone might take me to task for it. And if I did include them that someone else might slap it down. I decided to grab them off my spreadsheet and include them anyway. People tend to forget Kraftwerk were actually popular in the States for a moment in time. Although I would argue they have went through a bit of a revival in the past 10 years as people really started to focus on how important they were.

Posted by Chris F. on Thursday, 11/14/2013 @ 14:06pm

Yeah, they definitely had a revival in the 2000's. Well deserved as well, people seem to forget just how influential they are, I think we could honestly justify ranking them from 10 - 20 in our rankings.

Posted by GFW on Thursday, 11/14/2013 @ 16:43pm

Chris F.,

Actually, I only have three Chicago albums thus far: "Chicago Transit Authority," "Chicago" and the compilation, "Only The Beginning." As far as the Peter Cetera era is concerned, I like quite a few of the hit songs, as well.

If Chicago had allowed Peter Cetera to have a solo career, while still a member of Chicago, then I think that things would have turned out quite differently.

Regarding Rush, their sales totals have not been calculated accurately for approximately a quarter century. I seriously doubt that Rush has only sold 40 million albums worldwide; my estimate is that ithey have sold at least 200,000,000 and that figure is a conservative estimate.

Posted by Enigmaticus on Thursday, 11/14/2013 @ 21:47pm

There are only 5 days remaining until the release of Rush's long awaited "Clockwork Angels' Tour."

Posted by Enigmaticus on Friday, 11/15/2013 @ 00:48am

Now, there are only 4 days remaining until the release of "Clockwork Angels Tour" on BluRay, DVD and CD.

Those of us who have long enjoyed most of Rush's output, tend to think of time's passing, in terms of the time between Rush recording release dates.

Posted by Enigmaticus on Friday, 11/15/2013 @ 03:21am

200,000,000 is insane, enig. That'd make Rush one of the most successful bands ever, which they most certainly aren't.

Posted by GFW on Friday, 11/15/2013 @ 11:28am

Enigmaticus,

"If Chicago had allowed Peter Cetera to have a solo career, while still a member of Chicago, then I think that things would have turned out quite differently."

I agree with that completely.

As for sales and estimated sales with Rush it would be highly unlikely for them to be that high. For most artists there totals are lower than what would be a true sales figure. Artists also tend to have the highest numbers in the US Market. Largely because of the substantial record buying population, overall diversity, and the fact that the US has been tracking sales for far longer than anyone else. With Rush at 25 million in the States it is unlikely that they would exceed 100 million worldwide. The US has insanely high certification levels (Platinum here is 1 Million in the UK a platinum album only has to sell 300,000) which leaves quite a bit unaccounted. You have to remember that albums not certified at a sales mark (Gold, Platinum, Diamond) don't get counted into an artists total. So everyone gets a boost from that when discussing sales. Double albums are counted twice. Something like "Exit Stage Left" which is certified platinum (1 Million) actually only sold 500,000 units. Which takes down a tally.

There is a lot that goes into Sales estimating. The best thing to do is look at the 15 or so reliable industry trade associations (RIAA, BPI, RIAJ) and get the best rough figure you can. 200 Million is a high figure for Rush although I will agree 40 million is a bit low. But I can only ever get the Beatles to a bit over 260 million (I've seen claims as high as 1 Billion), and while popular Rush was never near that level.

Posted by Chris F. on Friday, 11/15/2013 @ 16:42pm

Another thing about record sales is that associations like RIAA did not automatically calculate record sales. The record label would have to seek certification. Certain labels really would ignore multi certifications above platinum. So even RIAA numbers are a crap shoot.

Posted by astrodog on Saturday, 11/16/2013 @ 00:28am

Thank you for your perspectives on this, Chris F. & astrodog,

But I had always been curious about Rush's total worldwide album sales. Of course, I had received different counts based on what exactly, I do not know. As far as the United States is concerned, if we add the album sales of their early catalog and combine them with the Soundscan era figures, the count is even more substantial. Of course, only Geddy, Alex, Neil, their manager and attorneys probably know those figures. The following link had helped to elucidate some of the numbers for me, (from 1991 until 2007):

http://www.rushisaband.com/blog/2007/02/03/788/Rush-Soundscan-record-sales

Posted by Enigmaticus on Saturday, 11/16/2013 @ 03:36am

The idea that Rush is described as 3rd behind The Beatles and Rolling Stones, in consecutive gold and platinum albums is quite revelatory. The following link had shown just how popular Rush had become in the past few years:

http://www.rushisaband.com/blog/2013/08/14/3748/Rush-back-catalog-RIAA-Gold-and-Platinum-certification-coming-soon?p=3&n=10&o=DESC

Posted by Enigmaticus on Saturday, 11/16/2013 @ 03:58am

Now, there are only 3 days remaining until the release of "Clockwork Angels Tour" on BluRay, DVD and CD.

Those of us who have long enjoyed most of Rush's output, tend to think of time's passing, in terms of the time between Rush recording release dates.

Posted by Enigmaticus on Saturday, 11/16/2013 @ 05:22am

Now, there are only 2 days remaining, until the release of "Clockwork Angels Tour" on BluRay, DVD and CD.

Those of us who have long enjoyed most of Rush's output, tend to think of time's passing, in terms of the time between Rush recording release dates.

Posted by Enigmaticus on Sunday, 11/17/2013 @ 06:16am

Now, there is only 1 day remaining, until the release of "Clockwork Angels Tour" on BluRay, DVD and CD.

Those of us who have long enjoyed most of Rush's output, tend to think of time's passing, in terms of the time between Rush recording release dates.

Posted by Enigmaticus on Monday, 11/18/2013 @ 02:45am

"Those of us who have long enjoyed most of Rush's output, tend to think of time's passing, in terms of the time between Rush recording release dates."

Here's a question for longtime readers...

Who loves their band the most? Is it...

A. Enigmaticus/Rush
B. Roy/Chicago
C. Rick Vendl/ELO?

Posted by Dezmond on Monday, 11/18/2013 @ 14:53pm

Dezmond, that's a tough one. I'd have to say Roy/Chicago, although Enig has impressed me with his 'all things can be compared only to Rush' devotion.

Posted by Paul in KY on Monday, 11/18/2013 @ 15:26pm

Roy, and it's not even close. I think about 430 of the first 500 comments on the Chicago page were by him. Not to mention his idea (proven incorrect) that Chicago would be inducted because of Obama's election.

Posted by Sam on Monday, 11/18/2013 @ 18:08pm

Today is the day that I have been waiting for, for more than 32 years.

I have been eagerly awaiting a live album which might actually challenge the supremacy of "Exit... Stage Left." I am hoping that finally, the detractors will be proven incorrect.

According to various sources, this will be the release of Rush's 10th live album. Of course, I am most looking forward to watching the BluRay and DVD.

Posted by Enigmaticus on Tuesday, 11/19/2013 @ 08:28am

Roy has the sort of devotion to Chicago that the Taliban do to Allah.

Posted by GFW on Tuesday, 11/19/2013 @ 12:41pm

Yeah, while Enigmaticus has indeed impressed as of late, you cannot beat the one, the original...Roy. I especially enjoyed his comment somewhere recently where he felt people like U2, Bob Dylan and Lou Reed were overrated. But Peter Cetera on the other hand...

Posted by Dezmond on Tuesday, 11/19/2013 @ 23:18pm

Now now, let's not rush (har!) to conclusions, here. Obama's still in office, so there's time for his theory to pan out. But I think you gotta give honorable mention to Lax and Peter Gabriel. Remember his expectation of inducting not just Genesis as a band, but then give second inductions for all the solo careers of even fringe members just because they were Genesis? It was short lived, but it bordered on the maniacally delusional. I really feel bad for Lax. I wonder what he'll do if/when Peter Gabriel makes it in this year (I think he will too).

Posted by Philip on Wednesday, 11/20/2013 @ 00:47am

Yes, Phillip, you are right about Lax. I think at that time he was not as up-to-speed on how Hall operates, etc. etc. He certainly doesn't think that now (or if he does, he doesn't post any more of his crazy Gabriel theories).

Those were some wild posts to read, though...

Posted by Paul in KY on Wednesday, 11/20/2013 @ 08:20am

Feel disappointed I haven't been obsessed with an artist to a degree that people link me with them...

Posted by GFW on Wednesday, 11/20/2013 @ 13:19pm

GFW,

Come on now we all know about your large collection of ICP memorabilia.

Posted by Chris F. on Wednesday, 11/20/2013 @ 13:41pm

My ideal world:

" target="_blank" title="http://static1.wikia.nocookie.net/__cb20120428021708/mspaintadventures/images/3/31/04862.gif[/img]">http://static1.wikia.nocookie.net/__cb20120428021708/mspaintadventures/images/3/31/04862.gif[/img]

(if anyone gets this i will love you for an eternity and more)

Posted by GFW on Wednesday, 11/20/2013 @ 14:17pm

Thanks for that post, GFW. Now that I know you read Homestuck, I'll be sure to treat all of your opinions as completely worthless from now on.

(jk I am a huge Homestuck fan even though I kind of hate myself for it)

Posted by Idlewild on Wednesday, 11/20/2013 @ 23:01pm

Magnets?! How the f**k they work?

Posted by Paul in KY on Thursday, 11/21/2013 @ 07:41am

""Those of us who have long enjoyed most of Rush's output, tend to think of time's passing, in terms of the time between Rush recording release dates."

Here's a question for longtime readers...

Who loves their band the most? Is it...

A. Enigmaticus/Rush
B. Roy/Chicago
C. Rick Vendl/ELO?"

I do agree that Roy deserves accolades for supporting Chicago against all enemies, foreign and domestic.

As far as I am concerned, most Rush fans would not consider me to be one, since I have only attended 3 Rush concerts in my life.

However, I have felt the need to defend "progressive rock" in general and Rush, over the years against verbal assaults. One colleague of mine had referred to me, as the "high priest of Rush."

Of course, I like Yes and Rush almost equally. For the past few weeks, I have either been wearing Rush, or t-shirts to work each day.

Would I have placed Rush in the 18th position on the Immortal's list, if I had been so completely obsessed with Rush?

Posted by Enigmaticus on Thursday, 11/21/2013 @ 08:48am

Of course, I like Yes and Rush, almost equally. For the past few weeks, I have either been wearing Rush, or Yes t-shirts to work each day.

Would I have placed Rush in the 18th position on the Immortal's list, if I had been so completely obsessed with them?

#9 - Posted 11/21/13 @8:29AM by Enigmaticus [contact]

Medocre, really?

I had the unfortunate experience yesterday of calling a "supposed friend," to ask him about how he had been doing lately. After a few minutes, he had launched into a tirade of about how Rush was not a significant band, because their music was not played on the radio, how Yes and Peter Gabriel were more important, how Rush was not influential and how Rush was a "mediocre" band.

Mediocre, really? As far as I am concerned, it is highly unlikely that I will ever telephone, or visit this individual again.

As far as I am concerned, radio programmers did not play Rush's music, because they had lacked the necessary intelligence, in order to do so. With very few exceptions, I have found out over the years that anyone, who does not like the music of Rush, is not very intelligent!

Posted by Enigmaticus on Thursday, 11/21/2013 @ 09:00am

And I you, Idlewild!

(don't feel bad bruh it's amazing, rereading and i reached cascade yesterday, sooooo good)

Posted by GFW on Thursday, 11/21/2013 @ 12:54pm

The way that I see it, sex sells. Rush did not write songs of the "wham bam thank you ma'am mentality." with the possible exception of the first album, which was meant to simply put Rush's foot in the door, most of Rush's work had been far more cerebral in nature.

Radio programmers did not know how to evaluate Rush, therefore they were not played in the early days. Radio programmers tend to subscribe to the lowest common denominator regarding the songs that get played on the radio. Rush, for much of their career, did not write love songs, nor did they write party songs.

Certainly, when Rush finally did start getting played on the radio, the same four or five songs were in constant rotation: "The Spirit Of Radio," "Tom Sawyer," "Closer To The Heart," "Fly By Night" and "Limelight."

My former friend, who had gone on this diatribe about Rush being mediocre, has claimed to have never heard Rush played on either f.m., or a.m. radio. In fact, he had not even heard of Rush until he had met me.

Of course, I had a different perspective, I remember hearing the "Exit... Stage Left" version of 'Xanadu,' being played on K.F.O.G. during the early morning.

Posted by Enigmaticus on Saturday, 11/23/2013 @ 12:43pm

I have been watching "A Diamond In The Mind," by Duran Duran and "Clockwork Angels Tour" on BluRay for most of the day. Of course, I had to connect my new HDTV to my Acoustic Wave for the best possible sound.

Posted by Enigmaticus on Saturday, 11/23/2013 @ 19:45pm

The accompaniment of a string section on "Clockwork Angels Tour" has spoiled me. I would definitely like to see Rush play, accompanied by a full symphony orchestra on their next tour. Seeing Alex play a segment of 'The Garden' on an electric piano has prompted me to fathom the idea of Rush releasing an all acoustic album, with Geddy playing an upright bass and a grand piano.

Posted by Enigmaticus on Sunday, 11/24/2013 @ 11:24am

I wonder if Rush's success with "Clockwork Angels Tour" on DVD and BluRay will prompt The Moody Blues to release "A Night At Red Rocks," in it's entirety on BluRay at some point in the future.

I certainly hope so, because in my honest opinion, nothing beats hearing a great "progressive rock" band accompanied by a full symphony orchestra.

Usuall, in most cases, the final song on any Rush album is indicative of the direction in which Rush is currently heading. If 'The Garden' is any indication of Rush's direction, then I suspect that we will be seeing a fully symphony orchestra backing Rush during their next tour.

Posted by Enigmaticus on Sunday, 11/24/2013 @ 11:45am

I wonder if Rush's success with "Clockwork Angels Tour" on DVD and BluRay will prompt The Moody Blues to release "A Night At Red Rocks," in it's entirety on BluRay at some point in the future.

I certainly hope so, because in my honest opinion, nothing beats hearing a great "progressive rock" band accompanied by a full symphony orchestra.

Usually, in most cases, the final song on any Rush album is indicative of the direction in which Rush is currently heading. If 'The Garden' is any indication of Rush's direction, then I suspect that we will be seeing a fully symphony orchestra backing Rush during their next tour.

Posted by Enigmaticus on Sunday, 11/24/2013 @ 11:48am

Posted by Enigmaticus on Thursday, 11/28/2013 @ 17:45pm

How about "E) A major, innovative, and influential art-and-progressive rock band--with a whiny-voiced vocalist. Now go enjoy Thanksgiving, even if you don't live in the US."

That's my pick.

Posted by Philip on Thursday, 11/28/2013 @ 19:37pm

what do i have to enjoy phillip?

WHAT?!?

Posted by GFW on Saturday, 11/30/2013 @ 15:21pm

Actually Philip, Geddy Lee usually does not sing in that whiny voice, he prefers to sing in his normal register. This makes every album after "Hemispheres," much better, in my honest opinion.

Posted by Enigmaticus on Sunday, 12/1/2013 @ 14:22pm

Actually Enigmaticus, whether it's his normal register or not, it's still whiny, it still sounds like the inspiration for Rob Paulsen's "Pinky" voice, and it's still annoying to me.

Posted by Philip on Sunday, 12/1/2013 @ 15:21pm

Both VH1 Classic and Palladia had aired "Clockwork Angels Tour" this evening.

Posted by Enigmaticus on Monday, 12/2/2013 @ 01:09am

Progressive and/or art rock bands who had influenced the "holy triumvirate", who are currently in the Rock & Roll Hall Of Fame:

THE BEATLES
CREAM
THE WHO
JEFFERSON AIRPLANE
PINK FLOYD
TALKING HEADS
THE POLICE
GENESIS

Those who might be inducted in 2014:

YES
DEEP PURPLE
PETER GABRIEL

Those prog and/ or art rock artists who have yet to be inducted:

THE MOODY BLUES
PROCOL HARUM
JETHRO TULL
KING CRIMSON
GENTLE GIANT
ROXY MUSIC
DURAN DURAN

Have I forgotten anyone?

In my honest opinion, if you had influenced, arguably progressive rock's greatest band, then you should be enshrined within the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Thursday, 12/12/2013 @ 09:06am

Somehow, I seem to have forgotten the following artists:

EMERSON, LAKE & PALMER
SUPERTRAMP

Posted by Enigmaticus on Thursday, 12/12/2013 @ 23:25pm

Recently, a colleague of mine, from work, had said that "Rush sucks," based upon hearing less than 2 minutes of the song, 'Roll The Bones.'

He claims to have heard other songs, but does not remember their titles. Now, you have a rough idea of what kind of musical prejudice I have to deal with, on a daily basis.

Even so, I will always defend my favorite genres of music, namely: "progressive rock," "art rock," "modern," "romantic," "classical," "baroque" and "classic rock," against all enemies, foreign and domestic.

Posted by Enigmaticus on Saturday, 12/14/2013 @ 15:32pm

Although, I appreciate and understand the members of Rush's loyalty to Kiss, I have to wonder if Kiss' reasons for having Rush open for them in the early years was entirely altruistic.

The way that I see it, Kiss had only chosen Rush as their tour mates, because they had reminded them of a Canadian Led Zeppelin. Led Zeppelin just so happened to be the biggest band at that time.

The telling issue comes from Paul Stanley's confusion over Rush's album, "Caress Of Steel," Alex Lifeson says "that we played it for him and he did not get it."

Afterwards, Rush was consigned to play in small clubs with Ted Nugent, until the release of their breakthrough album, "2112."

Should Kiss have been inducted in 2014's class over Yes and Deep Purple, and perhaps The Zombies? My answer is an emphatic "No!!!!!"

Posted by Enigmaticus on Saturday, 12/21/2013 @ 17:26pm

I am still in the process of watching the "Clockwork Angels Tour" BluRay. I am highly supportive of the opinion that The Clockwork Angels' String ensemble has definitely enhanced Rush's music; other individuals think that the trio should be sacrosanct and should never have any additional players added to their lineup. I, on the other hand, would be in favor of Rush being accompanied by a full symphony orchestra on their next tour.

As far as I am concerned, anything that could be done to enhance each song should be considered; Rush's music was not designed to be played by just 3 great musicians; it was designed to be performed by entire symphony orchestras: brass sections, string sections, woodwind sections and even percussion ensembles.

Posted by Enigmaticus on Monday, 12/23/2013 @ 01:38am

Since, Public Enemy was rated as a 9 by Digital Dream Door and since Rush were the headliners for the 2013 class, does this mean that Rush are indeed a 10, one of the immortals?

If so, then why are they placed on the lower level of the 2nd tier of the Rock Hall Pyramid? In my honest opinion, they should be placed at the least on the 4th tier, if not the 5th tier.

Posted by Enigmaticus on Monday, 12/23/2013 @ 21:41pm

Progressive and/or art rock bands who had influenced the "holy triumvirate", who are currently in the Rock & Roll Hall Of Fame:

THE BEATLES
CREAM
THE WHO
JEFFERSON AIRPLANE
PINK FLOYD
TALKING HEADS
THE POLICE
GENESIS

Those who will be inducted in 2014:

PETER GABRIEL

Those prog and/ or art rock artists who have yet to be
inducted:

THE MOODY BLUES
PROCOL HARUM
JETHRO TULL
DEEP PURPLE
YES
KING CRIMSON
GENTLE GIANT
SUPERTRAMP
EMERSON, LAKE & PALMER
ROXY MUSIC
DURAN DURAN

Other than perhaps Classical, or Romantic composers, or Led Zeppelin, have I forgotten anyone?

In my honest opinion, if you had influenced, arguably progressive rock's greatest band, then you should be enshrined within the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Thursday, 12.12.13 @ 09:06am

Posted by Enigmaticus on Friday, 12/27/2013 @ 03:15am

I have been listening to both the "Clockwork Angels Tour" cd on my car stereo and the "Clockwork Angels Tour" BluRay on my high definition l.e.d. television for the past several days. In my honest opinion, the "Clockwork Angels' String Ensemble" thoroughly enhances Rush's already magnificent music. Their contribution to the sound provides Rush's music with several more layers of sonic texture than just the trio would be capable of achieving on their own.

I can only hope, one day to see and hear Rush's greatest songs played with the accompaniment of a full symphony orchestra. This is a good move in that general overall direction, however.

Posted by Enigmaticus on Saturday, 12/28/2013 @ 12:14pm

What makes an artist great? Is it a random combination of the ability to convey an idea, or an emotion? Is it the ability to improvise at a moment's notice? Is it the ability to create great music, without caring about whether it is unconventional, or unpopular? Is it the ability to have a single minded vision and pursue that muse wherever it takes you? Is it the ability to influence other great musicians, as well?

If so, then many artists of the "progressive rock" genre meet those criteria. In this original post, I had been referring to Gentle Giant, but I could have been referring to a number of other progressive rock artists, as well.

Nearly 35 years ago, I was introduced to a magnificent work of art, a record album titled, "Hemispheres" by a little known progressive rock band called Rush. My appreciation of Rush's music had become my starting point. It had allowed me to embark on a journey, through which I would embrace many different styles of music, in addition to art, and gain an appreciation for exploring diverse cultures throughout the
world. Also, progressive rock had resonated within my conscious and subconscious on a much deeper level than any other genres of music, with the possible exceptions of: Baroque, Classical, Romantic and Modern music. Even so, the lyrics had transported me to a different time and space and these flights of fantasy would inspire me to create my own artworks.

Posted by Enigmaticus on Tuesday, 12/31/2013 @ 01:04am

First of all, I would like to say, Happy New Year to everyone.

Second, I would like to say that in celebration of the release of the 40th anniversary of Rush's first studio album, a re-issue is in the works.

Personally, out of Rush's vast catalogue, this is undoubtedly my least favorite album. It has two great songs, 'Working Man,' and 'Here Again' and one great intro to 'Before And After.' Otherwise, the rest of the album is easily forgettable.

Therefore, anything that can be done to help improve this recording is probably well worthwhile. If this is an indication of what's to come, I would not be surprised to hear about a 40th anniversary re-issue of "Fly By Night" and "Caress Of Steel" in 2015.

The (1989-2007) studio albums box set release was a great retrospective of Rush's more recent work.

Posted by Enigmaticus on Wednesday, 01/1/2014 @ 11:37am

July 29, 2014 will mark the 40th anniversary of the day when Neil Peart had joined Rush. He may be the "new guy," but he has been a member for almost 40 years.

Posted by Enigmaticus on Thursday, 01/2/2014 @ 00:11am

Some time after I turn 52 next month, it will be necessary to acknowledge the 35th anniversary of my first encounter with the music of Rush. While I am thinking about these things, I am also still cognizant of the fact that many of Rush's "progressive rock" and "art rock" brethren are still waiting to be inducted into the esteemed Rock & Roll Of Fame.

Posted by Enigmaticus on Friday, 01/3/2014 @ 08:46am

Once again, it is necessary to acknowledge those "prog" artists who had influenced Rush:

Progressive and/or art rock bands who had influenced the "holy triumvirate", who are currently in the Rock & Roll Hall Of Fame:

THE BEATLES
CREAM
THE WHO
JEFFERSON AIRPLANE
PINK FLOYD
TALKING HEADS
THE POLICE
GENESIS

Those who will be inducted in 2014:

PETER GABRIEL

Those prog and/ or art rock artists who have yet to be
inducted:

THE MOODY BLUES
PROCOL HARUM
JETHRO TULL
DEEP PURPLE
YES
KING CRIMSON
GENTLE GIANT
SUPERTRAMP
EMERSON, LAKE & PALMER
ROXY MUSIC
DURAN DURAN

Other than perhaps Baroque, Classical, Romantic or Modern composers, Van der Graaf generator, or Led Zeppelin, have I forgotten anyone?

In my honest opinion, if you had influenced, the band who is arguably progressive rock's greatest band, then you should be enshrined within the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Friday, 01/3/2014 @ 09:00am

"Some time after I turn 52 next month, it will be necessary to acknowledge the 35th anniversary of my first encounter with the music of Rush."

I can hardly wait.

Posted by Philip on Friday, 01/3/2014 @ 11:51am

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Posted by GFW on Friday, 01/3/2014 @ 13:16pm

"Fly By Night" is certainly a little bit better than Rush's debut album, "Rush." 'Fly By Night' and 'Making Memories' are very good songs, but 'Rivendell' leaves little to be desired. 'By-Tor & The Snow Dog' is Rush's first epic and 'Beneath, Between & Behind' and 'Anthem' are okay. Rush is somewhat clumsily moving toward progressive rock, but they are not quite there, unfortunately.

This is Neil Peart's first album as the new drummer. This is 19th on my list of favorite Rush studio albums. ***

Posted by Enigmaticus on Saturday, 01/4/2014 @ 12:50pm

Enigmaticus, bought 'Clockwork Angels' and listened to it last night. Fine album, although not really in my wheelhouse, as far as music I like to listen to.

Felt best song is 'The Wreckers'. It's the one I liked the best, anyway. Also liked 'Headlong Flight'.

On 'Caravan', they start the song out with a real good, driving guitar riff and then go away from it for most of song. I can't help but think that AC/DC would have taken that riff & wrapped a whole song around it.

Posted by Paul in KY on Thursday, 01/9/2014 @ 07:46am

Paul in KY,

Thank you.

I applaud your efforts to search for new musical horizons. I also like 'The Wreckers' and 'Headlong Flight.' Although my favorite songs from "Clockwork Angels," are: 'The Garden,' 'Clockwork Angels,' 'The Anarchist,' 'Caravan' and 'BU2B.'

Repeated listenings to Rush albums gives you a new perspectives. If you like 'Headlong Flight,' then you might like "Exit... Stage Left," or perhaps even "Caress Of Steel."

Posted by Enigmaticus on Friday, 01/10/2014 @ 01:08am

Paul in KY.

Thank you for being open-minded. I applaud your efforts to search for new musical horizons. Rush is not everybody's proverbial cup of tea.

I also like 'The Wreckers' and 'Headlong Flight' as well, although my favorite songs from "Clockwork Angels" are probably: 'The Garden,' 'Clockwork Angels,' 'Halo Effect,' 'The Anarchist,' 'Caravan' and 'BU2B.'

Over the years, I have found that repeated listenings to various Rush albums can also be quite enlightening and can provide you with different perspectives. If you like 'Headlong Flight,' then you may like "Exit... Stage Left," or possibly "Caress Of Steel."

Posted by Enigmaticus on Friday, 01/10/2014 @ 01:23am

My apologies. I have been very ill lately and thus have been unable to continue with my next chronological Rush studio album review. Therefore, I would like to provide a link to my most recent review of "Clockwork Angels Tour" at this link:

http://www.progarchives.com/Review.asp?id=1110023

Please enjoy! Thank you!

Posted by Enigmaticus on Wednesday, 01/15/2014 @ 09:06am

This coming Friday night, VH1 Classic is scheduled to air "Clockwork Angels Tour" and "Rush: Beyond The Lighted Stage." Please check your tv schedules for air times.

Posted by Enigmaticus on Saturday, 01/18/2014 @ 14:53pm

Just in case, you miss a portion of "Clockwork Angels Tour" on VH1 Classic next Friday night, you can always watch it on Palladia television a week from Monday @ 10 p.m. E.S.T.

Posted by Enigmaticus on Sunday, 01/19/2014 @ 11:37am

This coming Friday night, VH1 Classic is scheduled to air "Clockwork Angels Tour" and "Rush: Beyond The Lighted Stage." Please check your tv schedules for air times.

Posted by Enigmaticus on Saturday, 01.18.14 @ 14:53pm

Posted by Enigmaticus on Wednesday, 01/22/2014 @ 00:17am

I had posted this quite a while ago:

I have just a few more comments about Rush:

#125 - Posted 4/23/13 @10:02AM by Enigmaticus [contact]

Shall we get back to the earlier subject, please?

I had just read the Allmusic Guide's Discography for Rush. It appears that they have not yet become enlightened, unfortunately.

I was glad to hear that David Wild has finally eaten his words. It has taken over 2 decades to make this a reality, but now since Rush is now a member of the Rock & Roll pantheon, it was worth it.

Now, as to the ratings on the Rush discography:
Firstly, let's divide their recordings into 5 distinct periods.

The Early Period

Rush ***
Fly By Night *** 1/2
Caress Of Steel *****
2112 ****
All The World's A Stage *** 1/2

The Middle Period

A Farewell To Kings **** 1/2
Hemispheres *****
Permanent Waves *****
Moving Pictures *****
Exit... Stage Left *****

The Early Modern Period

Signals *****
Grace Under Pressure ****
Power Windows *****
Hold Your Fire ****
A Show Of Hands ****

The Middle Modern Period

Presto *****
Roll The Bones *****
Counterparts ****
Test For Echo ****1/2
Different Stages *****

The Late Modern Period

Vapor Trails ****1/2
Rush In Rio ****
Feedback (EP) ****
R30 *****
Snakes & Arrows *****
Snakes & Arrows Live *****
Time Machine Tour ****
Clockwork Angels *****
Clockwork Angels Live *****

#68 - Posted 4/20/13 @7:11PM by Enigmaticus [contact]

Ladies and gentlemen, I can certainly understand your frustration over Rush being snubbed for induction for 15 years. As I have said numerous times before, I have supported their induction since the very beginning. I have to wonder if Jann Wenner was the individual responsible though. From what I have read, it has been critic David Wild who had allegedly detested Rush from the very beginning. Of course, Wild was quick to praise Foreigner, Bad Company and even after a while, Heart- their "Behind The Music Remastered" episodes attest to that fact.

In Jann Wenner's defense, I would like to mention the 2nd Rolling Stone Record Guide (the blue one) from 1983, wherein John Swenson had given most of Rush's albums 3 & 4 stars, respectively. I feel that a critical reevaluation of Rush's discography is definitely in order. Critic Greg Prato, from the Allmusic Guide needs to amend their discography and his review of "Exit.. Stage Left" is completely unwarranted.

If I were to rate Rush's discography (of studio and live albums), I would give most of them 5 stars, These include the following : (Caress Of Steel, Hemispheres, Permanent Waves, Moving Pictures, Exit.. Stage Left, Signals, Power Windows, Presto, Roll The Bones, Different Stages, R30, Snakes & Arrows, Snakes & Arrows Live, Clockwork Angels
& the upcoming Clockwork Angels Tour.

4 1/2 stars to: A Farewell To Kings, Test For Echo & Vapor Trails
4 stars to: 2112, Grace Under Pressure, Hold Your Fire, Counterparts, Rush In Rio and the Time Machine Tour.
3 1/2 stars to: Fly By Night & All The World's A Stage
3 stars to: Rush

What are your opinions?

Posted by Enigmaticus on Thursday, 01/23/2014 @ 09:03am

Essential Rush albums (non-compilations) from each era:

Early Period:

"2112"

I personally prefer "Caress Of Steel" to this one.

Middle Period:

"Permanent Waves"
"Moving Pictures"
"Exit... Stage Left"

Early Modern Period:

"Power Windows"

Middle Modern Period:

"Presto"
"Roll The Bones"
"Different Stages"

Late Modern Period

"R30"
"Snakes & Arrows"
"Snakes & Arrows Live"
"Clockwork Angels"
"Clockwork Angels Tour"

Posted by Enigmaticus on Saturday, 01/25/2014 @ 12:13pm

Essential Rush albums (non-compilations) from each era:

Early Period:

"2112"

I personally prefer "Caress Of Steel" to this one.

Middle Period:

"Permanent Waves"
"Moving Pictures"
"Exit... Stage Left"

Early Modern Period:

"Signals"
"Power Windows"

Middle Modern Period:

"Presto"
"Roll The Bones"
"Different Stages"

Late Modern Period:

"R30"
"Snakes & Arrows"
"Snakes & Arrows Live"
"Clockwork Angels"
"Clockwork Angels Tour"

Posted by Enigmaticus on Sunday, 01/26/2014 @ 19:32pm

Snakes and Arrows Live is essential Rush but Hemispheres isn't?

Posted by Classic Rock on Sunday, 01/26/2014 @ 21:40pm

I was making a statement about how narrowminded critics have viewed Rush over the past 4 decades. Oops, I forgot "Hemispheres." Actually Classic Rock, I am appalled that only "2112" and "Moving Pictures" are considered to be essential Rush albums. That is like saying that only "Aqualung" and "Thick As A Brick" are essential Jethro Tull albums, or that "Dark Side Of The Moon" and "The Wall" are the only essential Pink Floyd albums. Rush's greatness did not stop in 1981; it continues until this day.

Posted by Enigmaticus on Sunday, 01/26/2014 @ 22:14pm

I have never really understood the Grammy awards. If the Rock And Roll Hall Of Fame is slow to recognize certain artists; the Grammy's are even slower. Even today, the Grammy awards still do not recognize "progressive rock" as a genre, even though it has been in existence since 1967.

Of course, one would think logically, that if you have been nominated 7 times for a Grammy award, then you should be on the short list to receive a lifetime Grammy award. Unfortunately, this is not necessarily the case.

Posted by Enigmaticus on Monday, 01/27/2014 @ 08:32am

Greatest Rush (studio & live albums) from worst to best:

29. Rush
28. Fly By Night
27. All The World's A Stage
26. Feedback
25. Rush In Rio
24. 2112
23. A Show Of Hands
22. Vapor Trails
21. Grace Under Pressure
20. Counterparts
19. Hold Your Fire
18. Time Machine Tour: Live In Cleveland
17. A Farewell To Kings
16. Test For Echo
15. Caress Of Steel
14. Hemispheres
13. Signals
12. Permanent Waves
11. Snakes & Arrows
10. Snakes & Arrows Live
9. Moving Pictures
8. Clockwork Angels
7. Different Stages
6. Presto
5. R30
4. Power Windows
3. Roll The Bones
2. Clockwork Angels Tour
1. Exit... Stage Left

Posted by Enigmaticus on Wednesday, 01/29/2014 @ 23:45pm

That's obviously a personal list and as a personal list, you don't need to answer to anyone about it. But...I don't think the consensus of Rush fans would rank Roll The Bones as their #1 studio album, Moving Pictures 9th overall, or 2112 24th!?!?

Posted by Classic Rock on Thursday, 01/30/2014 @ 18:06pm

Shockingly, I am now 52 years old. For nearly the past 35 years, the music of Rush has had a profound effect upon my life.

I was first introduced to the music of Rush, via "Hemispheres," it still rates as some of the most amazing music that I had ever listened to.

For me, Rush has always been the so- called "gateway" band who had introduced me to the wonderful world of "progressive rock." Much of my musical taste is either directly, or indirectly related to my appreciation of Rush's music.

I did not grow up with either the music of Elvis Presley, nor The Beatles; most rock music, with the exception of The Carpenters, was forbidden within our household. Rock music had led to illegal drug ingestion, according to my parents. On the other hand, big band era music, romantic music, tin pan alley music, jazz, romantic and classical music was thoroughly appreciated. For many years, I could not talk about my musical interests with my fellow students.

Posted by Enigmaticus on Saturday, 02/8/2014 @ 12:18pm

It was relatively easy for me to make the transition from the music of Mozart and Tchaikovsky to the music of Rush.

When I had first heard "Hemispheres," a new world had finally opened up for me. However, it would not be until the autumn of 1980, when I would hear it once again.

By then, I had discovered the music of Nikolai Rimsky-Korsakov, namely 'Scheherezade,' and The Moody Blues via songs called 'Nights In White Satin' and 'Tuesday Afternoon.'

Posted by Enigmaticus on Saturday, 02/8/2014 @ 12:28pm

Even so, my first two cassette purchases were: "Lost In Love" by Air Supply and "The Original Motion Picture Sound track to Xanadu" by Olivia Newton John and The Electric Light Orchestra.

"Xanadu" would prove to be very pivotal later, for it was because of this recording, that I was re-introduced to "Hemispheres" by Rush and for the first time to "Dark Side Of The Moon" by Pink Floyd.

Posted by Enigmaticus on Sunday, 02/9/2014 @ 00:51am

Afterwards, I had purchased "The Grand Illusion" by Styx and I was especially fond of 'Man In The Wilderness.'

My first Rush cassette purchase was 'A Farewell To Kings' in December, 1980 and my favorite song from that recording is still 'Xanadu.'

Posted by Enigmaticus on Sunday, 02/9/2014 @ 11:31am

My next cassette purchase was "Moving Pictures" approximately 2 months later.

Posted by Enigmaticus on Sunday, 02/9/2014 @ 12:27pm

Justin Hayward is coming to Tucson the same night as the airing of the 29th annual Rock & Roll Hall Of Fame Induction ceremony. Which would you rather watch?

Rush is approaching the 40th anniversary of their present line-up. In a few more months, Rush will celebrate their 46th anniversary, as a band. That is a very long time; even more surprising is the fact that The Moody Blues are approaching their 50th anniversary.

Why aren't the progressive rock godfathers in the Rock & Roll Hall Of Fame?

Posted by Enigmaticus on Sunday, 05/11/2014 @ 23:01pm

I feel that Rush has written songs which span the gamut of the human experience. Neil Peart's insightful lyrics, in conjunction with the sprawling compositions of Geddy Lee and Alex Lifeson provide the listener with a variety of listening opportunities. I just so happen to prefer the mellower and the more mature Rush, as opposed to the raucously harder rocking alternatives.

Posted by Enigmaticus on Sunday, 05/25/2014 @ 00:20am

Sometimes, I find it somewhat truly amazing that Rush has influenced so many artists from so many different styles of rock, including many genres of: progressive rock, hard rock and heavy metal, yet all three members remain humble about their individual and group contributions.

Posted by Enigmaticus on Monday, 05/26/2014 @ 10:24am

Appreciating the music of a great artist is much like experiencing fine food and wine for the first time. When you pay handsomely for a decent meal, you tend to expect the following:

Great service
a great presentation
Precise attention to detail
Great food
A memorable experience

When you attend a Rush concert, you receive:

A great presentation
Precise attention to detail
Magnificent & timeless music
A memorable experience

This is why Rush is one of the most legendary and iconic bands of all time.

The Moody Blues, Yes and Duran Duran offer much of the same experience; it is an absolute travesty that none of them have thus far been inducted into the Rock & Roll Hall Of Fame.

Like a great dessert, Sade and Carly Simon offer the listener a wonderful palate cleanser, as well.

Posted by Enigmaticus on Friday, 06/6/2014 @ 10:11am

This just in, and I am surprised that Roy did not mention it first. The three members of Rush are to receive Honorary Doctorates from Nipissing University.

The way that I see it, the members of Rush still deserve additional honors:

A Lifetime Achievement Grammy
An induction into the Songwriter's Hall Of Fame
The Kennedy Center Honors
A knighthood from Queen Elizabeth II

I wonder what honor will be next?

Posted by Enigmaticus on Sunday, 06/8/2014 @ 13:30pm

Now you've done it Enigmaticus! You went too far saying the members of rush deserve A knighthood from Queen Elizabeth II ! I can tell you are obsessed with RUSH, but a knighthood? Give me a break! If the Queen knighted everyone with a mass following of obsessed fans, even Justin Bieber would qualify!

I've read your posts for some time now. I'm finally compelled to tell you that when you go too far and show your singular obsession, it diminishes all your other arguments.

If you were in charge of the Hall of Fame, RUSH would probably be the only band in it.

Posted by thanks on Wednesday, 06/11/2014 @ 11:38am

Thanks, t hanks.

How are things going? I was hoping that someone would respond to my last post. Actually, as much as I like Rush, I also really like groups such as: Supertramp, Duran Duran, Yes, The Moody Blues, Jethro Tull, Pink Floyd, Gentle Giant, Sade, King Crimson, Fleetwood Mac, Genesis, Renaissance, Foreigner, Eagles, Kansas, Styx, Talking Heads, Roxy Music, Asia, ELP and The Beatles, etc.

I also like great songwriters, such as: Carly Simon, Stevie
Nicks, Carole King, Pat Benatar, Sting, Peter Gabriel, etc.

Posted by Enigmaticus on Wednesday, 06/11/2014 @ 15:11pm

As far as all three members of Rush receiving a knighthood from Queen Elizabeth II, it is actually not such a far fetched idea. The members of Rush have already received the O.C. award. They have also raised quite a few dollars for charity. Speaking of which, so have the members of Duran Duran. Perhaps they should be knighted, also?

Posted by Enigmaticus on Wednesday, 06/11/2014 @ 15:41pm

I think same with thanks.

Posted by babygotbach on Wednesday, 06/11/2014 @ 23:40pm

No, enigmus is right. They deserve knighthood, and I'm sure they've also earned the metal of honor.

Posted by jerrythehatchet on Thursday, 06/12/2014 @ 21:37pm

This is getting rediculus. The Queen isn't going to knight anyone from a band who has a frontman with such a shrill voice that you can really only listen to for a song or two. Paul McCartney made music history. Rush makes a living- albeit a good one, but just a living for faithful followers.

Posted by thanks on Friday, 06/13/2014 @ 18:39pm

thanks,

Obviously you are not familiar with the music of Rush post 1981. I do agree that in the early days, prior to 1980, it was difficult to listen to Geddy Lee's voice for any length of time, but after 1980, this was no longer an issue. Once Geddy Lee no longer had to scream, Rush had improved exponentially.

However, the issue is not about Geddy's voice, which is definitely not nearly as bad as many other well known vocalists, but the fact that in addition to writing great songs, members of the band Rush have donate quite a bit of their free time and money to charities and other causes. All of them have been appointed as Officers of the Order Of Canada, due to their impressive musical output and concern for humanity.

Posted by Enigmaticus on Saturday, 06/14/2014 @ 18:04pm

thanks,

Obviously you are not familiar with the music of Rush post 1981. I do agree that in the early days, prior to 1980, it was difficult to listen to Geddy Lee's voice for any length of time, but after 1980, this was no longer an issue. Once Geddy Lee no longer had to scream, Rush had improved exponentially.

However, the issue is not about Geddy's voice, which is definitely not nearly as bad as many other well known vocalists, but the fact that in addition to writing great songs, members of the band Rush have donated quite a bit of their free time and money to charities and other causes. All of them have been appointed as Officers of the Order Of Canada, due to their impressive musical output and concern for humanity.

Posted by Enigmaticus on Saturday, 06/14/2014 @ 22:20pm

Even though Rush is one of the greatest bands, they still have misfires. If I were to evaluate each recording chronologically:

#15 - Posted 6/15/14 @1:03PM by Enigmaticus [contact]

My favorite songs on each studio album and my least favorites:

RUSH

favorite: 'Working Man'
least favorite: hard to determine, but everything other than 'Here Again' is fair game.

FLY BY NIGHT

favorite: 'Fly By Night'
least favorite: 'Rivendell'

CARESS OF STEEL

favorite: 'The Fountain Of Lamneth'
least favorite: 'I Think I'm Going Bald'

2112

favorite: '2112'
least favorite: 'Lessons' (This is truly wretched and my least favorite song in Rush's discography)

A FAREWELL TO KINGS

favorite: 'Xanadu' (My favorite song in Rush's entire discography)
least favorite: 'Cygnus X-1,' or 'A Farewell To Kings' tie each other. Neither are truly wretched, however.

HEMISPHERES

favorite: 'La Villa Strangiato'
least favorite 'Circumstances' although it is still a very good song.

PERMANENT WAVES

favorite: 'Natural Science'
least favorite: 'The Spirit Of Radio,' although it is truly a great song

MOVING PICTURES

favorite: 'The Camera Eye'
least favorite: 'Witch Hunt'

SIGNALS

favorite: 'Losing It'
least favorite: 'The Analog Kid'

GRACE UNDER PRESSURE

favorite: 'Red Lenses'
least favorite: It is still difficult to determine, no songs stand out as truly wretched, but they are not that memorable either.

POWER WINDOWS

favorite: 'Mystic Rhythms'
least favorite: 'Emotion Detector'

HOLD YOUR FIRE

favorite: 'Prime Mover'
least favorite: 'Mission'

PRESTO

favorite: 'Available Light'
least favorite: 'Superconductor'

ROLL THE BONES

favorite: 'Ghost Of A Chance' (although every song on this record is great, not unlike "Power Windows').
least favorite: 'Face Up'

COUNTERPARTS

favorite: 'Nobody's Hero'
least favorite: 'Stick It Out' (another truly wretched song, runner up to 'Lessons')

TEST FOR ECHO

favorite: 'Time & Motion'
least favorite: 'Virtuality'

VAPOR TRAILS

favorite: 'Ghost Rider'
least favorite: 'One Little Victory'

FEEDBACK

favorite: 'For What It's Worth'
least favorite: 'Summertime Blues,' or 'Crossroads.'

SNAKES & ARROWS

favorite: 'Faithless'
least favorite: 'Spindrift'

CLOCKWORK ANGELS

favorite: 'The Garden'
least favorite: 'Wish You Well'

Posted by Enigmaticus on Sunday, 06/15/2014 @ 13:24pm

#11 - Posted 6/15/14 @10:41AM by Enigmaticus [contact]

Okay, #10.

There is no such thing as a bad Rush album; even the worst album by Rush would be considered better than most other groups, if I were to assign a letter grade to each of Rush's studio albums, it would look somewhat like this:

20. Rush: (C)
19. Fly By Night (B-)
18. Feedback (B)
17. 2112 (B+)
16. Vapor Trails (B+)
15. Grace Under Pressure (B+)
14. Hold Your Fire (B+)
13. Counterparts (B+)
12. Caress Of Steel (A-)
11. A Farewell To Kings (A-)
10. Test For Echo (A-)
09. Hemispheres (A)
08. Snakes & Arrows (A)
07. Signals (A)
06. Permanent Waves (A+)
05. Moving Pictures (A+)
04. Clockwork Angels (A+)
03. Presto (A+)
02. Power Windows (A+)
01. Roll The Bones (A+)

As far as the live albums are concerned:

09. All The World's A Stage (C-)
08. Rush In Rio (C)
07. A Show Of Hands (B-)
06. Time Machine: Live In Cleveland (B+)
05. Different Stages (A)
04. Snakes & Arrows Live (A)
03. R30 (A+)
02. Clockwork Angels Tour (A++)
01. Exit... Stage Left (A++)

Posted by Enigmaticus on Thursday, 06/19/2014 @ 03:04am

Since I like Jethro Tull quite a bit and due to the fact that Jethro Tull is one of Geddy Lee's favorite bands, I would not be upset to see Jethro Tull appear on the nominees list either.

Posted by Enigmaticus on Tuesday, 06/24/2014 @ 09:32am

Enig, one of those British rock magazines had an interview recently with Ian Anderson (he has a new album out). Quite an eccentric fellow. Good read though.

Sounds like Jethro Tull might be on permanent hiatus.

Posted by Paul in KY on Tuesday, 06/24/2014 @ 14:12pm

http://www.kennedy-center.org/programs/specialevents/honors/history.cfm

THE KENNEDY CENTER WANTS TO KNOW!!!

CHECK OUT THE RIGHT SIDE OF THE PAGE - THEY ARE ASKING FOR RECOMMENDATIONS FOR 2014 - RECOMMEND RUSH

Submit a Kennedy Center Honors Recommendation

The Kennedy Center Honors provide recognition to living individuals who throughout their lifetimes have made significant contributions to American culture through the performing arts. The primary criterion is excellence, and artistic achievement in dance, music, theater, opera, motion pictures, and television is considered.

Recommendations are now being accepted for the 2014 Kennedy Center Honors. Please use the fields below to submit a recommendation.

Your First Name: Your Last Name: Your Email Address: Artist First Name: Artist Last Name: Why did you suggest this person?:

Thank you for your Kennedy Center Honors recommendation. You have submitted RUSH for consideration. Your recommendation will be sent to the Special Honors Advisory Committee. All eligible names will be reviewed by the committee. The Honors recipients are typically announced in early September. For more information about the Kennedy Center Honors please visit us on the web. Thank you again for your interest in the Kennedy Center Honors.

Posted by Roy on Tuesday, 06/24/2014 @ 18:59pm

Thank you, Paul in Ky, I will look forward to reading that article on Ian Anderson.

Thank you, Roy for submitting Rush's name as a potential Kennedy Center honoree. By the way, I had taken your cue and submitted Duran Duran as a potential honoree.

Posted by Enigmaticus on Wednesday, 06/25/2014 @ 08:33am

I have discovered over the years, that my appreciation of the music of Rush and progressive rock, in general, was due to the following:

1. Listening to and developing an interest in several other bands of this magnificent genre.
2. Listening to and appreciating other aspects of prog,, including instrumental progressive rock, or "new age."
3. Reading about those individual artists' jazz, or classical influences and appreciating their contributions.
4. Recognizing that no great artist can exist entirely within a vacuum, they need inspiration from other sources, outside of music.
5. Recognizing and listening to other great music artists that these artists had appreciated and recommended, both old and new.

Posted by Enigmaticus on Friday, 07/18/2014 @ 09:48am

Happy 61st birthday to Geddy Lee. The present lineup of Rush is now officially 40 years old. How will you celebrate this monumental occasion?

Posted by Enigmaticus on Tuesday, 07/29/2014 @ 04:59am

Recently, a poll amongst PROG magazine readers had chosen "Close To The Edge," by Yes as the greatest progressive rock album of all time.

As far as studio albums are concerned, I do not disagree with their choice, but where would "Close To The Edge" rank amongst both greatest progressive rock live albums and studio albums?

#57 - Posted 8/10/14 @9:52PM by Enigmaticus [contact]

Yes jiminseattle, I happen to like "A Passion Play" quite a bit, also. Therefore, here is my amended list of greatest progressive rock albums:

#41 - Posted 8/10/14 @3:33PM by Enigmaticus [contact]

The list of 100 greatest progressive Rock albums:

#39 - Posted 8/9/14 @8:44PM by Enigmaticus [contact]

Once again, I am going to need to revise my top 100 list, Therefore, here are my top 50 choices:

#33 - Posted 8/8/14 @9:08AM by Enigmaticus [contact]

#31.

Thank you for providing a link to the list. Actually, Rush fared relatively well compared with their previous (2009) ranking. I was somewhat surprised to see the Gnosis list which still does not regard Rush as a "progressive rock" band, at all.

On a positive note, Yes fans and Genesis fans had quite a few albums in the top 10. I was somewhat surprised to see "The Raven Who Refused To Sing," by Steven Wilson ranked so highly.

It is a shame that no live albums were included. Therefore, I have decided to copy and alter the list, accordingly to more properly reflect what i consider to be a more accurate representation of the top 10 list, combined with my opinion:

Prog Magazine Top 100 (altered)

1. Exit... Stage Left- Rush
2. Close To The Edge- Yes
3. In The Court Of The Crimson King- King Crimson
4. Foxtrot- Genesis
5. Thick As A Brick - Jethro Tull
6. Dark Side Of The Moon- Pink Floyd
7. Wish You Were Here - Pink Floyd
8. Nursery Cryme - Genesis
9. Clockwork Angels Tour- Rush
10. Fragile - Yes
11. To Our Children's Children's Children- The Moody Blues
12. Echolyn- As The World
13. Free Hand- Gentle Giant
14. Crime Of The Century- Supertramp
15. The Yes Album- Yes
16. Roll The Bones- Rush
17. Days Of Future Passed- The Moody Blues
18. Going For The One- Yes
19. Trilogy- Emerson, Lake & Palmer
20. A Trick Of The Tail- Genesis
21. Red - King Crimson
22. Tales from Topographic Oceans - Yes
23. Acquiring the Taste - Gentle Giant
24. A Passion Play- Jethro Tull
25. In Search Of The Lost Chord- The Moody Blues
26. Power Windows- Rush
27. Discipline - King Crimson
28. Sgt Pepper's Lonely Hearts Club Band - The Beatles
29. Songs from the Wood - Jethro Tull
30. Emerson, Lake & Palmer - Emerson, Lake & Palmer
31. Leftoverture - Kansas
32. Presto- Rush
33. Gentle Giant- Gentle Giant
34. Keys To Ascension 1- Yes
35. Keys To Ascension 2- Yes
36. Clockwork Angels- Rush
37. Long Distance Voyager- The Moody Blues
38. Magnification- Yes
39. Moving Pictures- Rush
40. Yes Symphonic Live- Yes
41. Ashes Are Burning- Renaissance
42. Octopus- Gentle Giant
43. Paris- Supertramp
44. Permanent Waves- Rush
45. The Grand Illusion- Styx
46. Aqualung- Jethro Tull
47. Avalon- Roxy Music
48. The Power & The Glory- Gentle Giant
49. Meddle- Pink Floyd
50. Duke- Genesis
51. Eldorado- Electric Light Orchestra
52. Genesis- Genesis
53. Three Friends- Gentle Giant
54. Procol Harum- Procol Harum
55. Yessongs- Yes
56. The Lamb Lies Down On Broadway- Genesis
57. Heavy Horses- Jethro Tull
58. The Turn Of A Friendly Card- Alan Parson's Project
59. Pawn Hearts- Van der Graaf Generator
60. Scheherezade And Other Stories- Renaissance
61. Remain In Light- Talking Heads
62. Surrealistic Pillow- Jefferson Airplane
63. Signals- Rush
64. Grand Hotel- Procol Harum
65. Strange Times- The Moody Blues
66. R30- Rush
67. House of Yes, Live At the House Of Blues- Yes
68. Snakes & Arrows (Live)- Rush
69. Bursting Out (Live)- Jethro Tull
70. Abacab- Genesis
71. Stop Making Sense- Talking Heads
72. After Bathing At Baxters- Jefferson Airplane
73. Snakes & Arrows- Rush
74. The Wall- Pink Floyd
75. Hemispheres- Rush
76. Crest Of A Knave- Jethro Tull
77. Tubular Bells- Michael Oldfield
78. Speaking In Tongues- Talking Heads
79. A Turn Of The Cards- Renaissance
80. The Whirlwind- Transatlantic
81. Animals- Pink Floyd
82. P.U.L.S.E.- Pink Floyd
83. Fear Of Music- Talking Heads
84. Beat- King Crimson
85. UK- UK
86. Peter Gabriel (III)- Peter Gabriel
87. Different Stages- Rush
88. Chicago- Chicago II
89. Prologue- Renaissance
90. Skylarking- XTC
91. Roots To Branches- Jethro Tull
92. The Division Bell- Pink Floyd
93. The Broadsword And The Beast- Jethro Tull
94. A Song For All Seasons- Renaissance
95. On The Threshold Of A Dream- The Moody Blues
96. Test For Echo- Rush
97. Paradise Theater- Styx
98. A Farewell To Kings- Rush
99. 90125- Yes

100. Caress Of Steel- Rush

Posted by Enigmaticus on Tuesday, 08/12/2014 @ 14:01pm

I have found out, that over the past several decades that there is a wide chasm between those individuals who like "art rock" and those aficionados of "progressive rock." I have never quite understood this. I cannot see a reason why someone cannot like both. Of course, I have never owned a single Velvet Underground album, but I do like some of Roxy Music's work, and of course, I like quite a bit of the Talking Heads' repertoire, as well.

I have never heard Karlheinz Stockhausen' work and I almost never listen to Stravinsky. I happen to prefer Tchaikovsky, Prokofiev, Rimsky-Korsakov and Mussorgsky, instead.

Maybe that is why I prefer most "progressive rock," to "art rock." Although I do like Kate Bush, some of David Bowie's work also. I also like Duran Duran, quite a lot.

Posted by Enigmaticus on Thursday, 08/21/2014 @ 10:12am

"Of course, I have never owned a single Velvet Underground album"

You're missing out!

Posted by Gassman on Thursday, 08/21/2014 @ 15:03pm

Yesterday was the 23rd anniversary of the release of "Roll The Bones," my favorite Rush studio album. For years, Rush had been criticized strongly for Geddy Lee's screeching vocals, by the time of "Hold Your Fire," Geddy Lee had started to improve his vocal delivery tremendously.

"Presto" was even better and Geddy Lee's voice really shines on tracks like 'Presto' and 'Available Light.'

With "Roll The Bones," Geddy Lee's vocal delivery had arguably, never been better. The songs were extremely well crafted and the theme of chance had permeated throughout each of those magnificent songs.

Posted by Enigmaticus on Thursday, 09/4/2014 @ 09:52am

Rush now needs a surrealistic director to do something like David Lynch did with "Duran Duran: Unstaged," with their next concert film, n'est-ce pas?

I wonder what the late Salvador Dali would have done?

Posted by Enigmaticus on Tuesday, 09/16/2014 @ 10:13am

Does anyone know of any surrealist directors who would love to give Rush's songs a strange arty video twist?

Posted by Enigmaticus on Wednesday, 09/17/2014 @ 09:15am

I had found out recently that a 6 BluRay or 10 DVD set of Rush's most recent live concerts will be available in November. This is released in order to celebrate Rush's 40th anniversary. Of course, the band itself is now over 46 years old.

Here is a link to that set:

http://www.rush.com/r40-40th-anniversary-collectors-box-set-available-in-dvd-blu-ray/

I had noted that 3 songs from "Roll The Bones" keep showing up on Rush's more recent releases, therefore I am planning on discussing "Roll The Bones" in greater detail in the not too distant future.

Posted by Enigmaticus on Friday, 09/19/2014 @ 07:48am

"When we are young, wandering the face of the earth. Wondering what our dreams might be worth, learning that we are only immortal for a limited time."

The lyrics of 'Dreamline' from "Roll The Bones" emphasize a much more mature Rush. It is the realization that each of us after we reach a certain age, have now less time left to live than the amount of time that we have already existed. It's definitely a sobering reality.

Posted by Enigmaticus on Sunday, 09/21/2014 @ 00:28am

Although much brouhaha has been made about the 40th anniversary of Rush's present line up, today is actually the 46th anniversary of the date when Geddy had joined with his friend Alex, in a newly formed band, named Rush, so they say:

http://2112.net/powerwindows/tours/680918story.htm

Posted by Enigmaticus on Thursday, 09/25/2014 @ 09:09am

#17 - Posted 9/26/14 @10:07AM by Enigmaticus [contact]

There were so many great Rush studio album release date anniversaries to celebrate this past month:

September 1, 1977 "A Farewell To Kings" (**** 1/2)
September 3, 1991 "Roll The Bones" (*****)
September 8, 1987 "Hold Your Fire" (****)
September 9, 1982 "Signals" (*****)

September 10, 1996 "Test For Echo" (**** 1/2)
September 24, 1975 "Caress Of Steel" (**** 1/2)

Plus Neil Peart's 62nd Birthday, ( September 12, 1952)

Plus, the 46th anniversary of Rush's first gig: September 18, 1968
and probably most important of all, the 46th anniversary of the date when Geddy Lee joined Rush:

September 25, 1968

As far as live recordings are concerned, my least favorite Rush live album will celebrate it's 38th birthday tomorrow:

September 27, 1976 "All The World's A Stage" (*** 1/2)

Next month however, will herald the "trifecta" of prog: October 29. I am definitely looking forward to that date.

By the way, have I forgotten any?

Posted by Enigmaticus on Friday, 09/26/2014 @ 10:13am

Once again two Rush related programs were re ran on VH1 Classic earlier this evening, they were: "Rush: Beyond The Lighted Stage" and the 'Progressive Metal' episode of "Metal Evolution."

Posted by Enigmaticus on Sunday, 09/28/2014 @ 04:44am

Although I do like "Moving Pictures" quite a bit, I still feel that Rush's music did not become irrelevant after 1981. As far as great studio albums are concerned, I think that "Signals," "Power Windows," "Presto," "Roll The Bones," "Snakes & Arrows" and "Clockwork Angels" are just as essential.

As far as greatest live albums are concerned, I think that a case could be also be made for "Exit... Stage Left," "Different Stages," "R30," "Snakes & Arrows Live" and "Clockwork Angels Tour," as well.

Posted by Enigmaticus on Monday, 09/29/2014 @ 09:13am

"I happen to prefer the mellower side of Rush, the one that many of you would most certainly call 'elevator music.' I have never really thought of Rush as being either a 'hard rock,' or a 'heavy metal' band. Instead, I think of Rush as having written great timeless songs with sophisticated lyrics and extraordinary music. Rush has always been an inventing, thinking man's 'art rock' band, notice that I did not say heavy metal band. To me this conjures up images of talentless high- decibel groups who have never created a song without loud, filthy, sexist lyrics."

So, when I was creating my website over 17 years ago, I had said those things, amongst others. Do I still believe that "heavy metal" is created by talentless high-decibel groups who have never created a song without loud, filthy, sexist lyrics? Probably not.

Does this mean that I like heavy metal? No, I would not go that far either. After watching Sam Dunn and Scott McFadyen's series "Metal Evolution," I was surprised to find out that "heavy metal" draws it's inspiration from not only rock & roll and the blues, but jazz and classical as well.

One music critic had summarized Rush perfectly, "Rush is classical music played with loud guitars."

Posted by Enigmaticus on Tuesday, 09/30/2014 @ 10:07am

By the way, here is a link to that webpage of my long archived website:

http://www.reocities.com/SunsetStrip/Lounge/1254/exitstageleft.htm

Posted by Enigmaticus on Tuesday, 09/30/2014 @ 10:24am

I so strongly disagree with Kevin 'The Caveman' Shirley and his assessment of "Presto" and "Roll The Bones." Those two Rush albums just so happen to be two of my favorites. I had recently purchased the SACD of "Presto" and I must admit that the sound is quite spectacular. Of course, I would like to see Audiofidelity release SACD's of "Power Windows," "Exit... Stage Left" and "Roll The Bones!"

The "trifecta of prog" is coming later this month. "Exit... Stage Left," "Power Windows" and "Hemispheres" were all released on the same day, (October, 29) in different years.

Posted by Enigmaticus on Saturday, 10/4/2014 @ 11:20am

Oh by the way, did I forget to mention "Test For Echo" and "Hold Your Fire?" Yes, I would definitely like to see Aidiofidelity release SACD's of those albums also.

Posted by Enigmaticus on Saturday, 10/4/2014 @ 11:29am

I am terribly sorry. I had meant to say Audiofidelity.

Posted by Enigmaticus on Saturday, 10/4/2014 @ 21:43pm

I was over at Rolling Stone's website yesterday. There are quite a few articles about Rush there at this time.

Posted by Enigmaticus on Sunday, 10/5/2014 @ 14:18pm

After seeing the present list of nominees this year, once again , I have to ask was Rush's induction a "game changer?"

I so strongly disagree with Kevin 'The Caveman' Shirley and his assessment of "Presto" and "Roll The Bones." Those two Rush albums just so happen to be two of my favorites. I had recently purchased the SACD of "Presto" and I must admit that the sound is quite spectacular. Of course, I would like to see Audiofidelity release SACD's of "Power Windows," "Exit... Stage Left" and "Roll The Bones!"

The "trifecta of prog" is coming later this month. "Exit... Stage Left," "Power Windows" and "Hemispheres" were all released on the same day, (October, 29) in different years.

Posted by Enigmaticus on Tuesday, 10/14/2014 @ 09:41am

There are thirteen more days until the "trifecta" of prog. This is the day, (October 29) when in different years, Rush had released 3 of their greatest albums. Even though Rush does a spectacular job of recording studio albums, Rush's live work is arguably better.

Their most recent live recording, "Clockwork Angels Tour" from 2013 was another tour de force. It had featured some of Rush's best songs reinterpreted with a string ensemble. It is in my honest opinion, Rush's second best live recording. Their best live recording however, is the gem recorded during the Permanent Waves and Moving Pictures tours. In my honest opinion, the only way that a Rush live recording could possibly be better is to have been recorded with a full symphony orchestra.

Back in Rush's early days, their sound was much rawer, their second live recording is still in my honest opinion, the greatest live Rush recording, the greatest Rush recording, the greatest
progressive rock live album and the greatest progressive rock album. Ladies and gentleman, that recording is none other
than "Rush: Exit... Stage Left."

***** 1. Exit... Stage Left *****

For nearly 33 years, this album has held the number one position amongst my favorite recordings. This is where Rush as a three piece ensemble is truly transformed into the "world's smallest symphony orchestra."

With the possible exception of 'Beneath, Between & Behind,' which really does not belong here, every single song on this
recording is a masterpiece, made even better by the fact that
"Exit" is a live recording.

The set list is magnificent, the sound is incomparable and the musicianship is superlative. I had even been inspired to paint various scenes by listening to 'Xanadu,' which is arguably Rush's greatest work. I had become even more enamored of progressive rock and art rock music, as a result of my appreciation of this recording. I have been an avid supporter of both genres for nearly 33 years. The reason why I had
embraced such different artists as: Duran Duran, The Moody
Blues, Yes, Genesis, Gentle Giant, King Crimson, Echolyn, The Police, The Talking Heads, Roxy Music, etc. is directly related to my appreciation of this recording. Over nearly those
past 33 years, I have also listened to a great amount of new age music as well, including such as artists as: Shadowfax, Yanni, Vangelis and Andreas Vollenweider.

Now as to the setlist:

1. The Spirit Of Radio- One of Rush's best tracks from "Permanent Waves" opens the album. The Spirit Of Radio is just one of those essential Rush songs, it features quite a few different musical styles, including reggae and new wave mixed with progressive rock.

2. Red Barchetta- the ultimate driving song from "Moving Pictures." It is cinematic in it's scope and intensity.

3. YYZ- the sounds of morse code made into an homage to Rush's hometown, Toronto.

4. A Passage To Bangkok- From "2112," a travelogue throughout the world.

5. Closer To The Heart- from "A Farewell To Kings," one of Rush's signature songs.

6. Beneath, Between & Behind- from "Fly By Night," a song about the betrayal of the illusion of the American dream.

7. Jacob's Ladder- from "Permanent Waves," a magnificent epic which reflects the power of a physics phenomenon in it's unabashed glory.

8. 'Broon's Bane- a classical guitar piece written by Alex Lifeson, which serves as a nice intro to 'The Trees.'

9. The Trees- a great song from "Hemispheres" about class struggle.

10. Xanadu- Rush's magnum opus from "A Farewell To Kings." Volumes could be written about this meisterwerk.

11. Freewill- Another great song from "Permanent Waves," reflecting Rush's credo.

12. Tom Sawyer- Rush's signature song from "Moving Pictures."

13. La Villa Strangiato- Rush's instrumental tour de force from "Hemispheres," an epic piece with varying tones and styles, proving Rush's significance in the world of progressive rock.

Posted by Enigmaticus on Thursday, 10/16/2014 @ 09:42am

Who will each member Rush vote for this year?

Posted by Roy on Thursday, 10/16/2014 @ 12:08pm

Roy,

Who do I think that the members of Rush will vote for?

Although I cannot say with absolute certainty, I would venture to guess the following:

Sting
Stevie Ray Vaughan
Lou Reed
Nine Inch Nails
Kraftwerk

Posted by Enigmaticus on Sunday, 10/19/2014 @ 00:39am

Tomorrow will mark the 21st anniversary of the release of "Counterparts," (my least favorite 1990's era recording). Even so, it is still a very good recording.

The unified theme on "Counterparts" is that of interpersonal relationships.

Posted by Enigmaticus on Sunday, 10/19/2014 @ 00:51am

On the other hand, these artists could be the choices of Rush's members, as well:

The Paul Butterfield Blues Band
Sting
Stevie Ray Vaughan
Lou Reed
Nine Inch Nails

Once again, this is only speculation on my part.

Posted by Enigmaticus on Sunday, 10/19/2014 @ 05:48am

Today is the 21st anniversary of the release of Counterparts, my least favorite 1990's era Rush album. Many Rush fans have jumped on the bandwagon, asserting that this is Rush's greatest "Middle Modern Period" recording, however I am not one of them. However, I do feel that there are quite a few great songs on this album, such as: 'Cut To The Chase,' 'Between Sun & Moon,' 'Double Agent,' 'Cold Fire' and 'Everyday Glory.' There is a magnificent instrumental: 'Leave That Thing Alone.' Two masterpieces: 'Animate' and 'Nobody's Hero,' which is in my honest opinion, their greatest song on the album, but there are also a few mediocre songs: 'Alien Shore,' 'The Speed Of Love' and my least favorite song on this album, 'Stick It Out,' which has been known to polarize Rush aficionados to this day. I can appreciate the fact that Rush was embracing "alternative" music at the time, but I feel that their two predecessors: "Presto" and "Roll The Bones" were much better albums, overall.

In fact, 'Nobody's Hero' is so great that its' inclusion elsewhere, would have made either of Counterparts' predecessors even better albums. The orchestration by the late Michael Kamen on this song is quite extraordinary and really provides a moving emotional atmospheric backdrop to Neil Peart's gripping lyrics and Geddy Lee's soaring vocals. This song is very sad and mourns the loss of two friends, one death due, supposedly to HIV/AIDS and the other due to the random acts of a serial killer. ;-(

Posted by Enigmaticus on Sunday, 10/19/2014 @ 06:36am

Yesterday was the 21st anniversary of the release of "Counterparts." Next month will mark the 25th anniversary of the release of "Presto."

Posted by Enigmaticus on Monday, 10/20/2014 @ 13:52pm

Lest we forget:

Once again, it is necessary to acknowledge those "prog" artists who had influenced Rush:

Progressive and/or art rock bands who had influenced the "holy triumvirate", who are currently in the Rock & Roll Hall Of Fame:

THE BEATLES
CREAM
THE WHO
JEFFERSON AIRPLANE
PINK FLOYD
TALKING HEADS
THE POLICE
GENESIS

Those who will be inducted in 2014:

PETER GABRIEL

Those prog and/ or art rock artists who have yet to be
inducted:

THE MOODY BLUES
PROCOL HARUM
JETHRO TULL
DEEP PURPLE
YES
KING CRIMSON
GENTLE GIANT
SUPERTRAMP
EMERSON, LAKE & PALMER
ROXY MUSIC
DURAN DURAN

Other than perhaps Baroque, Classical, Romantic or Modern composers, Van der Graaf generator, or Led Zeppelin, have I forgotten anyone?

In my honest opinion, if you had influenced, the band who is arguably progressive rock's greatest band, then you should be enshrined within the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Tuesday, 10/21/2014 @ 19:12pm

The recent passing of Jack Bruce, formerly of Cream, is indeed a very sad event. Jack Bruce was a seminal influence upon the bass playing style of Geddy Lee, amongst others. My most sincere condolences to his family and friends on his passing. :-(

Posted by Enigmaticus on Monday, 10/27/2014 @ 09:51am

Many thanks go out to all of those individuals who had voted for "Exit... Stage Left." It is great to know that my favorite album is now an essential recording. :-)

Posted by Enigmaticus on Monday, 10/27/2014 @ 09:56am

Tomorrow is the day that I prefer to refer to as the "trifecta of prog." The day, when in different years, three masterpieces by Rush were released.

In 1978, Rush had released "Hemispheres." This recording was my first introduction to the music of Rush and progressive rock in general. It was also the last album by Rush to feature side long epics.

In 1981, Rush had released "Exit... Stage Left," their second live recording which represents the apex of their "Middle Period," i.e. their symphonic progressive era. "Exit... Stage Left" is the album where Rush is truly transformed into the world's smallest symphony orchestra. It is also the recording that had cemented my interest in progressive rock and art rock.

In 1985, Rush had released their finest "Early Modern Period" album, "Power Windows." This recording had taken the elements of Rush's new wave sound and combined them with Rush's progressive tendencies. Second on my list of favorite Rush studio albums, Geddy Lee had referred to "Power Windows" as the perfect blend between guitar and keyboards. One critic had referred to this album as the bridge between the Sex Pistols and Yes.

Tomorrow, all three of these masterpieces will celebrate an anniversary, that is why I refer to tomorrow as the "trifecta" of prog.

Posted by Enigmaticus on Tuesday, 10/28/2014 @ 09:41am

Buried within the murky depths of time is the music that I had first heard while growing up. It had included such artists as: Boots Randolph, Pyotr Ilyich Tchaikovsky, The Capenters, the Glenn Miller Orchestra, Perry Como, Gordon Lightfoot, Al Hirt, Herb Alpert and the Tijuana Brass, the Ray Conniff singers and of course, Lawrence Welk. I did not grow up with Elvis Presley's music and the music of The Beatles was forbidden.

However, all of that had changed in mid February, 1979
when I had first heard the exquisite music of a Canadian progressive rock band named Rush and their sixth studio album, "Hemispheres."

At that time, the epic, "Cygnus X-1 Book II: Hemispheres had been the most amazing piece of music that I had ever
heard in my entire life. It was like an amalgam of those previously mentioned artists and something else, something enigmatic, almost otherworldly.

It had stopped at that then, however over a year and a half later, I would be re-introduced by a college colleague to this extraordinary music, along with the music of another band named Pink Floyd and their phenomenal studio album, "Dark Side Of The Moon."

Posted by Enigmaticus on Wednesday, 10/29/2014 @ 03:36am

Of course, there were also other singer/songwriters, such as: Simon & Garfunkel and Carly Simon, instrumentalists such as Mason Williams (the composer of 'Classical Gas'), Henry Mancini and even Dionne Warwick, whose vocals had elevated the Hal David/Burt Bacharach songs to new heights and even a.m. radio favorites, such as Chicago which must have had a profound and lasting influence.

But nothing in my opinion, had a more lasting effect than those of other "progressive rock" bands, such as Kansas, Supertramp and Styx, in the early days.

My first cassette purchases in October, 1980 were: "Lost In Love," by Air Supply and "The Original Motion Picture Soundtrack to Xanadu, by E.L.O."

The name, 'Xanadu' would also leave a much deeper impression and would inadvertently cement by interest in "progressive rock."

Posted by Enigmaticus on Wednesday, 10/29/2014 @ 09:50am

Apparently, 'Classical Gas' had a much more profound effect upon my musical interests than I had even previously imagined. The music of The Carpenters was also prevalent, as well.

Posted by Enigmaticus on Friday, 10/31/2014 @ 02:22am

Jennifer Rush * Patrice Rushen * Rush Limbaugh * Rush Rush * Rush Street * Rush * Rushmore

Posted by Roy on Wednesday, 11/12/2014 @ 14:24pm

I am really looking forward to picking up and watching the new R40 box set, a compendium of 6 BLU-RAY discs of Rush's live offerings and bonus material. I had ordered a copy back in September.

Posted by Enigmaticus on Thursday, 11/13/2014 @ 08:19am

My most recent Rush purchase is the six BLU-RAY version of the R40 box set. I am definitely looking forward to watching it during the next month, or so.

Posted by Enigmaticus on Monday, 11/17/2014 @ 09:02am

Tomorrow is the 2nd anniversary of the release of "Clockwork Angels Tour," my second favorite Rush live recording, on DVD, BLU-RAY and cd. Friday will mark the 25th anniversary of the release of "Presto," my third favorite Rush studio album.

Here is that list, revisited.

20. Rush
19. Fly By Night
18. Feedback
17. 2112
16. Vapor Trails
15. Grace Under Pressure
14. Counterparts
13. Hold Your Fire
12. Caress Of Steel
11. A Farewell To Kings
10. Test For Echo
09. Hemispheres
08. Snakes & Arrows
07. Signals
06. Permanent Waves
05. Moving Pictures
04. Clockwork Angels
03. Presto
02. Power Windows
01. Roll The Bones

Regarding the live recordings:

08. All The World's A Stage
07. Rush In Rio
06. Time Machine Tour: Live In Cleveland
05. Different Stages
04. Snakes & Arrows Live
03. R30
02. Clockwork Angels Tour
01. Exit... Stage Left

Posted by Enigmaticus on Tuesday, 11/18/2014 @ 08:52am

I stand corrected, tomorrow is the first anniversary of the release of "Clockwork Angels Tour." Friday, however is the 25th anniversary of the release of "Presto."

Posted by Enigmaticus on Tuesday, 11/18/2014 @ 23:54pm

Today is the 25th anniversary of the release of "Presto," my third favorite Rush studio album. I have been contemplating writing about the theme of this particular recording for the past several days. Then, it had suddenly finally dawned upon me, that the theme of "Presto" is about change.

"...Plus ca change, plus c'est la meme chose... The more that things change, the more they stay the same." Those lyrics from 'Circumstances' from Rush's sixth studio album, "Hemispheres" connect to the inherent theme of "Presto."

Posted by Enigmaticus on Friday, 11/21/2014 @ 08:47am

Rush's thirteenth studio album, "Presto" is now 25 years old. After "Hold Your Fire" had pushed Rush into almost "new age" territory with songs like 'Tai Shan,' Rush had decided to diminish their keyboard dominated sound and return to a modern take on their original sound, with the guitar pushed to the foreground. "Presto" was the first album which had exhibited this new style.

Posted by Enigmaticus on Monday, 11/24/2014 @ 08:39am

The recurring theme of "Presto" appears to be about change.

'Show Don't Tell' addresses the issue of evolution, which in itself, implies change, referencing the famous Scopes Monkey Trial, in the process.

'Scars' deals with atmospheric change. In this case, the increasing desertification of sub-Saharan Africa.

'Presto' deals with personal change.

'Red Tide' deals with environmental change, in this case the polluting of the oceans.

'Available Light' deals with the forces of nature, more specifically wind and light and
their effects upon our lives.

Posted by Enigmaticus on Tuesday, 11/25/2014 @ 08:44am

Recently, I have changed my rankings on the Rush studio albums. Here is my amended list:

19. Rush
18. Fly By Night
17. 2112
16. Vapor Trails
15. Grace Under Pressure.
14. Counterparts
13. Hold Your Fire
12. Caress Of Steel
11. A Farewell To Kings
10. Test For Echo
09. Hemispheres
08. Snakes & Arrows
07. Signals
06. Permanent Waves
05. Moving Pictures
04. Clockwork Angels
03. Power Windows
02. Presto
01. Roll The Bones

Posted by Enigmaticus on Thursday, 11/27/2014 @ 01:29am

There are just too many great songs on "Presto" which elevate this album above "Power Windows," in my honest opinion. Overall, I think that "Presto" is highly underrated by various critics and Rush fans. In my opinion, the weakest song on "Presto" is 'Superconductor,' which is still a very good song.

'Available Light' is my favorite song on "Presto." This masterpiece is cinematic in it's scope and intensity. It is a beautiful song from beginning to end, both musically and vocally. It is also the predecessor to the song style used on "Roll The Bones."

"Red Tide" is another great song, the vibrant piano lines enhance the song from beginning to end. It is another song which is cinematic in it's scope, as well.

'Presto' is wonderful also. Geddy Lee's vocals sound so much better when he is not attempting to mimic Robert Plant and is not singing with a falsetto.

'Anagram (for Mongo)' is clever, insightful and extremely pleasant. This great song is also beautiful from beginning to end.

'Scars' has the funky rhythm which propels it into jazzy territory. I think that it captures the spirit of Africa.

Posted by Enigmaticus on Friday, 11/28/2014 @ 05:59am

Let us not forget that "Presto" is the predecessor to "Roll The Bones."

Posted by Enigmaticus on Sunday, 11/30/2014 @ 08:39am

It has fluffy bunnies on the cover, the songs are very well written and the vocals are superb. For many years, critics had lambasted Rush for Geddy Lee's screeching vocals. After 1980, Geddy was no longer singing in that piercing falsetto. There was also the question about the over reliance or the prominence of the synthesizers. On the previous album, "Hold Your Fire," this may have reached it's apex and Rush was heading into "new age" territory. With "Presto," Rush had started to return to their more guitar centric sound. Although keyboards were still utilized, the songs would now feature more prominent piano lines.

Posted by Enigmaticus on Monday, 12/1/2014 @ 08:45am

Perhaps, I have a different perspective. As far as I am concerned, Rush is one of the most consistently excellent music groups of all time. To exclude them from the list of greatest 100 artists does not make any sense whatsoever, it is a travesty. Certainly, it reeks of elitism. Radio had excluded them for many years inexplicably, but then again, they did not really try to cater to the "wham bam, thank you ma'am mentality."

When Rush did write songs about love, they were much more heartfelt and sincere. Rush may have originally mimicked Led Zeppelin, in ordered to get their foot in the door. But after their debut album, Rush had followed their own trajectory and had written some of the most extraordinary, yet underappreciated songs in rock and roll.

Posted by Enigmaticus on Friday, 12/5/2014 @ 07:38am

Although "Presto" is quite an extraordinary album, "Roll The Bones" is even better. Both albums were created as showcases for Rush's songwriting talents. Both recordings feature Geddy Lee at the height of his vocal prowess. Gone were the days of his screeching, thank goodness. This trend would continue onward throughout the rest of Rush's career.

Posted by Enigmaticus on Saturday, 12/6/2014 @ 11:49am

Many individuals have said that Rush has been flying the "prog" flag for decades; I could not agree more. However, I do become incensed when Rush is described as a "heavy metal" band. Rush is not, was not and will never be a "heavy metal" band, they are a "progressive rock" band. Of course, describing them only as "heavy prog" does a disservice to them also.

Even within the world of "progressive rock," Rush is still difficult to define. For the most part, Rush is an "art rock" band, one of the most commercially successful branches of
prog.

However, if you need categorization:

1968- September, 1975- Heavy Prog
September 1975- 1977 - Heavy Symphonic Prog
1977- 1979 - Symphonic Prog
1979-1981 - Symphonic Prog/ Art Rock
1982- 1998- Art Rock
1998- 2005- Heavy Prog/ Eclectic Prog
2006- present- Symphonic Prog/ Art Rock

Posted by Enigmaticus on Monday, 12/8/2014 @ 09:05am

As I have stated before many times, I prefer softer rock over hard rock. With this in mind, I listen to "The Bridge" on Sirius X-M satellite radio much of the time. Occasionally, I even hear songs by Led Zeppelin and Heart. With this in mind, I would like to strongly suggest that either a separate progressive rock channel be created, or that "The Bridge" at several Rush songs to their repertoire. Here is a list:

Tears
Madrigal
Different Strings
Losing It
Mystic Rhythms
Marathon
Grand Designs
Time Stand Still
Second Nature
Tai Shan
Presto
Anagram (for Mongo)
Available Light
Bravado
Roll The Bones
Heresy
Ghost Of A Chance
Nobody's Hero
Resist
Faithless
The Wreckers
Halo Effect
The Garden

Posted by Enigmaticus on Tuesday, 12/9/2014 @ 08:35am

As I have stated before many times, I prefer softer rock over hard rock. With this in mind, I listen to "The Bridge" on Sirius X-M satellite radio much of the time. Occasionally, I even hear songs by Led Zeppelin and Heart. With this in mind, I would like to strongly suggest that either a separate progressive rock channel be created, or that "The Bridge" include several Rush songs in their repertoire. Based upon their mellower feel. Here is a list:

Tears
Madrigal
Different Strings
Losing It
Mystic Rhythms
Middletown Dreams
Marathon
Grand Designs
Time Stand Still
Second Nature
Open Secrets
Tai Shan
High Water
Presto
Anagram (for Mongo)
Red Tide
Available Light
Bravado
Roll The Bones
Heresy
Ghost Of A Chance
Nobody's Hero
The Color Of Right
Resist
Carve Away The Stone
Faithless
The Wreckers
Halo Effect
The Garden

Posted by Enigmaticus on Tuesday, 12/9/2014 @ 08:47am

Not every artist is capable of writing hit songs. Some artists struggle with this activity throughout their career, while others are able to place numerous songs on the charts. If you consider the overall body of their work, some artists excel, while others barely scrape by.

Most "art rock," or "progressive rock" artists are not hit making machines, however there certainly are exceptions. Some are able to blend lyrical and musical sophistication with a sound which appeals to the multitude.

I find it extremely unusual that some artists have one signature song which is constantly played on the radio to the point of making the listener nauseous, while others have several songs in constant rotation.

Posted by Enigmaticus on Wednesday, 12/10/2014 @ 08:28am

For some odd reason, many people think that Rush's greatness had ended in 1981. I do not share that opinion. I think that their detractors, who had hated Geddy's vocals, would be hard-pressed to explain why Rush still remains popular nearly 34 years after "Moving Pictures."

Posted by Enigmaticus on Thursday, 12/11/2014 @ 08:38am

This much is true: Rush is definitely not a mediocre band. It has now been over 2 years since they were notified of their induction into the Rock And Roll Hall Of Fame.

Posted by Enigmaticus on Friday, 12/12/2014 @ 22:44pm

Posted by Enigmaticus on Saturday, 12/13/2014 @ 03:13am

Oh by the way, I would never judge a band on how much I did or did not respect their fan base. I would judge the band on their own merits.

Instead, I would ask whether or not the band was influential? Were their members innovative? Did this artist improve upon the work of their predecessors? Did this band continue to improve musically, or did they rest on their past glories? Did the band have longevity? Were there variations within their style? Did the band continue to write great songs which would still stand on their own merit?

If the answers to these questions are yes, then the group is Hall Of Fame worthy.

Posted by Enigmaticus on Monday, 12/15/2014 @ 08:04am

The legacy of any band depends on the concern of their members.

Posted by Enigmaticus on Tuesday, 12/16/2014 @ 21:18pm

The desire to write great and timeless songs should be the ultimate goal of any artist.

Posted by Enigmaticus on Tuesday, 12/23/2014 @ 08:35am

There was someone who had mentioned a few bands that were supposedly, of the same caliber as Rush.

I can think of only 4 others:

1. The Beatles
2. Yes
3. The Moody Blues
4. Duran Duran

If The Beatles were Mt. Everest, then Rush is K2.

Now that is not to discount the value of these artists either:

05. Jefferson Airplane
06. Fleetwood Mac
07. Stevie Wonder
08. Pink Floyd
09. Heart
10. Talking Heads

Those artists represent similarly high peaks.

Posted by Enigmaticus on Sunday, 12/28/2014 @ 10:53am

I have never really understood why so many critics had jumped onto the "punk" bandwagon.

Posted by Enigmaticus on Tuesday, 12/30/2014 @ 11:56am

Regarding the previous commenter to this page- I do not understand that remark at all.

This is another year. Last year had produced many changes. However, I was slightly disappointed with the overall outcome of the Rock & Roll Hall Of Fame inductees list. In particular, I was extremely disappointed that no progressive rock artists were inducted, not even Kraftwerk. For some peculiar reason, I was extremely surprised that neither Yes, nor Deep Purple, nor Procol Harum were even nominated. I was also surprised that neither The Moody Blues, nor E.L.O., nor Duran Duran have even appeared on their radar yet.

However, I think that things will change this year. I think that those aforementioned artists will return to the ballot and that we will see more "art rock" and "progressive rock" acts on the ballot. Perhaps, the Nominating Committee feels that Los Angeles is the best place for inducting such acts.

Deep Purple is a bit of an anomaly. Originally, they had been much more "progressive." In my honest opinion, their third album, "Deep Purple" is still one of their best. I also like "Burn" quite a bit.

Yes has produced quite a few bonafide "progressive rock" studio masterpieces, among these are:

"The Yes Album"
"Fragile"
"Close To The Edge"
"Tales From Topographic Oceans"
"Going For The One"
"90125"
"Keys To Ascension 1 & 2"
"Keystudio"
"Magnification"

So, if we decide to make the criteria for induction having 5 or more masterpieces amongst their discography, then yes they are definitely worthy of induction into the Rock & Roll Hall Of Fame.

The same criteria could be applied to these artists:

The Moody Blues

"Days Of Future Passed"
"In Search Of The Lost Chord"
"On The Threshold Of A Dream"
"To Our Children's Children's Children"
"Long Distance Voyager"
"Strange Times"

Electric Light Orchestra

"No Answer"
"On The Third Day"
"Face The Music"
"A New World Record"
"Out Of The Blue"

Duran Duran

"Duran Duran"
"Rio"
"Duran Duran (aka "The Wedding Album")
"Astronaut"
"All You Need Is Now"

King Crimson

"In The Court Of The Crimson King"
"Lark's Tongues In Aspic"
"Red"
"Discipline"
"Beat"
"Three Of A Perfect Pair"
"Thrak"

Jethro Tull

"Aqualung"
"Thick As A Brick"
"A Passion Play"
"Songs From The Wood"
"Heavy Horses"
"The Broadsword & The Beast"
"Crest Of A Knave"

Posted by Enigmaticus on Monday, 01/5/2015 @ 08:23am

So why do I mention these acts on a page devoted to Rush? Because these artists also have represent that aforementioned genre and they had influenced Rush, as well.

I am not familiar enough with Procol Harum's discography to be able to list 5 of their studio masterpieces, unfortunately. I can only list 4: "Procol Harum," "Shine On Brightly," "A Salty Dog" and "Grand Hotel."

The same goes for Roxy Music, Supertramp, Styx, Kansas, etc.

However, Gentle Giant does have 5 or more studio masterpieces amongst their discography:

"Gentle Giant"
"Acquiring The Taste"
"Three Friends"
"Octopus"
"The Power & The Glory"
"Free Hand"

Posted by Enigmaticus on Monday, 01/5/2015 @ 08:43am

So why do I mention these acts on a page devoted to Rush? Because these artists also have represented that aforementioned genre and they had influenced Rush, as well. I am not familiar enough with Procol Harum's discography to be able to list 5 of their studio masterpieces, unfortunately. I can only list 4: "Procol Harum," "Shine On Brightly," "A Salty Dog" and "Grand Hotel."

The same goes for Roxy Music, Supertramp, Styx, Kansas, Renaissance, etc.

However, Gentle Giant does have 5 or more studio masterpieces amongst their discography:

"Gentle Giant"
"Acquiring The Taste"
"Three Friends"
"Octopus"
"The Power & The Glory"
"Free Hand"

Even more remarkable is the fact that the members of Gentle Giant were able to switch instruments during a song. This spoke volumes about their virtuosity.

But this is the Rush page. Unfortunately, aficionados of Rush's music can not even decide who their studio masterpieces are. However, there are 9 in my honest opinion:

"Roll The Bones"
"Presto"
"Power Windows"
"Clockwork Angels"
"Moving Pictures"
"Permanent Waves"
"Signals"
"Snakes & Arrows"
"Hemispheres"

This is why Rush was inducted as an icon into the Rock & Roll Hall Of Fame in 2013.

Posted by Enigmaticus on Monday, 01/5/2015 @ 08:58am

You may ask, 'What about Emerson, Lake & Palmer? Do they have 5 masterpieces amongst their discography? Well, I would venture to guess that you might consider the following studio recordings to be masterpieces:

"Emerson, Lake & Palmer"
"Tarkus"
"Trilogy"
"Brain Salad Surgery"

But what else?

"Works Vol. I?"

But then there is the cringe inducing

"Love Beach"

Posted by Enigmaticus on Tuesday, 01/6/2015 @ 02:14am

What else?

Pictures At An Exhibition

Tremendous performance, just as much or more intensity than any heavy metal band and musical chops to go along with it!

Posted by Arrow Man on Tuesday, 01/6/2015 @ 02:37am

Enig, I just happened to be doodling here on the Future Rock site. Nobody seems to be commenting on the Inductee section this Year yet. So I ended up here. I am into lots of Music. I am actually bigger with Emerson, Lake & Palmer than Rush. I like some Rush ahh but before that there was ELP. I would say there are 5 masterpieces. I owned a lot on Record from them. I currently own Brain Salad and a Best of ELP on cd. I like all kinds of Rock and music in general. I do like Emerson Lake & Palmer. I think ELP will eventually go in the Rock Hall. Not that soon though. Perhaps about 2020 or 2021. I would expect Moodys, Yes and Tull before them. I think that's how the Hall will handle Prog Rock. The first, Trilogy and Brain Salad Surgery are masterpieces for sure. That is my take on ELP. I do love Fanfare for the Common Man! That track on its own by them is a Rock masterpiece. I needed to mention that track.

Posted by Ben on Tuesday, 01/6/2015 @ 06:53am

Those are very interesting comments, Ben and Arrow Man. I haven't really heard that many people defend "Pictures At An Exhibition." Of course, I also like the original by Modest Mussorgsky. 'Nutrocker,' however was not my favorite. I happen to prefer Tchaikovsky.

What do you think of "Black Moon?"

Posted by Enigmaticus on Wednesday, 01/7/2015 @ 00:46am

I'm a Rimsky-Korsakov man, myself.

Tchaikovsky is a total badass, though,

Posted by Paul in KY on Wednesday, 01/7/2015 @ 07:34am

I like Nikolai Rimsky- Korsakov's work also, especially Scheherezade, however I would have to say that Tchaikovsky and Mozart are probably my favorite overall composers.

Posted by Enigmaticus on Thursday, 01/8/2015 @ 08:05am

Enig, give a listen to Dvorak (if you haven't already). Wonderful stuff, IMO.

Posted by Paul in KY on Thursday, 01/8/2015 @ 15:42pm

Paul in Ky,

I may buy a recording by Antonin Dvorak later this year. Do you have any particular favorites?

In the meantime, next month will mark the 36th anniversary of my introduction to the music of Rush.

Later this year will mark the 18th anniversary of the creation of my long archived website.

Posted by Enigmaticus on Wednesday, 01/14/2015 @ 09:13am

Enig,

Congrats on your 36th anniversary! As far as Dvorak, I would recommend Slavonic Dances or From of the New World Symphony. Either one of those should give you a good measure of his greatness.

Posted by Paul in KY on Wednesday, 01/14/2015 @ 15:05pm

Enig-

I second what Paul said. Those two pieces (especially the From of the New World Symphony) are far and away his masterpieces. You might even recognize some portions of his symphony as it shows up in films or commercials every so often.

Posted by Tom H. on Wednesday, 01/14/2015 @ 15:44pm

Thank you Paul in KY and Tom H.,

I will have to seek those out in the not too distant future then.

Posted by Enigmaticus on Tuesday, 01/20/2015 @ 09:23am

Rush is planning to tour in 2015;

http://www.rush.com

&

http://www.rushisaband.com

Confirm that this is true.

Posted by Enigmaticus on Saturday, 01/24/2015 @ 16:27pm

As I approach the 36th anniversary of my introduction to the music of Rush, I am amazed at the variety of styles which they have incorporated into their musical fabric. As a result, the individuals who appreciate their diverse works are not a homogeneous group either.

Posted by Enigmaticus on Tuesday, 01/27/2015 @ 03:38am

Next Saturday night on VH1 Classic, Geddy Lee will be the guest on "That Metal Show." Also, Geddy Lee will be profiled on a new series called "Rock Icons."

Recently, Geddy Lee was interviewed by author Michael Chabon for an episode of PBS's "Speakeasy." Unfortunately, this show has not aired on KUAT in Tucson. Have any of you individuals residing in the Northeastern United States seen it?

Posted by Enigmaticus on Friday, 02/13/2015 @ 08:21am

Next Tueday is not just Mardi Gras, nor is it just Michael Jordan's 52nd birthday, nor Richard Karn's 59th birthday. No, it is much more than that, for it is also the 36th anniversary of my introduction to the music of Rush, via an album titled "Hemispheres."

Yes, it was back on February 17, 1979 when I had first encountered the magnificence of these "progressive rock" titans.

Posted by Enigmaticus on Saturday, 02/14/2015 @ 18:13pm

Once again, "Rush: Beyond The Lighted Stage" is scheduled to air @ 10:30 p.m. E. S. T. on VH-1 Classic.

Posted by Enigmaticus on Sunday, 02/15/2015 @ 17:33pm

Today is the 36th anniversary of my first introduction to the music of Rush. ;-)

Posted by Enigmaticus on Tuesday, 02/17/2015 @ 02:41am

Today is not just Mardi Gras, nor is it just Michael Jordan's 52nd birthday, or Richard Karn's 59th birthday. No, today is a much more important day for me, personally. For today is the 36th anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I was just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that was pretty much it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, led to drug addiction. So, it was prohibited, however anything that enhanced education was perfectly acceptable.

It was because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I was a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This was a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle were pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood were out playing ball, I was inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record
Shop which was then located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Posted by Enigmaticus on Tuesday, 02/17/2015 @ 08:36am

Perhaps it was because of the cover artwork, or perhaps it was because of the way that the songs were arranged, or perhaps it was because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush until a year and a half later, when I was a Freshman attending the University of Arizona College
Of Architecture.

Posted by Enigmaticus on Tuesday, 02/17/2015 @ 08:50am

Once the seed had been planted somewhere in my deep subconscious, the desire to find the music of other "progressive artists" had been created. Once that seed had been planted, there was no turning back.

Even after graduating from High School, I had been unable to discuss the music which the other classmates were familiar with. I had much more in common with my teachers.

Posted by Enigmaticus on Tuesday, 02/17/2015 @ 08:59am

Just a reminder to those individuals who are interested:

Geddy Lee is scheduled to appear as a guest on "That Metal Show" on Saturday February 21, 2015 at 9 p.m. E.S.T. on VH-1 Classic. Geddy Lee is also scheduled to be profiled on "Rock Icons" at 10p.m. on Saturday February 21, 2015 at 10 p.m. E.S.T. on VH-1 Classic. .

Posted by Enigmaticus on Thursday, 02/19/2015 @ 08:20am

Just a reminder for those individuals who are interested:

Geddy Lee is scheduled to appear as a guest on the debut episode of the 14th Season of "That Metal Show" on Saturday February 21, 2015 at 9 p.m. E.S.T. on VH-1 Classic.

Geddy Lee is also scheduled to be profiled on the new series, "Rock Icons" at 10 p.m. on Saturday February 21, 2015 at 10 p.m. E.S.T. on VH-1 Classic. .

Posted by Enigmaticus on Thursday, 02/19/2015 @ 08:25am

Enig, congrats on the Rush anniversary!

Posted by Paul in KY on Thursday, 02/19/2015 @ 15:23pm

Thank you, Paul in KY.

Rush was the springboard for many of my musical interests!

Posted by Enigmaticus on Thursday, 02/19/2015 @ 21:45pm

For those of you who are interested:

The PBS "Speakeasy" episode featuring Michael Chabon interviewing Geddy Lee is scheduled to air on Ready TV (Cox channel 82) in the metropolitan Tucson, Az area on Saturday March 7, 2015 @ 10:00 p.m. M.S.T. and @ 2:00 a.m. on Sunday March 8, 2015.

Posted by Enigmaticus on Sunday, 02/22/2015 @ 14:14pm

Enig - Do you live in Tucson?

Posted by DarinRG on Sunday, 02/22/2015 @ 18:29pm

DarinRG,

No, not any longer. When I was renting, I did live in the city of Tucson for about 13 years though.

I have now resided in a suburb of Tucson for nearly the past 3.0 years. I do occasionally drive into Tucson to pick up magazines, CDs, DVDs, or BluRay's and of course, I go out and have dinner at one of my favorite restaurants. Otherwise, I stay at my house during most weekends.

Posted by Enigmaticus on Tuesday, 03/24/2015 @ 03:08am

Enig - Cool, I'm in PHX. I love visiting SoAZ, especially when everybody is heading north.

Posted by DarinRG on Tuesday, 03/24/2015 @ 03:33am

Posted by Enigmaticus on Saturday, 05/2/2015 @ 10:24am

I was very disappointed to see Rush ranked 97th on the list of greatest artists. In my honest opinion, there is only 1 artist who should rank above them, The Beatles.

Rush has been a band whose consistency throughout their career has been exemplary. Most artists have a few good songs per album, Rush has mostly great songs per album. Of course, not every single song in their catalogue is great. It would be absurd to think that "The Holy Triumvirate" never makes mistakes; they do have a few train wrecks also.

One of the only lifetime exceptions to their career of musical excellence, includes the song, 'Lessons' from "2112." In the present form, this song has almost no redeeming qualities whatsoever. It should have either been given to another band who deserves it, for some reason AC/DC comes to mind, or perhaps expunged from their catalogue entirely, or perhaps reworked by Rush into something much more palatable. In my honest opinion, this song was what had turned certain individual's off to Rush. Geddy's vocals on this song could have also best been described as "a cat being chased up a flight of stairs with a blowtorch up it's arse!"

As far as Rush's detractors are concerned, well I strongly suggest checking out the following albums which exemplify their songwriting acumen:

1. Roll The Bones
2. Presto
3. Power Windows
4. Clockwork Angels
5. Moving Pictures
6. Permanent Waves
7. Signals
8. Snakes & Arrows

Also, worthy of being looked at are:

10. Test For Echo
13. Hold Your Fire
14. Counterparts

If you are more of a prog rock enthusiast, you might like

09. Hemispheres
11. A Farewell To Kings
12. Caress Of Steel

Posted by Enigmaticus on Saturday, 05.2.15 @ 10:24am

Posted by Enigmaticus on Saturday, 05/2/2015 @ 15:52pm

I have never really understood why "2112" and "Moving Pictures" have been considered so great. "Moving Pictures" is a great album, but it is not really Rush's greatest studio album. "2112," on the other her hand was important because it opened the doors for them, but I would not rank it amongst Rush's top 15 greatest studio albums. Once again, here are Rush's greatest studio albums, in order:

*****

01. Roll The Bones
02. Presto
03. Power Windows
04. Clockwork Angels
05. Moving Pictures
06. Permanent Waves
07. Signals
08. Snakes & Arrows
09. Hemispheres
10. Test For Echo

**** 1/2

11. Hold Your Fire
12. A Farewell To Kings
13. Counterparts

****

14. Grace Under Pressure
15. Counterparts

*** 1\2

16. Caress Of Steel
17. 2112

***

18. Feedback

** 1/2
19. Fly By Night
20. Rush

Posted by Enigmaticus on Saturday, 05/23/2015 @ 19:28pm

15. Vapor Trails

Posted by Enigmaticus on Saturday, 05/23/2015 @ 19:35pm

I have never really understood why "2112" and "Moving Pictures" are considered to be so great. Granted, "Moving Pictures" is a great studio album, but it is not really Rush's greatest studio album. "2112" on the other hand, was important because it had opened doors for them, but I would not rank it amongst Rush's top 15 studio albums. Once again, these recordings in my honest opinion, are Rush's greatest studio albums in order:

*****

01. Roll The Bones
02. Presto
03. Power Windows
04. Clockwork Angels
05. Moving Pictures
06. Permanent Waves
07. Signals
08. Snakes & Arrows
09. Hemispheres
10. Test For Echo

**** 1/2

11. Hold Your Fire
12. A Farewell To Kings
13. Counterparts

****

14. Grace Under Pressure
15. Vapor Trails

*** 1/2

16. Caress Of Steel
17. 2112

***

18. Feedback

**1/2

19. Fly By Night
20. Rush

Posted by Enigmaticus on Sunday, 05/24/2015 @ 00:10am

Rush is the midst of their 40th anniversary tour. I have only seen Rush live three times, approximately once per decade. My first Rush concert was in June, 1992. My second concert was in September, 2002 and my most recent Rush concert was in November, 2012.

There has been a great deal of speculation that this may be their final tour. If so, I will miss it, but then again, I still hold to the hope that Rush will perform with a full symphony orchestra, prior to calling it quits.

Posted by Enigmaticus on Saturday, 06/13/2015 @ 12:53pm

Before Rush had been nominated, certain individuals were speculating that Yes would be the next major progressive rock band that would be inducted into the Rock & Roll Hall Of Fame.

Well folks, I think that the time is right for Yes to receive another nomination and possibly an induction in 2016.

Another egregious omission is The Moody Blues. With the recent activity surrounding Justin Hayward's and John Lodge's solo careers, it may be time for them, as well.

I am mentioning both of these artists, because Rush would not exist as the entity that they are presently without the influence of both of these bands.

Posted by Enigmaticus on Sunday, 06/14/2015 @ 08:54am

I had first started creating my long archived website 18 years ago, back during the earlier years of Internet.

Posted by Enigmaticus on Monday, 06/15/2015 @ 02:39am

As I have said many times before, "I am not a Rush fan, however I am an aficionado of their music."

Here are nine reasons why I would say that this is true:

1. I do not love "2112," nor do I celebrate Rush Day, nor do I attend any of the fan conventions.

2. I strongly detest 'Lessons,' in addition to having a general dislike of their earlier albums.

3. I do not rate "Moving Pictures" as Rush's greatest recording.

4. I have only attended 3 Rush concerts in my entire life. I prefer to watch them perform on BluRay, or DVD on my HDTV within the confines of my home, instead.

5. I prefer most of the Middle Modern Period albums (1989- 1996) over those of the Middle Period (1977- 1981), with the possible exception of "Exit... Stage Left." I do not believe that
Rush's greatest work was written prior to 1982; I feel that there are many gems to be found on such albums as "Roll The Bones," "Presto," "Test For Echo" and "Counterparts."

6. I would never name either my children (if I had any), or my pets after Geddy, Alex, or Neil.

7. I prefer not to hear and often avoid those albums which feature Geddy's screeching vocals. Instead, I appreciate Rush's mellower songs, with Geddy Lee singing in his normal register, more.

8. I will not always wait until the end of a Rush song, unless it is one of my absolute favorites, before switching the radio to another station.

9. I did not attend Rush's induction into the Rock & Roll Hall Of Fame, even though I had supported it, since the very beginning.

Posted by Enigmaticus on Monday, 06/15/2015 @ 11:20am

Believe it or not, Hell has finally frozen over. Yes, that is correct: Rolling Stone magazine will finally feature Rush on the cover. This issue is scheduled to hit newsstands on Friday June 19, 2015. Additionally, Rolling Stone is scheduled to release a list of the greatest progressive rock albums online on Wednesday June 17. This is huge news for those aficionados of "progressive rock!"

Posted by Enigmaticus on Monday, 06/15/2015 @ 14:02pm

Rush was on the cover of Rolling Stone a couple years before they were nominated. It's happened before.

Posted by Philip on Monday, 06/15/2015 @ 16:13pm

Philip,

According to Rolling Stone Magazine, Rush has never appeared on the cover of their magazine until now. What you may think as actual covers were hoaxes perpetrated by various Rush fans. If you can show me an actual cover from Rolling Stone Magazine which featured Rush prior to the issue due to hit newsstands this Friday, I would really like to see it. Thank you.

Posted by Enigmaticus on Tuesday, 06/16/2015 @ 02:49am

Unless this is a fan art thing, I found this one, which is dated from April 2012. I could have sworn there was one in 2008 or 2009 though, too. I think I even blogged about it.

" target="_blank" title="http://www.rushisaband.com/images/201203/2245.f.jpg[/img]">http://www.rushisaband.com/images/201203/2245.f.jpg[/img]

Posted by Philip on Tuesday, 06/16/2015 @ 19:50pm

Okay, I've combed through the RS archives, and I'm not seeing it, which is strange, because I had a subscription to RS back in '08, and I could've sworn there was a cover with them on it. Maybe I was confusing it with Rush finally getting an article written about them in RS. I found the Nomination Predictions for the 2009 ballot, and here's what I wrote:

"10) RUSH... again, maybe not the final ballot, but with their finally getting the big ups in Rolling Stone, it could be a sign that Jann has said, "Oh alright, let's consider these guys too.""

So it's possible I was merely confusing myself. The memory can get a little hazy sometimes. Still, I stand by my statement's spirit that this is not that big of a shock. They're in the Hall now, like it or not, that makes any appearance of them in the mag more likely now.

Posted by Philip on Tuesday, 06/16/2015 @ 21:02pm

http://www.rollingstone.com/music/features/from-rush-with-love-cover-story-20150616

Philip

That is not a real Rolling Stone Magazine. Rush has never been on the cover of Rolling Stone, but they will be this month.

From Rush With Love

Is this the end of the road for the geek-rock gods?

Posted by Roy on Tuesday, 06/16/2015 @ 23:51pm

http://www.blabbermouth.net/news/rush-finally-makes-cover-of-rolling-stone-magazine/

RUSH Finally Makes Cover Of ROLLING STONE Magazine

" target="_blank" title="http://assets.blabbermouth.net.s3.amazonaws.com/media/rushrollingstonecoverjune2015.jpg[/img]">http://assets.blabbermouth.net.s3.amazonaws.com/media/rushrollingstonecoverjune2015.jpg[/img]

Posted by Roy on Wednesday, 06/17/2015 @ 00:05am

" target="_blank" title="http://assets.blabbermouth.net.s3.amazonaws.com/media/rushrollingstonecoverjune2015.jpg[/img]">http://assets.blabbermouth.net.s3.amazonaws.com/media/rushrollingstonecoverjune2015.jpg[/img]

Posted by Roy on Wednesday, 06/17/2015 @ 00:07am

Nearly 18 years to the date that I had started creating my "art rock" website, Rush is finally appearing on the cover of Rolling Stone Magazine. I honestly think that this bodes well for many progressive rock groups who have not yet been inducted into the Rock & Roll Hall Of Fame. What do you think?

Posted by Enigmaticus on Thursday, 06/18/2015 @ 22:35pm

Nearly 18 years to the date since I had first started creating my website, Rush is now being featured on the cover of Rolling Stone Magazine. In addition to this monumental event occurring, Rolling Stone has also featured a list of the 50 best "progressive rock" albums. I think that this bodes well for the induction of several "prog" groups which have yet to be inducted. What do you think?

Posted by Enigmaticus on Thursday, 06/18/2015 @ 23:07pm

My review of various Rush albums is still ongoing. Here is my listing of greatest Rush albums (both studio and live):

01. Exit... Stage Left
02. Clockwork Angels Tour
03. Roll The Bones
04. Presto
05. R30
06. Power Windows
07. Clockwork Angels
08. Snakes And Arrows Live
09. Moving Pictures
10. Permanent Waves
11. Different Stages
12. Signals
13. Snakes And Arrows
14. Hemispheres
15. Test For Echo
16. R40

(*****)

17. Hold Your Fire
18. A Farewell To Kings
19. Counterparts
20. Time Machine Tour: Live In Cleveland

(****1/2)

21. A Show Of Hands
22. Grace Under Pressure
23. Vapor Trails

(****)

24. Rush In Rio
25. Caress Of Steel
26. 2112

(***1/2)

27. Feedback

(***)

28. All The World's A Stage
29. Fly By Night
30. Rush

(**1/2)

From what I have read from numerous reviews, the R40 tour album will also be another masterpiece, therefore I have added it to the list.

Posted by Enigmaticus on Saturday, 06/20/2015 @ 08:17am

I have been eagerly waiting this day for more than 36 years. I think that Rush appearing on the cover of Rolling Stone Magazine will serve as the impetus to induct more progressive rock and art rock artists. What do you think?

Posted by Enigmaticus on Sunday, 06/21/2015 @ 02:50am

I have been eagerly awaiting this day for more than 36 consecutive years. I think that Rush's appearance on the cover of Rolling Stone Magazine will serve as an impetus to induct more progressive rock and art rock artists into the Rock & Roll Hall Of Fame. What do you think?

Posted by Enigmaticus on Sunday, 06/21/2015 @ 02:56am

As many of you are well aware, Rush has recently been featured on the cover of Rolling Stone Magazine. This milestone had taken nearly 41 years since the present lineup had formed, to occur.

Posted by Enigmaticus on Saturday, 07/11/2015 @ 23:18pm

Does Rush's appearance on the cover of Rolling Stone Magazine mean that progressive rock bands will now be given serious consideration for induction into the Rock & Roll Hall Of Fame?

Posted by Enigmaticus on Sunday, 07/12/2015 @ 02:16am

Not to question but does it really matter that they're on the cover of Rolling Stone? Its no longer a big deal to be on the cover. That rag-mag can no longer be taken seriously as a music magazine. I stopped my subscription last year after 18 years of subscribing. All it is is mostly political stuff and they're trying too hard to aim for the college kid audience and they've always been behind on the musical trends. I'll admit I was naive about that for a long time ;)

Posted by Jason Voigt on Sunday, 07/12/2015 @ 11:24am

Jason,

You are probably correct about various artists now appearing on the cover of Rolling Stone Magazine. It probably doesn't mean the same thing that it did 25 or perhaps even 35 years ago. However,I do consider it to be a positive step forward. especially when various "progressive rock" polls were created in conjunction with this event.

Posted by Enigmaticus on Sunday, 07/12/2015 @ 14:13pm

Jason, I still have my RS subscription (mostly for the political stuff :-) ), but if you want to read some good rock mags, try 'Mojo', 'Classic Rock', 'Rock Sound', or 'Relix'. Get a good CD with em too!

Posted by Paul in KY on Monday, 07/13/2015 @ 07:32am

I don't really read any magazines anymore (I miss 'Blender' though), since all the music news I need I could find anywhere on the web (like antimusic.com, among others). I still got all my old RS issues, some that people gave me from the 80s. When I look at them now, it just reminds me how RS was mostly aimed towards older males at the time. As far as the cover thing, fair enough, Enigmatus. I just think after they put Beiber on the cover (3 times) and they're overhyping Lady Gaga (and her career's already over!), I just don't take it seriously.

But, at least, Neil Peart, Geddy Lee and Alex Lifeson can say on their deathbed that they once made the 'cover of the Rolling Stone', even if it did take 40 some years.

Posted by Jason Voigt on Monday, 07/13/2015 @ 21:59pm

Paul in KY,

I also agree about the aforementioned British rock magazines, but I would also add PROG to that list. With the possible exception of the first issue, I have a copy of the remaining issues and have been collecting them since 2009.

Posted by Enigmaticus on Tuesday, 07/14/2015 @ 10:04am

Enig, good catch there! Prog is a fine magazine. Another one I forgot to mention is Uncut.

Posted by Paul in KY on Wednesday, 07/15/2015 @ 07:30am

Paul in KY.

Thank you for acknowledging PROG magazine. Other than Architectural Digest, which I have subscribed to since 1992, PROG is one of my favorite magazines.

It was great for Nile Rodgers to say that it was ridiculous to hate Rush.

Posted by Enigmaticus on Sunday, 07/19/2015 @ 06:24am

I think that it is a terrible shame that the American Gramophone Awards Committee have never recognized either "art rock," or "progressive rock" as distinct genres. Rush has been nominated previously for 7 Grammy awards and of course, Jethro Tull was awarded a Grammy award for "heavy metal." Does this really make any sense, whatsoever?

Posted by Enigmaticus on Wednesday, 07/22/2015 @ 09:31am

Let's try this again, shall we?

I think that it is a terrible shame that the National Association of Recording Arts And Sciences (N.A.R.A.S.) has never recognized either "art rock," or "progressive rock" as distinct genres. Rush has been nominated previously for 7 Grammy Awards and Jethro Tull was awarded a Grammy Award for best "heavy metal" album. Does this really make any sense, whatsoever when "progressive rock" has been in existence for nearly 50 years?

Posted by Enigmaticus on Wednesday, 07/22/2015 @ 09:49am

So why are we still talking about the progressive rock genre nearly 50 years since it's genesis? Because it endures, and we are still talking about Rush more than 40 years later, because they have continued to endure. In my honest opinion, Rush has continued to release superlative recordings since the late 1970's. To those detractors who do not like Geddy Lee's vocals, I strongly suggest that you check out their albums "Presto," "Roll The Bones" and perhaps, "Hold Your Fire" and "Power Windows." I also suggest that you listen to 'Nobody's Hero,' 'Cut To The Chase,' 'Cold Fire' and 'Animate' from "Counterparts," a major portion of "Test For Echo," "Snakes And Arrows" and quite a few songs from "Clockwork Angels," especially 'The Garden.' If there had ever been any doubt that Rush had been influenced by The Moody Blues, then these albums will end all doubt.

Posted by Enigmaticus on Thursday, 07/23/2015 @ 05:12am

In my honest opinion, "Roll The Bones" still stands to this day as Rush's greatest studio album. I am planning on writing the definitive review of this masterpiece, sometime within he next 14 months. Next September will mark the 25th anniversary of it's release. Of course, I highly recommend purchasing the Audiofidelity 24K Gold version of this recording.

Posted by Enigmaticus on Saturday, 07/25/2015 @ 04:59am

In my honest opinion, "Roll The Bones" still stands to this day as Rush's greatest studio album. I am planning on writing the definitive review of this masterpiece sometime within the next 14 months. September, 2016 will mark the 25th anniversary since it's release. Of course, I highly recommend purchasing the Audiofidelity 24K Gold version, whenever possible.

"Roll The Bones" features 8 of Rush's greatest songs: 'Dreamline,' 'Ghost Of A Chance,' 'Bravado,' 'Roll The Bones,' 'You Bet Your Life,' 'Where's My Thing,' 'Heresy' and 'The Big Wheel,' even 'Neurotica' and 'Face Up' are still good songs, but those other 8 are absolute masterpieces. Plus, the vocals on "Roll The Bones" are astounding. In my honest opinion, Geddy Lee had accomplished something quite remarkable; gone were those screeching days of yore.

Posted by Enigmaticus on Saturday, 07/25/2015 @ 05:17am

As far as Rush anniversaries go, this year is the 40th anniversary of "Fly By Night" and "Caress Of Steel," the 35th anniversary of the release of "Permanent Waves" and the 30th anniversary of the release of "Power Windows."

2016 will mark the 40th anniversary of the release of "2112," the 35th anniversary of the releases of "Moving Pictures" and "Exit... Stage Left," the 25th anniversary of the release of "Roll The Bones" and the 20th anniversary of the release of "Test For Echo."

Posted by Enigmaticus on Saturday, 07/25/2015 @ 05:34am

2017 will mark the 40th anniversary of the release of "A Farewell To Kings," the 35th anniversary of the release of "Signals," the 30th anniversary of the release of "Hold Your Fire," the 15th anniversary of the release of "Vapor Trails," the tenth anniversary of the release of "Snakes & Arrows" and the fifth anniversary of the release of "Clockwork Angels."

2018 will mark the 50th anniversary of the band, the 40th anniversary of the release of "Hemispheres," the 25th anniversary of the release of "Counterparts," the 20th anniversary of the release of "Different Stages," the 15th anniversary of the release of "Rush In Rio," the 10th anniversary of "Snakes And Arrows Live" and the fifth anniversary of "Clockwork Angels Tour."

2019 will mark the 45th anniversary of the present lineup, the 45th anniversary of Rush's debut album, the 35th anniversary of the release of "Grace Under Pressure," the 30th anniversary of the release of "Presto" and the 15th anniversary of the release of "R30."

Posted by Enigmaticus on Sunday, 07/26/2015 @ 17:30pm

Enig, level with us.... your ultimate goal is to release a "This Day In Rush History" calendar, isn't it? "On this day, Geddy Lee was almost late to a concert in London because British cuisine didn't quite agree with him, and he had difficulty extracting himself from his hotel washroom, which the Brits interestingly call a 'loo.' Fortunately, he made it to the stage on time, and the concert proceeded unimpeded."

Posted by Philip on Sunday, 07/26/2015 @ 17:50pm

No Philip,

My goal is to insure that "progressive rock" and "art rock" live on..

Posted by Enigmaticus on Wednesday, 07/29/2015 @ 02:31am

My goal is to insure that "progressive rock" and "art rock" live on..

Posted by Enigmaticus on Wednesday, 07.29.15 @ 02:31am
--------------------------------------------------
I don't think you really have to worry about that, Enig. So long as it's a creative option, musicians will continue to explore it. You may not see it on the charts, due to the pop domination that seems to be going on forever, but it'll be there, if you seek it out.

Posted by Cheesecrop on Wednesday, 07/29/2015 @ 06:16am

Cheesecrop,

Thank you for your astute remarks. Yes, I do think that "progressive rock" will continue on with the next generation. Will the Zac Brown Band, or perhaps even Gary Clark, Jr. create the new progressive rock bands of the future? Even though Rush has recently finished their 40th anniversary tour, I do not think that this will be the last time that we see them. September, 2016 will mark the 25th anniversary of the release of "Roll The Bones," arguably, Rush's greatest studio album.

Posted by Enigmaticus on Sunday, 08/9/2015 @ 21:43pm

The band Rush is nearly 47 years old. Next month will mark the 47th anniversary of Geddy Lee joining his childhood friend, Alex Lifeson, in the band. During that time, Geddy Lee's vocals have been criticized for preventing Rush from becoming even more popular. I have to admit that I do prefer to hear Geddy singing in a much lower register, when he does so, his voice actually sounds amazing.

As we approach the 25th anniversary of the release of "Roll The Bones," arguably Rush's greatest studio album, I am reminded of just how extremely well crafted it and it's predecessor, "Presto" are. Both of these albums were meant to be singer/songwriter albums. Both albums feature prominent piano lines, instead of synthesizer flourishes. The songs on both albums would sound even better with the accompaniment of a full symphony orchestra. Fortunately, 'Dreamline,' the opening track on "Roll The Bones" was featured on Rush's most recent live release, "Clockwork Angels Tour." Due to the accompaniment of the string ensemble, this particular track sounds even better than the version on "Roll The Bones." In my honest opinion, almost every song that Rush has written would sound even better with orchestral backing.

Many fans would disagree. They feel that Rush should only perform live as a trio. But, as far as I am concerned, being an aficionado of Rush's music and not a fan, gives me an entirely different perspective. I would prefer to hear Rush's songs enhanced by an orchestra. Several songs from Rush's Middle Modern Period would benefit from this treatment.

Posted by Enigmaticus on Tuesday, 08/11/2015 @ 09:41am

What is the difference between "progressive rock" and "art rock?" Generally, I would say in no uncertain terms, it the length of the songs. Throughout Rush's career, they have written epic pieces, along with shorter songs.

Posted by Enigmaticus on Friday, 08/14/2015 @ 10:12am

I was 5 years old when The Moody Blues had released "Days Of Future Passed." I was 6 years old when Rush and Yes had formed. I was 7 years old when the Woodstock concert had taken place. I was 15 years old when I had first heard 'Dust In The Wind' by Kansas. I was 17 years old when I had first heard "Hemispheres" by Rush. I was 18 years old when I became an aficionado of Rush's music and The Moody Blues' music. I was 19 years old when I had become a "progressive rock" aficionado. I was also 19 years old when Rush had released "Moving Pictures" and "Exit... Stage Left." I was 21 years old when I became an aficionado of Duran Duran's music. I was 30 years old when I had attended my first rock concert. It was during the "Roll The Bones" tour. I was 37 years old when I had attended my first Yes and Moody Blues' concerts. I was 40 years old when I had seen Rush live in concert for the second time. I was 50 years old when I had attended my third Rush concert. If Rush does continue making music and current trends continue, for at least another decade, then I will be 60 years old when
I next see Rush play live in concert.

Posted by Enigmaticus on Saturday, 08/15/2015 @ 21:35pm

This week will mark the 46th anniversary of "Woodstock," a pivotal event for the 60's counterculture. With the possible exceptions of The Who and Jefferson Airplane, "progressive rock" was not really very well represented at the event. Woodstock had occurred prior to either Yes, or Rush's time, incidentally both bands had only formed one year prior. However, most of the existing "prog rock" bands had opted not to participate for various reasons.

So here is my ultimate question: Would Woodstock have remained as mellow of an event, if The Moody Blues, Jethro Tull, Procol Harum and Pink Floyd had participated?

Posted by Enigmaticus on Monday, 08/17/2015 @ 05:46am

Over the years, I have purchased multiple copies of "Exit... Stage Left." I have introduced many individuals to the music of Rush via this recording.

"Exit... Stage Left" still remains my favorite album of all time, nearly 34 years later. I am still hoping that Audiofidelity will possess the insight to release a SACD version of this landmark recording in the near future. I would also like to see a BluRay of the entire concert released, along with the complete BluRay version of "A Night At Red Rocks" by The Moody Blues.

Posted by Enigmaticus on Monday, 08/17/2015 @ 05:59am

It has been almost 35 years since I had re-discovered the magnificence of Rush's music. However, before that had even occurred, I would accidentally discover songs by The Moody Blues. Later this month, I will celebrate the 35th anniversary of my first exposure to songs such as: 'Nights In White Satin' and 'Tuesday Afternoon' and what impact they had on my interest in progressive rock.

Posted by Enigmaticus on Wednesday, 08/19/2015 @ 04:36am

It did not happen overnight. From the time that I had first started building my website until the time that Rush was finally inducted into the Rock & Roll Hall Of Fame was over 15 years. During the time that I had been building my website, Rush was on indefinite hiatus due to the twin tragedies that had befallen Neil Peart. Losing one's daughter in a car accident must have been quite devastating to him, then to lose one's wife to Cancer less than a year later, well that is almost inconceivable. Yet he has soldiered on. His pain and loss are still quite real, even 17 years later. If Neil wants to spend time with his new daughter then no one should deny him that privilege. His work with Rush over the years has been quite exemplary. Unfortunately, Rush's true legacy may not be realized until some time in the future.

Unfortunately, many people think that Rush had peaked in the early 1980's and nothing that they have done recently has measured up. I can positively assure you that this is indeed not the case. Now, Atlantic Records has decided to release Rush's Middle Modern Period and a few of their Late Modern Period albums on vinyl. In a way, I wish that they would release a BluRay audio version of "Presto," "Roll The Bones," "Test For Echo" and "Snakes And Arrows," instead. Those albums are remarkable and are amongst Rush's greatest studio efforts. "Counterparts" would be a very good choice also, but 'Stick It Out' has been far less appealing, as far as I am concerned.

Posted by Enigmaticus on Thursday, 08/20/2015 @ 06:52am

About Rush, Enigmaticus wrote:
It did not happen overnight. From the time that I had first started building my website until the time that Rush was finally inducted into the Rock & Roll Hall Of Fame was over 15 years. During the time that I had been building my website, Rush was on indefinite hiatus due to the twin tragedies that had befallen Neil Peart. Losing one's daughter in a car accident must have been quite devastating to him, then to lose one's wife to Cancer less than a year later, well that is almost inconceivable. Yet he has soldiered on. His pain and loss are still quite real, even 17 years later. If Neil wants to spend time with his new daughter then no one should deny him that privilege. His work with Rush over the years has been quite exemplary. Unfortunately, Rush's true legacy may not be realized until some time in the future.

Unfortunately, many people think that Rush had peaked in the early 1980's and nothing that they have done recently has measured up. I can positively assure you that this is indeed not the case. Now, Atlantic Records has decided to release Rush's Middle Modern Period recordings and a few of their Late Modern Period albums on vinyl. In a way, I wish that they would release a BluRay audio version of "Presto," "Roll The Bones," "Test For Echo" and "Snakes And Arrows," instead. Those albums are remarkable and are amongst Rush's greatest studio efforts. "Counterparts" would be a very good choice also, but 'Stick It Out' has been far less appealing, as far as I am concerned. Now as far as those great songs from those eras are concerned, well Rush has an abundance of them.

Those great songs include: 'Show Don't Tell,' 'The Pass,' 'Scars,' 'Presto,' 'Anagram (for Mongo),' 'Red Tide' and 'Available Light' from "Presto."

'Dreamline,' 'Bravado,' 'Roll The Bones,' 'Where's My Thing,' 'The Big Wheel,' 'Heresy,' 'Ghost Of A Chance' and 'You Bet Your Life' from "Roll The Bones."

'Animate,' 'Cut To The Chase,' 'Nobody's Hero,' 'Cold Fire,' 'Leave That Thing Alone,' 'Double Agent' and 'Everyday Glory' from "Counterparts."

'Test For Echo,' 'Half The World,' 'The Color Of Right,' 'Time & Motion,' 'Totem,' 'Resist,' 'Limbo' and 'Carve Away The Stone' from "Test For Echo."

'Ceiling Unlimited,' 'Ghost Rider,' 'Peaceable Kingdom,' 'How It Is,' and 'Vapor Trail' from "Vapor Trails."

'Far Cry,' 'Armor & Sword,' 'Workin Them Angels,' 'The Larger Bowl (A Pantoum),' 'The Main Monkey Business,' 'The Way The Wind Blows,' 'Hope,' 'Faithless,' 'Bravest Face,' 'Good News First,' 'Malignant Narcissism' and 'We Hold On' from "Snakes & Arrows."

Posted by Enigmaticus on Thursday, 08/20/2015 @ 07:33am

When I had read Rolling Stone's 100 Greatest Songwriter's List, I must admit that I was a bit confused. I had recognized quite a few names, but confusion had definitely reigned elsewhere. Who are these people and why is Radiohead so revered? I was especially disappointed not to see a single progressive rock artist on that list. Where were Neil, Geddy and Alex? Where were Simon, Nick, John, Roger, Andy, Warren and Dom? Were was Ian Anderson? Where were Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman, Bill Bruford, Alan White and Trevor Rabin? Where were Justin, John, Ray, Mike and Graeme? Where were Robert Fripp and Adrian Below? Where were Tina Weymouth and David Byrne? Where was Kerry Livgren? Where were Tommy Shaw, Dennis DeYoung and James T. Young? Where were Roger and David? Where were Grace, Paul and Marty?

Posted by Enigmaticus on Friday, 08/21/2015 @ 14:19pm

It's good to see that another Rush album has finally made the list of essential albums. However, at this rate, it will probably be 2047 - 2048 before that list is entirely complete.

Once again, here is my list of essential Rush albums and whether they have been added (both studio and live):

01. Exit... Stage Left (Yes)
02. Clockwork Angels Tour (No)
03. Roll The Bones (No)
04. Presto (No)
05. Power Windows (No)
06. Clockwork Angels (No)
07. R30 (No)
08. Moving Pictures (Yes)
09. Permanent Waves (Yes)
10. Snakes & Arrows Live (No)
11. Signals (No)
12. Snakes & Arrows (No)
13. Hemispheres (No)
14. Test For Echo (No)
15. Different Stages (No)
16. R40 Tour? (not yet released) (No)

Posted by Enigmaticus on Friday, 08/21/2015 @ 14:37pm

By the way, I would not consider "2112" to be an essential Rush album.

Posted by Enigmaticus on Friday, 08/21/2015 @ 19:25pm

I have never really quite understood it. How a certain Group's fanbase will defend to the very end, what I consider to be a mediocre song, 'Lessons,' because it appears on what many people would consider a great recording, "2112." Whereas, when confronted with an album which features a plethora of great songs, "Roll The Bones," they will condemn that album to a lower rating, because of a less than 2 minute long "rap" built into the body of a song. It still does not really make any sense to me, whatsoever. Would someone please explain this illogical nonsense to me?

Posted by Enigmaticus on Saturday, 08/22/2015 @ 09:15am

It's matter taste really. I fall into the camp falls that likes 2112. But I also do like Roll The Bones. Initially I hated it because of he rap part it turned me off. But after giving Roll The Bones a second chance I enjoyed the songs on there enough to forgive. I still find rap part lame. But as I said everything else on there is enough to like it. But of all the Rish albums I heard so far I don't think its their best but it's certainly not worst either. So far my favorite is a tie between Clockwork Angels and Moving Pictures.

Posted by Greg F on Saturday, 08/22/2015 @ 09:36am

Greg F.,

Thank you for explaining that to me. My general dislike of "2112" has a great deal to do with Geddy's shrieking. Once Geddy had started singing in his normal range, everything Rush had done, improved immensely.

For several years, one of the harshest criticisms
of Rush had a great deal to do with Geddy's vocals. Once his vocals had improved, the critics had started to become much more receptive.

Posted by Enigmaticus on Sunday, 08/23/2015 @ 00:56am

I get that and understand where you're coming from. Most fans would like 2112 do to 2112 suite which is my favorite part that album.

Posted by Greg F on Sunday, 08/23/2015 @ 02:16am

Greg F.,

Yes, I can understand your support of the "2112 Suite." It is a remarkable piece of work and it offers a nod to Tchaikovsky. The success of "2112" had given Rush their independence from their record company's influence. Of the remainder of the songs on "2112," I like 'Tears,' the best followed by 'A Passage To Bangkok' and 'Twilight Zone.' As far as 'Something For Nothing' is concerned, I like the lyrics more than Geddy Lee's vocals. On 'Lessons,' in my honest opinion, the nadir of Rush's output, I do not mind the acoustic guitar section, but when Geddy Lee starts screeching, I really start to detest it. I detest AC/DC's vocals, especially Brian Johnson's vocals, quite strongly also and Geddy Lee's vocals on that song, remind me of them.

Posted by Enigmaticus on Sunday, 08/23/2015 @ 11:10am

The Internet is a wonderful media. Due to it's advent, we can communicate with individuals all over the world without leaving our living room, or bedroom. For decades, if you wanted to know something in depth about a subject, you either had to read books, magazine articles, or encyclopedias. I cannot even calculate, the number of comments about various artists that I have read over the years. Since the advent of the Internet, information has spread much more rapidly than ever before. Thirty years ago, that was not quite the case.

You had to read various books on any subject, in order to become an expert. Now, you can simply search Wikipedia and voilà, your answer is there in 10 seconds. It is utterly amazing and quite remarkable. I remember when I was building my website 18 years ago and had found out that Neil Peart's daughter, Selena had been killed in a car crash. It was utterly devastating news and after his wife, Jackie had passed away from Cancer the following year, Rush was put on indefinite hiatus.

Somehow, though I knew that they would get together again. Of course, their return album, "Vapor Trails" was not quite as great as it's predecessor, "Test For Echo." The fact that Rush was back again was encouraging however. I was fortunate enough to have seen them play live at this juncture in their career.

Their next studio album, "Feedback" was an EP of cover songs by some of the artists who had inspired them. I had known about Cream, The Who and The Yardbirds being a huge influence, but I was somewhat surprised by the influence of Buffalo Springfield and Love. Those artists were favorites of Rolling Stone Magazine, long considered the nemesis of Rush.

Their next album was a live album recording R30 which had contained a cd version of that recording. It was spectacular from start to finish, including a few songs from "Roll The Bones." It is another essential recording.

Then, in 2007, Rush released "Snakes & Arrows" another return to form. Their song, 'Faithless' is among my favorite Rush songs. "Snakes & Arrows" is another masterpiece.

The tour that had supported, "Snakes & Arrows" released as "Snakes & Arrows Live" was another masterpiece featuring songs from "Roll The Bones" once again.

Then, Rush's next offering was "The Time Machine Tour: Live In Cleveland." This recording is the only live release by Rush not featuring a song from "Roll The Bones," since it's release in 1991.

Rush's next studio album, "Clockwork Angels" was even better, featuring another truly great song, 'The Garden.' As I have said before, "Clockwork Angels" is my fourth favorite Rush studio album.

Rush's most recent outing, "Clockwork Angels Tour" is their only live rival to "Exit... Stage Left." It's version of 'Dreamline,' my second favorite Rush song even exceeds the version on "Roll The Bones."

So why do I like "Roll The Bones" so much and why does it resonate with me more than any of Rush's studio albums and why does Rush feature songs from it so prominently in their live recordings?

In

Posted by Enigmaticus on Sunday, 08/23/2015 @ 15:46pm

For several years, critics had always been less than enthusiastic about Rush's recordings. Was it the quality of the music? No. Was it the lyrical content? No, not really. Was it Geddy Lee's vocals? Yes, I am afraid that it was. I personally cannot listen to any Rush albums made before 1977 without cringing, or immediately seeking hearing protection. Geddy's vocals on the early Rush recordings happen to hurts my ears. I have told the Rush fanbase that if I had heard "2112," first, instead of "Hemispheres," I would have ended up strongly detesting Rush, like I do with AC/DC. Fortunately, I had been introduced to "Hemispheres" instead and I had been amazed by what I had heard. After Geddy Lee's vocals had improved after 1980, I had become an aficionado of Rush's musical output.

After their so-called "synthesizer era" aka Early Modern Period had ended in 1989, everything had improved markedly. Gone was the screeching of old, replaced with a newfound maturity in the lyrics, as well as in the vocals.

The first two albums of the Middle Modern Period had embodied that zeitgeist. "Presto" and "Roll The Bones" had been co-produced by Rupert Hine, whereas former producer Peter Collins had co-produced "Counterparts" and "Test For Echo."

Posted by Enigmaticus on Monday, 08/24/2015 @ 01:29am

I think that each of us eventually reach a point in our lives when we realize that we are no longer invincible. It is definitely a sobering thought. We do not like to talk about aging; in fact many of us do not even like to think about aging. Yet, due to some unforeseen circumstances we do. There are those individuals who appear to outwardly defy aging, One could speculate that perhaps they had made better choices in their lives, perhaps they had avoided those things which would have caused aging, Perhaps they have chosen a better dietary regimen, perhaps they have even had facial reconstructive surgery? Perhaps, defying aging may even be due to certain genetic factors.

Each of us, go through our lives making choices. Eventually each of those choices that we have made throughout our lives, have consequences. Sometimes we make the correct decisions and those consequences are benign. Other times, the consequences of our actions are not so benign.

Posted by Enigmaticus on Tuesday, 08/25/2015 @ 01:27am

Even though we might not like to think about it, we take chances on a daily basis. When we cross the street we take a chance, when we get behind the wheels of our vehicles, we take chances. When we invest in the stock market, we are taking chances. When we play the lottery, or gamble on a horse race, or at a casino, we are also taking chances. Ultimately, we are all gamblers and we are hinging our bets on the likeliest of outcomes. The greater the risk; the greater the potential reward, or the greater the catastrophic failure. Some individuals seem to go through their lives without encountering such adverse outcomes. Others are not so lucky. So each of us, in turn, throw those metaphorical dice and await the possible outcome.

Posted by Enigmaticus on Tuesday, 08/25/2015 @ 01:47am

So why am I discussing choice and chance in a Rush thread? Because those are the two themes which dominate "Roll The Bones," arguably Rush's greatest studio album.

Posted by Enigmatics on Tuesday, 08/25/2015 @ 01:58am

Although most of the songs on "Roll The Bones" are great, there are at least 8 superlative songs on "Rush The Bones."

Posted by Enigmaticus on Wednesday, 08/26/2015 @ 02:48am

Today, the co-founder of Rush, along with the late John Rutsey, Alex Lifeson celebrates his 62nd birthday. In a few more weeks, Rush will celebrate it's 47th birthday. That is an awfully long time to be involved in the music business. In the interim period, Rush has gone from playing for 20 people to playing for more than 500,000 people, at one time.

Posted by Enigmaticus on Thursday, 08/27/2015 @ 09:16am

It's true that Rush was heavily influenced by the British blues artists of the mid 1960's. Cream, The Yardbirds and The Who had an immense influence upon their music in the early days. However, Rush was also influenced by the proto-progressive rock bands as well. There has always been a melodic side to Rush's work. That may come from exposure to Classical Music at an early age, also. Before, Alex Lifeson had started playing the guitar, he had played the viola. Before Geddy Lee had played the bass, he had played the piano.

Posted by Enigmaticus on Thursday, 08/27/2015 @ 09:34am

Rush has always been a hard band to define, even within the genre of "progressive rock." Unfortunately, they still have detractors who refuse to acknowledge them as a "progressive rock" band. Then there are the others who consider them to be a "heavy prog" band only. There are still others who think that they are just a hard rock band. All of those individuals are absolutely incorrect; Rush does not only write hard rock songs, they also have quite a few softer songs in their repertoire. Hard rock bands did not generally deviate from 4/4 time; Rush employs a lot of odd time signatures in their songs and are still able to make the transitions sound smooth, not choppy. Rush is not only a "heavy prog" band either. They have also been a "symphonic progressive" band, an "art rock" band and an "eclectic progressive rock" band. They have also been a hybrid of those styles.

Posted by Enigmaticus on Friday, 08/28/2015 @ 11:08am

Even now, I still think that there is a huge divide between those of us who appreciate progressive rock vs. those who appreciate punk rock. By the way,I have never been on the "punk side" of that divide.

So, why have I always liked Duran Duran? This question had always been foremost on my mind? I had always appreciated their music, as well as most of the Talking Heads discography, but I could never get into the Go-gos, nor Devo, nor The Clash, nor The Ramones, nor the Sex Pistols, etc.

Then finally, John Taylor releases the proverbial smoking gun that Duran Duran has always been unabashedly prog. Now it finally makes sense.

Posted by Enigmaticus on Sunday, 08/30/2015 @ 16:27pm

Even now, I still think that there is a huge divide between those of us who appreciate progressive rock vs. those who appreciate punk rock. By the way, I have never been on the
"punk side" of that divide.

So, why have I always liked Duran Duran? This question had always been foremost on my mind? I had always appreciated their music, as well as most of the Talking Heads discography, but I could never get into the Go-gos, nor Devo, nor The Clash, nor The Ramones, nor the Sex Pistols, etc.

Then finally, John Taylor releases the proverbial smoking gun that Duran Duran has always been unabashedly prog. Now it finally makes sense. Now, I can finally fully explain why I have enjoyed the music of Duran Duran.

Posted by Enigmaticus on Sunday, 08/30/2015 @ 16:40pm

Even now, I still think that there is a huge divide between those of us who appreciate progressive rock vs. those who appreciate punk rock. By the way, I have never been on the
"punk side" of that divide.

Posted by Enigmaticus on Sunday, 08.30.15 @ 16:40pm
--------------------------------------------------
Among older fans, there may be a divide, but among younger sorts, I'm not sure there is any kind of split.

I never gave much of a listen to Prog initially, though I was a big fan of the psychedelic acts that wandered over there. I could listen to Pink Floyd & the Sex Pistols, and not really have an issue. Nor did many of my friends, really.

I remember liking Queensryche's "Silent Lucidity", and also appreciating Metallica & Megadeth. A little later on, I listened to both Tool and Green Day, and also had no real issue. I listen to Pearl Jam, an alleged "grunge" band, do a song like "Nothing As It Seems", and there's traces of Floyd all over it. At the same time, listen to Guns N' Roses "November Rain". You could argue that it's overblown - or you could argue that underneath it all, there's traces of the Moody Blues run amok.

For me, there's only one diff., & that's the one between pop and rock. Not that I don't enjoy a lot of pop stuff myself. Perhaps when you were in your teens and 20's, there was a genuine split, but I'm not so sure it's there now (though I can only speak for myself, and a select group of folks I've known).

Posted by Cheesecrop on Monday, 08/31/2015 @ 06:48am

When Geddy Lee had appeared on "That Metal Show" earlier this year, ne was asked to rank his favorite Rush studio albums made between 1974 and 1982. As a result, Geddy had chosen "Moving Pictures," "Permanent Waves," "2112," "Hemispheres" and "A Farewell To Kings." However, Eddie Trunk had not asked Geddy about the albums which had come afterwards. Here's a news flash: Rush did not stop making great albums in 1981, they have continued to release many masterpieces since then.

As far as the "Early Period" Studio albums are concerned, "2112" is his favorite. I prefer "Caress Of Steel" over "2112" in this case,

As far as the "Middle Period" Studio albums are concerned, we both agree that "Moving Pictures" outshines it's predecessors.

With regards to the "Early Modern Period," I happen to prefer "Power Windows." So do they!

The "Middle Modern Period" reaches it's apex with "Roll The Bones." Again, we are in agreement.

Finally, the "Late Modern Period" studio tour de force happens to be "Clockwork Angels."

Here is my ranking of both groups of studio albums:

Re: the Early Period:

1. Caress Of Steel
2. 2112
3. Fly By Night
4. Rush

Re: The Middle Period

1. Moving Pictures
2. Permanent Waves
3. Hemispheres
4. A Farewell To Kings

Re: the Early Modern Period

1. Power Windows
2. Signals
3. Hold Your Fire
4. Grace Under Pressure

Re: the Middle Modern Period

1. Roll The Bones
2. Presto
3. Test For Echo
4. Counterparts

Re: the Late Modern Period

1. Clockwork Angels
2. Snakes & Arrows
3. Vapor Trails
4. Feedback

Posted by Enigmaticus on Wednesday, 09/2/2015 @ 02:34am

Once again, here is my overall Rush studio albums ranking:

20. Rush
19. Fly By Night
18. Feedback
17. 2112
16. Caress Of Steel
15. Vapor Trails
14. Grace Under Pressure
13. Counterparts
12. A Farewell To Kings
11. Hold Your Fire
10. Test For Echo
09. Hemispheres
08. Snakes & Arrows
07. Signals
06. Permanent Waves
05. Moving Pictures
04. Clockwork Angels
03. Power Windows
02. Presto
01. Roll The Bones

Posted by Enigmaticus on Wednesday, 09/2/2015 @ 09:20am

Today is the 24th anniversary of the release of what I consider to be Rush's greatest studio album, "Roll The Bones."

For several years prior, Geddy Lee had been criticized severely for his singing; after 1980, his vocals had improved tremendously.

By the time that "Roll The Bones" had arrived, his vocal prowess had reached new heights. As a result, several songs from "Roll The Bones" were placed on heavy rotation on the radio.

Consequently, "Roll The Bones" had reached the third position on the Billboard Charts and had become the latest Rush album to reach platinum certification. Contrary to popular belief, "Roll The Bones" is neither a "pop" album, nor a "hard rock" album. No instead, "Roll The Bones" is an "art rock" concept album whose songs focus on choice, chance and fate.

The first track, 'Dreamline' is one of Rush's finest efforts. The lyrics appear to focus on the ephemeral nature of our lives. We eventually arrive at the realization that our youth is fleeting and that the decisions that we have made when we are younger, either improve or adversely effect our later lives. The music on 'Dreamline' is extraordinary, although the ultimate version had featured the Clockwork Angels String Ensemble on Rush's most recent live offering, "Clockwork Angels Tour." For some reason, Rush's music has always sounded better when enhanced by symphonic accompaniment. 'Dreamline' has been regularly featured on most recent live Rush recordings.

'Bravado,' the second track on the album, is another masterpiece. Once again, the lyrics focus on choice and fate. The music is somewhat subdued, but there is a perfect marriage between music and lyrics. As a result, 'Bravado' has also been featured on most of Rush's recent live recordings.

The title track, 'Roll The Bones' is also one of Rush's finest efforts. It is a bit more controversial however, due to the 'rap' piece in the middle of the song. Consequently the song, 'Roll The Bones' has received either praise or criticism from much of Rush's fanbase. In my opinion, this folk song is enhanced by the hip hop elements. Others believe that "prog" and "rap" should never be mixed together.

The fourth song, 'Face Up' is probably my least favorite song on "Roll The Bones." Although 'Face Up' is a great song, it is just not as great as the other masterpieces on this album.

The only instrumental on "Roll The Bones," 'Where's My Thing' is a jazz fusion workout. It was the second Grammy nominated instrumental by Rush. It has been most recently featured live on "Clockwork Angels Tour," without the orchestral backing, however.

The sixth track, 'The Big Wheel' is probably the most Rush like track on this recording. It is another fine effort focusing upon the nature of fate, utilizing the spinning of a Roulette wheel as a metaphor regarding our choices in life and their consequences.

The seventh track, 'Heresy' discusses the nature of the post Cold War. In this case, it discusses those 'wasted years' focusing upon the contrast between the two ideologies and the results.

The eighth track on "Roll The Bones," 'Ghost Of A Chance' rivals 'Dreamline' as the greatest track on this album. Personally, it is my favorite track from this album. 'Ghost Of A Chance' is ostensibly a love song focusing upon the statistically improbable idea of finding one's true love. Lyrically, it parallels 'Dear God' by XTC. Once again, the lyrics and music are married perfectly together.

"Roll The Bones" ninth track, 'Neurotica' is a bit weird even for Rush. The lyrics are a bit unusual, but it is another instrumental tour de force.

The tenth track, 'You Bet Your Life' is another masterpiece, the rhyming section rivals 'Roll The Bones' as Rush's most experimental track. It is quite catchy and lyrically contrasts juxtaposed ideas along with a lilting chorus. Each verse makes further allusions to gambling.

Overall, "Roll The Bones" may be for a more mature audience. "Power Windows" had been my favorite Rush album for 26 years with "Roll The Bones" ranking second for over 20 years. Then, when I reached the age of 50 in early 2012, "Roll The Bones" suddenly had much more meaning. As the lyrics from Dreamlike attest to our ephemeral nature, "Roll The Bones" overall discusses our own mortality and that may be a subject, that is a bit too uncomfortable for most people to deal with.

Posted by Enigmaticus on Thursday, 09/3/2015 @ 06:41am

Today is the 24th anniversary of the release of what I consider to be Rush's greatest studio album, "Roll The Bones."

For several years prior, Geddy Lee had been criticized severely for his singing; after 1980, his vocals had improved tremendously.

By the time that "Roll The Bones" had arrived, his vocal prowess had reached new heights. As a result, several songs from "Roll The Bones" were placed on heavy rotation on the radio.

Consequently, "Roll The Bones" had reached the third position on the Billboard Charts and had become the latest Rush album to reach platinum certification. Contrary to popular belief, "Roll The Bones" is neither a "pop" album, nor a "hard rock" album. No instead, "Roll The Bones" is an "art rock" concept album whose songs focus on choice, chance and fate.

The first track, 'Dreamline' is one of Rush's finest efforts. The lyrics appear to focus on the ephemeral nature of our lives. We eventually arrive at the realization that our youth is fleeting and that the decisions that we have made when we are younger, either improve or adversely effect our later lives. The music on 'Dreamline' is extraordinary, although the ultimate version had featured the Clockwork Angels String Ensemble on Rush's most recent live offering, "Clockwork Angels Tour." For some reason, Rush's music has always sounded better when enhanced by symphonic accompaniment. 'Dreamline' has been regularly featured on most recent live Rush recordings.

'Bravado,' the second track on the album, is another masterpiece. Once again, the lyrics focus on choice and fate. The music is somewhat subdued, but there is a perfect marriage between music and lyrics. As a result, 'Bravado' has also been featured on most of Rush's recent live recordings.

The title track, 'Roll The Bones' is also one of Rush's finest efforts. It is a bit more controversial however, due to the 'rap' piece in the middle of the song. Consequently the song, 'Roll The Bones' has received either praise or criticism from much of Rush's fanbase. In my opinion, this folk song is enhanced by the hip hop elements. Others believe that "prog" and "rap" should never be mixed together.

The fourth song, 'Face Up' is probably my least favorite song on "Roll The Bones." Although 'Face Up' is a great song, it is just not as great as the other masterpieces on this album.

The only instrumental on "Roll The Bones," 'Where's My Thing' is a jazz fusion workout. It was the second Grammy nominated instrumental by Rush. It has been most recently featured live on "Clockwork Angels Tour," without the orchestral backing, however.

The sixth track, 'The Big Wheel' is probably the most Rush like track on this recording. It is another fine effort focusing upon the nature of fate, utilizing the spinning of a Roulette wheel as a metaphor regarding our choices in life and their consequences.

The seventh track, 'Heresy' discusses the nature of the post Cold War. In this case, it discusses those 'wasted years' focusing upon the contrast between the two ideologies and the results.

The eighth track on "Roll The Bones," 'Ghost Of A Chance' rivals 'Dreamline' as the greatest track on this album. Personally, it is my favorite track from this album. 'Ghost Of A Chance' is ostensibly a love song focusing upon the statistically improbable idea of finding one's true love. Lyrically, it parallels 'Dear God' by XTC. Once again, the lyrics and music are married perfectly together.

"Roll The Bones" ninth track, 'Neurotica' is a bit weird even for Rush. The lyrics are a bit unusual, but it is another instrumental tour de force.

The tenth track, 'You Bet Your Life' is another masterpiece, the rhyming section rivals 'Roll The Bones' as Rush's most experimental track. It is quite catchy and lyrically contrasts juxtaposed ideas along with a lilting chorus. Each verse makes further allusions to gambling.

Overall, "Roll The Bones" may be for a more mature audience. "Power Windows" had been my favorite Rush album for 26 years with "Roll The Bones" ranking second for over 20 years. Then, when I had reached the age of 50 in early 2012, "Roll The Bones" suddenly had much more meaning. As the lyrics from Dreamline attest to our ephemeral nature, "Roll The Bones" overall discusses our own mortality and that may be a subject, which may be a bit too uncomfortable for most people to deal with. In my honest opinion, "Roll The Bones" is another essential album by Rush and I am quite disappointed that it has not been voted in yet!

Whether by plan or perhaps by design, many songs from "Roll The Bones" are regularly featured on either live recordings or best of Rush compilations. After "Roll The Bones" had been released, many critics had finally started to regard Rush in a more favorable manner. Rush had also started to receive more accolades. In my opinion, "Roll The Bones" was the recording which had led directly to their nomination and induction into Rock & Roll Hall Of Fame 20 years later.

In my honest opinion, "Roll The Bones" represents Rush's greatest parallel with the works of The Moody Blues and Duran Duran, which both deserve immediate induction into the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Thursday, 09/3/2015 @ 07:04am

Today is the 24th anniversary of the release of what I consider to be Rush's greatest studio album, "Roll The Bones."

For several years prior, Geddy Lee had been criticized severely for his singing; after 1980, his vocals had improved tremendously.

By the time that "Roll The Bones" had arrived, his vocal prowess had reached new heights. As a result, several songs from "Roll The Bones" were placed on heavy rotation on the radio.

Consequently, "Roll The Bones" had reached the third position on the Billboard Charts and had become the latest Rush album to reach platinum certification. Contrary to popular belief, "Roll The Bones" is neither a "pop" album, nor a "hard rock" album. No instead, "Roll The Bones" is an "art rock" concept album whose songs focus on choice, chance and fate.

The first track, 'Dreamline' is one of Rush's finest efforts. The lyrics appear to focus on the ephemeral nature of our lives. We eventually arrive at the realization that our youth is fleeting and that the decisions that we have made when we are younger, either improve or adversely effect our later lives. The music on 'Dreamline' is extraordinary, although the ultimate version had featured the Clockwork Angels String Ensemble on Rush's most recent live offering, "Clockwork Angels Tour." For some reason, Rush's music has always sounded better when enhanced by symphonic accompaniment. 'Dreamline' has been regularly featured on most recent live Rush recordings.

'Bravado,' the second track on the album, is another masterpiece. Once again, the lyrics focus on choice and fate. The music is somewhat subdued, but there is a perfect marriage between music and lyrics. As a result, 'Bravado' has also been featured on most of Rush's recent live recordings.

The title track, 'Roll The Bones' is also one of Rush's finest efforts. It is a bit more controversial however, due to the 'rap' piece in the middle of the song. Consequently the song, 'Roll The Bones' has received either praise or criticism from much of Rush's fanbase. In my opinion, this folk song is enhanced by the hip hop elements. Others believe that "prog" and "rap" should never be mixed together.

The fourth song, 'Face Up' is probably my least favorite song on "Roll The Bones." Although 'Face Up' is a great song, it is just not as great as the other masterpieces on this album.

The only instrumental on "Roll The Bones," 'Where's My Thing' is a jazz fusion workout. It was the second Grammy nominated instrumental by Rush. It has been most recently featured live on "Clockwork Angels Tour," without the orchestral backing, however.

The sixth track, 'The Big Wheel' is probably the most Rush like track on this recording. It is another fine effort focusing upon the nature of fate, utilizing the spinning of a Roulette wheel as a metaphor regarding our choices in life and their consequences.

The seventh track, 'Heresy' discusses the nature of the post Cold War. In this case, it discusses those 'wasted years' focusing upon the contrast between the two ideologies and the results.

The eighth track on "Roll The Bones," 'Ghost Of A Chance' rivals 'Dreamline' as the greatest track on this album. Personally, it is my favorite track from this album. 'Ghost Of A Chance' is ostensibly a love song focusing upon the statistically improbable idea of finding one's true love. Lyrically, it parallels 'Dear God' by XTC. Once again, the lyrics and music are married perfectly together.

"Roll The Bones" ninth track, 'Neurotica' is a bit weird even for Rush. The lyrics are a bit unusual, but it is another instrumental tour de force.

The tenth track, 'You Bet Your Life' is another masterpiece, the rhyming section rivals 'Roll The Bones' as Rush's most experimental track. It is quite catchy and lyrically contrasts juxtaposed ideas along with a lilting chorus. Each verse makes further allusions to gambling.

Overall, "Roll The Bones" may be for a more mature audience. "Power Windows" had been my favorite Rush album for 26 years with "Roll The Bones" ranking second for over 20 years. Then, when I had reached the age of 50 in early 2012, "Roll The Bones" suddenly had much more meaning. As the lyrics from Dreamline attest to our ephemeral nature, "Roll The Bones" overall discusses our own mortality and that may be a subject, which may be a bit too uncomfortable for most people to deal with. In my honest opinion, "Roll The Bones" is another essential album by Rush and I am quite disappointed that it has not been voted in yet!

Whether by plan or perhaps by design, many songs from "Roll The Bones" are regularly featured on either live recordings or best of Rush compilations. After "Roll The Bones" had been released, many critics had finally started to regard Rush in a more favorable manner. Rush had also started to receive more accolades. In my opinion, "Roll The Bones" was the recording which had led directly to their nomination and induction into Rock & Roll Hall Of Fame 20 years later.

In my honest opinion, "Roll The Bones" represents Rush's greatest parallel with the works of The Moody Blues and Duran Duran, who both deserve immediate induction into the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Thursday, 09/3/2015 @ 07:09am

By the way, I will probably have more to say about "Roll The Bones" at a later date. Until then, please enjoy my most recent perspective on this extraordinary recording.

Posted by Enigmzticus on Thursday, 09/3/2015 @ 07:41am

Okay, maybe I am more partial to "Roll The Bones," because the Phoenix date on the tour which had accompanied it, had been my first live Rush concert and rather surprisingly my first major rock concert. I have seen Rush and Yes in concert three times, I have seen The Moody Blues once, Styx once, Foreigner once, Heart once and a portion of the original Kansas once; they had opened for Yes during the "Full Circle Tour" when I had finally had the opportunity to see the "Classic Yes" lineup in concert. They had played 'Awaken' my favorite Yes song and I had managed to procure 7th row center tickets for that particular concert.

Posted by Enigmaticus on Thursday, 09/3/2015 @ 08:17am

Yesterday was the 24th anniversary of the release of "Roll The Bones," my favorite Rush studio album. As I had said previously, "Power Windows" had been my favorite Rush studio recording for over 26 consecutive years, until I had turned 50 in February, 2012. So what had happened, in order to change my perspective?

Posted by Enigmaticus on Friday, 09/4/2015 @ 08:53am

The third of September will always have a certain level of significance in my life. It does not only represent the 24th anniversary of the release of "Roll The Bones," my favorite Rush studio album, but also the official 16th anniversary of the date when I had started working at my present job.

I find it quite ironic how often the release date of each Rush album corresponds to a certain memory, or an important event in my life.

I had heard "Hemispheres" slightly after my 17th birthday. I had become an aficionado of their music back during the time that I was majoring in Architecture at the University of Arizona. I had switched my major to Engineering at the time of the release of "Moving Pictures." I was majoring in Business at the time of the release of "Exit... Stage Left." I wad taking courses in Electronics at the time of the release of "Signals." I was attending Electronics Technician "A" School, while stationed at Great Lakes, Illinois in the U.S. Navy at the time of the release of "Grace Under Pressure." I was visiting Hong Kong at the time of the release of "Power Windows." I was stationed in the San Francisco area during the time of the release of "Hold Your Fire." I was back in my hometown taking classes during the release of "Presto." I was majoring in Biomedical Engineering at Arizona State University at the time of the release of "Roll The Bones." I had attended my first rock concert on June 7, 1992. I was back in my hometown taking care of my late grandmother during the release of "Counterparts." I was also taking care of my late grandmother during the time of the release of "Test For Echo." I was back at college, designing my website at the time of the release of "Different Stages." I had been working at my present job for 2 1/2 years during the release of "Vapor Trails." I had also attended my second Rush concert during September of that year. Rather ironically, "Vapor Trails" was the only Rush album that I had not purchased immediately after it's release. I had been working at my job for more than 5 years when "Feedback" was released. I was approaching 8 years at my present job during the release of "Snakes & Arrows." I had been working at my present job for 13 years during the release of "Clockwork Angels." I had attended my third Rush concert during November of that year. At the time of the release of "Clockwork Angels Tour," I had been working at my present job for over 14 years. Similar events can be attributed to the release dates of Yes and associated albums, Moody Blues' albums, Sade albums and Duran Duran albums. Although, I had lost track of Duran Duran's albums between the release dates of "Arena."I had reconnected with Duran Duran's music at the time of the release of "Duran Duran," aka "The Wedding Album." Then, I lost track of them again until the time of the release of "Astronaut." Then, I lost track of them again until the release of "A Diamond In The Mind" on BluRay. So, I had unfortunately missed out on most of Duran Duran's musical evolution.

Posted by Enigmaticus on Saturday, 09/5/2015 @ 04:35am

As I have stated many times before,"Exit.. Stage Left" had been the recording that had cemented my interest in "progressive rock."

However, my appreciation of Rush's studio albums had still not reached it's summit until I had purchased a copy of "Power Windows" in early November,1985. Even though "Power Windows" had remained my favorite Rush studio recording for over 26 years, "Roll The Bones" had replaced it as my favorite Rush studio recording just prior to my 50th birthday in 2012. "Roll The Bones" has remained my favorite Rush studio album since that time.

Today is the 24th anniversary of the release of what I consider to be Rush's greatest studio album, "Roll The Bones."

For several years prior, Geddy Lee had been criticized severely for his singing; after 1980, his vocals had improved tremendously.

By the time that "Roll The Bones" had arrived, his vocal prowess had reached new heights. As a result, several songs from "Roll The Bones" were placed on heavy rotation on the radio.

Consequently, "Roll The Bones" had reached the third position on the Billboard Charts and had become the latest Rush album to reach platinum certification. Contrary to popular belief, "Roll The Bones" is neither a "pop" album, nor a "hard rock" album. No instead, "Roll The Bones" is an "art rock" concept album whose songs focus on choice, chance and fate.

The first track, 'Dreamline' is one of Rush's finest efforts. The lyrics appear to focus on the ephemeral nature of our lives. We eventually arrive at the realization that our youth is fleeting and that the decisions that we have made when we are younger, either improve or adversely effect our later lives. The music on 'Dreamline' is extraordinary, although the ultimate version had featured the Clockwork Angels String Ensemble on Rush's most recent live offering, "Clockwork Angels Tour." For some reason, Rush's music has always sounded better when enhanced by symphonic accompaniment. 'Dreamline' has been regularly featured on most recent live Rush recordings.

'Bravado,' the second track on the album, is another masterpiece. Once again, the lyrics focus on choice and fate. The music is somewhat subdued, but there is a perfect marriage between music and lyrics. As a result, 'Bravado' has also been featured on most of Rush's recent live recordings.

The title track, 'Roll The Bones' is also one of Rush's finest efforts. It is a bit more controversial however, due to the 'rap' piece in the middle of the song. Consequently the song, 'Roll The Bones' has received either praise or criticism from much of Rush's fanbase. In my opinion, this folk song is enhanced by the hip hop elements. Others believe that "prog" and "rap" should never be mixed together.

The fourth song, 'Face Up' is probably my least favorite song on "Roll The Bones." Although 'Face Up' is a great song, it is just not as great as the other masterpieces on this album.

The only instrumental on "Roll The Bones," 'Where's My Thing' is a jazz fusion workout. It was the second Grammy nominated instrumental by Rush. It has been most recently featured live on "Clockwork Angels Tour," without the orchestral backing, however.

The sixth track, 'The Big Wheel' is probably the most Rush like track on this recording. It is another fine effort focusing upon the nature of fate, utilizing the spinning of a Roulette wheel as a metaphor regarding our choices in life and their consequences.

The seventh track, 'Heresy' discusses the nature of the post Cold War. In this case, it discusses those 'wasted years' focusing upon the contrast between the two ideologies and the results.

The eighth track on "Roll The Bones," 'Ghost Of A Chance' rivals 'Dreamline' as the greatest track on this album. Personally, it is my favorite track from this album. 'Ghost Of A Chance' is ostensibly a love song focusing upon the statistically improbable idea of finding one's true love. Lyrically, it parallels 'Dear God' by XTC. Once again, the lyrics and music are married perfectly together.

"Roll The Bones" ninth track, 'Neurotica' is a bit weird even for Rush. The lyrics are a bit unusual, but it is another instrumental tour de force.

The tenth track, 'You Bet Your Life' is another masterpiece, the rhyming section rivals 'Roll The Bones' as Rush's most experimental track. It is quite catchy and lyrically contrasts juxtaposed ideas along with a lilting chorus. Each verse makes further allusions to gambling.

Overall, "Roll The Bones" may be for a more mature audience. "Power Windows" had been my favorite Rush album for 26 years with "Roll The Bones" ranking second for over 20 years. Then, when I had reached the age of 50 in early 2012, "Roll The Bones" suddenly had much more meaning. As the lyrics from Dreamline attest to our ephemeral nature, "Roll The Bones" overall discusses our own mortality and that may be a subject, which may be a bit too uncomfortable for most people to deal with. In my honest opinion, "Roll The Bones" is another essential album by Rush and I am quite disappointed that it has not been voted in yet!

Whether by plan or perhaps by design, many songs from "Roll The Bones" are regularly featured on either live recordings or best of Rush compilations. After "Roll The Bones" had been released, many critics had finally started to regard Rush in a more favorable manner. Rush had also started to receive more accolades. In my opinion, "Roll The Bones" was the recording which had led directly to their nomination and induction into Rock & Roll Hall Of Fame 20 years later.

In my honest opinion, "Roll The Bones" represents Rush's greatest parallel with the works of The Moody Blues and Duran Duran, who both deserve immediate induction into the Rock & Roll Hall Of Fame. Hopefully, their long overdue inductions will occur in 2016.

Posted by Enigmaticus on Sunday, 09/6/2015 @ 05:13am

September is somewhat ironically, the month during which many Rush albums have been released.

I had written this, almost a year ago:

#17 - Posted 9/26/14 @10:07AM by Enigmaticus [contact]

There were so many great Rush studio album release date anniversaries to celebrate this past month:

September 1, 1977 "A Farewell To Kings" (**** 1/2)
September 3, 1991 "Roll The Bones" (*****)
September 8, 1987 "Hold Your Fire" (****)
September 9, 1982 "Signals" (*****)

September 10, 1996 "Test For Echo" (**** 1/2)
September 24, 1975 "Caress Of Steel" (**** 1/2)

Plus Neil Peart's 62nd Birthday, ( September 12, 1952)

Plus, the 46th anniversary of Rush's first gig: September 18, 1968
and probably most important of all, the 46th anniversary of the date when Geddy Lee joined Rush:

September 25, 1968

As far as live recordings are concerned, my least favorite Rush live album will celebrate it's 38th birthday tomorrow:

September 27, 1976 "All The World's A Stage" (*** 1/2)

Next month however, will herald the "trifecta" of prog: October 29. I am definitely looking forward to that date.

By the way, have I forgotten any?

Posted by Enigmaticus on Monday, 09/7/2015 @ 13:27pm

My opinion of some of those Rush studio albums has changed during the past year. Here are my new ratings:

A Farewell To Kings (**** 1/2)
Roll The Bones (*****)
Hold Your Fire (**** 1/2)
Signals (*****)
Test For Echo (*****)

Caress Of Steel (*** 1/2)
All The World's A Stage (***)

As you can see, since that time, the ratings of "Hold Your Fire" and "Test For Echo" have improved, whereas the ratings of "Caress Of Steel" and "All The World's A Stage" have
diminished.

Posted by Enigmaticus on Monday, 09/7/2015 @ 13:39pm

Yesterday was the 28th anniversary of the release of "Hold Your Fire." Today is the 33rd anniversary of the release of "Signals."

In my honest opinion, "Signals" was the first of Rush's "art rock" albums. "Moving Pictures" had marked the end of the epic pieces (those songs which are over 8 minutes in length) and an attempt at writing much more concise songs. This approach had been taken even farther on "Signals." As a result, "Signals" had given Rush a top 40 bonafide hit, 'New
World Man' (# 21). To many other artists this would have been considered normal, but for a Rush, this had started a transition towards becoming more popular within the general populace. Of course, it did not hurt that 'New World Man' had sounded much more like The Police than traditional Rush.

When I had started creating my "now long archived" website over 18 years ago, the terms "art rock" and "progressive rock" had been relatively interchangeable. Over the years since, "art rock" has referred to basically the bridge between "prog" and "pop."

Posted by Enigmaticus on Wednesday, 09/9/2015 @ 06:35am

Today is the 19th anniversary of the release of "Test For Echo," the last of Rush's studio albums before their long hiatus. Unfortunately, many Rush fans do not really appreciate this album. In my honest opinion, it is one of Rush's studio masterpieces. "Test For Echo" ends Rush's "art rock" era.

The best song on "Test For Echo" is 'Time & Motion' which harkens back to "Middle Period" Rush. Unfortunately, the worst song is 'Virtuality.'

"Test For Echo" is another concept album. The theme is communication and the cover art, featuring the Inukshuk is quite appealing. This is also the final Peter Collin's co-produced Rush album, which had begun with the brilliant "Power Windows" more than 10 years previously.

Posted by Enigmaticus on Thursday, 09/10/2015 @ 06:32am

Today is the 14th anniversary of a very sad day for humanity. The day when the original World Trade Center in New York City, had been destroyed and the day when The Pentagon had been attacked as well.

The events of September 11, 2001 had inspired Neil Peart to write the lyrics to 'Peaceable Kingdom' on Rush's first studio offering after their extended hiatus, "Vapor Trails."

Not every inspiration is pleasant. We would like to believe that we are safe in our own world, but unfortunately that simply is not true. The dichotomy between light and darkness has fueled many creative endeavors in "progressive rock."

Today, "Paper Gods," Duran Duran's highly anticipated studio album will be released. So why am I mentioning Duran Duran on this Rush page?

Posted by Enigmaticus on Friday, 09/11/2015 @ 09:47am

Not quite two years ago, I had written this:

Once again, it is necessary to acknowledge those "prog" artists who had influenced Rush:

Progressive and/or art rock bands who had influenced the "holy triumvirate", who are currently in the Rock & Roll Hall Of Fame:

THE BEATLES
CREAM
THE WHO
JEFFERSON AIRPLANE
PINK FLOYD
TALKING HEADS
THE POLICE
GENESIS

Those who will be inducted in 2014:

PETER GABRIEL

Those prog and/ or art rock artists who have yet to be
inducted:

THE MOODY BLUES
PROCOL HARUM
JETHRO TULL
DEEP PURPLE
YES
KING CRIMSON
GENTLE GIANT
SUPERTRAMP
EMERSON, LAKE & PALMER
ROXY MUSIC
DURAN DURAN

Other than perhaps Baroque, Classical, Romantic or Modern composers, Van der Graaf generator, or Led Zeppelin, have I forgotten anyone?

In my honest opinion, if you had influenced, the band who is arguably progressive rock's greatest band, then you should be enshrined within the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Friday, 01.3.14 @ 09:00am

Posted by Enigmaticus on Friday, 09/11/2015 @ 10:00am

For some unknown reason, I had added Duran Duran to that list.

Eighteen years ago, I had the audacity to say that the music and lyrics of Duran Duran was a hybrid of "progressive rock" and "pop." John Taylor had confirmed this recently.

Rush is connected directly, or indirectly to 13 of the nominees on my Rock & Roll Hall Of Fame list of Nominees. I have written about this quite extensively. The previous list is simply a confirmation of those ideas.

So why are we still talking about Rush nearly three years after they had been nominated for induction into the Rock & Roll Hall Of Fame?

Posted by Enigmaticus on Friday, 09/11/2015 @ 10:10am

Today is the 63rd birthday of Neil Peart, lyricist and percussionist for Rush. Neil Peart had joined Geddy Lee and Alex Lifeson in Rush, on Geddy Lee's 21st birthday: July 29, 1974. For nearly 6 years prior, Rush had a different drummer, the late John Rutsey.

Posted by Enigmaticus on Saturday, 09/12/2015 @ 07:21am

Posted by Enigmaticus on Sunday, 09/13/2015 @ 00:10am

Posted by Enigmaticus on Sunday, 09/13/2015 @ 00:59am

Neil Peart brought a new rhythmic dynamic to the music of Rush. He also brought thought provoking lyrics. I do not know if Rush would have become one of the preeminent progressive rock bands without Neil's input.

So which bands had influenced Rush? This is always a matter of contention. I know that The Yardbirds, Cream, The Who and Led Zeppelin were major influences. Geddy Lee has admitted to being influenced by Jefferson Airplane, The Who, Cream, Yes, Genesis, Pink Floyd, King Crimson and Jethro Tull. Alex Lifeson adds The Moody Blues and Deep Purple to that mix. Neil Peart was an aficionado of Roxy Music, Ultravox, U2 and The Police. I have never read an interview listing Black Sabbath, Bachman-Turner Overdrive, Spooky Tooth, The Move, or Mountain as influences. The fact that Geddy Lee had liked Duran Duran and that Alex Lifeson wanted to be Simon Le Bon, indicates a direct Duran Duran influence. Geddy Lee had admitted to being influenced by The Beatles, who taught him how to write great songs and Supertramp. All three members have admitted to listening to Talking Heads quite frequently. Rush had also admitted to being basically a musical sponge. Rupert Hine mentions that Rush had liked The Fixx. Terry Brown, their former producer admits that within "2112," there is an homage to Tchaikovsky.

When Rush and Procol Harum had been nominated for induction into the Rock & Roll Hall Of Fame some of their detractors had asked who was next? Beethoven? Mozart?
Bach?

So, these are the artists that I know, who have been an influence upon Rush, who have not yet been inducted into the Rock & Roll Hall Of Fame:

The Moody Blues
Procol Harum
Blue Cheer
Deep Purple
Jethro Tull
Yes
Van der Graaf Generator
King Crimson
Supertramp
Roxy Music
Ultravox
Duran Duran

These are artists which are speculative:

Chicago
Gentle Giant
Renaissance
The Move
Spooky Tooth

The Move had evolved into the Electric Light Orchestra.

Former member of Spooky Tooth, Mick Jones was a founding member of Foreigner. Ian MacDonald, former member of King Crimson was also a co-founder of Foreigner.

Posted by Enigmaticus on Sunday, 09/13/2015 @ 12:31pm

Today is the 47th anniversary of Rush's first gig; next Friday, will mark the 47th anniversary of Geddy Lee joining Rush. Rush is a very old band. All three members are in their 60's, although Neil Part is now in his mid 60's. For Rush to remain relatively consistent throughout most of their discography is an incredible achievement that very few bands can lay claim to.
For Rush to have experimented with so many different musical styles and yet remain a highly recognized progressive rock titan for over 40 years is yet another remarkable achievement.

This coming November, 20, Rush is scheduled to release their most recent live offering chronicling their 41 year anniversary with Neil Peart. Next Thursday will mark the 40th anniversary of their first "progressive rock" album, "Caress Of Steel."

To those detractors who do not appreciate Rush, the fact that Rush has been around for nearly, but not quite half a century must be incredibly difficult to fathom.

Posted by Enigmaticus on Saturday, 09/19/2015 @ 03:56am

Posted by Enigmaticus on Saturday, 09/19/2015 @ 05:58am

Today is the 47th anniversary of Rush's first gig; next Friday, will mark the 47th anniversary of Geddy Lee joining Rush. Rush is a very old band. All three members are in their 60's, although Neil Peart is now in his mid 60's. For Rush to remain relatively consistent throughout most of their discography is an incredible achievement that very few bands can aspire to.

For Rush to have experimented with so many different musical styles and yet remain a highly recognized progressive rock titan for over 40 years is yet another remarkable achievement.

On November 20, 2015, Rush is scheduled to release their most recent live offering chronicling their 41 year anniversary with Neil Peart. Next Thursday will mark the 40th anniversary of their first "progressive rock" album: "Caress Of Steel."

To those detractors who do not appreciate Rush, the fact that Rush has been around for nearly, but not quite, half a century must be incredibly difficult for them to fathom.

In advance of the BluRay, DVD and cd release of this recording, Rush is releasing another version of their song, 'Roll The Bones,' the title track from their 14th studio album, the highly underrated masterpiece, "Roll The Bones."

Posted by Enigmaticus on Saturday, 09/19/2015 @ 06:07am

Contrary to popular belief, Rush is not, were not and have never been a "heavy metal" band. They are however a "progressive rock" and an "art rock" band. Of course, you will probably never see them referred to as an "art rock" band, because to many, that is the nebulous area between "prog" and "pop."

Rush's 14th studio album, "Roll The Bones" was their latest album to receive platinum certification, according to various sources. In any event after "Roll The Bones" was released, Rush had finally started to receive numerous accolades, which would eventually lead to their induction into the Rock & Roll Hall Of Fame, in 2013.

Roll The Bones was different because it had featured a nod to "hip hop" on the title track. I really do not have anything against hip hop, nor rap, as long as it does not advocate violence towards other races, women, minorities, or those with different sexual orientations. However, many "rap" artists do just that, which is why I have difficulty endorsing N.W.A. for a Rock & Roll Hall Of Fame nomination. On the other hand, I would not have any problem supporting T.L.C., or Queen Latifah.

Otherwise, several other great songs were featured on "Roll The Bones." Among those are: 'Dreamline,' 'Ghost Of A Chance,' 'Bravado,' 'You Bet Your Life,' 'The Big Wheel' and 'Heresy.' Many of those songs were probably inspired by groups such as: The Moody Blues and Duran Duran, two of my top picks for induction into the Rock & Roll Hall Of Fame in 2016. There is also quite a bit of jazz influence on "Roll The Bones" and "Presto," as well as it's successors, "Counterparts" and "Test For Echo." Another of my top picks, Sade represents jazz and smooth jazz. As many of you are probably well aware, Yes had a huge influence upon Rush and a song like 'Time & Motion,' from "Test For Echo" also reflects their influence. 'Nobody's Hero' arguably Rush's finest song from "Counterparts" features a string ensemble, highly reminiscent of The Moody Blues, Duran Duran and the Electric Light Orchestra. I think that I had read somewhere that The Move, the predecessor to E.L.O., was also an influence upon Rush in their early days. "Presto" and "Roll The Bones" were also meant to be "singer/songwriter" albums, a nod to great artists like Carly Simon, another of my inductee choices.

Posted by Enigmaticus on Sunday, 09/20/2015 @ 10:21am

So that is my secret: just by listening to the Audiofidelity 24K gold version of "Roll The Bones," I was inspired to come up with 5 of my nominees for the Rock & Roll Hall Of Fame induction in 2016. I highly recommend purchasing this recording, if at all possible, and including it amongst Rush's essential recordings.

Posted by Enigmaticus on Sunday, 09/20/2015 @ 10:32am

THE GUESS WHO-NO TIME

No time for revolving doors
No time for the killing floor

RUSH-DISTANT EARLY WARNING

It's so hard to stay together
Passing through revolving doors
We need someone to talk to
And someone to sweep the floor

Both bands are Canadian

Posted by Aaron O'Donnell on Saturday, 09/26/2015 @ 00:15am

Aaron,

Thank you for mentioning The Guess Who. I do like a few songs by them, especially 'No Time.'

As I have stated previously, "Rush is not, was not and has never been a heavy metal band." Even their connection to hard rock is somewhat speculative after 1976. For the past 40 years, Rush has remained a great "progressive rock" and "art rock" band. Forty seven years ago, Geddy Lee had joined Rush. Forty years ago, the members of Rush had released "Caress Of Steel," their first "progressive rock" album.

The Moody Blues were still on an extended hiatus at that time. Rush had entered the global music scene during The Moody Blues' absence. In 1977, while punk rock was sweeping most of the United Kingdom free of "prog," Rush was still enduring. Kansas was also becoming highly commercially successful after 1976.

As far as "Caress Of Steel" is concerned, it had set the stage for "2112," Rush's first breakthrough album. According to Jerry Ewing, "2112" was the album which had shown "metalheads" how to become "progressive," much like Genesis, Yes and King Crimson had been inspired by "Sergeant Pepper's Lonely Heart's Club Band." So overall, "2112" was an important album in the history of "progressive rock." But "2112" would probably never have been made if "Caress Of Steel" had not been created previously. "2112" was built upon the foundation of "Caress Of Steel."

"Caress Of Steel" is a somewhat uneven album, featuring one extraordinary short song, 'Bastille Day,' one underrated classic, 'Lakeside Park' and one grand epic, 'The Fountain Of Lamneth.' The other epic, 'The Necromancer' and 'I Think I'm Going Bald' are a little uneven by comparison.

As I had stated before, 18 years ago, on my now long archived website, 'The Fountain Of Lamneth' is like a "progressive rock" version of "The Seven Ages" of Man from "As You Like It" by William Shakespeare. If you look at this metaphor, you will find it echoes, "Days of Future Passed" by The Moody Blues, the co-founders of both "progressive rock" and "art rock."

The Moody Blues were a seminal influence upon Rush. Even Howard Stern had noted this. He probably had thought that comparing Rush to The Moody Blues would have offended Rush fans. Actually, it had the opposite effect. Many aficionados of Rush are also aficionados of The Moody Blues. Let's make a rough comparison, if we were to eliminate Rush from the history of music, "prog" and it's many subgenres would die after 1975. Eliminate The Moody Blues from rock history and "experimental," "art rock" and "prog" would probably never have existed. Eliminate Bach from the history of music and their would be probably be no music!

Posted by Enigmaticus on Saturday, 09/26/2015 @ 09:49am

Yesterday was also the 47th anniversary of Rush's second gig, wherein Geddy Lee had joined. Although pushed out of the band for a few months in 1969 and after later rejoining in September, 1969, Geddy Lee has been a constant in Rush's history since that time. In the early days, he had written most of the lyrics, in addition to co-writing the music with Alex Lifeson. Even after Neil Peart had joined Rush on Geddy Lee's 21st birthday in 1974, Geddy has been responsible for either writing his songs, or editing Neil's lyrics. Geddy Lee was the member who had suggested adding string ensembles to Rush's sound. He is the member who had kept up with the new keyboard sounds as well as improving his expertise on the bass.

If Alex Lifeson is the "hard rock" element in the music of Rush, then Geddy Lee is the melodic, classical, romantic, baroque, or prog component of Rush's music. Neil Peart could be considered to be the jazz element. Or in other words, if you combine jazz, rock and mostly classical music, then you get Rush.

Posted by Enigmaticus on Saturday, 09/26/2015 @ 10:26am

Enigmaticus,

ELO was also influenced by Sergeant Pepper's Lonely Heart's Club Band. I think Chicago was influenced by Magical Mystery Tour which came out in 67. It's about this time that horns are popping up in rock. Is there a connection?

Posted by Zuzu on Saturday, 09/26/2015 @ 10:56am

Zuzu,

I cannot say for certain whether or not, "Magical Mystery Tour" had an effect upon Chicago. I can however say that the music of Chicago was hugely influenced by jazz.

The Electric Light Orchestra has made a career out of creating music which had emulated The Beatles. I am fairly certain that "Sergeant Pepper's Lonely Heart's Club Band" was an immense influence upon Electric Light Orchestra, Yes and Genesis. Geddy Lee has said that The Beatles had taught him how to write great songs.

Posted by Enigmaticus on Thursday, 10/1/2015 @ 12:56pm

Enigmaticus,

I can't remember which member of ELO it was, but I came across an interview where Sargent Pepper was specifically mentioned as an influence.

I realize that critics refer to Chicago as a jazz rock band but Chicago did not consider themselves a jazz rock band. ChicagoKid1969 put up a you tube video titled CHICAGO Interview + I'm a Man/Free (1972). 5 minutes in Jimmy says they were more than a jazz rock band. I bring it up because I feel it is important to understanding why some of the critics didn't get him.

In an interview Peter say that when he was thinking of joining Chicago, he was impressed that the were the only band able to cover Magical Mystery Tour because of horns. Bobby inserts a line from I Am the Walrus about 4 1/2 minutes into Southern California Purples. In the last 1 1/2 minutes of Hideaway it sounds to me like Peter occasionally samples the ending of I Am the Walrus.

Posted by Zuzu on Thursday, 10/1/2015 @ 21:45pm

It is now October. On October 29, the day which I refer to as the "trifecta of prog," 3 masterpieces by Rush will celebrate the anniversaries of their release. "Hemispheres" will turn 37, "Exit... Stage Left" will turn 34 and "Power Windows" will turn 30.

Posted by Enigmaticus on Friday, 10/2/2015 @ 10:15am

Before Rush had been inducted into the Rock & Roll Hall Of Fame in 2013, they had mentioned The Moody Blues, Yes, Deep Purple and King Crimson as being worthy of induction. Although, I think that King Crimson will eventually be inducted, I have been much more focused on getting The Moody Blues, Yes, Electric Light Orchestra and Duran Duran inducted next year. I have also been a huge supporter of Sade's and Carly Simon's induction.

One might argue that my choices are very "prog" heavy, however there is an immense variety within the world of "progressive rock." Covering artists as diverse as Talking Heads to artists as strange as Gong, the umbrella which covers "prog" is like another spiral galaxy unto itself.

Posted by Enigmaticus on Saturday, 10/3/2015 @ 01:58am

Thank you Lax32,

I could not possibly agree more with you about the lack of great Rush songs on this site. I would include the following songs at a minimum:

01. Dreamline
02. Ghost Of A Chance
03. Bravado
04. Roll The Bones
05. You Bet Your Life
06. Available Light
07. Red Tide
08. Presto
09. Scars
10. The Pass
11. Mystic Rhythms
12. Middletown Dreams
13. Territories
14. The Garden
15. Caravan
16. Clockwork Angels
17. The Wreckers
18. Losing It
19. Digital Man
20. Faithless
21. Far Cry
22. Time & Motion
23. Test For Echo
24. Time Stand Still
25. Nobody's Hero
26. Animate
27. Red Lenses
28. Red Sector A
29. Ghost Rider
30. Peaceable Kingdom

Posted by Enigmaticus on Sunday, 10/4/2015 @ 06:43am

Lax32,

Oh and not seeing these albums added to the list of essential Rush albums is somewhat disheartening to say the least:

01. Clockwork Angels Tour
02. Roll The Bones
03. Presto
04. Power Windows
05. Clockwork Angels
06. Signals
07. Snakes & Arrows
08. Hemispheres
09. Test For Echo
10. Snakes & Arrows Live

Posted by Enigmaticus on Sunday, 10/4/2015 @ 06:53am

Wow, it has now been 5 days since I had last posted any comments on this Rush page. On November 20, Rush is scheduled to release the Bluray, DVD and CD of their 40th anniversary tour. This will probably be my final music, or concert purchase for this year. There has already been a great deal of speculation that this could possibly be Rush's greatest live recording.

Posted by Enigmaticus on Friday, 10/9/2015 @ 09:21am

This coming Tuesday will mark the 27th anniversary since the final day of my last "proper" vacation.

Posted by Enigmaticus on Friday, 10/9/2015 @ 10:00am

Yes, you had heard that correctly. My last "proper" vacation had started 27 years ago, today. I had 5 uninterrupted days off in Kenya. On the first two days, I had embarked on an two day air safari, wherein I had flown to Amboseli, taken off and flown by Mt. Kilimanjaro and had landed at Governor's Camp in the Maasai Mara Reserve in southwestern Kenya. I had stayed overnight in a hotel, disguised as a tent, with a full bathroom. The food was absolutely delicious. On the third day, I had eaten dinner at the Tamarind Restaurant in Mombasa, Kenya for the first time. I would also later visit the Tamarind Restaurant for a second time.

So why am I mentioning highlights of my last vacation on this Rush page? Because, other than my late aunt and uncle who had inspired me to visit Africa, so did Rush. It had started with the "Exit... Stage Left" version of 'Xanadu' and had reached it's apex with 'Mystic Rhythms' from "Power Windows." In my honest opinion, "Power Windows" is another essential Rush album. It had remained my favorite Rush studio album for over 26 consecutive years, until the 24K gold version of "Roll The Bones" had replaced it prior to my 50th birthday, in late January, 2012. "Presto" contains a song called 'Scars' which refers to Africa and "Roll The Bones" had also featured songs with an African focus, most particularly 'Roll The Bones' and 'Dreamline.'

Speaking of Africa and specifically about Kenya, by the way, where is that recording studio that the Jackson family had promised to build?

Posted by Enigmaticus on Saturday, 10/10/2015 @ 10:45am

Yes, you had heard that correctly. My last "proper" vacation had started 27 years ago, today. I had 5 uninterrupted days off in Kenya. On the first two days, I had embarked on a two day air safari, wherein I had flown to Amboseli, taken off and flown by Mt. Kilimanjaro and had landed at Governor's Camp in the Maasai Mara Reserve in southwestern Kenya. I had stayed
overnight in a hotel room, disguised as a tent, with a full bathroom. The food was absolutely delicious. On the third day, I had eaten dinner at the Tamarind Restaurant in Mombasa, Kenya for the first time. I would also later visit the Tamarind Restaurant for a second time, prior to my departure.

So why am I mentioning highlights of my last vacation on this Rush page? Because, other than my late aunt and uncle who had inspired me to visit Africa, so did Rush. It had started with the "Exit... Stage Left" version of 'Xanadu' and had reached it's apex with 'Mystic Rhythms' from "Power Windows." In my honest opinion, "Power Windows" is another essential Rush
album. It had remained my favorite Rush studio album for over 26 consecutive years, until the 24K gold version of "Roll The Bones" had replaced it prior to my 50th birthday, in late January, 2012.

"Presto" contains a song called 'Scars' which refers to Africa and "Roll The Bones" had also featured songs with an African focus, most particularly 'Roll The Bones' and 'Dreamline.'

Since I am Speaking about Africa and more specifically about Kenya, by the way, where is that recording studio that the Jackson family had promised to build there, so many years
ago?

Posted by Enigmaticus on Saturday, 10/10/2015 @ 10:57am

Tonight marks the 27th anniversary since my first visit to the Tamarind Restaurant in Mombasa, Kenya.

I must admit that the seafood at this particular restaurant is absolutely magnificent. I had ordered a 1 kg lobster tail, an order of the Prawns Biri Biri, among other culinary delights.

Posted by Enigmaticus on Sunday, 10/11/2015 @ 10:39am

Tonight marks the 27th anniversary since my first visit to the Tamarind Restaurant in Mombasa, Kenya.

I had ordered the 1 kg version of the Lobster Tamarind, in addition to the Prawns Piri Piri, amongst other magnificent culinary delights. If you ever have the opportunity to visit Kenya, I highly recommend a visit to this extraordinary seafood restaurant.

So why am I mentioning spectacular seafood on this Rush page? Because I am famished? No, because the music of Africa has been a major influence upon Rush since the mid 1980's and many of their best songs were influenced by various members visits to east Africa.

Posted by Enigmaticus on Sunday, 10/11/2015 @ 10:56am

Someone had asked me quite jokingly, is there a connection between Rush and this current list of nominees? In some instances there are, in most instances there are not.

Let's start with the ones that they do have a connection to:

01. Yes: huge influence upon all three members of Rush. Rush and Yes have often been compared to each other over the past several decades.

02. Deep Purple: Mark I & early Mark II Deep Purple had an influence upon Rush, particularly on guitarist Alex Lifeson.

03. Nine Inch Nails: Trent Reznor is a huge Rush fan.

04. Chicago: unknown, although Geddy Lee's hornlike synthesizer stabs and the use of the William Faerie Brass Band on "Hold Your Fire" might indicate an appreciation of Chicago.

05. The Cars: unknown, although Rush loved the music of the so-called "new wave" bands.

06. The Spinners: maybe, but very unlikely. Rush is very Anglophilic. The members of Kansas are probably very familiar with them, however.

07. Los Lobos: maybe. Rush has a huge following amongst Latin and South American audiences.

08. Steve Miller: maybe. Both use twelve string guitars and the members of Rush do like bubbles musicians.

09. Cheap Trick: probably not, Cheap Trick came after Rush. Although Cheap Trick may have toured with them in the late 1970's

10. The J.B.'s: probably not, but the members of Kansas, another band Rush is frequently compared to, are probably very familiar with them.

11. Chaka Khan: probably not.

12. The Smiths: not likely.

13. Chic: not likely, a huge influence upon Duran Duran, however.

14. Janet Jackson: no.

15. N.W.A.: definitely not. The members of Rush do not support artists who are racist, misogynistic and homophobic!

Posted by Enigmaticus on Sunday, 10/11/2015 @ 23:34pm

Please allow me to amend my previous post:

01.Yes: A huge influence upon all three members of Rush. Rush and Yes have often been compared to each other. The late Chris Squire had a huge influence upon Geddy Lee. Steve Howe had influenced Alex Lifeson and Bill Bruford had influenced Neil Peart.

02. Deep Purple: another huge influence upon Rush. The members of Rush have often stated that they would not sound the way that they do, without Deep Purple's influence. Mark I and early Mark II Deep Purple were a huge influence upon guitarist Alex Lifeson.

03. Chicago: the hornlike keyboard stabs and the utilization of the William Faerey Engineering Brass Band on the album, "Hold Your Fire," may reflect an appreciation of Chicago's music.

04. Nine Inch Nails: Trent Reznor is a huge Rush fan.

05. Cheap Trick: toured with Rush a few times in 1976 and 1977, according to the Power Windows website.

06. Steve Miller: Rush have always appreciated good blues guitarists. The fact that Steve Miller has played twelve string guitars might have some similarity to Rush.

07. The Cars: unknown, although the members of Rush had loved "new wave" music.

08. The Spinners: unknown, although the members of Kansas, another band often compared to Rush, probably are more familiar with them.

09. Los Lobos: maybe, Rush has a huge following among Latin American and South American audiences.

10. Chaka Khan: probably not, although perhaps Geddy Lee is familiar with her work.

11. The J.B.'s: once again, the members of Kansas are probably much more familiar with them.

12. The Smiths: unknown, although the members of Rush are Anglophile.

13. Chic: probably not, although Duran Duran certainly were influenced by them.

14. Janet Jackson: no.

15. N.W.A.: no, definitely not. The members of Rush do not endorse artists who advocate violence, misogyny, homophobia and racism.

13.

11.

Posted by Enigmaticus on Monday, 10/12/2015 @ 01:51am

"Tonight marks the 27th anniversary since my first visit to the Tamarind Restaurant in Mombasa, Kenya.

I had ordered the 1 kg version of the Lobster Tamarind, in addition to the Prawns Piri Piri, amongst other magnificent culinary delights. If you ever have the opportunity to visit Kenya, I highly recommend a visit to this extraordinary seafood restaurant.

So why am I mentioning spectacular seafood on this Rush page? Because I am famished? No, because the music of Africa has been a major influence upon Rush since the mid 1980's and many of their best songs were influenced by various members visits to east Africa."

Posted by Enigmaticus on Sunday, 10.11.15 @ 10:56am

Enig, you are genuinely the only person I know who could fail a Rorschach test.

Posted by Philip on Monday, 10/12/2015 @ 18:50pm

Rush's new live presentation, "R40 Live" is scheduled to be released on November 20, 2015 on cd, DVD and BluRay. I did not attend this particular concert, due to the astronomical cost of the tickets.

However, the 3 cd version may just happen to be the best live recording that Rush has ever released. I was very impressed with "Clockwork Angels Tour." Many Rush fans did not share my enthusiasm; they were probably upset that Rush had performed those songs, with the accompaniment of a string ensemble, instead of as a trio.

The lead off single from "R40 Live" is the live version of 'Roll The Bones.' As I have stated previously, "Roll The Bones" is in my honest opinion, Rush's greatest studio album and the title track is certainly great as well.

Posted by Enigmaticus on Tuesday, 10/13/2015 @ 03:21am

Today is October 13, 2015, it has now been 27 years since the end of my last "proper" vacation. I have not set foot outside of the state of Arizona, since August, 1989.

Posted by Enigmaticus on Tuesday, 10/13/2015 @ 03:32am

Today is the 22nd anniversary of the release of "Counterparts," my least favorite Middle Modern Period Rush studio album. Granted, "Counterparts" contains quite a few great songs, namely 'Nobody's Hero,' 'Animate,' 'Cut To The Chase,' 'Cold Fire,' 'Double Agent,' 'Between Sun & Moon,' 'Everyday Glory' and the instrumental 'Leave That Thing Alone.' However, it also has 'Stick It Out,' which is second on my
list of least favorite Rush songs. In my honest opinion, "Counterparts" is not nearly as great as it's predecessor, "Roll The Bones." Although, I am extremely impressed with the late Michael Kamen's orchestration of 'Nobody's Hero.' As I have previously noted, I prefer to hear the music of Rush with the accompaniment of either a string ensemble, or a symphony orchestra. I am hoping that Rush's final work will include symphonic accompaniment.

Posted by Enigmaticus on Monday, 10/19/2015 @ 10:03am

I had decided to listen to "Counterparts" this week. I have raised my rating of "Counterparts" from 4 stars to 4 1/2 stars. "Counterparts" is 13th on my list of favorite Rush studio albums. I would be remiss if I did not discuss "Counterparts" in greater detail, later.

Posted by Enigmaticus on Wednesday, 10/21/2015 @ 10:21am

Next month, on November 20, 2015, Rush is scheduled to release their highly anticipated live recording of their 40th anniversary tour. Please realize that there may be a distinct possibility that this recording could potentially dethrone "Exit... Stage Left" as the greatest Rush recording of all time.

On next Thursday, October 29, I will celebrate the holiest of PROG holidays, "the trifecta of prog."

Next Tuesday, October 27, will mark the day when I will celebrate the 35th anniversary of my introduction to the music of Pink Floyd and my re-introduction to the music of Rush.

When I had started to create my now long archived website back in June, 1997, I had been interested in supporting this much critically maligned genre. Thankfully, FRL is a wonderful place to share ideas and opinions about "progressive rock." Unfortunately, progressive rock still has many detractors.;-(

Posted by Enigmaticus on Saturday, 10/24/2015 @ 08:01am

Tomorrow is the trifecta of prog, the day when in three different years, Rush had released a masterpiece. Tomorrow, "Hemispheres" will turn 37, "Exit... Stage Left" will turn 34 and "Power Windows" will be 30.

Posted by Enigmaticus on Wednesday, 10/28/2015 @ 22:48pm

Today is the 34th anniversary of my favorite Rush album, "Exit... Stage Left." In my honest opinion, "Exit... Stage Left" is not only a great live Rush album, but it is also a magnificent "progressive rock" album. "Exit... Stage Left" represents the apex of Rush's Middle Modern Period recordings.

Posted by Enigmaticus on Thursday, 10/29/2015 @ 22:20pm

Yesterday was the 34th anniversary of the release of "Exit... Stage Left." In my honest opinion, "Exit... Stage Left" is not only a great live Rush album, but it is also a magnificent "progressive rock" recording. "Exit... Stage Left" represents the apex of Rush's Middle Period recordings. So why has "Exit... Stage Left" remained my favorite album for 34 years?

Posted by Enigmaticus on Friday, 10/30/2015 @ 10:40am

I am very excited about the prospects of being able to favorably compare "R40 Live," with "Exit... Stage Left." If Rush had only been a 41 year old band, then this could definitely be the highlight of their career. However, Rush is not a forty year old band; instead, they are a 47 year old band. Or to put it another way, prog rock had basically been in it's infancy when Rush had first formed.

Posted by Enigmaticus on Monday, 11/9/2015 @ 00:45am

As I had stated previously, "Rush had first formed during progressive rock's infancy." However, their debut record was not released until 1974. As a result, Rush is thought of as belonging to the second generation of "classic rock."

Posted by Enigmaticus on Tuesday, 11/10/2015 @ 00:17am

Ten days from now, the "R40 live" album is scheduled to be released. As I have mentioned previously, there is the slight possibility that "R40 Live" will eclipse "Exit... Stage Left."

Posted by Enigmaticus on Tuesday, 11/10/2015 @ 23:30pm

Today is the 15th anniversary of the release of "My Favorite Headache," Geddy Lee's first solo album. For those of us who had been waiting for a new Rush recording, "My Favorite Headache" had helped to get us through their indefinite hiatus.

There are several great songs on this recording. In my honest opinion, the greatest songs from that album are: 'Working at Perfekt,' 'Moving to Bohemia,' 'The Angels' Share,' 'Window to the World,' 'The Present Tense,' 'Slipping,' 'Still' and 'Home On The Strange.' 'Runaway Train,' 'Grace to Grace' and 'My Favorite Headache' are also very good.

Posted by Enigmaticus on Saturday, 11/14/2015 @ 13:15pm

As far as Rush recordings are concerned, this coming week will mark the 26th anniversary of the release of "Presto" on Thursday, the highly anticipated release of "R40 Live" on Friday and the second anniversary of the release of "Clockwork Angels Tour" on Saturday.

By the way, in my honest opinion, all three of these albums are definitely five star recordings.

In my honest opinion, "Presto" is Rush's second greatest studio album; only "Roll The Bones" is better.

"Clockwork Angels Tour" is Rush's second greatest live recording; only "Exit... Stage Left" has ever been better.

"R40 Live" could quite possibly, although it may be highly unlikely, potentially eclipse "Exit... Stage Left" as Rush's greatest live recording and therefore become progressive rock's greatest album.

Overall, here are my anticipated rankings:

01. Exit... Stage Left
02. Clockwork Angels Tour
03. Roll The Bones
04. Presto
05. R40 Live
06. Power Windows
07. Clockwork Angels
08. R30 Live
09. Moving Pictures
10. Permanent Waves

Posted by Enigmaticus on Monday, 11/16/2015 @ 02:24am

Correction, here are my favorite Rush recordings from least favorite to most favorite (excluding compilations):

30. Rush
29. Fly By Night
28. All The World's A Stage
27. Feedback
26. 2112
25. Caress Of Steel
24. Rush In Rio
23. Grace Under Pressure
22. Vapor Trails
21. A Show Of Hands
20. A Farewell To Kings
19. Counterparts
18. Hold Your Fire
17. Time Machine Tour: Live In Cleveland
16. Test For Echo
15. Hemispheres
14. Different Stages
13. Snakes & Arrows
12. Signals
11. Snakes & Arrows Live
10. Permanent Waves
09. Moving Pictures
08. R30
07. Clockwork Angels
06. Power Windows
05. R40 Live
04. Presto
03. Roll The Bones
02. Clockwork Angels Tour
01. Exit... Stage Left

Posted by Enigmaticus on Monday, 11/16/2015 @ 05:04am

They say that great studio albums come in pairs. If so, then I can think of no two greater Rush studio albums than "Roll The Bones" and it's predecessor, "Presto."

Posted by Enigmaticus on Tuesday, 11/17/2015 @ 09:44am

Many Rush fans would balk at my previous statement, preferring instead "Moving Pictures" and it's predecessor, "Permanent Waves." Although, I can understand this, I am certainly not a Rush fan, therefore I prefer "Presto" and "Roll The Bones," instead.

Posted by Enigmaticus on Tuesday, 11/17/2015 @ 09:52am

Enig says he is not a Rush fan. Yet Enig commemorates the dates on which he first heard certain Rush records and knows the band members birthdays.

Posted by Dezmond on Tuesday, 11/17/2015 @ 13:13pm

Enig has said numerous times that he is not a fan but an aficionado of them. Which is practically the same thing. Aficionado and fan are the same thing.

Posted by Greg F on Tuesday, 11/17/2015 @ 13:50pm

Greg and Dezmond are right: Enigmaticus is definitely a fan of Rush. Why else would he write about Rush all the time?

Posted by Nick on Tuesday, 11/17/2015 @ 14:19pm

Dezmond,

The reason why I happen to remember the birthdays of each member of Rush is because Neil Peart had joined Rush on Geddy Lee's 21st birthday.

However, since I have only attended 3 Rush concerts in my life and since I did not attend their Rock & Roll Hall Of Fame induction ceremony, I would hardly call myself a fan. Also, I am definitely not an aficionado of "2112," an album which most Rush fans would consider to be sacred.

Posted by Enigmaticus on Tuesday, 11/17/2015 @ 21:09pm

Rush is Enig's stated favorite band, has a website somewhere that features them, has every album and song of theirs ranked, and is absolutely convinced that he is NOT a fan of the band. Don't ask questions, you'll only drive yourself nuts.

Posted by Classic Rock on Tuesday, 11/17/2015 @ 22:41pm

Nick,

Yes, I do talk quite a bit about the release dates of various Rush albums so that I can provide a basis, in order to review them.

Unlike most Rush fans however, I am not afraid to criticize their sacred album, "2112."

I constantly mention that 'Lessons' is my least favorite song and say why this is so.

I have only attended three Rush concerts in my lifetime and I did not attend my first major rock concert until I was 30.

I happen to rank "Roll The Bones" as my favorite Rush studio recording.

I do not own any copies of "Rush," "Fly By Night," or "All The World's A Stage."

I have never attended a Rush fan convention, nor do I have plans to do so.

I have never had any Rush posters on my walls, either in my room at home, or in my dorm room while attending university. Nor do I have any Rush posters on any walls in my house.

I have not named any of my pets after any Rush members.

I do not listen to Rush's music everyday.

Posted by Enigmaticus on Wednesday, 11/18/2015 @ 09:28am

I don't understand what you mean here Enigmaticus, and I still think you're fan no matter how many ways you say you're not. If you keep posting comments on Rush (and a couple of others), some of part of you must like them as a fan (why else then would you comment on them all the time?).

Posted by Nick on Wednesday, 11/18/2015 @ 10:14am

By Enig's logic, no one born after 1970 can consider themselves a Beatles fan, since they've never attended a Beatles concert. Or if they don't think The White Album is anything short of unfettered genius. Or if they don't own any extraneous paraphernalia.

Which is bunk of course. If you love their music, you're a fan. Period. That's all that's required. Nothing else matters.

Posted by Philip on Wednesday, 11/18/2015 @ 12:18pm

Enig, you are the very definition of a fan. Again, you know birthdays, remember the date of when you first heard certain Rush albums, you endlessly rank their works. You embrace them with a Tiger Beat enthusiasm. In fact, since you go against the grain on how you feel about one of their most famous records, that is even MORE fan-like. Only a superfan would try and make arguments for 'Presto' over '2112'. For example, I am a huge Neil Young fan. I don't have any Neil posters on my wall either. But I will argue that 'Rust Never Sleeps' is a better record than 'Harvest.' Only a real fan would do that. It is nothing to be ashamed of. Embrace it! It is a form of mild madness.

And you know their birthdays. I rest my case.

Posted by Dezmond on Wednesday, 11/18/2015 @ 12:56pm

Today is the 26th anniversary of the release of Rush's thirteenth studio album, "Presto." In my honest opinion, "Presto" is second only to it's successor, "Roll The Bones" among Rush's greatest studio albums.

The central theme of "Presto" appears to be about change. Beginning with 'Show Don't Tell' which deals with the subject of Evolution and concluding with the cinematic tour de force, 'Available Light,' "Presto" takes it's listener on a journey to far off destinations of their own choosing.

Posted by Enigmaticus on Thursday, 11/19/2015 @ 02:22am

However, unlike previous albums which had made allusions towards fantasy, those destinations are very much rooted within reality. Whether it's the plight of a starving child in Sub-Saharan Africa, as in 'Scars,' or the plight of a teenager contemplating suicide, as in 'The Pass,' "Presto" delivers a healthy dose of reality each and every single time.

Rush's Middle Modern Period had differed lyrically from their great Middle Period in this respect, otherwise the music had still been quite superlative.

Posted by Enigmaticus on Thursday, 11/19/2015 @ 08:37am

"If I could wave my magic wand." The opening lyric to the title track of "Presto" makes allusions to the fact that not everything in our world is perfect. The cold hard reality of our modern world is not entirely pleasant.

So which kinds of changes does "Presto" describe?

On 'Show Don't Tell,' it's about evolutionary change.

On 'Warpaint,' it's about the changes we encounter as we become more mature.

On 'Scars' and 'Red Tide,' it's about environmental change.

On 'Presto' and 'Available Light,' it's about personal change.

Also, rather than being drenched in synthesizers, the songs on "Presto" feature more prominent piano lines. The guitar returns to the foreground and the keyboard sounds are more acoustic in nature. "Presto" is also more of a singer/songwriter album. Each song has the ability to stand on it's own, but is not entirely separate from the overall theme.

Posted by Enigmaticus on Thursday, 11/19/2015 @ 09:29am

Tomorrow, "R40 Live" is scheduled to be released. Of course, I have been contemplating the purchase of this recording for quite a while now.

Posted by Enigmaticus on Thursday, 11/19/2015 @ 20:00pm

"Today is the 26th anniversary of the release of Rush's thirteenth studio album, "Presto." In my honest opinion, "Presto" is second only to it's successor, "Roll The Bones" among Rush's greatest studio albums." -Enig

I really like both of those, too. In fact, Presto, Roll the Bones and Counterparts is probably my second favorite three album run of theirs after 2112, A Farewell to Kings and Hemispheres.

Posted by DarinRG on Thursday, 11/19/2015 @ 21:31pm

DarinRG,

Although "Hemispheres" has remained one of my favorite Rush albums for nearly 37 years, I am not as appreciative of "A Farewell To Kings" and I definitely have never completely embraced "2112." In fact, I strongly detest 'Lessons,' which is my least favorite Rush song of all time.

On the other hand, although I thoroughly embrace "Presto" and "Roll The Bones," "Counterparts" as a whole, has never really resonated with me. My contempt for 'Stick It Out' closely matches my opinion about 'Lessons.'

If I were to choose my run of 3 favorite Rush studio albums, I would choose "Permanent Waves," "Moving Pictures" and "Signals" instead.

Posted by Enigmaticus on Friday, 11/20/2015 @ 07:33am

Speaking of which, here are my 50 favorite versions of my 50 favorite Rush songs:

01. Xanadu (Exit... Stage Left, 1981)
02. Dreamline (Clockwork Angels Tour, 2013)
03. Ghost Of A Chance (Roll The Bones, 1991)
04. Available Light (Presto, 1989)
05. The Garden (Clockwork Angels Tour, 2013)
06. Mystic Rhythms (Power Windows, 1985)
07. Jacob's Ladder (Exit... Stage Left, 1981)
08. To Camera Eye (Moving Pictures, 1981)
09. Losing It (Signals, 1982)
10. Faithless (Snakes & Arrows, 2007)
11. La Villa Strangiato (Hemispheres, 1978)
12. Time & Motion (Test For Echo, 1996)
13. Prime Mover (Hold Your Fire, 1987)
14. Nobody's Hero (Counterparts, 1993)
15. Red Lenses (Grace Under Pressure, 1984)
16. Bravado (Roll The Bones, 1991)
17. Red Tide (Presto, 1989)
18. Middletown Dreams (Power Windows, 1985)
19. The Wreckers (Clockwork Angels Tour, 2013)
20. Roll The Bones (Roll The Bones, 1991)
21. Scars (Presto, 1989)
22. Manhattan Project (Power Windows, 1985)
23. Clockwork Angels (Clockwork Angels Tour, 2013)
24. Red Barchetta (Moving Pictures, 1981)
25. Natural Science (Permanent Waves, 1980)
26. Countdown (Signals, 1982)
27. Armor And Sword (Snakes & Arrows, 2007)
28. The Trees (Exit... Stage Left, 1981)
29. Closer To The Heart (Exit... Stage Left, 1981)
30. You Bet Your Life (Roll The Bones, 1991)
31. Presto (Presto, 1989)
32. Territories (Clockwork Angels Tour, 2013)
33. Where's My Thing (Clockwork Angels Tour, 2013)
34. Leave That Thing Alone (Counterparts, 1993)
35. Caravan (Clockwork Angels Tour, 2013)
36. Ghost Rider (Vapor Trails, 2002)
37. The Anarchist (Clockwork Angels Tour, 2013)
38. The Big Wheel (Roll The Bones, 1991)
39. The Pass (Presto, 1989)
40. BU2B (Clockwork Angels, 2012)
41. Limelight (Moving Pictures, 1981)
42. Different Strings (Permanent Waves, 1980)
43. Digital Man (Signals, 1982)
44. Far Cry (Snakes & Arrows Live, 2008)
45. Test For Echo (Test For Echo, 1996)
46. Second Nature (Hold Your Fire, 1987)
47. Animate (Counterparts, 1993)
48. YYZ (Exit... Stage Left, 1981)
49. Peaceable Kingdom (Vapor Trails, 2002)
50. Chemistry (Signals, 1982)

Posted by Enigmaticus on Friday, 11/20/2015 @ 08:11am

Sorry, my text editor must have changed song #08 on me:

08. The Camera Eye

So you may be wondering, where is 'Tom Sawyer' on my list?

Well, it ranks in 51st position.

Where is 'The Spirit Of Radio?' It is in 75th place.

Where is '2112?' It is in 109th place.

'Lessons' is in 186th place, at the very bottom of the list.

Posted by Enigmaticus on Friday, 11/20/2015 @ 09:39am

"Presto" had arrived a few months after my E.A.O.S. from the U.S.N.

I had been taking several Engineering type courses at my local community college. So, it was while I was in the computer room at the Community College that I first heard the music on "Presto." Regarding my feelings upon hearing "Presto" in it's entirety, I would definite quote Nick Rhodes of Duran Duran, and say, "...that I was completely blown away."

As far as I was concerned, at that time, only "Power Windows" and "Exit... Stage Left" had ever exceeded "Presto," in my honest opinion, as far as Rush's vast catalogue was concerned.

The songs on "Presto" also had that magnificent cinematic feel.

My favorite songs from "Presto" are:

01. Available Light
02. Red Tide
03. Scars
04. Presto
05. The Pass
06. Anagram (for Mongo)
07. Chain Lightning
08. Show Don't Tell
09. Hand Over Fist
10. War Paint
11. Superconductor

Posted by Enigmaticus on Saturday, 11/21/2015 @ 04:23am

As much as I enjoy "Presto," in my honest opinion, it was eclipsed by "Roll The Bones."

Nonetheless, "Presto" features many great songs which are still among Rush's best.

In my honest opinion, the low point among the songs on "Presto" is 'Superconductor.' whereas the high point is undoubtedly, 'Available Light.'

'Available Light' is my favorite song on "Presto" and my fourth favorite Rush song overall. 'Available Light' features subdued piano lines which add to the cinematic mood.

Posted by Enigmaticus on Saturday, 11/21/2015 @ 11:57am

So the question was raised, if I am not such a fan, why do I write about Rush so extensively and frequently? Because, Rush is one of those bands who represents "progressive rock" in it's highest and most evolved form.

I am however, a huge aficionado of "progressive rock," (prog), "art rock," "prog adjacent," "smooth jazz," "jazz," "singer/songwriters," "folk rock," "soft rock," "Modern," "Romantic," "Classical" and "Baroque" music.

Posted by Enigmaticus on Sunday, 11/22/2015 @ 12:13pm

Posted by Enigmaticus on Sunday, 11/22/2015 @ 12:36pm

I also like "new age" music quite a bit. My favorite artists from the new age genre are: Andreas Vollenweider, Yanni, Vangelis and Jean Michel Jarre.

On "Hold Your Fire," Rush came very close to crossing the border between "prog" and "new age."
And I think that the members of Rush had realized it.

"Presto" was a reaction towards this transition, as a result the presence of the use of synthesizers was greatly curtailed. The guitar had returned to the foreground and the "Early Modern Period" had ended. This new age of Rush, "The Middle Modern Period" had represented a move away from the synthetic sounds towards a more organic approach and the first two albums of this era in Rush's history had moved back towards their "Middle Period" with one important exception, better songs and no more screeching vocals.

I really want to reiterate just how strongly I detest screaming, shrieking, or otherwise screeching vocals. They take an otherwise great song, or album, or band and they ruin it.

For aficionados of Rush who had liked their earlier albums, they had never quite been able to get on board with this era of Rush's music. I, on the other hand had been more than willing to embrace it. As far as I had been concerned, it had been like a breath of fresh air.

'Show Don't Tell' is the opening song on "Presto" and immediately we are drawn into the complexity of the bass lines and the great guitar work. Additionally, the lyrics about evolution serve the song quite well.

'Chain Lightning' is a great song and the marriage between lyrics and music works quite well. It is also a song which deals with atmospheric phenomena, albeit on a much more benign level.

'The Pass' is a serious song about teenage isolation. Once again, there is a great marriage between music and lyrics. 'The Pass' is also one of Rush's favorite songs.

'War Paint' is about growing up, comparing a prom date to a battle between the sexes?

'Scars' is a song about the destruction of the environment. More specifically, human greed and it's adverse impact upon the ecology of our planet.

'Presto' is about personal change. Ostensibly, it is a love song about changing the world, or at the very least, viewing it differently.

'Superconductor' is about illusion and about pretending to be someone or something which you really are not. It is also about deceiving the audience.

'Anagram (for Mongo)' is a clever play on words. It is lyrically and musically quite brilliant. Incidentally, there are a lot of subtle truths hidden within this song.

'Red Tide' is once again a song about environmental destruction. This time however, it is about how our greedy behavior has led to nature's reaction, which is definitely not benign. It also raises the alarm about how we must stop it immediately. The prominent piano lines and guitar really propel this song forward.

'Hand Over Fist' is a complicated song about relationships.

'Available Light' concerns two different senses: sound and sight. There is a definitely a sense of isolation within the lyrics. There is also a sense of fading memories, almost as if the
photograph reveals that the individual has changed for the better.

'Available Light' is an omen of what is to come. "Roll The Bones" will build upon the experimental foundation of "Presto" and become, in my honest opinion, Rush's most lyrically and musically satisfying album.

Posted by Enigmaticus on Sunday, 11/22/2015 @ 13:49pm

R40 Live is supposed to represent the 40th anniversary since the release of Rush's debut album. It could have easily been titled R46 Live instead. As I have said previously, "Rush is a very old band."

Of course, 5 decades of material is a very difficult thing to distill into a 3 hr. show. However, Rush has managed to cover material from the mid 1970's through the early 2010's.

My review of this recording will be forthcoming.

Posted by Enigmaticus on Tuesday, 11/24/2015 @ 00:20am

It has come to my attention quite recently that I have been an aficionado of prog for almost 47 years, although my history of actually collecting "progressive rock" and "art rock" recordings only goes back 35 years.

My first "prog" purchase was the "Original Picture Soundtrack to Xanadu" in October, 1980. My second "prog" purchase was "The Grand Illusion" by Styx in November, 1980. My third purchase of "progressive rock" was "A Farewell To Kings" by Rush in December, 1980. After that, the floodgates had opened, I was interested in collecting everything "prog" that I could.

So what was it about "A Farewell To Kings" that had opened my mind and my eyes?

Posted by Enigmaticus on Thursday, 11/26/2015 @ 11:42am

So what was it about "A Farewell To Kings" that encouraged me to buy more prog?

Was it Rush's first hit single, 'Closer To The Heart?' No, although it did not hurt.

Was it the title track? No.

Was it 'Madrigal,' 'Cinderella Man,' or 'Cygnus X-1 Book I? No.

No, it was 'Xanadu.'

Indirectly, my appreciation of Tchaikovsky, Mozart, Beethoven, Bach, The Moody Blues, 'Man In The Wilderness' by Styx,'Classical Gas' by Mason Williams and several songs by Electric Light Orchestra, from the "Xanadu" soundtrack had lead to this point.

'Xanadu' has been my favorite song for almost 35 consecutive years, although my favorite version of this epic comes from "Exit... Stage Left."

Posted by Enigmaticus on Thursday, 11/26/2015 @ 12:01pm

So what was it about "A Farewell To Kings" that had encouraged me to buy more prog?

Was it Rush's first hit single, 'Closer To The Heart?' No, although it did not hurt.

Was it the title track? No.

Was it 'Madrigal,' 'Cinderella Man,' or 'Cygnus X-1 Book I? No.

No, instead it was 'Xanadu.'

Indirectly, my appreciation of Tchaikovsky, Mozart, Beethoven, Bach, The Moody Blues, 'Man In The Wilderness' by Styx, 'Classical Gas' by Mason Williams and several songs by Electric Light Orchestra, from the "Xanadu" soundtrack had
lead to this point.

'Xanadu' has been my favorite song for almost 35 consecutive years, although my favorite present version of this epic comes from "Exit... Stage Left." Now, there may be a contender, the version of 'Xanadu' from "R40 Live." It is really great to know that Rush had included the full version of 'Xanadu' on this particular recording. In my honest opinion, 'Xanadu' would work as a purely acoustic version, as well as a version played with a full symphony orchestra.

Posted by Enigmaticus on Thursday, 11/26/2015 @ 12:14pm

'Xanadu' had cemented my interest in "prog" and all of it's sub genres. 'Xanadu' had led me to my appreciation of new age composers, such as: Andreas Vollenweider, Yanni, Jean Michel Jarre, Vangelis, Hilary Stagg and others.

'Xanadu' had led me to discover such artists as: Yes, King Crimson, Gentle Giant, ELP, Duran Duran, Asia, Procol Harum, Genesis, Roxy Music, Alan Parson's Project, Caravan, Camel, Echolyn, Sade, etc.

'Xanadu' had cemented my appreciation for Rush, The Moody
Blues, Pink Floyd, Kansas, Styx, E.L.O, Tchaikovsky, Rimsky Korsakov, Mussorgsky, Prokofiev, Stravinsky, Gershwin, Mozart, Beethoven and Bach.

Posted by Enigmaticus on Thursday, 11/26/2015 @ 12:34pm

I have watched most of the "R40 Live" BluRay. So, what do I think of it thus far?

Overall, I think that there are several songs which really sound and look quite fantastic: 'The Main Monkey Business,' 'Roll The Bones,' 'Natural Science,' 'Jacob's Ladder,' 'Xanadu' and 'Working Man.'

Would I recommend it to someone who had never heard Rush before? Yes

Is it worthy of five stars? Yes

Did it take away the greatest recording title away from 'Exit... Stage Left?' No.

Is it better than 'Presto,' or 'Roll The Bones?' No.

Is it better than 'R30?' Yes

So, where does it fit among Rush's greatest (live and studio) recordings?

Once again, here is my list of favorite Rush recordings (live and studio) from least favorite to most favorite:

30. Rush
29. Fly By Night
28. All The World's A Stage
27. Feedback
26. 2112
25. Caress Of Steel
24. Rush In Rio
23. Grace Under Pressure
22. Vapor Trails
21. A Show Of Hands
20. A Farewell To Kings
19. Counterparts
18. Hold Your Fire
17. Time Machine Tour: Live In Cleveland
16. Test For Echo
15. Hemispheres
14. Different Stages
13. Snakes & Arrows
12. Signals
11. Snakes & Arrows Live
10. Permanent Waves
09. Moving Pictures
08. R30
07. Clockwork Angels
06. Power Windows
05. R40 Live
04. Presto
03. Roll The Bones
02. Clockwork Angels Tour
01. Exit... Stage Left

Posted by Enigmaticus on Saturday, 11/28/2015 @ 13:41pm

I have been watching the "R40 Live" BluRay on my HDTV and other assorted concerts on Palladia throughout much of this weekend.

Posted by Enigmaticus on Sunday, 11/29/2015 @ 19:31pm

Almost equally baffling is the almost sacrosanct status of "2112," to most Rush fans. I differ from a lot of them, with regards to my opinion about this recording. Although, I like the '2112' suite quite a bit, as far as I am concerned, it is the song 'Lessons' which prevents "2112" from being a masterpiece. This song really had no reason for being, it is like an incongruous mass of a putrefied cyst on the body of a supermodel.

Posted by Enigmaticus on Tuesday, 12/1/2015 @ 03:17am

RUSH is voting for Chicago, Deep Purple and Yes. No word on who will get their other two votes.

Posted by Roy on Thursday, 12/3/2015 @ 08:18am

I am excited about the prospects of "R40 Live" being placed on the Billboard Charts. Of course, I will always take exception to Rush and other "progressive rock" artists being labeled as belonging to anything other than the following genres: "progressive rock," "art rock," "symphonic rock," "symphonic progressive rock," "eclectic progressive rock," "experimental progressive rock," "classical progressive rock," "heavy symphonic progressive rock," "progressive
folk," "atmospheric progressive rock," "prog" and "heavy progressive rock," unless it has prog in it's name. In my honest opinion, Rush is not, has never been, nor will it ever be a "heavy metal" band, nor exclusively a "hard rock" band, nor just a "heavy prog" band, nor a "progressive metal band."

"Roll The Bones" is not a hard rock album either, it is better described as an "art rock" album.

Posted by Enigmaticus on Saturday, 12/5/2015 @ 14:33pm

Prog Archives, the #1 prog website on the Internet lists Rush as heavy prog.
Digital Dreamdoor, a very well respected music related website ranks Rush as the #1 prog metal band of all-time in their prog sub-genre section.

Posted by Classic Rock on Saturday, 12/5/2015 @ 19:55pm

Yes you are correct Classic Rock,

However, Prog Archives did not exist at the time when I was creating my now long-archived website, AKD's Art Rock Site, only the g.e.p.r. did.

Besides, most of the reviewers on Prog Archives are not very pro-Rush so their reviews have to be taken with a grain of salt. Rush is not purely a "heavy progressive rock band." Most of their songs are not very hard at all.

For those aficionados of "heavy metal," they have tried to lay claim to Rush being referred to as a "heavy metal" band. I will say this once more: "Rush is not, has never been and will never be a heavy metal band." The exact quote from Alex Lifeson is "We have never considered ourselves to be a heavy metal band, we feel that we have much more to offer than that!"

Therefore any statement made by previous reviewers that identifies Rush as a "heavy metal" band is blatantly false and inflammatory. When I was creating my website, I had made certain that one of my goals was to change the mindset of those individuals.

My other goal was to support Rush's and other critically maligned progressive rock acts' eventual induction into the Rock & Roll Hall Of Fame. I had started to do this at the very onset of the campaign.

If we are dealing with musical definitions: the terms "heavy prog" and "prog metal" do not accurately define Rush's music either. These labels presuppose that Rush's music has not evolved over the past 46 years. Therefore, I have used many different terms to describe Rush's music: I do agree that Rush was a "heavy prog band" from "Rush" through "Fly By Night," however.

Afterwards, I would describe Rush's music as "heavy symphonic prog" from "Caress Of Steel" through "All The World's A Stage." Rush was a "symphonic progressive" band from "A Farewell To Kings" through "Hemispheres." Rush was a hybrid of "symphonic progressive" and "art rock" from "Permanent Waves" through "Exit... Stage Left." Rush was almost purely an "art rock" band from "Signals" through "Roll The Bones," a hybrid of "art rock" and "eclectic prog" from "Counterparts" through "Different Stages." A heavy progressive rock band from "Vapor Trails" through "Feedback" and back to a hybrid of "symphonic progressive," "eclectic progressive" and "art rock" from "Snakes & Arrows" to the present.

Posted by Enigmaticus on Sunday, 12/6/2015 @ 11:43am

Neil Peart is retiring from music:

https://www.ultimate-guitar.com/news/general_music_news/rush_drummer_neil_peart_i_am_retiring_from_music.html

Posted by dmg on Tuesday, 12/8/2015 @ 10:55am

Who will Geddy Lee and Alex Lifeson get to replace Neil Peart?

Posted by Roy on Tuesday, 12/8/2015 @ 12:15pm

They won't

Currently Lifeson seems fine with getting off the road for awhile as well.

Geddy Lee can go off and do some solo stuff for a bit if he has a mind to it. Give Lifeson and Peart a few years at home to grow bored, and for the fans demand to grow desperate, then they can reunite for a small batch of big payday dates.

Posted by Shrek on Tuesday, 12/8/2015 @ 14:03pm

Posted by Enigmaticus on Wednesday, 12/9/2015 @ 01:26am

Though no one except for Neil Peart can say for certain, his decision to retire from touring is certainly understandable. Neil's hyperkinetic drumming for more than the past four decades has been nothing short of extraordinary. However, in order to maintain that level of proficiency night after night, month after month, year after year, it must be incredibly physically taxing.

I certainly would not blame Neil if he had decided to stop drumming completely. I know that many Rush fans have been shaken by this news. One must realize that the members of Rush are now approaching their mid 60's. I do not know how much longer Rush will be in existence. What I can say however is that Rush has given their fanbase an extraordinary musical legacy which will certainly outlive them.

I have now been on this ride for over 35 consecutive years. Unlike other bands who have rested on their laurels, the members of Rush have consistently maintained a high level of excellence which has rarely disappointed. So, if they do decide to call it a day, they have certainly earned the privilege and no one should begrudge their commitment to enjoying the remainder of their lives.

Posted by Enigmaticus on Wednesday, 12/9/2015 @ 01:43am

As I had said previously, "I have now been on this ride for over 35 consecutive years."

Progressive rock has been an important part of my life now, for over 35 consecutive years. That is an awfully long time to appreciate this particular genre of rock music.

So, it may have began much earlier, with my introduction to the song, 'Classical Gas,' by Mason Williams. It may have been further reinforced by hearing various songs by Chicago on the radio. It may have been cemented into place by my introduction to the music of Kansas and Styx via the f.m. radio, however it had reached a
complete crescendo with my purchase of "A Farewell To Kings," in early December, 1980.

It was a rainy Saturday in December, 1980 in Tucson, Az, a day much like today, when I had finally made my first Rush album purchase. My purchase of "A Farewell To Kings" on cassette was probably the most important influence upon my musical evolution. Later that day, I had climbed up into my bunk, in my dorm room. I had been so exhausted that day that I had fallen asleep while listening to 'Xanadu.' Not only was the music on that cassette fascinating, it was also somehow otherworldly. As a result, I had a very lucid dream which had brought me to the top of Mt. Everest. I will not provide specific details about this dream, but I will say that it had definitely had erotic connotations. As a result, 'Xanadu' has been my favorite song for more than 35 consecutive years. My favorite version of 'Xanadu,' however comes from Rush's second live album, "Exit... Stage Left."

Posted by Enigmaticus on Saturday, 12/12/2015 @ 13:14pm

Does Rush's Xanadu have anything to do with ELO's and Olivia Newton-John's Xanadu?

Posted by Roy on Saturday, 12/12/2015 @ 13:46pm

Official uploads of all Rush music videos now on youtube. RushVevo.

Posted by Roy on Saturday, 12/12/2015 @ 13:55pm

Roy,

No, not really. Except for the fact that both the movie and Rush's song are somewhat based on, or at least make references to Samuel Taylor Coleridge's poem, 'Kubla Khan.'

In E.L.O.'s case, 'Xanadu' is a roller disco. In Rush's version, it is a stately manmade pleasure dome with caves of ice.

Posted by Enigmaticus on Saturday, 12/12/2015 @ 14:01pm

So, as I had said previously my first Rush studio album purchase was "A Farewell To Kings" on cassette in December, 1980.

The reason why I had decided not to choose "A Farewell To Kings" as a five star album, has quite a bit to do with Geddy's vocals on 'A Farewell To Kings' and 'Cygnus X-1.'

My favorite songs from "A Farewell To Kings" are: 'Xanadu' and 'Closer To The Heart.' However, in my honest opinion, they are much better represented on "Exit... Stage Left."

Posted by Enigmaticus on Saturday, 12/12/2015 @ 14:17pm

Aimee Mann of Til Tuesday sang back-up on Time Stand Still by Rush, and she was in the music video. Why? Was she dating anyone from Rush?

Posted by Roy on Saturday, 12/12/2015 @ 18:46pm

No Roy,

when Geddy had written 'Time Stand Still,' he had wanted a female vocal. The members of Rush had asked several female vocalists, but most had refused. On the other hand, Aimee Mann had the time, so she had decided to work with the band, instead.

Posted by Enigmaticus on Saturday, 12/12/2015 @ 18:50pm

2016 will be a very significant year for Rush, because it will mark the 35th anniversary of the release of "Moving Pictures" and "Exit... Stage Left" and the 25th anniversary of the release of "Roll The Bones;" all of which are magnificent albums.

Unfortunately, I would be remiss if I had not mentioned that next year, will also mark the 40th anniversary of the release of "2112."

Posted by Enigmaticus on Monday, 12/14/2015 @ 09:02am

2016 will be a very significant year for Rush, because it will mark the 35th anniversary of the release of "Moving Pictures" and "Exit... Stage Left" and the 25th anniversary of the release of "Roll The Bones" and the 20th anniversary of the release of "Test For Echo," all of which are magnificent albums.

Unfortunately, I would be remiss if I had not mentioned that next year, will also mark the 40th anniversary of the release of "2112."

Posted by Enigmaticus on Monday, 12.14.15 @ 09:02am

Posted by Enigmaticus on Monday, 12/14/2015 @ 09:41am

Maybe just maybe, at least one member of Rush should join the Rock & Roll Hall Of Fame Nominating Committee, then we might begin to see more "progressive rock" and "art rock" artists on the list of nominees. If so, who should it be? Geddy? Alex? Neil? Who would you choose?

Posted by Enigmaticus on Tuesday, 12/15/2015 @ 08:21am

Writing songs in shifting and odd time signatures has been a signature feature of many Rush songs. The difference has been however that Rush had made those transitions seamless, so that their songs would not sound choppy. Have any other significant "art rock," or "progressive rock" artists done this so effortlessly?

Posted by Enigmaticus on Friday, 12/18/2015 @ 08:54am

"Changes" by Yes

Posted by Dezmond on Friday, 12/18/2015 @ 12:03pm

Thank you Dezmond for your response. The fact that the Rock & Roll Hall Of Fame members have not yet inducted Yes is rather disappointing to say the least. On the positive side, the recent induction of Chicago and Deep Purple should help "progressive rock," in the long run.

Who deserves to be nominated for induction into the Rock & Roll Hall Of Fame in 2017?

01. Yes
02. The Moody Blues
03. Duran Duran
04. Electric Light Orchestra
05. Sade
06. Carly Simon
07. Foreigner
08. Doobie Brothers
09. King Crimson
10. The Cars
11. Lionel Richie
12. Kansas
13. Procol Harum
14. Kraftwerk
15. Pearl Jam

Posted by Enigmaticus on Saturday, 12/19/2015 @ 14:04pm

Of course, I am extremely disappointed that Yes has not yet been inducted into the Rock & Roll Hall Of Fame. This is an absolute travesty, as one of Rush's foremost influences, Yes should have been inducted long ago. If you want my opinion about which artists have been snubbed the most: The Moody Blues, Procol Harum, Yes, Jethro Tull, King Crimson, Gentle Giant, Supertramp, Kansas, Styx, Electric Light Orchestra, Emerson, Lake & Palmer, Soft Machine, Camel, Caravan, Renaissance, Roxy Music and Duran Duran surely meet those qualifications.

I have been encouraged by the recent induction of Deep Purple and Chicago, however. But Yes' induction should have been assured. I do not think that the Rock & Roll Hall Of Fame had wanted to induct 3 progressive rock bands during the same year, if they had the punkophiles would probably have gone completely irate.

However, next year will mark the 50th anniversary of the so-called Summer of Love, progressive rock had started during 1967 and it's lack of presence in the Rock Hall may finally start to be rectified.

Oh and by the way, Rush had been a huge snub. Not very many of your favorite artists even know the meaning of that word, thankfully!

Posted by Enigmaticus on Sunday, 12/20/2015 @ 14:21pm

Prior to Rush's induction into the Rock & Roll Hall Of Fame in 2013, they had listed four influential bands that should have already been inducted: Yes, The Moody Blues, King Crimson and Deep Purple.

Now that Deep Purple is being inducted, who will be next?

Posted by Enigmaticus on Monday, 12/21/2015 @ 00:26am

Many years ago, there was a show called "The Rock Office." I do not know if it is still in existence, but one of the topics was the "Rock & Roll Hall Of Fame." Each individual in the Rock Office had supported the inductions of Rush and KISS, both of them are now in the Rock & Roll Hall Of Fame.

As I had said back in 2013, I think that Rush and KISS touring together had been financially beneficial to both bands. Unfortunately, the massive Rush fanbase had been persuaded to vote for KISS and Yes had been left by the wayside.

Since, Yes has not yet been inducted, I suspect that many aficionados of progressive rock are going to rally support for their induction again. It would help to have another "prog" supporter on the Nominating Committee. Yes is my co-favorite band musically, therefore I will always vote for them.

The Moody Blues are also long overdue as well, as are the members of Procol Harum. When Procol Harum had appeared on the Nominating Committee ballot back in October, 2012, I had voted for them. Although I like Procol Harum quite a bit, I happen to like The Moody Blues even more. The Moody Blues are third on my list of favorite bands, therefore I will vote for them also.

Now Duran Duran has been doing a lot lately to justify their nomination as well. If they happen to appear on the ballot next year, I will most definitely vote for them also, since Duran Duran is eighth on my list of favorite artists.

Here's where the problem lies, if for some reason two more progressive rock artists (Jethro Tull and King Crimson) appear on the ballot, I will have a major dilemma. Jethro Tull is fifth on my list of favorite artists and King Crimson is seventh. However, I am committed to voting for Duran Duran. If this happens, then unfortunately Sade and Carly Simon will not get my vote. I will be obligated to vote for Yes, The Moody Blues, Jethro Tull, King Crimson and Duran Duran.

This is what has happened due to the lack of progressive rock acts being inducted and might explain why the ladies have not been inducted into the Rock Hall very often.

In such a situation, I think that a lot of other artists will also get passed over.

So why am I mentioning this on the Rush page? Because, I think that this is the best place to discuss prog.

Posted by Enigmaticus on Monday, 12/21/2015 @ 08:54am

As far as I know, fights generally do not break out after, or during Rush concerts, nor is it likely to encounter a drive by shooting afterwards.

Rush does not generally attract those types of people. If a Rush fan happens to have an argument with another Rush fan, it generally does not come to fisticuffs.

No, Rush fans are much mellower. They may have a heated logical debate about which song, or album was better, or discuss the minutiae associated with songs, but that's about it.

However, when some critic has the unmitigated gall to write something inappropriate about a concert, or the band, their remarks may be less than lofty.

Let's face basic facts, the worship of Rush is for all intents and purposes, not so much a cult, as it is a religion. It's not a religion that demands an "eye for an eye," or a "tooth for a tooth," either. Instead, it's a religion which pretty much allows an individual to have free will. Those of us who appreciate Rush and other progressive rock artists feel that we do not need to follow archaic rules.

The same is true of other "progressive rock" bands. They are definitely more cerebral in nature. Their fans generally behave in a much more level-headed manner.

Of course, prog fans do not appreciate certain critics either and will often verbally excoriate the offender.

As far as the inductees are concerned, Deep Purple and Chicago are for all intents and purposes, "prog bands."

Of course, I would much rather watch Yes receive an induction, than a few other artists on this bill. Yes did not promulgate hatred in their message either.

I do not think that Steve Miller did either and I really do not know a lot about Cheap Trick, but I do not think that people get violent after watching a Cheap Trick concert, either.

The other act, however is not so cute and cuddly. Fans of that particular artist may become quite violent. A much better choice would have been The Spinners and/or Chaka Khan.

Posted by Enigmaticus on Wednesday, 12/23/2015 @ 08:38am

First of all, I would definitely like to say thank you to Rupert Hine for convincing Geddy Lee to sing in an octave lower on the albums, "Presto" and "Roll The Bones." Thank you Rupert for co-producing Rush's two greatest studio recordings.

Secondly, I would like to thank Will Romano for providing this interesting anecdote on page 175 of "Mountains Come Out Of The Sky: The Illustratrd History Of Prog Rock, Backbeat Books, 2010."

Lastly, I would like to thank Geddy Lee for listening to Rupert's advice. I have ranked "Roll The Bones" as one the greatest Rush studio albums for many reasons, chiefly among them, other than the flawless music by Alex and yourself, and the great introspective lyrics by Neil, is the fact that your vocals are superlative on that album. As a result, "Roll The Bones" has been my favorite Rush studio recording for nearly 4
consecutive years. "Presto" follows closely behind it, in second place.

Posted by Enigmaticus on Friday, 12/25/2015 @ 14:09pm

First of all, I would definitely like to say thank you to Rupert Hine for convincing Geddy Lee to sing in an octave lower on the albums, "Presto" and "Roll The Bones." Thank you Rupert for co-producing Rush's two greatest studio recordings.

Secondly, I would like to thank Will Romano for providing this interesting anecdote on page 175 of his book, "Mountains Come Out Of The Sky: The Illustrated History Of Prog Rock, Backbeat Books, 2010."

Lastly and more importantly, I would sincerely like to thank Geddy Lee for listening to Rupert's advice. I have ranked "Roll The Bones" as one the greatest Rush studio albums for many reasons, chiefly among them, (other than the flawless music by Alex and yourself, and the great introspective lyrics by Neil), is the fact that your vocals are superlative on that album. As a result, "Roll The Bones" has been my favorite Rush studio recording for nearly 4
consecutive years. "Presto" follows closely behind it, in second place.

Posted by Enigmaticus on Friday, 12/25/2015 @ 14:17pm

To put it in a nutshell, very simply and concisely, "I am not a fan of screaming, nor screeching vocals," that is why I detest AC/DC so strongly and why I have ranked the Rush studio and live albums, accordingly. Once again, here is that list of Rush's studio and live recordings from least favorite to most favorite:

30. Rush (1974) (** 1/2)
29. Fly By Night (1975) (**1/2)
28. All The World's A Stage (1976) (**1/2)

27. Feedback (2004) (***)

26. 2112 (1976) (*** 1/2)
25. Caress Of Steel (1975) (***1/2)
24. Rush in Rio (2003) (*** 1/2)

23. Grace Under Pressure (1984) (****)
22. Vapor Trails (2002) (****)
21. A Show Of Hands (1989) (****)

20. A Farewell To Kings (1977) (**** 1/2)
19. Counterparts (1993) (**** 1/2)
18. Hold Your Fire (1987) (**** 1/2)
17. Time Machine 2011: Live In Cleveland (2011) (**** 1/2)

16. Test For Echo (1996) (*****)
15. Hemispheres (1978) (*****)
14. Different Stages (1998) (*****)
13. Snakes & Arrows (2007) (*****)
12. Signals (1982) (*****)
11. Snakes & Arrows Live (2008) (*****)
10. Permanent Waves (1980) (*****)
09. Moving Pictures (1981) (*****)
08. R30: 30th Anniversary Tour (2005) (*****)
07. Clockwork Angels (2012) (*****)
06. Power Windows (1985) (*****)

05. R40 Live (2015) (*****)
04. Presto (1989) (***** +)
03. Roll The Bones (1991) (***** +)
02. Clockwork Angels Tour (2013) (***** ++)
01. Exit... Stage Left (1981) (***** +++)

Posted by Enigmaticus on Friday, 12/25/2015 @ 15:20pm

First of all, I would definitely like to say thank you to Rupert Hine for convincing Geddy Lee to sing in an octave lower on the albums, "Presto" and "Roll The Bones." Thank you Rupert for co-producing Rush's two greatest studio recordings.

Secondly, I would like to thank Will Romano for providing this interesting anecdote on page 175 of his book, "Mountains Come Out Of The Sky: The Illustrated History Of Prog Rock, Backbeat Books, 2010."

Lastly and more importantly, I would sincerely like to thank Geddy Lee for listening to and heeding Rupert's advice. I have ranked "Roll The Bones" as one of the greatest Rush studio albums for many years and for many reasons, chiefly among them, (other than the flawless music by Alex and yourself, and the great introspective lyrics by Neil), is the fact that your vocals are superlative on that album. As a result, "Roll The Bones" has been my favorite Rush studio recording for nearly 4 consecutive years. "Presto" follows closely behind it, in second place.

Posted by Enigmaticus on Friday, 12/25/2015 @ 23:02pm

Since there has been a great deal of speculation about Neil Peart's retirement from touring, I do not think that it would be out of the question for Rush to perform the albums, "Presto" and "Roll The Bones" in their entirety, plus a few other songs, with the support of a full symphony orchestra. What do you think?

Posted by Enigmaticus on Saturday, 12/26/2015 @ 23:12pm

Isn't a lot of progressive rock, especially from earlier groups like the Moody Blues and King Crimson, built on a foundation starting from classical influence (if not, then any place outside of what is commonly considered "rock" music)? Likewise with baroque groups like the Zombies or Procol Harum?

If video game music can be performed by symphony orchestras, either as part of the composition of its soundtrack or as an independent show and filling the seats at a venue, I don't necessarily see any real reason as to why Rush couldn't try a symphony-based take on their music in general. Even if a one-off idea, I would like to see what comes of that out of sheer curiosity.

(P.S.: I'm a fan of video game music, so me pointing it out is just to draw comparison between a genre of music that started as beeps and a genre that started from classical music.)

Posted by SotN on Saturday, 12/26/2015 @ 23:28pm

Thank you SotN,

Yes, quite a bit of prog is actually based upon Classical music. One reviewer once remarked that Rush's music was "Classical
Music played with loud guitars." As far as The Moody Blues and Procol Harum are concerned, they have both utilized symphony orchestras in the past. 'Conquistador',' by Procol Harum, in particular sounds extraordinary with the orchestral support. Rush had toured with an eight piece string section during their "Clockwork Angels Tour." In my honest opinion, my second favorite Rush song, 'Dreamline' sounds absolutely magnificent with the string ensemble. Can you imagine how great 'Dreamline,' 'Ghost Of A Chance,' 'Available Light,' 'Bravado,' 'Red Tide,' 'Roll The Bones,' 'Scars,' 'You Bet Your Life,' 'Presto,' 'The Big Wheel,' 'Where's My Thing,' 'Anagram (for Mongo),' 'The Pass' and 'Heresy' would sound with full orchestral accompaniment in a setting like Red Rocks?

Posted by Enigmaticus on Sunday, 12/27/2015 @ 00:00am

I had been listening to disc three of "Clockwork Angels Tour," on my car stereo earlier this evening. In my honest opinion, 'Dreamline' sounds absolutely magnificent with strings. Now imagine how much better it would sound with woodwinds, brass, strings and various percussion instruments accompanying the song.

Posted by Enigmaticus on Sunday, 12/27/2015 @ 00:17am

Let's face it, Rush has been moving towards having full orchestral accompaniment for many years. I think that the "Clockwork Angels String Ensemble" was just the beginning. Since it is highly unlikely that Neil Peart will ever tour again, this does not mean that he would not be able to play at least one more major concert. I think that having a triple bill of artists, such as Duran Duran, Yes and Rush performing together at a venue like Red Rocks Amphitheater for a charitable cause would be a great idea. What do you think?

Posted by Enigmaticus on Sunday, 12/27/2015 @ 13:17pm

First of all, I would like to say Thank You to everyone who had voted to induct "Roll The Bones" into the Album Project. September 3, 2016 will mark the 25th anniversary of the release of this masterpiece.

Posted by Enigmaticus on Monday, 12/28/2015 @ 23:54pm

Is "Roll The Bones" also considered to be an essential Rush album?

I would say, absolutely! "Roll The Bones" epitomizes the sound of modern Rush, plus Geddy Lee's vocals are spectacular on this album.

Posted by Enigmaticus on Tuesday, 12/29/2015 @ 16:07pm

In my honest opinion, the first 8 of the 10 songs from "Roll The Bones" are worthy of 10 points:

01. Dreamline
02. Ghost Of A Chance
03. Bravado
04. Roll The Bones
05. You Bet Your Life
06. Where's My Thing
07. The Big Wheel
08. Heresy

The remaining 2 songs 'Neurotica' and 'Face Up' are worthy of 8 points, therefore "Roll The Bones" is worthy of 96/100 pets, which equals 0.96 which is greater than 0.90 which equals 5 stars.

Posted by Enigmaticus on Tuesday, 12/29/2015 @ 17:36pm

I am so terribly sorry, I definitely need to rewrite that earlier post.

On the Rush Is A Band website, I had listed my most favorite to least favorite Rush songs. My basis comes from thirty five years of familiarity with their catalog, since I had been re-introduced to "Hemispheres" in October, 1980. Therefore, I had ranked the songs from 001 to 187, or so with the "Exit... Stage Left" version of 'Xanadu' taking the top spot and the song, 'Lessons' from "2112" taking the bottom spot. While doing so, I had noticed that 8 out of the 10 songs from "Roll The Bones" were masterpieces, therefore "Roll The Bones" had garnered the top position amongst all Rush studio albums.

Overall, "Roll The Bones" had scored 96 out of 100 points, or a 0.96. Since, 0.96>0.90, "Roll The Bones" is a 5-star album.

Posted by Enigmaticus on Wednesday, 12/30/2015 @ 10:25am

I am so terribly sorry, I definitely had found it quite necessary to rewrite that earlier post.

On the Rush Is A Band website, I had listed my most favorite to least favorite Rush songs. My basis comes from thirty five
years of familiarity with their catalog, since I had been re-introduced to "Hemispheres" in October, 1980. Therefore, I had ranked the songs from 001 to 187, or so with the "Exit... Stage Left" version of 'Xanadu' taking the top spot and the song, 'Lessons' from "2112" taking the bottom spot. While doing so, I had noticed that 8 out of the 10 songs from "Roll The Bones" were masterpieces, therefore "Roll The Bones" had garnered the top position amongst all Rush studio albums.

Those Songs and their respective ratings and overall rankings are:

01. Dreamline (10, 002)
02. Bravado (10, 016)
03. Roll The Bones (10, 020)
04. Face up (8, 078)
05. Where's My Thing (10, 032)
06. The Big Wheel (10, 038)
07. Heresy (10, 053)
08. Ghost Of A Chance (10, 003)
09. Neurotica (8, 071)
10. You Bet Your Life (10, 030)

Overall, "Roll The Bones" had scored 96 out of 100 points, or a 0.96. Since, 0.96>0.90, "Roll The Bones" is a 5-star album.

I have every intention of doing the same thing with each and every Rush album at a later date.

Posted by Enigmaticus on Thursday, 12/31/2015 @ 12:59pm

Thank you Dezmond for your response.

The fact that the Rock & Roll Hall Of Fame members have not yet inducted Yes is rather disappointing to say the least. On the positive side, the recent inductions of both, Chicago and Deep Purple should help "progressive rock," in the long run.

Who deserves to be nominated for induction into the Rock &

Roll Hall Of Fame in 2017?

01. Yes
02. The Moody Blues
03. Duran Duran
04. Electric Light Orchestra
05. Sade
06. Carly Simon
07. Foreigner
08. Doobie Brothers
09. King Crimson
10. The Cars
11. Lionel Richie
12. Kansas
13. Procol Harum
14. Kraftwerk
15. Pearl Jam
16. Tori Amos

Posted by Enigmaticus on Thursday, 12/31/2015 @ 13:30pm

I was recently surfing the Internet on the subject of Duran Duran when I found this quote:

"And a good example of how, no matter how objective we try to be, personal preferences and experiences seep in. Ultimately, it was Rush’s fans that sunk them– I haven’t had a single encounter with a Rush fan who wasn’t boorish, uncompromising, or an Ayn Rand apologist."

I have found this quotation to be quite fascinating, overall. Of course, I would never consider myself to be a Rush fan, only an aficionado of their music. Nonetheless, certain individuals are certainly entitled to their own opinions, however I have found things to be quite the opposite.

It has been my experience over the past 35 years to make the following statements:

"I have never met an individual who had appreciated the music of Rush, who was not highly intelligent."

"On the other hand, with very few exceptions, I have never met an individual who had hated Rush, who was."

So, in retrospect, using critical analysis, let us determine legitimate reasons for and/or against liking or disliking certain artists.

01. The singer screams or screeches, instead of singing the songs in a normal vocal register.

02. The music is too busy, it does not slow down in certain sections. There is no difference in tempo between the start and the end of the song.

03. The lyrics are infantile.

04. The music is quite unpleasant to listen to, it causes me extreme physical pain.

05. The music is too simplistic.

06. The music is too complicated.

07. You cannot dance to it, because the music is written with juxtapositions of odd time signatures, i.e. the music sounds choppy not smooth.

Posted by Enigmaticus on Thursday, 12/31/2015 @ 20:32pm

So, before I go back to my critical analysis, I thought that it might be a good time to reiterate one of my earlier posts:

As I have stated many times before,"Exit.. Stage Left" had been the recording that had cemented my interest in "progressive rock."

However, my appreciation of Rush's studio albums had still not reached it's summit until I had purchased a copy of "Power Windows" in early November,1985. Even though "Power Windows" had remained my favorite Rush studio recording for over 26 years, "Roll The Bones" had replaced it as my favorite Rush studio recording just prior to my 50th birthday in 2012. "Roll The Bones" has remained my favorite Rush studio album since that time.

Today is the 24th anniversary of the release of what I consider to be Rush's greatest studio album, "Roll The Bones."

For several years prior, Geddy Lee had been criticized severely for his singing; after 1980, his vocals had improved tremendously.

By the time that "Roll The Bones" had arrived, his vocal prowess had reached new heights. As a result, several songs from "Roll The Bones" were placed on heavy rotation on the radio.

Consequently, "Roll The Bones" had reached the third position on the Billboard Charts and had become the latest Rush album to reach platinum certification. Contrary to popular belief, "Roll The Bones" is neither a "pop" album, nor a "hard rock" album. No instead, "Roll The Bones" is an "art rock" concept album whose songs focus on choice, chance and fate.

The first track, 'Dreamline' is one of Rush's finest efforts. The lyrics appear to focus on the ephemeral nature of our lives. We eventually arrive at the realization that our youth is fleeting and that the decisions that we have made when we are younger, either improve or adversely effect our later lives. The music on 'Dreamline' is extraordinary, although the ultimate version had featured the Clockwork Angels String Ensemble on Rush's most recent live offering, "Clockwork Angels Tour." For some reason, Rush's music has always sounded better when enhanced by symphonic accompaniment. 'Dreamline' has been regularly featured on most recent live Rush recordings.

'Bravado,' the second track on the album, is another masterpiece. Once again, the lyrics focus on choice and fate. The music is somewhat subdued, but there is a perfect marriage between music and lyrics. As a result, 'Bravado' has also been featured on most of Rush's recent live recordings.

The title track, 'Roll The Bones' is also one of Rush's finest efforts. It is a bit more controversial however, due to the 'rap' piece in the middle of the song. Consequently the song, 'Roll The Bones' has received either praise or criticism from much of Rush's fanbase. In my opinion, this folk song is enhanced by the hip hop elements. Others believe that "prog" and "rap" should never be mixed together.

The fourth song, 'Face Up' is probably my least favorite song on "Roll The Bones." Although 'Face Up' is a great song, it is just not as great as the other masterpieces on this album.

The only instrumental on "Roll The Bones," 'Where's My Thing' is a jazz fusion workout. It was the second Grammy nominated instrumental by Rush. It has been most recently featured live on "Clockwork Angels Tour," without the orchestral backing, however.

The sixth track, 'The Big Wheel' is probably the most Rush like track on this recording. It is another fine effort focusing upon the nature of fate, utilizing the spinning of a Roulette wheel as a metaphor regarding our choices in life and their consequences.

The seventh track, 'Heresy' discusses the nature of the post Cold War. In this case, it discusses those 'wasted years' focusing upon the contrast between the two ideologies and the results.

The eighth track on "Roll The Bones," 'Ghost Of A Chance' rivals 'Dreamline' as the greatest track on this album. Personally, it is my favorite track from this album. 'Ghost Of A Chance' is ostensibly a love song focusing upon the statistically improbable idea of finding one's true love. Lyrically, it parallels 'Dear God' by XTC. Once again, the lyrics and music are married perfectly together.

"Roll The Bones" ninth track, 'Neurotica' is a bit weird even for Rush. The lyrics are a bit unusual, but it is another instrumental tour de force.

The tenth track, 'You Bet Your Life' is another masterpiece, the rhyming section rivals 'Roll The Bones' as Rush's most experimental track. It is quite catchy and lyrically contrasts juxtaposed ideas along with a lilting chorus. Each verse makes further allusions to gambling.

Overall, "Roll The Bones" may be for a more mature audience. "Power Windows" had been my favorite Rush album for 26 years with "Roll The Bones" ranking second for over 20 years. Then, when I had reached the age of 50 in early 2012, "Roll The Bones" suddenly had much more meaning. As the lyrics from Dreamline attest to our ephemeral nature, "Roll The Bones" overall discusses our own mortality and that may be a subject, which may be a bit too uncomfortable for most people to deal with. In my honest opinion, "Roll The Bones" is another essential album by Rush and I am quite disappointed that it has not been voted in yet!

Whether by plan or perhaps by design, many songs from "Roll The Bones" are regularly featured on either live recordings or best of Rush compilations. After "Roll The Bones" had been released, many critics had finally started to regard Rush in a more favorable manner. Rush had also started to receive more accolades. In my opinion, "Roll The Bones" was the recording which had led directly to their nomination and induction into Rock & Roll Hall Of Fame 20 years later.

In my honest opinion, "Roll The Bones" represents Rush's greatest parallel with the works of The Moody Blues and Duran Duran, who both deserve immediate induction into the Rock & Roll Hall Of Fame. Hopefully, their long overdue inductions will occur in 2017.

Posted by Enigmaticus on Thursday, 12/31/2015 @ 20:45pm

So, now let's examine reason #1 in further detail:

01. The singer screams or screeches, instead of singing in a normal vocal register.

Okay, this is my primary reason for liking, or disliking an artist. It is the primary reason why I rank "Caress Of Steel," "2112," "Fly By Night" and "Rush" as my least favorite Rush studio albums and why "A Farewell To Kings" is not a masterpiece. It is also the primary reason why I strongly detest AC/DC and why I dislike many heavy metal bands. Generally speaking, if I get a headache from listening to your vocals then I am probably not going to listen to your band.

Posted by Enigmaticus on Thursday, 12/31/2015 @ 21:16pm

On the other hand, it is the primary reason why I like certain artists more than others. It is one of the reasons why I prefer Rush's music post 1979 and why I rank The Moody Blues, King Crimson, Duran Duran and Sade so highly.

Posted by Enigmaticus on Thursday, 12/31/2015 @ 21:26pm

Agree with you, Enig, that 'Dreamline' and 'Ghost of a Chance' are the 2 best tracks from that mighty album.

Happy New Year to all!!!

Posted by Paul in KY on Friday, 01/1/2016 @ 09:28am

Paul in KY,

Happy New Year to you, also.

I am very appreciative of your enjoyment of 'Dreamline' and 'Ghost Of A Chance' also.

Today is the 36th anniversary of the release of "Permanent Waves."

Although Rush had been developing their "progressive rock" sound for the past decade, their incorporation of the new sounds of the so-called new wave had certainly influenced this particular recording.

In my honest opinion, "Permanent Waves" represents the perfect hybrid of "symphonic progressive rock" and "art rock."

"Permanent Waves" begins with 'The Spirit Of Radio,' The interesting reggae like beats throughout pay homage to The Police. The Police would continue to be a major influence upon Rush's music for much of the early to mid 1980's, as would Talking Heads and U2 and somewhat later, perhaps Duran Duran.

In the documentary, "Beyond The Lighted Stage," Neil Peart emphasizes just how much the so-called "New Wave" had influenced the music of Rush and names The Police, in particular, as a band that he loved. Apparently, Geddy Lee and Alex Lifeson were on board for the change; gone were the huge "prog" epics of the past.

"Permanent Waves'" predecessor,"Hemispheres" had been a long and arduous undertaking. Therefore, Rush had made a conscious decision to try to adopt the new styles and had been rewarded with their first top 10 album of their career. Ironically, 'The Spirit Of Radio' was a commercial hit, even though it had criticized the blatant commercialization of the radio.

Posted by Enigmaticus on Friday, 01/1/2016 @ 11:45am

Enigmaticus: I'm kind of digging this posting you're doing. If you don't mind, I'd like to contribute two other things that I feel can result in bad music (at least, for me):

1. Failure of the narrative/subject.

Namely, when a song or band plays up a subject or a theme, and at some point fall so far short of that theme that the effect is immediately noticeable and feels as if it was half baked. This is especially bad if the song is trying to be sincere.

Sincerity can be done well straight (2Pac's Dear Mama), as well as done differently (The Spirit of Radio can work both ways, which Peart said in Billboard once). In both song's cases, they didn't skimp on the image: Rush used lyrics that made clear what they wanted to say, but played with them in a way that made them feel fresh and new (and even had a nice play on the words from Simon and Garfunkel's The Sound of Silence), while 2Pac was simpler, but still honest because the words were picked well.

It's when someone records something that's supposed to be one thing and yet fails at that that I get irritated. One of the bigger hits last year (2015) was Marvin Gaye by Charlie Puth feat. Meghan Trainor. The song was, ostensibly, a throw-back to the days of Marvin Gaye and was supposed to be a nice song about being intimate, but the silly lyrics (both badly written and clearly knowing nothing about Gaye other than the names of his songs) along with Puth's inability to sound smooth and convincing make the song come off as a fake.

2. Being derivative without being innovative.

Given enough time, you can trace the threads of any song by any artist back to a finite point. The magic, so to speak, is when the newer artist puts their fingerprint on the original, i.e. takes the original idea and improves upon it or makes it their own. Covers, for instance.

I have a good bit of appreciation for Arcade Fire when they covered Games Without Frontiers. The original was a foreboding song with an almost sparse melody, and it's still one of my favorite songs. When Arcade Fire covered it for the Scratch My Back/I'll Scratch Yours (as an answer to Gabriel covering My Body is a Cage) during their Reflektor period, they gave the song more music, but also put their spin on it, which allows the song to retain the dangerous air it had, while also sounding like a proper Arcade Fire song.

Another example: Johnny Cash covering Hurt by Nine Inch Nails. The original was about dealing with drug addiction, and while a good song from NIN, when Cash covered it at the end of his life (advised by Rick Rubin), he turned an industrial song into a country reflection on a life misspent and the mistakes from years ago as sung by the man who lived that life now knocking on Death's door. The song took such form that Reznor no longer viewed the song as his own.

The failure here comes when somebody tries to follow the leader, but either fails to understand why the leader got there, or fails to improve upon the original in any way to differentiate it or show another dimension to the song. It's like thinking the only reason why Kraftwerk were a good band was because they used electronic instruments. It's a bad argument because Kraftwerk's music deconstructed the rock song and used this as a framing device for its theme. It's also like the people who view Every Breath You Take by the Police as a straight love song. The song was meant to be a satire of old sappy love songs and their almost stalker-esque one-track mind structure. Instead, they see it as just another entry in that same line-up, completely missing the point and taking away one of the song's best qualities.

Posted by SotN on Friday, 01/1/2016 @ 15:28pm

Thank you SotN,

Certainly any other perspectives that you might have are greatly appreciated.

Posted by Enigmaticus on Friday, 01/1/2016 @ 21:08pm

Continuing on with the discussion of reasons for liking, or disliking certain artists, I will reiterate reason #2.

2. The music is too busy: it does not slow down in certain sections. There is no difference in tempo between the start and the end of the song.

This is very important, because every song needs to have the same thing that every great painting, or photograph needs: light and shade. In order to be great, the song cannot be a constant barrage of noise, it needs to have softer parts, as well as the more uptempo parts. This is one of the primary reasons why I am not particularly fond of early Dream Theater and why Rush, Yes, The Moody Blues, Pink Floyd, Jethro Tull, Gentle Giant, King Crimson, Duran Duran, Talking Heads, Kansas, Jefferson Airplane, Electric Light Orchestra, Renaissance, Fleetwood Mac and Sade are just a few of my favorite artists. It is also another reason why I am not particularly fond of heavy metal.

Posted by Enigmaticus on Saturday, 01/2/2016 @ 13:10pm

Once again, returning to the discussion about "Permanent Waves," I will now discuss the second song on the album, 'Freewill.' The lyrics, "...You can choose a ready guide in some celestial voice. If you choose not to decide, you still have made a choice. You can choose from phantom fears, or kindness that can kill. I will choose a path that's clear; I will choose Freewill..." could very well be considered Rush's mantra at the time.

Of course their precedents, 'Anthem' and even, 'I Think I'm Going Bald,' which had stressed individualism over collectivism, had been far more selfish. Even the lyrics from 'Presentation' from Rush's epic, "2112" are far more conciliatory and perhaps, far less selfish, ...I know the world could use this beauty, just think what we might do..." But, it is on 'Freewill,' where individualism reaches it's greatest possible importance and this theme would continue to echo throughout much of Rush's history, but in a new way. Now the individual is responsible for his or her own destiny. The choices that we have made earlier in our lives, make us who we are. These themes will reoccur on such songs as 'Dreamline' from "Roll The Bones" and on 'Faithless' from "Snakes & Arrows."

Posted by Enigmaticus on Sunday, 01/3/2016 @ 18:56pm

Returning once again, to the subject of "Permanent Waves" and more specifically, 'Freewill,' I would like to reiterate that 'Freewill' is very important lyrically. However, 'Freewill' is also important musically, because it is a shorter song, but still as adventurous as one of Rush's epics. There are still trademarks of Rush's sound throughout, including complicated time signature changes, etc. however 'Freewill' is much more concise overall.

"Permanent Waves" would be one of the final Rush albums to feature more than one epic. However, instead of taking up an entire album side, Rush's mini-epics were now less than 10 minutes long.

Posted by Enigmaticus on Friday, 01/8/2016 @ 08:25am

Returning to the discussion about "Permanent Waves," I would like to mention that in addition to the four shorter songs: 'The Spirit Of Radio,' 'Freewill,' 'Entre Nous' and 'Different Strings, there are also two mini-epics: 'Jacob's Ladder' and 'Natural Science.'

The third song, 'Jacob's Ladder' is one of Rush's finest efforts. Although I enjoy the version on "Permanent Waves," I really think that the most spectacular version is from "Exit... Stage Left."

Posted by Enigmaticus on Saturday, 01/9/2016 @ 16:03pm

Congratulations from a fan who was lucky enough to see you twice (not enough to claim to be the "biggest fan ever" but still a fan!). I loved all your speeches (Alex's was the funniest, whereas you and Neil spoke from the heart, both approaches entertaining in different ways!). I hope Yes is re-nominated at the end of 2016 and this time, inducted! In the meantime, congratulations to you, Alex and Neil and thanks for being an amazing trio!

Posted by Bill Langan on Tuesday, 01/12/2016 @ 15:30pm

Bill,

I have only seen Rush live in concert three times. However, I have become very familiar with their catalog during the past 35 years. I had initially been introduced to their music almost 37 years ago. Then, I had been re-introduced to their music via "Hemispheres" slightly more than a year and a half later. What are your favorite Rush studio albums and live albums?

Here is my list of Rush studio and live albums, from least favorite to most favorite:

30. Rush (1974)
29. Fly By Night (1975)
28. All The World's A Stage (1976)
27. Feedback (2004)
26. 2112 (1976)
25. Caress Of Steel (1975)
24. Rush In Rio (2003)
23. Grace Under Pressure (1984)
22. Vapor Trails (2002)
21. A Show Of Hands (1989)
20. A Farewell To Kings (1977)
19. Counterparts (1993)
18. Hold Your Fire (1987)
17. Time Machine 2011: Live In Cleveland (2011)
16. Test For Echo (1996)
15. Hemispheres (1978)
14. Different Stages (1998)
13. Snakes & Arrows (2007)
12. Signals (1982)
11. Snakes & Arrows Live (2009)
10. Permanent Waves (1980)
09. Moving Pictures (1981)
08. R30: 30th Anniversary Tour (2005)
07. Clockwork Angels (2012)
06. Power Windows (1985)
05. R40 Live (2015)
04. Presto (1989)
03. Roll The Bones (1991)
02. Clockwork Angels Tour (2013)
01. Exit... Stage Left (1981)

Posted by Enigmaticus on Wednesday, 01/13/2016 @ 08:25am

As many of you are probably well aware, the recent passing of David Bowie has left a huge void in the prog community. I had been somewhat surprised that the members of Rush had acknowledged playing 'Suffragette City,' during their early "bar" years.

Posted by Enigmaticus on Sunday, 01/17/2016 @ 14:26pm

I have recently read that the maestro of the Nashville Symphony Orchestra is a huge Rush fan. Perhaps, the idea of Rush performing with the support of a full symphony orchestra is not that outrageous any longer.

Posted by Enigmaticus on Friday, 01/22/2016 @ 16:48pm

September 3, 2016 will mark the 25th anniversary of the release of "Roll The Bones." Since it is now February, when will "Roll The Bones" be added to the list of essential Rush albums?

Posted by Enigmaticus on Monday, 02/1/2016 @ 08:33am

February 12, 2016 will mark the 35th anniversary of the release of "Moving Pictures."

Posted by Enigmaticus on Monday, 02/1/2016 @ 08:42am

This month's issue of PROG Magazine will feature another Rush cover. In addition to 2016 being the 40th anniversary of the release of "2112," there are several more major anniversaries for Rush's studio and live albums this year.

On February 12, "Moving Pictures" will turn 35. On October 29, "Exit... Stage Left" will also celebrate it's 35th anniversary. On September 3, "Roll The Bones" will be celebrate it's 25th anniversary and on September 10, "Test For Echo" will be 20 years old.

Posted by Enigmaticus on Wednesday, 02/3/2016 @ 09:03am

This month, I had purchased 6 copies of the January, 2016 issue of PROG Magazine. I highly recommend getting a copy, because it contains the Reader's Poll of the greatest 100 progressive rock artists. I plan on buying an additional 6 copies of the February, 2016 issue, also.

If we consider the overall list, I am somewhat surprised by some of the inclusions and some of the exclusions and their respective rankings, overall.

The five "immortals" are there, albeit not necessarily in the order that I would place them. Without giving out specific details, I will mention that three of the "immortals" are inductees into the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Thursday, 02/4/2016 @ 08:14am

Who are the five top artists among the world of "progressive rock," according to the PROG Magazine Reader's Poll? I will name only two of those artists who have not yet been inducted into the Rock & Roll Hall Of Fame.

King Crimson

Yes

I am quite certain that you will be able to guess the other three.

Posted by Enigmaticus on Thursday, 02/4/2016 @ 22:49pm

Several new articles about Rush seem to indicate that contrary to popular belief, Rush is rapidly approaching their 50th anniversary. Or in other words, the two major members (Geddy Lee and Alex Lifeson) are rapidly approaching the 50th anniversary since they had met and started playing music together. Neil Peart had officially joined them in Rush, on July 29, 1974.

Posted by Enigmaticus on Saturday, 02/6/2016 @ 10:21am

Today is the 35th anniversary of the release of "Moving Pictures," my fifth favorite Rush studio album. "Moving Pictures" was the second Rush studio album that I had purchased.

Posted by Enigmaticus on Saturday, 02/13/2016 @ 01:17am

Sometimes I find it very hard to believe that Geddy Lee and Alex Lifeson have been playing together for nearly half a century. During Other times however, I do not. As I have said many times before, " Rush is a very old band."

Posted by Enigmaticus on Monday, 02/15/2016 @ 02:10am

Enig - Have you ever seen the Rush Font Project? I just stumbled across it and thought you might appreciate it.

http://www.2112.net/rushfonts/

Posted by DarinRG on Saturday, 02/20/2016 @ 02:30am

I have been gone quite some time. I am still quite disappointed to not see "Roll The Bones" listed as an ESSENTIAL Rush album. Didn't we vote to make it one back in January, 2016?

Posted by Enigmaticus on Sunday, 03/27/2016 @ 11:50am

The February 2016 issue of PROG magazine contains several articles about Rush.

"Roll The Bones" is praised by PROG as Rush's greatest early 1990's album. Geddy Lee praises "Roll The Bones" as representing the maturation of Rush's songwriting. In other words, "Roll The Bones" is one of Rush's most essential albums.

The April 2016 issue of PROG magazine contains several articles about the Electric Light Orchestra. I am eagerly anticipating it's arrival on new stands in the U.S.

Posted by Enigmaticus on Monday, 04/11/2016 @ 05:25am

I am definitely looking forward to September 3, 2016, when "Roll The Bones," arguably Rush's greatest studio album, will turn 25. I am hoping that PROG magazine will feature it on their cover, sometime later this year. Shouldn't "Roll The Bones" be listed as an essential album, on this site, as well?

Posted by Enigmaticus on Saturday, 04/30/2016 @ 12:33pm

It has been quite a while since I had written something about Rush. Unless you have been living under a rock, or have been in a comatose state during the past decade, you are probably well aware that Rush had been inducted into the Rock & Roll Hall Of Fame in 2013.

Okay, now I know that Rush will always have it's many detractors but amongst the worlds of music, art, technology and engineering, Rush has many enthusiastic supporters.

It is always encouraging to meet members of the younger generation who are appreciative of their work. I have met two such individuals earlier this week.

If you wonder why my presence on this website has been very infrequent over the past several months, please realize that I have been extremely busy with my present job.

Nineteen years ago, I had started creating my now long- archived website., AKD's Art Rock Site.

35 years ago this week, I had been introduced to the music of Yes, via an album titled "Fragile" and their ubiquitous song, 'Roundabout.' Yes have now been my co-favorite band musically for the past 35 years.

As I have stated previously, I have been extremely disappointed by the fact that Yes has still not been inducted into the Rock & Roll Hall Of Fame. I am also extremely disappointed that neither The Moody Blues, (an immense influence upon Rush), nor Electric Light Orchestra, nor Duran Duran have yet been nominated. Perhaps later this year, tthat situation will finally be corrected.

I have also noticed another interesting coincidence, many
Rush aficionados also thoroughly enjoy Sade.

So, if Rush's induction has had any impact, then I would expect the following artists to appear on the nomination ballot later this year:

01. Duran Duran
02. The Moody Blues
03. Yes
04. Electric Light Orchestra
05. Sade

Now, I am hoping that our two recent prog inductees, Chicago and Deep Purple and their fanbases will support those nominees as well.

Posted by Enigmaticus on Saturday, 06/4/2016 @ 07:14am

Today is the 24th anniversary of my first major rock concert. I had eagerly waited to see Rush in a live concert setting for nearly 12 years since first becoming an aficionado of their music.

Posted by Enigmaticus on Tuesday, 06/7/2016 @ 10:31am

Posted by Enigmaticus on Wednesday, 06/22/2016 @ 10:40am

As we approach the 50th anniversary of the beginnings of progressive rock, I have one particular question: When will The Moody Blues and Procol Harum, the two co- founders of the genre, along with previous inductee Jefferson Airplane, finally be inducted into the Rock & Roll Hall Of Fame?

The same goes for later innovators such as: King Crimson, Yes, Jethro Tull, Electric Light Orchestra, Gentle Giant, Supertramp, Roxy Music and Duran Duran?

And of course, I would be remiss, if I did not mention Kansas, Styx and the "prog" adjacent artists.

Posted by Enigmaticus on Friday, 06/24/2016 @ 09:55am

First of all, I would like to extend my most sincere condolences to Lax33 on the recent passings of his aunt and uncle.

Two days ago, on July 29, 2016, Geddy Lee had celebrated the 63rd anniversary of his birth. On the same day, the present version of Rush had turned 42, due to the fact that Neil Peart had joined Rush 42 years ago.

Next month, the band Rush will be 48 years old, although Geddy Lee and Alex Lifeson have been playing together for a half century.

Posted by Enigmaticus on Sunday, 07/31/2016 @ 23:33pm

First of all, I would like to say that I am extremely disappointed by Troy L. Smith's comments regarding Yes, Electric Light Orchestra and Doobie Brothers.

Secondly, I would like to assert that the band Rush is almost 48 years old, although Geddy Lee and Alex Lifeson have been playing together for almost a half century.

Thirdly, I would like to reassert that according to Geddy Lee, "Roll The Bones" represents the maturation for Rush as songwriters. In my honest opinion, "Roll The Bones" just so happens to be Rush's greatest studio album.

Fourthly, "Roll The Bones" will celebrate it's 25th anniversary next month.

Fifthly, later this month will mark my 36th anniversary of my appreciation for The Moody Blues, who are in my honest opinion, Rush's greatest influence and who have still not been inducted into the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Sunday, 08/7/2016 @ 01:42am

Today is the 63rd birthday of Rush co-founder and underrated guitarist and co-songwriter, Alex Lifeson.

Posted by Enigmaticus on Saturday, 08/27/2016 @ 18:30pm

Today is the 25th anniversary of the release of "Roll The Bones." As I have stated previously, "Roll The Bones" happens to be my favorite studio album by Rush.

Posted by Enigmaticus on Saturday, 09/3/2016 @ 16:46pm

As I have stated previously, "Roll The Bones" has remained my favorite Rush studio album for nearly the past 5 consecutive years and my second favorite Rush studio album, prior to that time. So what quality about "Roll The Bones, do I find to be so appealing?

Posted by Enigmaticus on Sunday, 09/4/2016 @ 10:17am

Posted by Enigmaticus on Thursday, 09/22/2016 @ 10:29am

Posted by Enigmaticus on Thursday, 09/22/2016 @ 10:37am

Since today just so happens to be the last day of September, I thought that I would mention two major anniversaries of Rush's studio albums: "Roll The Bones" had turned 25 on September 3; "Test For Echo" had turned 20 on September 10.

Posted by Enigmaticus on Friday, 09/30/2016 @ 08:55am

On November 3, 2016 another documentary about Rush will be shown in various movie theaters throughout North America. This documentary about Rush's 40th anniversary tour, is scheduled to be released on DVDs and BluRay on November 18, also. Further details can be found by searching on line.

In my honest opinion, Rush has never stopped being a "progressive rock," or "art rock" band.

Posted by Enigmaticus on Saturday, 10/8/2016 @ 12:25pm

By the way, this particular documentary will be titled "Rush: Time Stand Still."

For me, Rush is still the gateway band to the "progressive rock" and "art rock" genres.

I have had supported the opposing opinion that Rush is finished creating music. I still think that they will play with a full symphony orchestra, prior to calling it quits.

Posted by Enigmaticus on Saturday, 10/8/2016 @ 12:37pm

By the way, this particular documentary will be titled "Rush: Time Stand Still."

For me, Rush is still the gateway band to the "progressive rock" and "art rock" genres.

I have supported the opposing opinion that Rush is not finished with creating music. I still think that they are still destined to play with a full symphony orchestra, prior to finally calling it quits.

Posted by Enigmaticus on Saturday, 10/8/2016 @ 23:55pm

On October 29, 2016, my favorite live Rush recording, "Exit... Stage Left" will celebrate it's 35th anniversary.

Posted by Enigmaticus on Sunday, 10/9/2016 @ 04:49am

As many of you are well aware, I am a major aficionado of Rush's work and also most of the so-called major "prog" bands. Hopefully, this year, the Rock & Roll Hall Of Fame will finally start to fully recognize this very important and diverse musical genre, as "prog" will turn 50 next year.

Posted by Enigmaticus on Thursday, 10/13/2016 @ 10:40am

FRL,

When will "Roll The Bones" finally be added to Rush's essential albums? If I recall correctly, was it not voted in to the Album Project in December of last year?

Posted by Enigmaticus on Saturday, 10/15/2016 @ 12:23pm

Next year, the genres of "progressive rock" and "art rock" will celebrate their 50th anniversary. Of the major progressive rock acts that have been accepted as being among the top 5: Yes and King Crimson have not yet been inducted, although Pink Floyd, Genesis and Rush have.

Granted, that having those three immortals inducted into the Rock & Roll Hall Of Fame is a good start, but we still have a very long way to go, in order to immortalize the genre. I think that nominating such worthy artists as: The Moody Blues, Procol Harum, Yes, King Crimson, Jethro Tull, Kansas, Supertramp, Emerson, Lake & Palmer, Electric Light Orchestra, Gentle Giant, Roxy Music, Duran Duran and Sade would definitely go a long way towards recognizing these important genres. It would also go a long way towards restoring and improving the Rock & Roll Hall Of Fame's reputation among the prog community.

Since it may be slightly unreasonable to nominate all of those artists in the same year, I would suggest the following, instead:

Nominate the following artists for induction in 2017:

The Moody Blues
Yes
Duran Duran
Electric Light Orchestra
Sade

Nominate the following artists for induction in 2019:

Procol Harum
King Crimson
Roxy Music

Nominate the following artists for induction in 2021:

Jethro Tull
Gentle Giant
Kansas
Supertramp

Nominate the following artists for induction in 2023:

Emerson, Lake & Palmer
Styx
Asia
Alan Parson's Project

Of course, other than Sade, there are at least 4 "prog" adjacent artists which you might also eventually consider:

Boston
Foreigner
Journey
Blue Oyster Cult

And yet, rather ironically we haven't even considered the "progressive metal," or neo-progressive acts, yet.

Posted by Enigmaticus on Sunday, 10/16/2016 @ 12:51pm

Oops, I forgot to mention XTC, shame on me! Therefore, I will have to amend my previous list:

Nominate the following artists for induction in 2017:

The Moody Blues
Yes
Duran Duran
Electric Light Orchestra
Duran Duran

Nominate the following artists for induction in 2019:

Procol Harum
King Crimson
XTC
Roxy Music

Nominate the following artists for induction in 2021:

Jethro Tull
Gentle Giant
Kansas
Supertramp

Nominate the following artists for induction in 2023:

Emerson, Lake & Palmer
Styx
Asia
Alan Parson's Project

Nominate the following artists for induction in 2025:

Dream Theater
Muse
Echolyn
Mastodon

Posted by Enigmaticus on Sunday, 10/16/2016 @ 13:24pm

Let's try this again, shall we?

Next year, the genres of "progressive rock" and "art rock" will celebrate their 50th anniversary. Of the major progressive rock acts that have been accepted as being among the top 5: Yes and King Crimson have not yet been inducted, although Pink Floyd, Genesis and Rush have.

Granted, that having those three immortals inducted into the Rock & Roll Hall Of Fame is a good start, but we still have a very long way to go, in order to immortalize the genre. I think that nominating such worthy artists as: The Moody Blues, Procol Harum, Yes, King Crimson, Jethro Tull, Kansas, Supertramp, Emerson, Lake & Palmer, Electric Light Orchestra, Gentle Giant, Roxy Music, Duran Duran and Sade would definitely go a long way towards recognizing these important genres. It would also go a long way towards restoring and improving the Rock & Roll Hall Of Fame's reputation among the prog community.

Since it may be slightly unreasonable to nominate all of those artists in the same year, I would suggest the following, instead:

Nominate the following artists for induction in 2017:

The Moody Blues
Yes
Duran Duran
Electric Light Orchestra
Sade

Nominate the following artists for induction in 2019:

Procol Harum
King Crimson
XTC
Roxy Music

Nominate the following artists for induction in 2021:

Jethro Tull
Gentle Giant
Kansas
Supertramp

Nominate the following artists for induction in 2023:

Emerson, Lake & Palmer
Styx
Asia
Alan Parson's Project

Nominate the following artists for induction in 2025:

Dream Theater
Muse
Mastodon
Echolyn

Of course, other than Sade, there are at least 4 "prog"
adjacent artists which you might also eventually consider:

Boston
Foreigner
Journey
Blue Oyster Cult

Rather ironically, we haven't even considered most of the "progressive metal," or neo-progressive acts, yet nor such groups as: Soft Machine, Caravan, Camel, Captain Beefheart, The Decemberists, Van der Graaf Generator, Tranatlantic and Renaissance. Nor have we considered the Italian progressive rock bands, such as: Premiata Forneria Marconi, Le Orme and numerous others.

Posted by Enigmaticus on Sunday, 10/16/2016 @ 14:17pm

Did Rush's long overdue induction into the Rock & Roll Hall Of Fame in 2013 have any lasting impact? We will certainly know sometime tomorrow if it has, depending upon who has been finally nominated for induction in 2017.

Posted by Enigmaticus on Monday, 10/17/2016 @ 10:41am

Today is the 23rd anniversary of the release of "Counterparts," the successor to "Roll The Bones" and the predecessor of "Test For Echo."

Posted by Enigmaticus on Thursday, 10/20/2016 @ 00:49am

Today is the 23rd anniversary of the release of "Counterparts," the successor to "Roll The Bones" and the predecessor of "Test For Echo."

Posted by Enigmaticus on Thursday, 10/20/2016 @ 00:49am

In case you have not seen it, "I Love You, Man" starring Paul Rudd (Peter Klaven) and Jason Segel (Sydney Fife) and Rashida Jones (Zooey Rice) as Peter's fiancée has been airing on HBO this week. It concerns a man searching for a best man for his upcoming wedding. In the ensuing search, he asks for his brother's and his mother's advice? After several hilariously disastrous encounters, Peter's mother (Joyce Klaven) played by Jane Curtin sets him up for a dinner with Doug, an architect from Chicago, played by Thomas Lennon, formerly of "Reno 911" fame. The two have a great dinner together, but Doug mistakes Peter's friendly intentions and kisses Peter in front of the steakhouse's valet stand. Peter is certainly surprised by this and after he returns to his house, he explains the whole situation to his girlfriend. Later that week, at an open house to sell Lou Ferrigno's mansion, he meets investor Sydney Fife (Jason Segel) who eventually bond over their love of fish tacos and later for their mutual admiration of the progressive rock band, Rush. There are more hilarious occurrences to come during the film and this also includes a cameo "concert" appearance from Rush filmed during their "Snakes & Arrows" tour. Two Rush songs are featured in this film, 'Tom Sawyer' and 'Limelight.' There is also a cameo by O.K. Go.

I highly recommend seeing this film, in case you haven't.

Posted by Enigmaticus on Thursday, 10/20/2016 @ 12:18pm

Although it calls for a great deal of speculation, I would say that the 3 members of Rush would probably support the inductions of the following artists: Yes, Electric Light Orchestra and The Zombies, the other 2 are uncertain. Although, Steppenwolf could be a possibility.

Posted by Enigmaticus on Friday, 10/21/2016 @ 10:57am

Those of us who are aficionados of progressive rock have a tendency to support this genre, because the music of those artists happens to resonate with us. The Rush fan base has a tendency to support artists who had influenced "the holy triumvirate."

As I had said previously, "I have now been on this ride for over 36 consecutive years."

Progressive rock has been an important part of my life now, for over 36 consecutive years. That is an awfully long time to appreciate this particular genre of rock music.

So, it may have began much earlier, with my introduction to the song, 'Classical Gas,' by Mason Williams. It may have been further reinforced by hearing various songs by Chicago on the radio. It may have been cemented into place by my introduction to the music of Kansas and Styx via the f.m. radio, however it had reached a
complete crescendo with my purchase of "A Farewell To Kings," in early December, 1980.

It was a rainy Saturday in December, 1980 in Tucson, Az, a day much like today, when I had finally made my first Rush album purchase. My purchase of "A Farewell To Kings" on cassette was probably the most important influence upon my musical evolution. Later that day, I had climbed up into my bunk, in my dorm room. I had been so exhausted that day that I had fallen asleep while listening to 'Xanadu.' Not only was the music on that cassette fascinating, it was also somehow otherworldly. As a result, I had a very lucid dream which had brought me to the top of Mt. Everest. I will not provide specific details about this dream, but I will say that it had definitely had erotic connotations. As a result, 'Xanadu' has been my favorite song for Nearly 36 consecutive years. My favorite version of 'Xanadu,' however comes from Rush's second live album, "Exit... Stage Left." My second favorite Rush song is the live version of 'Dreamline' from the "Clockwork Angels Tour" cd. Later this month, "Exit... Stage Left" will celebrate it's 35th anniversary.

Posted by Enigmaticus on Friday, 10/21/2016 @ 17:19pm

Actually, it is rather sunny and hot outside here today, so that aspect of the previous story definitely does not apply.

Posted by Enigmaticus on Friday, 10/21/2016 @ 17:43pm

"I happen to prefer the mellower side of Rush, the one that many of you would most certainly call 'elevator music.' I have never really thought of Rush as being either a 'hard rock,' or a 'heavy metal' band. Instead, I think of Rush as having written great timeless songs with sophisticated lyrics and extraordinary music. Rush has always been an inventing, thinking man's 'art rock' band, notice that I did not say heavy metal band. To me this conjures up images of talentless high- decibel groups who have never created a song without loud, filthy, sexist lyrics."

So, when I was creating my website almost 20 years ago, I had said those things, amongst others. Do I still believe that "heavy metal" is created by talentless high-decibel groups who have never created a song without loud, filthy, sexist lyrics? Probably not.

Does this mean that I like heavy metal? No, I would not go that far either. After watching Sam Dunn and Scott McFadyen's series "Metal Evolution," I was surprised to find out that "heavy metal" draws it's inspiration from not only rock & roll and the blues, but jazz and classical as well.

One music critic had summarized Rush perfectly, "Rush is classical music played with loud guitars."

Posted by Enigmaticus on Saturday, 10/22/2016 @ 11:45am

As I had noted in a previous entry, I have now been an aficionado of "prog" for over 36 years. Sometimes you just find something which happens to resonate within your subconscious and other things which you find might have little appeal to you. If you asked me, what kinds of painting do I happen to enjoy most, I would say: Impressionism and Surrealism. Does this mean that I don't enjoy the works of the old masters? No, I just do not happen to enjoy them as much as I do those other genres. Do I like the work of the Italian Renaissance and the Flemish and Dutch masters, also. Absolutely, but even Leonardo da Vinci's Mona Lisa does not move me as much as either, "The Luncheon Of The Boating Party," by Pierre-Auguste Renoir, or "The Persistence Of Memory," by Salvador Dali. Does this mean that I like all the works of the Impressionists, or Surrealists? Definitely not, but I like a fair number of both painting genres to justify listing those are my two favorite genres.

The same thing can be said about "progressive rock." There are several "prog" artists which I happen to thoroughly enjoy, while others I have very little desire to ever listen to. However, overall, I will be much more interested in listening to the latest "prog" band, then I will to the latest pop song being played on the radio.

Out of this present list of nominees for induction into the Rock & Roll Hall Of Fame, I had chosen 4 artists whose work had
resonated with me, on some level. Therefore, I had chosen the following artists: Yes, Electric Light Orchestra, The Zombies, Joan Baez and Steppenwolf. Does this mean that I do not enjoy the music of The Cars, or Depeche Mode, or even perhaps Journey? No, I do enjoy some of their work, but not the vast majority of their work. Do I know that much about Steppenwolf, or Joan Baez? No, but I am eager to listen to more of their songs. As far as Journey is concerned, I did like most of their music on "Infinity" and "Escape," but I was a little bit iffy on the rest of their discography. I happen to own a copy of "The Cars Greatest Hits," but I presently do not own any albums by Depeche Mode, Jane's Addiction, Bad Brains, MC5, Pearl Jam, Chic, Chaka Khan, The J. Geil's Band, Kraftwerk, Joe Tex, Janet Jackson, or Tupac Shakur.

On the other hand, I happen to own most of Yes's and Electric Light Orchestra's respective discographies.

Posted by Enigmaticus on Saturday, 10/22/2016 @ 12:22pm

As I had noted in a previous entry, I have now been an aficionado of "prog" for over 36 years. Sometimes you just find something which happens to resonate within your subconscious and other things which you find might have little appeal to you. If you asked me, what kinds of painting do I happen to enjoy most, I would say: Impressionism and Surrealism. Does this mean that I don't enjoy the works of the old masters? No, I just do not happen to enjoy them as much as I do those other genres. Do I like the work of the Italian Renaissance and the Flemish and Dutch masters, also? Absolutely, but even Leonardo da Vinci's Mona Lisa does not move me as much as either, "The Luncheon Of The Boating Party," by Pierre-Auguste Renoir, or "The Persistence Of Memory," by Salvador Dali. Does this mean that I like all the works of the Impressionists, or Surrealists? Definitely not, but I do like a fair number of both painting genres to justify listing those as being my two favorite genres of painting.

Therefore, I am much more interested in seeing works by either genre, then I am in the latest work of abstract art. It is certainly not the case, that I dislike abstract art, or pop art, or even photorealism, etc. I do like some of it, especially the work of Chuck Close and Audrey Flack. Even so, there are artists, such as Jean Dubuffet, whose work definitely aggravates me, much like AC/DC, or N.W.A.

As far as "prog" is concerned, I do not like the works of all of the progressive rock artists, but I am much more inclined to give them a listen, than I would the latest pop song on the radio.

When it had come to choosing my favorite artists from this list of nominees, I could easily choose both Yes and Electric Light Orchestra, since both are "prog" bands and I happen to own most of their discographies. Afterwards, I had chosen The Zombies, since I am familiar with a few of their songs, but I have enjoyed what I have heard. Plus, i had reasoned that if an induction of The Zombies leads to a nomination for The Moody Blues, or perhaps even Duran Duran later, then I will definitely support them. I had considered a similar situation to be the case for both Steppenwolf and Joan Baez, as well. Unlike many of the other nominees however, I am much more interested in listening to more of their work.

On the other hand, other than The Cars, Journey, or Depeche Mode, I am not very familiar with the work of most of the other artists. I think that somebody had given me a poster of The J. Geil's Band's "Freeze Frame" cover at some
earlier time in the 1980's. I did like a few songs from the radio which I had heard on that recording, however.

Posted by Enigmaticus on Saturday, 10/22/2016 @ 13:07pm

Hopefully, Yes, Electric Light Orchestra and The Zombies will be inducted into the Rock & Roll Hall Of Fame in 2017.

Posted by Enigmaticus on Monday, 10/24/2016 @ 18:32pm

Next Thursday night, the new documentary: "Rush: Time Stand Still" is scheduled to air in theatres throughout North America.

It is supposed to provide some perspective about Rush's 40th anniversary tour, with Neil Peart.

Posted by Enigmaticus on Tuesday, 10/25/2016 @ 09:36am

Tomorrow is the "trifecta of prog," the date when during different years, Rush had released various significant masterpieces. Tomorrow will mark the 38th anniversary of the release of "Hemispheres," Rush's first masterpiece. Tomorrow will also be the 35th anniversary of the release of "Exit... Stage Left," Rush's greatest live recording. Tomorrow will also celebrate the 31st anniversary of "Power Windows," Rush's mid 1980's masterpiece.

Posted by Enigmaticus on Friday, 10/28/2016 @ 06:44am

Today is the day which I happen to refer to as the "trifecta" of prog, the holiest of all "prog" holidays. Why is it so special? Because on this date in different years, Rush had released three very different, yet very important albums.

In 1978, Rush had released "Hemispheres," their last homage to feature side-long epics. "Hemispheres" represents Rush's final overtly "symphonic progressive" rock studio recording. In my honest opinion, it is Rush's first masterpiece and the 4 songs featured on it are among Rush's best work, especially 'La Villa Strangiato,' which happens to be Rush's greatest instrumental and is #11 on my list of favorite Rush songs, after the following masterpieces: Xanadu,' 'Dreamline',' 'Ghost Of A Chance,' 'Available Light,' 'The Garden,' 'Mystic Rhythms,' 'Jacob's Ladder,' 'The Camera Eye' and 'Losing It.' 'La Villa Strangiato,' subtitled (An exercise in self indulgence) epitomizes the apex of Rush' s instrumental work. It always sounds fresh and Alex Lifeson's work on this is haunting, yet beautiful. According to "Rush: Beyond The Lighted Stage," it is highly regarded by guitarist Kirk Hammett, of Metallica and Mike Portnoy, formerly of Dream Theater, for it's virtuosity. "Hemispheres" also features, 'The Trees,' another great song which is a metaphor for class struggle, 'Circumstances,' one of Rush's most poignant short songs and 'Cygnus X-1 Part II: Hemispheres," perhaps Rush's most overtly complex epic. "Hemispheres" was my first introduction to the music of Rush. I had first heard it on February 17, 1979, two weeks after my 17th birthday. I would later become more familiar with it 36 years ago, when I was re-introduced to this album, in late October, 1980.

If "Hemispheres" had been the album which had introduced me to Rush, then "Exit... Stage Left" was the recording which had cemented my interest in the music of Rush and accordingly, all things musically "progressive." The reason why I had become an aficionado of "prog" is due for the most part to my appreciation of this live recording. For 35 consecutive years, "Exit... Stage Left" has been my favorite Rush live recording, my favorite Rush album, my favorite progressive rock live recording and my favorite progressive rock album and my favorite album of all time. It is the standard by which I judge recordings, it is the primary reason why I have thoroughly embraced various artists as: Yes, The Moody
Blues, Pink Floyd, Jethro Tull, Gentle Giant, King Crimson, Duran Duran, Talking Heads, Kansas, Alan Parson's Project, Renaissance, Genesis, etc. "Exit... Stage Left" had also been the reason why I was open to listening to an appreciating the works of such "New age," artists, such as: Vangelis, Jean Michel Jarre, Andreas Vollenweider, Yanni and Shadowfax. The reason why I have also enjoyed various types of jazz fusion is due to my appreciation of this highly underrated live
masterpiece. So what makes it so great, other than the fact that is like a live version of Rush's greatest hits?

After "Hemispheres," Rush had decided to change direction and had embraced the so- called "new wave," with it's emblematically shorter songs.

Posted by Enigmaticus on Saturday, 10/29/2016 @ 09:45am

Today is the day which I happen to refer to as the "trifecta" of prog, the holiest of all "prog" holidays. Why is it so special? Because on this date in different years, Rush had released three very different, yet very important albums.

In 1978, Rush had released "Hemispheres," their last homage to feature side-long epics. "Hemispheres" represents Rush's final overtly "symphonic progressive" rock studio recording. In my honest opinion, it is Rush's first masterpiece and the 4 songs featured on it are among Rush's best work, especially 'La Villa Strangiato,' which happens to be Rush's greatest instrumental and is #11 on my list of favorite Rush songs, after the following masterpieces: Xanadu,' 'Dreamline',' 'Ghost Of A Chance,' 'Available Light,' 'The Garden,' 'Mystic Rhythms,' 'Jacob's Ladder,' 'The Camera Eye' and 'Losing It.' 'La Villa Strangiato,' subtitled (An exercise in self indulgence) epitomizes the apex of Rush' s instrumental work. It always sounds fresh and Alex Lifeson's work on this is haunting, yet beautiful. According to "Rush: Beyond The Lighted Stage," it is highly regarded by guitarist Kirk Hammett, of Metallica and Mike Portnoy, formerly of Dream Theater, for it's virtuosity. "Hemispheres" also features, 'The Trees,' another great song which is a metaphor for class struggle, 'Circumstances,' one of Rush's most poignant short songs and 'Cygnus X-1 Part II: Hemispheres," perhaps Rush's most overtly complex epic. "Hemispheres" was my first introduction to the music of Rush. I had first heard it on February 17, 1979, two weeks after my 17th birthday. I would later become more familiar with it 36 years ago, when I was re-introduced to this album, in late October, 1980.

If "Hemispheres" had been the album which had introduced me to Rush, then "Exit... Stage Left" was the recording which had cemented my interest in the music of Rush and accordingly, all things musically "progressive." The reason why I had become an aficionado of "prog" is due for the most part to my appreciation of this live recording. For 35 consecutive years, "Exit... Stage Left" has been my favorite Rush live recording, my favorite Rush album, my favorite progressive rock live recording and my favorite progressive rock album and my favorite album of all time. It is the standard by which I judge recordings, it is the primary reason why I have thoroughly embraced various artists as: Yes, The Moody Blues, Pink Floyd,Jethro Tull, Gentle Giant, King Crimson, Duran Duran, Talking Heads, Kansas, Alan Parson's Project, Renaissance, Genesis, etc. "Exit... Stage Left" had also been the reason why I was open to listening to and appreciating the works of the so- called "New age," artists, such as: Vangelis, Jean Michel Jarre, Andreas Vollenweider, Yanni and Shadowfax. The reason why I have also enjoyed various types of jazz fusion is due to my appreciation of this highly underrated live
masterpiece. So what makes it so great, other than the fact that is like a live version of Rush's greatest hits?

After "Hemispheres," Rush had decided to change direction and had embraced the so- called "new wave," with it's emblematically shorter songs. In so doing, they were giving up their side-long epics. They felt that in so doing, they were creating songs which still had the complexity of earlier works, but in a shorter format. As a result, Rush had started to become more popular. "Exit... Stage Left," in my honest opinion, represents a synthesis of the old and the new. It is also Rush's overt attempt to become the world's smallest symphony orchestra, their raison d'être.

Posted by Enigmaticus on Saturday, 10/29/2016 @ 10:21am

Posted by Enigmaticus on Saturday, 10/29/2016 @ 10:56am

Today is the day which I happen to refer to as the "trifecta" of prog, the holiest of all "prog" holidays. Why is it so special? Because on this date in different years, Rush had released three very different, yet very important albums.

In 1978, Rush had released "Hemispheres," their last homage to feature side-long epics. "Hemispheres" represents Rush's final overtly "symphonic progressive" rock studio recording. In my honest opinion, it is Rush's first masterpiece and the 4 songs featured on it are among Rush's best work, especially 'La Villa Strangiato,' which happens to be Rush's greatest instrumental and is #012 on my list of favorite Rush songs, after the following masterpieces: Xanadu,' 'Dreamline',' 'Ghost Of A Chance,' 'Available Light,' 'The Garden,' 'Mystic Rhythms,' 'Jacob's Ladder,' 'The Camera Eye,' 'Losing It' and 'Faithless.' 'La Villa Strangiato,' subtitled (An exercise in self indulgence) epitomizes the apex of Rush' s instrumental work. It always sounds fresh and Alex Lifeson's work on this is haunting, yet startlingly beautiful. According to "Rush: Beyond The Lighted Stage," it is highly regarded by guitarist Kirk Hammett, of Metallica and Mike Portnoy, formerly of Dream Theater, for it's virtuosity.

"Hemispheres" also features, 'The Trees,' another great song
which has been interpreted as a metaphor for class struggle, 'Circumstances,' one of Rush's most poignant shorter songs and 'Cygnus X-1 Part II: Hemispheres," perhaps Rush's most overtly complex epic.

"Hemispheres" was my first introduction to the magnificent music of Rush. I had first heard it on February 17, 1979, two weeks after my 17th birthday. I would later become more familiar with it 36 years ago, when I was re-introduced to this album, in late October, 1980.

If "Hemispheres" had been the album which had introduced
me to the splendor of Rush, then "Exit... Stage Left" was the recording which had cemented my interest in the music of Rush and accordingly, all things musically "progressive." The reason why I had become an aficionado of "prog" is due for the most part to my appreciation of this live recording. For 35 consecutive years, "Exit... Stage Left" has been my favorite Rush live recording, my favorite Rush album, my favorite progressive rock live recording and my favorite progressive rock album and my favorite album of all time. It is the standard by which I judge other recordings, it is the primary reason why I have thoroughly embraced various artists as: Yes, The Moody Blues, Pink Floyd,Jethro Tull, Gentle Giant, King Crimson, Duran Duran, Talking Heads, Kansas, Alan
Parson's Project, Renaissance, Genesis, etc. "Exit... Stage
Left" had also been the reason why I was open to listening to and appreciating the works of the so- called "New age," artists, such as: Vangelis, Jean Michel Jarre, Andreas Vollenweider, Yanni and Shadowfax. The reason why I have also enjoyed various types of jazz fusion is due to my appreciation of this highly underrated live masterpiece. So what makes "Exit... Stage Left" so great, other than the fact that is like a live version of Rush's greatest hits?

After "Hemispheres," Rush had decided to change direction and had embraced the so- called "new wave," with it's emblematically shorter songs. In so doing, they were giving up their side-long epics. They felt that in so doing, they were creating songs which still had the complexity of earlier works, but in a shorter format. As a result, Rush had started to become even more popular. "Exit... Stage Left," in my honest opinion, represents a synthesis of the old and the new. It is also Rush's overt attempt to become the world's smallest symphony orchestra, their raison d'être.

Posted by Enigmaticus on Saturday, 10/29/2016 @ 11:20am

In my honest opinion, the style set forth by "Permanent Waves" and "Moving Pictures" combined with the grandeur and virtuosity of "A Farewell To Kings" and "Hemispheres" culminates in the music of "Exit... Stage Left." "Exit... Stage Left" features the epic prog masterpieces, 'Xanadu' and 'Jacob's Ladder,' In addition to the instrumental tour de force, 'La Villa Strangiato' and the shorter but equally intense, 'YYZ,' as well as Alex Lifeson's shorter classical guitar intro to 'The Trees:' Broon's Bane. In fact, it is in my honest opinion, that the succession of songs from the epic, 'Jacob's Ladder' through 'Xanadu' represents the finest symphonic progressive rock ever committed to the compact disc format.

Continuing on with the shorter songs for another 4 years led to the magnificence of "Power Windows," an album which has been described as "... the missing link between Yes and The Sex Pistols," by various critics.

I do not know if I would go that far so to say that, but it had been my favorite Rush studio album for over 26 consecutive years, from the time of it's release 31 years ago, until a few weeks before my 50th birthday, in late January, 2012 when it had been eclipsed by the Audiofidelity gold cd version of "Roll The Bones."

Otherwise, "Power Windows" has been described as "... the perfect synthesis of keyboards and guitar for Rush." In addition to The Police and U2, I see quite a bit of Talking Heads and Duran Duran's influence on this particular recording. My favorite songs from "Power Windows" are the chillingly beautiful and sophisticated, yet primitive, 'Mystic Rhythms,' the poignant 'Middletown Dreams,' the intensely engulfing and atmospheric, 'Manhattan Project,' the culturally significant and gripping 'Territories,' the energetic, 'Marathon' and the luscious 'Grand Designs.' The political, 'The Big Money' and the subdued 'Emotion Detector' are my least favorite songs on this recording. What makes "Power Windows" different is the support of the string section on many of it's songs. In a way, "Power Windows" is not only the predecessor of "Hold Your Fire," but also the parent of "Clockwork Angels."

Posted by Enigmaticus on Saturday, 10/29/2016 @ 11:52am

My order of favorite 30 Rush songs has changed recently.

001. Xanadu (Exit... Stage Left, 1981)
002. Dreamline (Clockwork Angels Tour, 2013)
003. Ghost Of A Chance (Roll The Bones, 1991)
004. Available Light (Presto, 1989)
005. The Garden (Clockwork Angels Tour, 2013)
006. Mystic Rhythms (Power Windows, 1985)
007. Jacob's Ladder (Permanent Waves, 1980)
008. The Camera Eye (Moving Pictures, 1981)
009. Losing It (Signals, 1982)
010. Faithless (Snakes & Arrows, 2007)
011. Time & Motion (Test For Echo, 1996)
012. La Villa Strangiato (Exit... Stage Left, 1981)
013. Prime Mover (Hold Your Fire, 1987)
014. Nobody's Hero (Counterparts, 1993)
015. Red Lenses (Grac Under Pressure, 1984)
016. Roll The Bones (R40 Live, 2015)
017. Red Tide (Presto, 1989)
018. Middletown Dreams (Poeer Windows, 1985)
019. The Wreckers (Clockwork Angels Tour, 2013)
020. Roll The Bones (R40 Live, 2015)
021. Scars (Presto, 1989)
022. Manhattan Project (Clockwork Angels Tour, 2013)
023. Clockwork Angels (Clockwork Angels Tour, 2013)
024. Red Barchetta (Exit... Stage Left, 1981)
025. Natural Science (Permanent Waves, 1980)
026. Countdown (Signals, 1982)
027. Armor And Sword (Snakes & Arrows, 2007)
028. The Trees (Exit... Stage Left, 1981)
029. Closer To The Heart (Exit... Stage Left, 1981)
030. You Bet Your Life (Roll The Bones, 1991)

Posted by Enigmaticus on Saturday, 10/29/2016 @ 22:18pm

Correction,

016. Bravado (Clockwork Angels Tour, 2013)
.
.
.
020. Roll The Bones (R40 Live, 2015)

Posted by Enigmaticus on Saturday, 10/29/2016 @ 22:24pm

I have written rather extensively about Rush for nearly 20 consecutive years and I am not about to stop. I have found it quite interesting that my list of Desert Island Disks would only include two live recordings:

001. Rush: Exit... Stage Left (1981)
002. Rush: Clockwork Angels Tour (2013)

However, it would include 4 recordings by Yes:

003. Yes: Keys To Ascension (1996)
004. Yes: Keys To Ascension 2 (1997)
005. Yes: Symphonic Live (2009)
006. Yes: Magnification (2001)

It would include 1 album by The Moody Blues:

007. The Moody Blues: A Night At Red Rocks (1992) extended version

It would include 1 compilation album by King Crimson:

008. King Crimson: The Compact King Crimson (1986)

It would include 1 live album by Duran Duran:

009. Duran Duran: A Diamond In The Mind Live 2011 (2012)

It would include 1 live album by Talking Heads:

010. Talking Heads: Stop Making Sense (1984)

It would include 1 live album by Supertramp

011. Supertramp: Paris (1980)

It would also include 1 compilation by Sade:

012. Sade: The Best Of Sade (1994)

Posted by Enigmaticus on Sunday, 10/30/2016 @ 16:51pm

I have written rather extensively about Rush for nearly 20 consecutive years and I am not about to stop. I have found it quite interesting that my list of Desert Island Disks would only include two live recordings by Rush:

001. Rush: Exit... Stage Left (1981)
002. Rush: Clockwork Angels Tour (2013)

However, it would include 4 recordings by Yes:

003. Yes: Keys To Ascension (1996)
004. Yes: Keys To Ascension 2 (1997)
005. Yes: Symphonic Live (2009)
006. Yes: Magnification (2001)

It would include 1 album by The Moody Blues:

007. The Moody Blues: A Night At Red Rocks (1992)
extended version

It would include 1 compilation album by King Crimson:

008. King Crimson: The Compact King Crimson (1986)

It would include 1 live album by Duran Duran:

009. Duran Duran: A Diamond In The Mind Live 2011 (2012)

It would include 1 live album by Talking Heads:

010. Talking Heads: Stop Making Sense (1984)

It would include 1 live album by Supertramp

011. Supertramp: Paris (1980)

It would also include 1 compilation by Sade:

012. Sade: The Best Of Sade (1994)

Posted by Enigmaticus on Sunday, 10/30/2016 @ 17:10pm

It is so difficult really to narrow it down to 12 recordings. I would really prefer to have at least 32 instead. However, if I were to only allowed to take 4 disc sets with me, my most essential Desert Island disc sets would be:

01. Rush: Exit... Stage Left
02. Rush: Clockwork Angels Tour
03. Yes: Keys To Ascension
04. Yes: Keys To Ascension 2

Posted by Enigmaticus on Tuesday, 11/1/2016 @ 10:27am

For me ultimately, a true Rock & Roll Hall Of Fame artist, is one who is going to take the stage and play a musical instrument. I do not understand someone who takes the stage, lip synchs and dances. If I had really wanted to watch someone dance, I would prefer to watch a ballet, or perhaps a modern dance troupe, instead.

With respect to the artists whom I have chosen; this is essential.

Can someone please explain to me, why this has become so much more prevalent in recently years? What does this have to do with rock and roll? Who had started this abominable trend?

My favorite artists overall, are those artists who have learned how to absolutely master their musical instruments and who display this prowess, night after night, week after week, month after month, year after year. Under those circumstances, I can definitely appreciate the concert.

This also explains why I am drawn towards the performances of symphony orchestras, jazz ensembles and violin quartets. Keeping this is mind, most of my favorite artists are going to employ these particular methods. Therefore, as far as I am concerned, Yes and Rush are at the top of my lists for this particular reason. Each of the members of Rush and Yes are virtuosos. Now, this does not discount the other great artists on my list, but it explains my preferences. I had once attempted to take a class in musical composition; it was extremely difficult, to say the least.

Posted by Enigmaticus on Tuesday, 11/1/2016 @ 12:10pm

At 16 Desert Island Discs, my list changes:

001. Rush: Exit... Stage Left (1981)
002. Rush: Clockwork Angels Tour (2013)
003. Rush: Roll The Bones (1991)
004. Yes: Keys To Ascension (1996)
005. Yes: Keys To Ascension 2 (1997)
006. Yes: Magnification (2001)
007. Yes: Symphonic Live (2009)
008. The Moody Blues: A Night At Red Rocks extended version (1992)
009. Pink Floyd: Dark Side Of The Moon (1973)
010. Jethro Tull: 25th Anniversary Box Set (1993)
011. King Crimson: The Compact King Crimson (1986)
012: Duran Duran: A Diamond In The Mind: Live 2011 (2012)
013. Talking Heads: Stop Making Sense (1984)
014. Supertramp: Paris (1980)
015. Sade: The Best Of Sade (1994)
016. Andreas Vollenweider: White Winds (1984)

Posted by Enigmaticus on Tuesday, 11/1/2016 @ 12:32pm

For me ultimately, a true Rock & Roll Hall Of Fame artist, is one who is going to take the stage and play a musical instrument. I do not understand someone who takes the stage, lip synchs and dances. If I had really wanted to watch someone dance, I would prefer to watch a ballet, or perhaps a modern dance troupe, instead.

With respect to the artists whom I have chosen; this is essential.

Can someone please explain to me, why this has become so much more prevalent in recently years? What does this have to do with rock and roll? Who had started this abominable trend?

My favorite artists overall, are those artists who have learned how to absolutely master their musical instruments and who display this prowess, night after night, week after week, month after month, year after year. Under those circumstances, I can definitely appreciate the concert.

This also explains why I am drawn towards the performances of symphony orchestras, jazz ensembles and string quartets. Keeping this is mind, most of my favorite artists are going to employ these particular methods. Therefore, as far as I am concerned, Yes and Rush are at the top of my lists for this particular reason. Each of the members of Rush and Yes are virtuosos. Now, this does not discount the other great artists on my list, but it helps to explain my preferences. I had once attempted to take a class in musical composition; it was extremely difficult, to say the least. By the way I had been listening to "The String Quartet Tribute To Duran Duran," earlier today.

Posted by Enigmaticus on Tuesday, 11/1/2016 @ 16:21pm

Enig, didn't know if you saw my comments on Tool page, but you have to check out The Claypool Lennon Delirium. Saw them at Voodoo Fest.

Didn't mention it in that post, but they covered 'Court of the Crimson King' during their set. You would love them!!!

Posted by Paul in KY on Tuesday, 11/1/2016 @ 20:41pm

Paul in KY,

Thank you for mentioning the group: The Claypool Lennon Delirium. I may have to check them out.

Tonight is the night that the "Rush: Time Stand Still" 40th anniversary tour documentary about Rush and their fan base is scheduled to be shown in various theaters throughout North America. I have not purchased a ticket yet, for this. Nor am I likely to. I will most probably buy the BluRay, instead.

Posted by Enigmaticus on Thursday, 11/3/2016 @ 10:23am

Enig,

In last 6 years I've seen over 900 music sets. The Claypool Lennon Delerium is the 1st one to cover Court of the Crimson King.

I think you will like them.

Posted by Paul in KY on Thursday, 11/3/2016 @ 19:58pm

Paul in KY,

Thank you, I will have to check out YouTube on the Claypool Lennon Delirium.

In the most recent documentary about Rush: "Rush: Time Stand Still" which had covered the current lineup (Lee, Lifeson & Peart) during their 40th anniversary tour, the question had been supposedly raised about whether or not, this may be the end of the band. Well, Neil Peart may not be able to play the drums as well as he could a few years earlier and Alex Lifeson has had a bout with Arthritis. So who really knows.

I have only seen Rush three times in concert.

My first Rush concert was at a location previously known as Desert Sky Pavilion on June 7, 1992. Why do I remember this date so well? Because it was my first major rock concert. It was during their "Roll The Bones" world tour and it was brilliant. Of course, I was a relatively impoverished at the time, so I stood out on the lawn, rather than having a seat in the outdoor amphitheater. I was 30 years old at that time.

My second Rush concert was at the location known as Cricket Wireless Pavilion on September 27, 2002 (actually the same venue as the earlier concert) over ten years later. This time I had a seat, although too far to the left of center. Of the three Rush live concerts that I have attended, unfortunatel I it was my least enjoyable, I was 40 years old at that time.

My third Rush concert was at a location known as U.S. Airways Center on November 25, 2012. It was during the Clockwork Angels Tour. By far, this was my most enjoyable Rush concert. The addition of the Clockwork Angels String Ensemble had made this concert even more spectacular than the previous one. The nicest part about attending a Rush concert is that you don't have to wear earplugs, in order to enjoy the experience. When I had left the arena, I was thoroughly exhausted, but still able to drive the nearly 140 miles back to my house. I was 50 years old at that time.

So as far as others are concerned, I am really not a Rush fan. I wouldn't consider myself to be a fan at all, just an aficionado of their music. That is why I did not attend the theater showing of the latest Rush documentary. I will however purchase a copy of it later this month on BluRay.

Posted by Enigmaticus on Sunday, 11/6/2016 @ 11:22am

I had meant to write unfortunately, sorry about that.

Otherwise, I am going to repost my a modified version of my review of Clockwork Angels Tour from "prog archives."

This is a phenomenal recording, enhanced by the addition of a nine member string ensemble. As far as I am concerned, whenever anything can be done to bring about the enhancement of Rush songs, it is always better. The Clockwork Angels String Ensemble is composed of great musicians who have redefined Rush as a symphonic progressive rock band: their interpretation of songs from "Clockwork Angels" is precise, uplifting and beautifu, providing each of these songs with a dramatic flair which would further improve their already superlative compositions. The bulk of the material that the Ensemble enhances comes from the Clockwork Angels' album. The remainder comes from two
of their more popular recordings: "Power Windows" (Manhattan Project) and "Roll The Bones" (Dreamline). There is also a song from "Grace Under Pressure" (Red Sector A) and "Moving Pictures (YYZ) which also receive this symphonic enhancement.

The first set is a hodgepodge of earlier Rush classics, beginning with 'Subdivisions' from "Signals" and concluding with 'Far Cry' from "Snakes & Arrows." Much of this set is dominated by songs from "Power Windows," including 'The Big Money' and 'Territories', "Roll The Bones" is represented by 'Bravado' and 'Where's My Thing' and the remaining songs are either from "Signals" (The Analog Kid), or "Grace Under Pressure," (The Body Electric), or "Hold Your Fire," (Force Ten). These are all great songs, although I think that 'Bravado' would have been an another great song to re-interpret with the addition of the string ensemble.

The second set and a portion of the third set however is what makes this recording spectacular. First of all, let me say that I am not and have never been, a Rush purist. In my honest opinion, whatever can be done to enhance their work is perfectly acceptable. Beginning with 'Caravan,' we are led on a personal journey through some individual's life. 'Caravan' is extraordinary and sets the stage for the sublime 'Clockwork Angels,' the gripping 'Anarchist,' the dark and moody 'Carnies,' the intensely sad, but beautiful 'The Wreckers,' the energetic 'Headlong Flight,' the serene 'Halo Effect,' the intense 'Seven Cities Of Gold,' the reflective 'Wish You Well' and the superlative 'The Garden.' 'The Garden' has the elements which have made it an instant classic, it is sublime, understated and ethereal. Geddy Lee's singing reaches a new level of calmness, heretofore unknown.

The third set begins with the extraordinary 'Dreamline,' from the magnificent album "Roll The Bones." To those detractors who do not like "Roll The Bones," for some unknown reason, one cannot deny that Geddy Lee's voice had never been better before, nor since the release of that recording. The remainder of the songs, 'Red Sector A' and 'YYZ' benefit greatly from the String ensemble which adds more depth and texture to each of these songs. Of course, I was not surprised by yet another version of those Rush staples, 'The Spirit Of Radio,' 'Tom Sawyer,' and '2112,' but 'Middletown Dreams,' 'The Pass' and 'Manhattan Project' were spectacular. Conclusion: I highly recommend this recording; it is one of Rush's best live albums!

Overall, this recording is definitely superlative; worthy of five stars and acknowledgement as Rush' s second greatest live recording after "Exit... Stage Left."

Posted by Enigmaticus on Sunday, 11/6/2016 @ 12:00pm

Let's try this again, shall we?

This is a phenomenal live recording, enhanced by the addition of a nine member string ensemble. As far as I am concerned, whenever anything can be done to bring about the enhancement of Rush's songs; it is always better. The Clockwork Angels Tour ensemble is composed of great musicians who have redefined Rush as a symphonic progressive rock band; their interpretation of songs from Clockwork Angels is precise, uplighting and beautiful, providing each of these songs with a dramatic flair which would further improve their already superlative compositions. The bulk of the material that the ensemble enhances comes from the Clockwork Angels' album. The remainder comes from two of their more popular recordings, Power Windows (Manhattan Project) and Roll The Bones (Dreamline). There is also a song from Grace Under Pressure (Red Sector A) and Moving Pictures (YYZ) which also receive this symphonic enhancement.
The first set is a hodgepodge of earlier Rush classics, beginning with 'Subdivisions' from "Signals" and concluding with 'Far Cry' from "Snakes & Arrows." Much of this set is dominated by songs from "Power Windows," including 'The Big Money' and 'Territories', "Roll The Bones" is represented by 'Bravado' and 'Where's My Thing' and the remaining songs are either from "Signals,"(The Analog Kid), or "Grace Under Pressure," (The Body Electric), or "Hold Your Fire," (Force Ten). These are all great songs, although I think that 'Bravado' would have been an another great song to re-interpret with the addition of the string ensemble.

The second set and a portion of the third set however is what makes this recording spectacular. First of all, let me say that I am not and have never been, a Rush purist. In my honest opinion, whatever can be done to enhance their work is perfectly acceptable. Beginning with 'Caravan,' we are led on a personal journey through some individual's life. 'Caravan' is extraordinary and sets the stage for the sublime 'Clockwork Angels,' the gripping 'Anarchist,' the dark and moody 'Carnies,' the intensely sad, but beautiful 'The Wreckers,' the energetic 'Headlong Flight,' the serene 'Halo Effect,' the intense 'Seven Cities Of Gold,' the reflective 'Wish You Well' and the superlative 'The Garden.' 'The Garden' has the elements which have made it an instant classic, it is sublime, understated and ethereal. Geddy Lee's singing reaches a new level of calmness, heretofore unknown.

The third set begins with the extraordinary 'Dreamline,' from the magnificent album "Roll The Bones." To those detractors who do not like "Roll The Bones," for some unknown reason, one cannot deny that Geddy Lee's voice had never been better before, nor since the release of that recording. The remainder of the songs, 'Red Sector A' and 'YYZ' benefit greatly from the String ensemble which adds more depth and texture to each of these songs. Of course, I was not surprised by yet another version of those Rush staples, 'The Spirit Of Radio,' 'Tom Sawyer,' and '2112,' but 'Middletown Dreams,' 'The Pass' and 'Manhattan Project' were spectacular. Conclusion: I highly recommend this recording; it is one of Rush's best live albums!

Enigmaticus Rex | 5/5 | 2014-1-7

Posted by Enigmaticus on Sunday, 11/6/2016 @ 12:12pm

Today is the 5th anniversary of the release of the Rush live album, "Time Machine 2011: Live In Cleveland."

This recording contains 2 songs from the not so soon to be released studio recording, "Clockwork Angels," the entirety of the "Motion Pictures" album played live and several other great songs. The most gripping moment for me during this concert is that of the sublime 'Faithless' from "Snakes & Arrows." 'Faithless' is tenth on my list of favorite Rush songs and my favorite song from "Snakes & Arrows."

Posted by Enigmaticus on Tuesday, 11/8/2016 @ 09:39am

I have been informed that an encore showing of the "Rush: Time Stand Still" documentary is scheduled to air on Thursday November 17, 2016 at various theaters throughout the United States. The BluRay and DVD are scheduled to be released on Friday November 18, 2016.

Posted by Enigmaticus on Saturday, 11/12/2016 @ 12:21pm

To the editors of Wikipedia:

1. Rush was never a "heavy metal" band.
2. "Roll The Bones" is a "progressive rock" album, not a "hard rock" album.
3. Rush was hugely influenced by The Moody Blues,

Posted by Enigmaticus on Saturday, 11/12/2016 @ 20:05pm

First of all, I would be remiss, if I did not mention the upcoming release of "Rush: Time Stand Still" on BluRay and DVD on November 18, 2016.

Secondly, the only Rush studio album which has been released in November has been "Presto," which had been released on November 21, 1989.

Many live recordings by Rush, also will celebrate anniversaries this month.

"Different Stages" had been released on November 10, 1998.

"R30: 30th Anniversary World Tour" had been released on November 22, 2005.

"Time Machine 2011: Live In Cleveland" had been released on November 8, 2011.

"Clockwork Angels Tour" had been released on November 19, 2013.

"R40 Live" had been released on November 20, 2015.

Posted by Enigmaticus on Sunday, 11/13/2016 @ 11:33am

Yesterday was the 16th anniversary of the release of "My Favorite Headache," Geddy Lee's first solo effort. At the time of it's release, Rush was still on indefinite hiatus, due to Neil Peart's tragedies.

At that time, Geddy Lee had opted to record and release his first solo album, "My Favorite Headache," which had been co-written with his friend, Ben Mink.

I like the fact that there are violins, violas, cellos and pianos used on this recording. My favorite songs from this recording are: 'Working At Perfekt,' 'Moving To Bohemia,' 'The Angel' s Share' and 'The Present Tense.'

Posted by Enigmaticus on Tuesday, 11/15/2016 @ 09:37am

Today is the scheduled release date for the new Rush documentary- "Rush: Time Stand Still." Tomorrow is the 3rd anniversary of the release of "Clockwork Angels Tour."

Posted by Enigmaticus on Friday, 11/18/2016 @ 08:45am

Today is the 3rd anniversary of the release of "Clockwork Angels Tour."

I had meant to write unfortunately, sorry about that.

Otherwise, I am going to repost my a modified version of my review of Clockwork Angels Tour from "prog archives."

This is a phenomenal recording, enhanced by the addition of a nine member string ensemble. As far as I am concerned, whenever anything can be done to bring about the enhancement of Rush songs, it is always better. The Clockwork Angels String Ensemble is composed of great musicians who have redefined Rush as a symphonic progressive rock band: their interpretation of songs from "Clockwork Angels" is precise, uplifting and beautifu, providing each of these songs with a dramatic flair which would further improve their already superlative compositions. The bulk of the material that the Ensemble enhances comes from the Clockwork Angels' album. The remainder comes from two
of their more popular recordings: "Power Windows" (Manhattan Project) and "Roll The Bones" (Dreamline). There is also a song from "Grace Under Pressure" (Red Sector A) and "Moving Pictures (YYZ) which also receive this symphonic enhancement.

The first set is a hodgepodge of earlier Rush classics, beginning with 'Subdivisions' from "Signals" and concluding with 'Far Cry' from "Snakes & Arrows." Much of this set is dominated by songs from "Power Windows," including 'The Big Money' and 'Territories', "Roll The Bones" is represented by 'Bravado' and 'Where's My Thing' and the remaining songs are either from "Signals" (The Analog Kid), or "Grace Under Pressure," (The Body Electric), or "Hold Your Fire," (Force Ten). These are all great songs, although I think that 'Bravado' would have been an another great song to re-interpret with the addition of the string ensemble.

The second set and a portion of the third set however is what makes this recording spectacular. First of all, let me say that I am not and have never been, a Rush purist. In my honest opinion, whatever can be done to enhance their work is perfectly acceptable. Beginning with 'Caravan,' we are led on a personal journey through some individual's life. 'Caravan' is extraordinary and sets the stage for the sublime 'Clockwork Angels,' the gripping 'Anarchist,' the dark and moody 'Carnies,' the intensely sad, but beautiful 'The Wreckers,' the energetic 'Headlong Flight,' the serene 'Halo Effect,' the intense 'Seven Cities Of Gold,' the reflective 'Wish You Well' and the superlative 'The Garden.' 'The Garden' has the elements which have made it an instant classic, it is sublime, understated and ethereal. Geddy Lee's singing reaches a new level of calmness, heretofore unknown.

The third set begins with the extraordinary 'Dreamline,' from the magnificent album "Roll The Bones." To those detractors who do not like "Roll The Bones," for some unknown reason, one cannot deny that Geddy Lee's voice had never been better before, nor since the release of that recording. The remainder of the songs, 'Red Sector A' and 'YYZ' benefit greatly from the String ensemble which adds more depth and texture to each of these songs. Of course, I was not surprised by yet another version of those Rush staples, 'The Spirit Of Radio,' 'Tom Sawyer,' and '2112,' but 'Middletown Dreams,' 'The Pass' and 'Manhattan Project' were spectacular. Conclusion: I highly recommend this recording; it is one of Rush's best live albums!

Overall, this recording is definitely superlative, worthy of five stars and worthy of acknowledgement as Rush' s second greatest live recording after "Exit... Stage Left. In my honest opinion, the only possible way that Rush could have put out an even greater live recording is to have toured with the support of a full symphony orchestra.

Posted by Enigmaticus on Saturday, 11/19/2016 @ 03:09am

Yesterday was the third anniversary of the release of "Clockwork Angels Tour." Tomorrow is the 27th anniversary of the release of "Presto." Tomorrow is also the 47th anniversary of the release of "To Our Children's Children's Children" by The Moody Blues. As I have stated numerous times before, "Overall, I see no greater influence on Rush's overall discography than that of The Moody Blues."

Of course, The Moody Blues are inexplicably still not on the Rock & Roll Hall Of Fame's radar. Hopefully that situation will change within the upcoming year. If the inductions of The Zombies, Yes, Joan Baez and Electric Light Orchestra will lead to a Moody Blues nomination, then I am all for it.

Meanwhile, let's discuss Rush's ambition to become the world's smallest symphony orchestra.

Posted by Enigmaticus on Sunday, 11/20/2016 @ 10:26am

Today is the 27th anniversary of the release of "Presto." "Presto" is second on my list of favorite Rush studio albums and my fourth favorite Rush recording overall.

Posted by Enigmaticus on Monday, 11/21/2016 @ 09:37am

I had just watched the new documentary "Rush: Time Stand Still."

Posted by Enigmaticus on Friday, 11/25/2016 @ 12:54pm

I have been watching portions of "Rush: Time Stand Still" and "R40 Live" on BluRay this evening.

I have also been rereading the article titled "Why The Rock Hall says: No Rush for you!" This article, written by Tony Sclafani, had been written prior to Genesis' induction in 2010. Here are a few excerpts from that article.

The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but Rush, Yes, the Moody Blues, Jethro Tull, the Electric Light Orchestra, Genesis, Emerson, Lake and Palmer and Soft Machine have not. Beyond Pink Floyd, the closest the Hall gets to prog is Queen (who flirted with the genre) and Police drummer Stuart Copeland, who played in Curved Air.

“Rush and Yes and ELO are as good and as loved and as worthy as most of the acts in the Hall,” noted Rowley via e-mail. “I think it’s very damaging to the Hall of Fame’s credibility to continually ignore bands that they perceive to be on ‘the fringes,’ whether they’re prog, punk or metal acts. It makes you wonder if the selection committee is actually run by music fans.

Posted by Enigmaticus on Saturday, 11/26/2016 @ 02:11am

Prior to Rush's induction into the Rock & Roll Hall Of Fame in 2013, it had looked like "progressive rock" was going to continue to be ignored. Although Genesis' induction in 2010 should have been a game changer, no other "progressive rock" acts had been nominated immediately thereafter. In the interim period, Rush had released the documentary, "Rush: Beyond The Lighted Stage" and the "Time Machine 2011: Live In Cleveland" concert video. Then in June, 2012 Rush had released their 19th studio album, "Clockwork Angels." Then In October, 2012 after more than 14 years of eligibility, Rush had finally received a nomination for induction into the Rock & Roll Hall Of Fame. As we are well aware, Rush had won the fan vote and were immediately inducted thereafter. Immediately prior to their induction, Alex Lifeson had mentioned that The Moody Blues and King Crimson were huge influences on Rush. Geddy Lee had mentioned that Yes and Deep Purple had also been huge influences on Rush.

After nearly 23 years of eligibility, Deep Purple who had been nominated three times, had finally been inducted earlier this year. In the meantime, not unlike Deep Purple, Yes has been nominated 3 times. It is now time for Yes to be inducted into the Rock & Roll Hall Of Fame.

As I have said previously, I am a huge supporter of the inductions of Yes, Electric Light Orchestra, The Zombies, The Cars and Joan Baez.

Yes definitely has longevity, a worthy discography, innovation, influence and popularity.

Yes' induction should lead to a nomination for King Crimson.

Electric Light Orchestra is also quite influential, popular and has a worthy discography.

Also, the induction of Electric Light Orchestra would be another game changer, it should lead to the nominations of those artists who are "art rock," or "crossover prog" artists, such as: The Moody Blues, Supertramp, Alan Parsons' Project, Roxy Music and Duran Duran, to name but a few.

The Zombies were short lived but quite influential.
An induction of The Zombies should lead to another possible nomination for Procol Harum.

An induction of The Cars should also lead to a possible nomination for Duran Duran.

An induction of Joan Baez should lead to a nomination for Carly Simon.

Posted by Enigmaticus on Saturday, 11/26/2016 @ 11:44am

I had previously mentioned the article, "Why the Rock Hall says: No Rush for You!' in an earlier post. This article, which had outlined the annual snubbing of "progressive rock" artists had been written by Tony Sclafani on March 30, 2009, prior to Genesis' induction in 2010. If you are interested in finding out more about this article, you can read find it in it's entirety here:

"http://www.today.com", it is the first article, under the search for progressive rock.

Posted by Enigmaticus on Sunday, 11/27/2016 @ 12:44pm

My 25 favorite "progressive rock " songs are:

01. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
02. Yes: 'Awaken,' "Keys To Ascension" (1996)
03. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
04. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
05. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition) (2003)
06. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
07. Yes: 'We Agree,' "Magnification" (2001)
08. Rush: 'Available Light,' "Presto" (1989)
09. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
10. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
11. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
12. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1973)
13. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
14. Yes: 'Magnification' "Symphonic Live" (2009)
15. Yes: 'Close To The Edge' "Symphonic Live" (2009)
16. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
17. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
18. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
19. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
20. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
21. Rush: 'Losing It,' "Signals" (1982)
22. Rush: 'Faithless,' "Snakes & Arrows" (2007)
23. Yes: 'Give Love Each Day,' "Magnification" (2001)
24. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
25. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)

Posted by Enigmaticus on Sunday, 12/4/2016 @ 12:02pm

My 30 favorite "progressive rock" songs are:

01. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
02. Yes: 'Awaken,' "Keys To Ascension" (1996)
03. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
04. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
05. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
06. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
07. Yes: 'We Agree,' "Magnification" (2001)
08. Rush: 'Available Light,' "Presto" (1989)
09. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
10. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
11. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
12. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1973)
13. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
14. Yes: 'Magnification' "Symphonic Live" (2009)
15. Yes: 'Close To The Edge' "Symphonic Live" (2009)
16. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
17. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
18. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
19. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
20. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
21. Rush: 'Losing It,' "Signals" (1982)
22. Rush: 'Faithless,' "Snakes & Arrows" (2007)
23. Yes: 'Give Love Each Day,' "Magnification" (2001)
24. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
25. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
26. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
27. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
28. Duran Duran: 'What Are The Chances' "Paper Gods" (2015)
29. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
30. Supertramp: 'Fool's Overture,' "Paris" (1980)

Posted by Enigmaticus on Sunday, 12/4/2016 @ 12:14pm

My 50 favorite "progressive rock" songs are:

01. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
02. Yes: 'Awaken,' "Keys To Ascension" (1996)
03. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
04. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
05. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
06. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
07. Yes: 'We Agree,' "Magnification" (2001)
08. Rush: 'Available Light,' "Presto" (1989)
09. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
10. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
11. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
12. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1972)
13. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
14. Yes: 'Magnification' "Symphonic Live" (2009)
15. Yes: 'Close To The Edge' "Symphonic Live" (2009)
16. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
17. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
18. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
19. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
20. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
21. Rush: 'Losing It,' "Signals" (1982)
22. Rush: 'Faithless,' "Snakes & Arrows" (2007)
23. Yes: 'Give Love Each Day,' "Magnification" (2001)
24. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
25. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
26. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
27. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
28. Duran Duran: 'What Are The Chances?' "Paper Gods" (2015)
29. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
30. Supertramp: 'Fool's Overture,' "Paris" (1980)
31. Gentle Giant: 'Free Hand,' "Free Hand" (1975)
32. Electric Light Orchestra: 'Mr. Blue Sky,' "Out of the Blue" (1977)
33. Kansas: 'Miracles Out Of Nowhere,' "Leftoverture" (1976)
34. Jefferson Airplane: 'rejoyce,' "After Bathing At Baxters" (1968)
35. Kansas: 'Dust In The Wind,' "Point of Know Return" (1977)
36. Genesis: 'The Musical Box,' "Nursery Cryme" (1971)
37. Peter Gabriel: 'Games Without Frontiers,' "Peter Gabriel" (1980)
38. Emerson, Lake & Palmer: 'Take A Pebble,' "Emerson, Lake & Palmer" (1970)
39. Genesis: 'Supper's Ready,' "Foxtrot" (1972)
40. Rush: 'La Villa Strangiato,' "Hemispheres" (1978)
41. Duran Duran: 'What Happens Tomorrow,' "Astronaut" (2004)
42. Rush: 'Time & Motion,' "Test For Echo" (1996)
43. Yes: 'In The Presence Of,' "Symphonic Live" (2009)
44. The Moody Blues: '22,000 Days,' "Long Distance Voyager" (1981)
45. Pink Floyd: 'Dogs,' "Animals" (1977)
46. Jethro Tull: 'A Hunting Girl,' "Songs From The Wood" (1977)
47. Gentle Giant: 'Wreck,' "Acquiring The Taste" (1971)
48. Duran Duran: 'The Man Who Stole A Leopard,' "All You Need Is Now" (2010)
49. Procol Harum: 'A Whiter Shade Of Pale,' "Procol Harum" (1967)
50. Styx: 'Man In The Wilderness,' "The Grand Illusion" (1977)

Posted by Enigmaticus on Sunday, 12/4/2016 @ 13:21pm

Here are my 100 favorite "progressive rock" songs:

001. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
002. Yes: 'Awaken,' "Keys To Ascension" (1996)
003. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
004. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
005. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
006. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
007. Yes: 'We Agree,' "Magnification" (2001)
008. Rush: 'Available Light,' "Presto" (1989)
009. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
010. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
011. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
012. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1972)
013. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
014. Yes: 'Magnification' "Symphonic Live" (2009)
015. Yes: 'Close To The Edge' "Symphonic Live" (2009)
016. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
017. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
018. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
019. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
020. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
021. Rush: 'Losing It,' "Signals" (1982)
022. Rush: 'Faithless,' "Snakes & Arrows" (2007)
023. Yes: 'Give Love Each Day,' "Magnification" (2001)
024. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
025. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
026. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
027. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
028. Duran Duran: 'What Are The Chances?' "Paper Gods" (2015)
029. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
030. Supertramp: 'Fool's Overture,' "Paris" (1980)
031. Gentle Giant: 'Free Hand,' "Free Hand" (1975)
032. Electric Light Orchestra: 'Mr. Blue Sky,' "Out of the Blue" (1977)
033. Kansas: 'Miracles Out Of Nowhere,' "Leftoverture" (1976)
034. Jefferson Airplane: 'rejoyce,' "After Bathing At Baxters" (1968)
035. Kansas: 'Dust In The Wind,' "Point of Know Return" (1977)
036. Genesis: 'The Musical Box,' "Nursery Cryme" (1971)
037. Peter Gabriel: 'Games Without Frontiers,' "Peter Gabriel" (1980)
038. Emerson, Lake & Palmer: 'Take A Pebble,' "Emerson, Lake & Palmer" (1970)
039. Genesis: 'Supper's Ready,' "Foxtrot" (1972)
040. Rush: 'La Villa Strangiato,' "Hemispheres" (1978)
041. Duran Duran: 'What Happens Tomorrow,' "Astronaut" (2004)
042. Rush: 'Time & Motion,' "Test For Echo" (1996)
043. Yes: 'In The Presence Of,' "Symphonic Live" (2009)
044. The Moody Blues: '22,000 Days,' "Long Distance Voyager" (1981)
045. Pink Floyd: 'Dogs,' "Animals" (1977)
046. Jethro Tull: 'A Hunting Girl,' "Songs From The Wood" (1977)
047. Gentle Giant: 'Wreck,' "Acquiring The Taste" (1971)
048. Duran Duran: 'The Man Who Stole A Leopard,' "All You Need Is Now" (2010)
049. Procol Harum: 'A Whiter Shade Of Pale,' "Procol Harum" (1967)
050. Styx: 'Man In The Wilderness,' "The Grand Illusion" (1977)
051. Yes: 'Roundabout,' "Fragile" (1972)
052. Alan Parsons Project, "The Turn of A Friendly Card,' "The Turn Of A Friendly Card" (1980)
053. Rush: 'Prime Mover,' "Hold Your Fire" (1987)
054. Yes: 'Starship Trooper,' "The Yes Album" (1971)
055. Pink Floyd: 'Shine On You Crazy Diamond,' "Wish You Were Here" (1975)
056. Gentle Giant: 'Playing The Game,' "The Power and The Glory" (1974)
057. King Crimson: 'Sleepless,' "Three of a Perfect Pair" (1984)
058. Duran Duran: 'The Chauffeur,' "Rio" (1982)
059. Kansas: 'The Pinnacle,' "Masque" (1975)
060. Rush: Nobody's Hero, "Counterparts" (1993)
061. Yes: 'And You And I,' "Symphonic Live" (2009)
062. The Moody Blues: 'Strange Times,' "Strange Times" (1999)
063. Pink Floyd: 'Comfortably Numb,' "The Wall" (1979)
064. Gentle Giant: 'Nothing At All,' "Gentle Giant" (1970)
065. Kansas: 'Closet Chronicles,' "Point Of Know Return" (1977)
066. Yes: 'South Side Of The Sky,' "Fragile" (1972)
067. The Moody Blues: 'Forever Afternoon (Tuesday),' "Days Of Future Passed" (1967)
068. King Crimson: 'Starless,' "Red" (1974)
069. Duran Duran: 'Come Undone,' "Duran Duran" (1993)
070. Kansas: 'Magnum Opus,' "Leftoverture" (1976)
071. Alan Parsons Project: 'Old and Wise,' "Eye In The Sky" (1982)
072. Renaissance: 'Ashes Are Burning,' "Ashes Are Burning" (1973)
073. Genesis: 'Squonk' "A Trick of the Tail" (1976)
074. Peter Gabriel: 'Here Comes The Flood," "Peter Gabriel" (1977)
075. Emerson, Lake & Palmer: 'Tarkus,' "Tarkus" (1971)
076. Rush: 'Red Lenses,' "Grace Under Pressure" (1984)
077. Yes: 'Spirit Of Survival,' "Magnification" (2001)
078. The Moody Blues: 'Candle Of Life,' "To Our Children's Children's Children" (1969)
079. Rush: 'Bravado,' "Roll The Bones" (1991)
080. Yes: 'Siberian Khatru,' "Keys To Ascension" (1996)
081. The Moody Blues: 'The Voice,' "Long Distance Voyager" (1981)
082. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
083. Jethro Tull: 'Farm On A Freeway,' "Crest Of A Knave" (1987)
084. Yes: 'The Remembering: High The Memory,' "Tales From Topographic Oceans" (1973)
085. The Moody Blues: 'Blue World,' "The Present" (1983)
086. Rush: 'Red Tide,' "Presto" (1989)
087. Yes: 'Heart of the Sunrise,' "Fragile" (1972)
088. The Moody Blues: 'I'm Just a Singer (In a Rock and Roll Band),' "Seventh Sojourn" (1972)
089. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
090. Duran Duran: 'The Universe Alone,' "Paper Gods" (2015)
091. Talking Heads: 'I Zimbra,' "Fear Of Music" (1979)
092. Genesis: 'Mad Man Moon,' "A Trick of the Tail" (1976)
093. Yes: 'Yours Is No Disgrace,' "The Yes Album" (1971)
094. Rush: 'Middletown Dreams,' "Power Windows" (1985)
095. Yes: 'Turn Of The Century,' "Going For The One" (1977)
096. The Moody Blues: 'The Actor,' "In Search of the Lost Chord" (1968)
097. Renaissance: 'Trip to the Fair,' "Scheherezade and other Stories" (1975)
098. Genesis: 'cul-de-sac,' "Duke" (1980)
099. Peter Gabriel: 'Red Rain,' "So" (1986)

Posted by Enigmaticus on Tuesday, 12/6/2016 @ 09:18am

I am so terribly sorry that previous list had only included 99. Here are my top 100 favorite progressive rock songs:

001. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
002. Yes: 'Awaken,' "Keys To Ascension" (1996)
003. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
004. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
005. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
006. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
007. Yes: 'We Agree,' "Magnification" (2001)
008. Rush: 'Available Light,' "Presto" (1989)
009. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
010. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
011. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
012. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1972)
013. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
014. Yes: 'Magnification' "Symphonic Live" (2009)
015. Yes: 'Close To The Edge' "Symphonic Live" (2009)
016. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
017. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
018. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
019. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
020. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
021. Rush: 'Losing It,' "Signals" (1982)
022. Rush: 'Faithless,' "Snakes & Arrows" (2007)
023. Yes: 'Give Love Each Day,' "Magnification" (2001)
024. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
025. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
026. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
027. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
028. Duran Duran: 'What Are The Chances?' "Paper Gods" (2015)
029. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
030. Supertramp: 'Fool's Overture,' "Paris" (1980)
031. Gentle Giant: 'Free Hand,' "Free Hand" (1975)
032. Electric Light Orchestra: 'Mr. Blue Sky,' "Out of the Blue" (1977)
033. Kansas: 'Miracles Out Of Nowhere,' "Leftoverture" (1976)
034. Jefferson Airplane: 'rejoyce,' "After Bathing At Baxters" (1968)
035. Kansas: 'Dust In The Wind,' "Point of Know Return" (1977)
036. Genesis: 'The Musical Box,' "Nursery Cryme" (1971)
037. Peter Gabriel: 'Games Without Frontiers,' "Peter Gabriel" (1980)
038. Emerson, Lake & Palmer: 'Take A Pebble,' "Emerson, Lake & Palmer" (1970)
039. Genesis: 'Supper's Ready,' "Foxtrot" (1972)
040. Rush: 'La Villa Strangiato,' "Hemispheres" (1978)
041. Duran Duran: 'What Happens Tomorrow,' "Astronaut" (2004)
042. Rush: 'Time & Motion,' "Test For Echo" (1996)
043. Yes: 'In The Presence Of,' "Symphonic Live" (2009)
044. The Moody Blues: '22,000 Days,' "Long Distance Voyager" (1981)
045. Pink Floyd: 'Dogs,' "Animals" (1977)
046. Jethro Tull: 'A Hunting Girl,' "Songs From The Wood" (1977)
047. Gentle Giant: 'Wreck,' "Acquiring The Taste" (1971)
048. Duran Duran: 'The Man Who Stole A Leopard,' "All You Need Is Now" (2010)
049. Procol Harum: 'A Whiter Shade Of Pale,' "Procol Harum" (1967)
050. Styx: 'Man In The Wilderness,' "The Grand Illusion" (1977)
051. Yes: 'Roundabout,' "Fragile" (1972)
052. Alan Parsons Project, "The Turn of A Friendly Card,' "The Turn Of A Friendly Card" (1980)
053. Rush: 'Prime Mover,' "Hold Your Fire" (1987)
054. Yes: 'Starship Trooper,' "The Yes Album" (1971)
055. Pink Floyd: 'Shine On You Crazy Diamond,' "Wish You Were Here" (1975)
056. Gentle Giant: 'Playing The Game,' "The Power and The Glory" (1974)
057. King Crimson: 'Sleepless,' "Three of a Perfect Pair" (1984)
058. Duran Duran: 'The Chauffeur,' "Rio" (1982)
059. Kansas: 'The Pinnacle,' "Masque" (1975)
060. Rush: Nobody's Hero, "Counterparts" (1993)
061. Yes: 'And You And I,' "Symphonic Live" (2009)
062. The Moody Blues: 'Strange Times,' "Strange Times" (1999)
063. Pink Floyd: 'Comfortably Numb,' "The Wall" (1979)
064. Gentle Giant: 'Nothing At All,' "Gentle Giant" (1970)
065. Kansas: 'Closet Chronicles,' "Point Of Know Return" (1977)
066. Yes: 'South Side Of The Sky,' "Fragile" (1972)
067. The Moody Blues: 'Forever Afternoon (Tuesday),' "Days Of Future Passed" (1967)
068. King Crimson: 'Starless,' "Red" (1974)
069. Duran Duran: 'Come Undone,' "Duran Duran" (1993)
070. Kansas: 'Magnum Opus,' "Leftoverture" (1976)
071. Alan Parsons Project: 'Old and Wise,' "Eye In The Sky" (1982)
072. Renaissance: 'Ashes Are Burning,' "Ashes Are Burning" (1973)
073. Genesis: 'Squonk' "A Trick of the Tail" (1976)
074. Peter Gabriel: 'Here Comes The Flood," "Peter Gabriel" (1977)
075. Emerson, Lake & Palmer: 'Tarkus,' "Tarkus" (1971)
076. Rush: 'Red Lenses,' "Grace Under Pressure" (1984)
077. Yes: 'Spirit Of Survival,' "Magnification" (2001)
078. The Moody Blues: 'Candle Of Life,' "To Our Children's Children's Children" (1969)
079. Rush: 'Bravado,' "Roll The Bones" (1991)
080. Yes: 'Siberian Khatru,' "Keys To Ascension" (1996)
081. The Moody Blues: 'The Voice,' "Long Distance Voyager" (1981)
082. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
083. Jethro Tull: 'Farm On A Freeway,' "Crest Of A Knave" (1987)
084. Yes: 'The Remembering: High The Memory,' "Tales From Topographic Oceans" (1973)
085. The Moody Blues: 'Blue World,' "The Present" (1983)
086. Rush: 'Red Tide,' "Presto" (1989)
087. Yes: 'Heart of the Sunrise,' "Fragile" (1972)
088. The Moody Blues: 'I'm Just a Singer (In a Rock and Roll Band),' "Seventh Sojourn" (1972)
089. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
090. Duran Duran: 'The Universe Alone,' "Paper Gods" (2015)
091. Talking Heads: 'I Zimbra,' "Fear Of Music" (1979)
092. Genesis: 'Mad Man Moon,' "A Trick of the Tail" (1976)
093. Yes: 'Yours Is No Disgrace,' "The Yes Album" (1971)
094. Rush: 'Middletown Dreams,' "Power Windows" (1985)
095. Yes: 'Turn Of The Century,' "Going For The One" (1977)
096. The Moody Blues: 'The Actor,' "In Search of the Lost Chord" (1968)
097. Renaissance: 'Trip to the Fair,' "Scheherezade and other Stories" (1975)
098. Genesis: 'cul-de-sac,' "Duke" (1980)
099. Peter Gabriel: 'Red Rain,' "So" (1986)
100. Peter Gabriel: 'Shock the Monkey,' "Peter Gabriel" (1982)

What are yours?

Posted by Enigmaticus on Tuesday, 12/6/2016 @ 09:30am

I had needed to amend this list once more.

0001. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
0002. Yes: 'Awaken,' "Keys To Ascension" (1996)
0003. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
0004. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
0005. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
0006. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
0007. Yes: 'We Agree,' "Magnification" (2001)
0008. Rush: 'Available Light,' "Presto" (1989)
0009. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
0010. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
0011. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
0012. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1972)
0013. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
0014. Yes: 'Magnification' "Symphonic Live" (2009)
0015. Yes: 'Close To The Edge' "Symphonic Live" (2009)
0016. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
0017. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
0018. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
0019. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
0020. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
0021. Rush: 'Losing It,' "Signals" (1982)
0022. Rush: 'Faithless,' "Snakes & Arrows" (2007)
0023. Yes: 'Give Love Each Day,' "Magnification" (2001)
0024. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
0025. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
0026. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
0027. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
0028. Duran Duran: 'What Are The Chances?' "Paper Gods" (2015)
0029. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
0030. Supertramp: 'Fool's Overture,' "Paris" (1980)
0031. Gentle Giant: 'Free Hand,' "Free Hand" (1975)
0032. Electric Light Orchestra: 'Mr. Blue Sky,' "Out of the Blue" (1977)
0033. Kansas: 'Miracles Out Of Nowhere,' "Leftoverture" (1976)
0034. Jefferson Airplane: 'rejoyce,' "After Bathing At Baxters" (1968)
0035. Kansas: 'Dust In The Wind,' "Point of Know Return" (1977)
0036. Genesis: 'The Musical Box,' "Nursery Cryme" (1971)
0037. Peter Gabriel: 'Games Without Frontiers,' "Peter Gabriel" (1980)
0038. Emerson, Lake & Palmer: 'Take A Pebble,' "Emerson, Lake & Palmer" (1970)
0039. Genesis: 'Supper's Ready,' "Foxtrot" (1972)
0040. Rush: 'La Villa Strangiato,' "Hemispheres" (1978)
0041. Duran Duran: 'What Happens Tomorrow,' "Astronaut" (2004)
0042. Rush: 'Time & Motion,' "Test For Echo" (1996)
0043. Yes: 'In The Presence Of,' "Symphonic Live" (2009)
0044. The Moody Blues: '22,000 Days,' "Long Distance Voyager" (1981)
0045. Pink Floyd: 'Dogs,' "Animals" (1977)
0046. Jethro Tull: 'A Hunting Girl,' "Songs From The Wood" (1977)
0047. Gentle Giant: 'Wreck,' "Acquiring The Taste" (1971)
0048. Duran Duran: 'The Man Who Stole A Leopard,' "All You Need Is Now" (2010)
0049. Procol Harum: 'A Whiter Shade Of Pale,' "Procol Harum" (1967)
0050. Styx: 'Man In The Wilderness,' "The Grand Illusion" (1977)
0051. Yes: 'Roundabout,' "Fragile" (1972)
0052. Alan Parsons Project, "The Turn of A Friendly Card,' "The Turn Of A Friendly Card" (1980)
0053. Rush: 'Prime Mover,' "Hold Your Fire" (1987)
0054. Yes: 'Starship Trooper,' "The Yes Album" (1971)
0055. Pink Floyd: 'Shine On You Crazy Diamond,' "Wish You Were Here" (1975)
0056. Gentle Giant: 'Playing The Game,' "The Power and The Glory" (1974)
0057. King Crimson: 'Sleepless,' "Three of a Perfect Pair" (1984)
0058. Duran Duran: 'The Chauffeur,' "Rio" (1982)
0059. Kansas: 'The Pinnacle,' "Masque" (1975)
0060. Rush: Nobody's Hero, "Counterparts" (1993)
0061. Yes: 'And You And I,' "Symphonic Live" (2009)
0062. The Moody Blues: 'Strange Times,' "Strange Times" (1999)
0063. Pink Floyd: 'Comfortably Numb,' "The Wall" (1979)
0064. Gentle Giant: 'Nothing At All,' "Gentle Giant" (1970)
0065. Kansas: 'Closet Chronicles,' "Point Of Know Return" (1977)
0066. Yes: 'South Side Of The Sky,' "Fragile" (1972)
0067. The Moody Blues: 'Forever Afternoon (Tuesday),' "Days Of Future Passed" (1967)
0068. King Crimson: 'Starless,' "Red" (1974)
0069. Duran Duran: 'Come Undone,' "Duran Duran" (1993)
0070. Kansas: 'Magnum Opus,' "Leftoverture" (1976)
0071. Alan Parsons Project: 'Old and Wise,' "Eye In The Sky" (1982)
0072. Renaissance: 'Ashes Are Burning,' "Ashes Are Burning" (1973)
0073. Genesis: 'Squonk,' "A Trick of the Tail" (1976)
0074. Peter Gabriel: 'Here Comes The Flood," "Peter Gabriel" (1977)
0075. Emerson, Lake & Palmer: 'Tarkus,' "Tarkus" (1971)
0076. Rush: 'Red Lenses,' "Grace Under Pressure" (1984)
0077. Yes: 'Spirit Of Survival,' "Magnification" (2001)
0078. The Moody Blues: 'Candle Of Life,' "To Our Children's Children's Children" (1969)
0079. Rush: 'Bravado,' "Roll The Bones" (1991)
0080. Yes: 'Siberian Khatru,' "Keys To Ascension" (1996)
0081. The Moody Blues: 'The Voice,' "Long Distance Voyager" (1981)
0082. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
0083. Jethro Tull: 'Farm On A Freeway,' "Crest Of A Knave" (1987)
0084. Yes: 'The Remembering: High The Memory,' "Tales From Topographic Oceans" (1973)
0085. The Moody Blues: 'Blue World,' "The Present" (1983)
0086. Rush: 'Red Tide,' "Presto" (1989)
0087. Yes: 'Heart of the Sunrise,' "Fragile" (1972)
0088. The Moody Blues: 'I'm Just a Singer (In a Rock and Roll Band),' "Seventh Sojourn" (1972)
0089. Pink Floyd: 'Wish You Were Here,' "Wish You Were Here (1975)
0090. Duran Duran: 'The Universe Alone,' "Paper Gods" (2015)
0091. Talking Heads: 'I Zimbra,' "Fear Of Music" (1979)
0092. Genesis: 'Mad Man Moon,' "A Trick of the Tail" (1976)
0093. Yes: 'Yours Is No Disgrace,' "The Yes Album" (1971)
0094. Rush: 'Middletown Dreams,' "Power Windows" (1985)
0095. Yes: 'Turn Of The Century,' "Going For The One" (1977)
0096. The Moody Blues: 'The Actor,' "In Search of the Lost Chord" (1968)
0097. Renaissance: 'Trip to the Fair,' "Scheherezade and other Stories" (1975)
0098. Genesis: 'cul-de-sac,' "Duke" (1980)
0099. Peter Gabriel: 'Red Rain,' "So" (1986)
0100. Peter Gabriel: 'Shock the Monkey,' "Peter Gabriel" (1982)

Posted by Enigmaticus on Wednesday, 12/7/2016 @ 02:31am

With the recent passings of both Keith Emerson and Greg Lake, I thought that it was prudent to revise my list of 20 favorite "PROG" artists:

01. Rush
02. Yes
03. The Moody Blues
04. Pink Floyd
05. Jethro Tull
06. Emerson, Lake & Palmer
07. King Crimson
08. Duran Duran
09. Gentle Giant
10. Genesis
11. Talking Heads
12. Electric Light Orchestra
13. Gentle Giant
14. Peter Gabriel
15. Kansas
16. Supertramp
17. Procol Harum
18. Alan Parsons Project
19. Styx
20. Asia

Posted by Enigmaticus on Saturday, 12/10/2016 @ 12:14pm

Enigmaticus: Slight issue with your list: Gentle Giant is listed twice. Are they #9 or #13 and who is the other number supposed to be?

Posted by SotN on Saturday, 12/10/2016 @ 12:39pm

SotN,

That is a very good question, thank you for pointing that out. the 13th position should be Renaissance. Here is the corrected list:

With the recent passings of both Keith Emerson and Greg Lake, I thought that it was prudent to revise my list of 20 favorite "PROG" artists:

01. Rush
02. Yes
03. The Moody Blues
04. Pink Floyd
05. Jethro Tull
06. Emerson, Lake & Palmer
07. King Crimson
08. Duran Duran
09. Gentle Giant
10. Genesis
11. Talking Heads
12. Electric Light Orchestra
13. Renaissance
14. Peter Gabriel
15. Kansas
16. Supertramp
17. Procol Harum
18. Alan Parsons Project
19. Styx
20. Asia
Posted by Enigmaticus on Saturday, 12.10.16 @ 12:14pm

Posted by Enigmaticus on Saturday, 12/10/2016 @ 13:22pm

I am terribly sorry, I had needed to amend my list of favorite "PROG" artists once more:

01. Rush
02. Yes
03. The Moody Blues
04. King Crimson
05. Duran Duran
06. Pink Floyd
07. Jethro Tull
08. Emerson, Lake & Palmer
09. Gentle Giant
10. Genesis
11. Talking Heads
12. Electric Light Orchestra
13. Renaissance
14. Kansas
15. Peter Gabriel
16. Procol Harum
17. Supertramp
18. Alan Parsons Project
19. Styx
20. Asia

Posted by Enigmaticus on Saturday, 12/24/2016 @ 13:58pm

According to CNN, Rush is 31st on the list of top selling Rock bands of all time in the United States. According to this list, the only other major prog act on this list is Pink Floyd who is in the fourth. Roy might be interested to know that Chicago is 16th on the list. Otherwise, several "prog adjacent" bands are on this list, also. 2017 Rock & Roll Hall Of Fame inductees Journey are 12th, Foreigner is 17th, Queen is 19th, Boston is 25th and proto-progressive artists The Beatles are 1st and The Doors are 22nd.

Posted by Enigmaticus on Friday, 12/30/2016 @ 13:16pm

According to CNN, 2013 Rock & Roll Hall Of Fame inductee, Rush is 31st on the list of top selling Rock bands of all time in the United States. According to this list, the only other major prog act on this list is 1996 Rock & Roll Hall Of Fame inductee, Pink Floyd who is in the fourth position.

Roy might be interested to know that 2016 Rock & Roll Hall Of Fame inductee, also a "progressive rock" band, Chicago is 16th on the list. Otherwise, several "prog adjacent" bands are on this list, also. 2017 Rock & Roll Hall Of Fame inductees Journey are 12th, Foreigner is 17th, 1999 Rock & Roll Hall Of Fame inductee Queen is 19th, Boston is 25th and proto-progressive artists, 1988 Rock Hall inductees, The Beatles are 1st and 1993 Rock & Roll Hall Of Fame inductees, The Doors are 22nd.

Does this mean that there will be further inductions of "prog adjacent" bands?

Posted by Enigmaticus on Friday, 12/30/2016 @ 14:45pm

According to CNN, 2013 Rock & Roll Hall Of Fame inductee, Rush is 31st on the list of top selling Rock bands of all time in the United States. According to this list, the only other major prog act on this list is 1996 Rock & Roll Hall Of Fame inductee, Pink Floyd who is in the fourth position.

Roy might be interested to know that 2016 Rock & Roll Hall Of Fame inductee, also a "progressive rock" band, Chicago is 16th on the list. Otherwise, several "prog adjacent" bands are on this list, also. 2017 Rock & Roll Hall Of Fame inductees Journey are 12th, Foreigner is 17th, 2001 Rock & Roll Hall Of Fame inductee Queen is 19th, Boston is 25th and proto-progressive artists, 1988 Rock Hall inductees, The Beatles are 1st and 1993 Rock & Roll Hall Of Fame inductees, The Doors are 22nd.

Does this mean that there will be further inductions of "prog adjacent" bands?

Posted by Enigmaticus on Friday, 12/30/2016 @ 14:47pm

Posted by Enigmaticus on Saturday, 12/31/2016 @ 13:05pm

Prior to Rush's induction into the Rock & Roll Hall Of Fame in 2013, there were very few progressive rock artists that had been inducted into the Rock Hall. Certainly, there were Pink Floyd, Jefferson Airplane, Talking Heads, Traffic, and of course- Genesis. However, whether directly, or indirectly intentional, Rush's induction was a catalyst for things to come. Before you knew it, a campaign for Yes' induction had emerged, A new documentary had been released on Kansas; Chicago, Blue Oyster Cult and Duran Duran had declared themselves to be "prog" bands.

Now that Yes, Electric Light Orchestra and Journey have finally been inducted into the Rock & Roll Hall Of Fame, I think that it is imperative to nominate two very long overdue "progressive rock" pioneers: The Moody Blues and King Crimson and re-nominate co-founders- Procol Harum. I think that it is also necessary to nominate Duran Duran and perhaps, our homegrown prog heroes, Kansas.

One more great choice, who I think is worthy of nomination is Sade. Now, if you happen to take the time to look at the Sade page, you will notice that I have been an advocate of their induction for several years. I have been an aficionado of Sade's music since I had first heard 'Smooth Operator' in 1985. In my honest opinion, their debut album, "Diamond Life" is magnificent, as are: "Promise" "Love Deluxe," "The Best Of Sade" and "The Ultimate Collection." Of course, I would be remiss if I did not mention, "Bring Me Home: Live 2011," also.

In my honest opinion, my top five essential artists for induction, since Rush's induction, have been

1. The Moody Blues
2. Duran Duran
3. Yes
4. Electric Light Orchestra
5. Sade

Now that Yes and Electric Light Orchestra have finally been inducted, my essential five has grown to eight and those new eight essential artists are:

1. The Moody Blues
2. Duran Duran
3. Sade
4. King Crimson
5. Procol Harum
6. Kansas
7. Carly Simon
8. Doobie Brothers

Of course, I would not be upset if Foreigner, or Jim Croce had been nominated also.

Posted by Enigmaticus on Saturday, 12/31/2016 @ 13:24pm

Prior to Rush's induction into the Rock & Roll Hall Of Fame in 2013, there were very few progressive rock artists who had been inducted into the Rock Hall. Certainly, there were such artists as: Pink Floyd, Jefferson Airplane, Talking Heads, Traffic, and of course- Genesis. However, whether it was directly, or indirectly intentional, Rush's induction was a catalyst for things to come. Before you knew it, a campaign for Yes' induction had emerged, A new documentary had been released on Kansas. Then Chicago, Blue Oyster Cult and Duran Duran had declared themselves to be "prog" bands. Of course we are also aware that Chicago and Deep Purple had finally been inducted into the Rock Hall earlier this tumultuous year.

Now that Yes, Electric Light Orchestra and Journey have finally been inducted into the Rock & Roll Hall Of Fame, I think that it is imperative to nominate two very long overdue "progressive rock" pioneers: The Moody Blues and King Crimson and re-nominate co-founders- Procol Harum. I think that it is also necessary to nominate Duran Duran and perhaps, our own homegrown prog heroes, Kansas.

One more great choice, who I think is also worthy of nomination and induction is Sade. Now, if you happen to take the time to view the Sade page, you will notice that I have been a strong advocation of their induction for several years. I have been an aficionado of Sade's music since I had first heard 'Smooth Operator' in 1985. In my honest opinion, their debut album, "Diamond Life" is magnificent. But Sade is not a one hit wonder, since "Promise," "Love Deluxe," "The Best Of Sade" and "The Ultimate Collection" are superlative also. "Stronger Than Pride" is a great album and I would be remiss if I did not mention just how extraordinary their most recent live concert, "Bring Me Home: Live 2011" happens to be. "Lover's Rock" is considered to be a concept album.

In my honest opinion, since Rush's induction, my top 5 essential artists had been:

1. The Moody Blues
2. Duran Duran
3. Yes
4. Electric Light Orchestra
5. Sade

Now that Yes and E.L.O. have finally been inducted, my essential 5 has grown to 9. Those 9 new essential artists are:

1. The Moody Blues
2. Duran Duran
3. Sade
4. Procol Harum
5. King Crimson
6. Emerson, Lake & Palmer
7. Kansas
8. Doobie Brothers
9. Carly Simon

Of course, I would not be upset if Foreigner, Jim Croce, Stevie Nicks, Tori Amos, Kate Bush, or Dan Fogelberg happen to receive nominations later, also.

Posted by Enigmaticus on Sunday, 01/1/2017 @ 01:59am

Wow, there are now 1500 comments posted about Rush on this webpage. Since March 4, 2013, I have written many of them. The first comment about Rush was posted on July 24, 2006 by someone known as Fibre Channel. I am sure that the conflict between Kit and Anonymous had been quite entertaining. I did not make my first comment on the Rush webpage until after Rush had been inducted into the Rock & Roll Hall Of Fame. In 1997, I was busy with creating my now long-archived website. As I approach the 20th anniversary of that date, I will always remember just how small the Internet had been way back then.

Posted by Enigmaticus on Monday, 01/2/2017 @ 11:58am

So, out of curiosity, I wanted to know approximately how many postings I have made to this Rush page. The answer is 506, or so.

Posted by Enigmaticus on Monday, 01/2/2017 @ 15:16pm

Roy,

You had written this statement almost 4 years ago:

Rush wants Deep Purple, Yes, King Crimson, Emerson, Lake and Palmer, The Moody Blues and Jethro Tull inducted into the Rock and Roll Hall of Fame.

Now, let's modify this list by removing the new inductees:

Rush wants King Crimson, Emerson, Lake & Palmer, The Moody Blues and Jethro Tull inducted into the Rock and Roll Hall of Fame.

Are there any other groups who Rush might support for induction? How about this statement, instead?

Rush wants The Moody Blues, Procol Harum, King Crimson, Emerson, Lake & Palmer, Duran Duran and Jethro Tull inducted into the Rock and Roll Hall Of Fame.

Posted by Enigmaticus on Thursday, 01/5/2017 @ 09:11am

A recent post at Radio.com may be suggesting that the induction of Rush was a game changer which had led to a wave of populism. I will not disagree with this. Of course, back in June, 1997 when I had first started creating my now long- archived website, "AKD's Art Rock Site," I had wanted to set the record straight about Rush. Since the terms "art rock" and "progressive rock" had been used interchangeably, I had really wanted to redefine Rush as an "art rock" band and eliminate those ridiculous preconceptions that Rush had been a "hard rock," or "heavy metal" band.

Then I had wanted to change the perception that Duran Duran was neither a synthpop band, nor a throwaway pop band, but a hybrid of "symphonic rock/progressive rock/art rock" and pop. Finally, the members of Duran Duran have attested to the fact that they have always been a "prog" band.

I had also worked on developing pages to include such artists as: The Moody Blues, Yes, King Crimson, Emerson, Lake & Palmer, Pink Floyd, Asia, Jethro Tull, Alan Parsons Project and Renaissance.

I had also declared on another "art rock" page that such artists as: Talking Heads, Boston, Kansas, Electric Light Orchestra, Styx, Genesis, Tangerine Dream, Roxy Music, Supertramp, Gentle Giant, Caravan and Procol Harum were other "art rock" bands.

If I happen to substitute Duran Duran for Renaissance, then that major "art rock" group page would look somewhat like this:

RUSH DURAN DURAN THE MOODY BLUES

YES ELP PINK FLOYD

KING JETHRO ALAN
CRIMSON TULL PARSONS
PROJECT

ASIA

Early the following year, I had placed the Rush Hall Of Fame Induction logo with a link on my main Rush page. Next month will mark the 38th anniversary of my introduction to the majestic music of Rush, via "Hemispheres." By supporting the nomination and induction of Rush, I was indirectly supporting the nominations and the inductions of various other "prog" bands in the future.

Posted by Enigmaticus on Sunday, 01/8/2017 @ 14:31pm

Let's try this once again:

RUSH....................DURAN...............................THE......
..............................DURAN.............................MOODY...
........................................................................BLUES....

...YES...................EMERSON............................PINK.......
.................................LAKE................................FLOYD......
...............................PALMER...............................................

....KING..................JETHRO............................ALAN........
.CRIMSON.................TULL............................PARSONS...
.......................................................................PROJECT.....

.................................ASIA....................................................

Posted by Enigmaticus on Sunday, 01/8/2017 @ 14:49pm

Roy,

Could you possibly post the logos of the aforementioned artists, so that they are aligned properly? Thank you.

Posted by Enigmaticus on Sunday, 01/8/2017 @ 14:52pm

Finally some good news about "PROG" Magazine has surfaced. According to the Teamrock.com website, "PROG" has been repurchased by Future PLC. Expect more prog news to be available in the near future, as "prog" turns 50 this year.

Now hopefully, "PROG" Magazine will feature Duran Duran on the cover in the not too distant future.

Posted by Enigmaticus on Friday, 01/13/2017 @ 20:21pm

I am very disappointed in the Wikihow guide to listening to progressive rock, due to their omission of Rush. This smacks of elitism, or ignorance at the highest, most inexcusable level.

Posted by Enigmaticus on Sunday, 01/15/2017 @ 15:30pm

I am very disappointed in the Wikihow guide to listening to progressive rock, due to their omission of Rush. This smacks of elitism, or ignorance at the highest, most inexcusable level.

For one thing, they recommend beginning with Genesis. I highly disagree with this. I would start with Rush (a group which they had so conveniently omitted, instead. Instead of getting "Chronicles," a suggestion on another Wikihow site, I would start with either "Gold," or "Exit... Stage Left." You cannot go wrong with "E.S.L." In my honest opinion, it contains several of Rush's greatest masterpieces.

Posted by Enigmaticus on Monday, 01/16/2017 @ 09:39am

I am very disappointed in the Wikihow guide to listening to progressive rock, due to their omission of Rush. This smacks of elitism, or ignorance at the highest, most inexcusable level.

For one thing, they recommend beginning with Genesis. I highly disagree with this. I would start with Rush (a group which they had so conveniently omitted, instead). Instead of getting "Chronicles," a suggestion on another Wikihow site, I would start with either "Gold," "Retrospectives 1, 2 & 3," or "Exit... Stage Left." You cannot go wrong with "E.S.L." In my honest opinion, it contains several of Rush's greatest masterpieces. Exposure to those masterpieces will increase your interest in the best music that Rush has to offer. Also get "Clockwork Angels Tour" to start with.

Posted by Enigmaticus on Monday, 01/16/2017 @ 09:44am

2017 will mark the 50th anniversary of the birth of the "art rock" and "progressive rock" genres. Out of the 5 major "progressive rock" bands mentioned last year in PROG Magazine, 3 are active: Rush, Yes and King Crimson, one is in limbo: Genesis and one no longer exists: Pink Floyd.

However, most of these bands would probably not exist, if it hadn't been for the innovations of three other groups: The Moody Blues, Procol Harum and Jefferson Airplane. Jefferson Airplane was rightly inducted into the Rock & Roll Hall of Fame, alongside Pink Floyd in 1996, however The Moody Blues and Procol Harum were not and if memory serves, Procol Harum has only been nominated once previously, the same year that Rush had first been nominated- 2012. There is no doubt that both Procol Harum and The Moody Blues also had an immense influence upon the music of Rush. Geddy Lee had mentioned in an article that he felt that Procol Harum should have also been inducted, alongside Rush. Back in October, 2012, I had voted for: Randy Newman, the late Donna Summer, Heart, Rush and Procol Harum.

As influential as Procol Harum had been, The Moody Blues had probably been even more influential. Their second album, "Days Of Future Passed" had left a template for great prog and concept albums. As I have stated numerous times before, I have seen no greater influence overall on Rush's discography than that of The Moody Blues. Both Geddy Lee and Alex Lifeson have called The Moody Blues, a huge influence on Rush. Of course, Rush's ambition has always been to become the "world's smallest symphony orchestra."

If nominated later this year, I think that The Moody Blues would be immediately inducted.

Another group which has yet to be inducted into the Rock & Roll Hall Of Fame is King Crimson. In fact, they are considered to be the founders of the complex type of "progressive rock," which would also influence Rush. They were also a huge influence upon most of those aforementioned prog artists. King Crimson has many great albums to their credit, but their debut album, "In The Court Of The Crimson King (1969)" was definitely a game changer. Other notable albums by King Crimson, include "Lark's Tongues In Aspic (1973)," "Red (1974)," "Discipline (1981)," "Beat (1982)," "Three Of A Perfect Pair (1984)" and "Thrak (1995)."

Out of the early 1980's emerged a visionary "progressive" pop band whose work with video would influence the way that music had been presented to the masses. Their music had been infectiously entertaining and their videos had been works of art. The amazing part about this group has been their longevity. While members of other supposedly similar bands have embarked on nostalgic reunion tours, this band has been exploring the gamut of experimental innovation and still going strong over 35 years later. Later this year, on May 10, their second studio album, "Rio" will celebrate it's 35th anniversary.
"Rio" has been considered to be one of the most important albums ever made. Unfortunately, the creators of this masterpiece, Duran Duran had been considered to be a throwaway assembly line pop group. However, Alex Lifeson had said that he had wanted to dress like Simon Le Bon and Geddy had supposedly said that they were a good group and Neil Peart had said that they had loved and been influenced by bands of that time, in "Rush: Beyond The Lighted Stage."
Although "Rio" has been identified as a "Classic Album" by Duran Duran, I think that a strong case could also be made for "Duran Duran (1981)," "Duran Duran (1993)," "Pop Trash (2000)," "Astronaut (2004)" "All You Need Is Now (2010)," "A Diamond In The Mind: Live 2011 (2012)," "Duran Duran: Unstaged (2015)" and "Paper Gods (2015)," in fact, 'What Are The Chances?' Is probably Duran Duran's second best song after 'Ordinary World.' Of course, Duran Duran now see themselves as a "modern progressive band."

Posted by Enigmaticus on Sunday, 01/22/2017 @ 13:12pm

Kudos to the Rock & Roll Hall Of Fame for selecting Geddy Lee and Alex Lifeson of Rush to induct Yes. This makes a great deal of sense, as would renominating Procol Harum later this year and nominating The Moody Blues for long overdue induction into the Rock & Roll Hall Of Fame. As I have stated previously several times, "I have seen no greater influence overall on the music of Rush than that of The Moody Blues." I think that a nomination for King Crimson and quite possibly a nomination for Kansas would make a great deal of sense, due to the 50th anniversary of the birth of PROG. Now, as far as those artists who are still being progressive is concerned, I think that Duran Duran and Sade definitely fit that bill.

Posted by Enigmaticus on Saturday, 01/28/2017 @ 12:56pm

FRL,

I am still quite disappointed that "Roll The Bones" (1991) has not been added as an essential Rush album. It was inducted into the Album Project in late December, 2015. ;-(

Posted by Enigmaticus on Sunday, 02/5/2017 @ 03:04am

FRL,

Please add "Roll The Bones (1991)" to the list of essential Rush albums. Thank you!

Posted by Enigmaticus on Sunday, 02/5/2017 @ 13:26pm

The biggest news thus far this year in the world of Rush is Geddy Lee's and Alex Lifeson's upcoming induction of Yes into the Rock & Roll Hall Of Fame in April of this year. As I have said many times before, "Yes and Rush are my co-favorite progressive rock artists musically. Lyrically, I like Rush slightly more than Yes.

After Yes, comes The Moody Blues.

I have written rather extensively about The Moody Blues for the past several years and have indirectly supported their induction into the Rock & Roll Hall Of Fame for nearly the past 20 years. In my honest opinion, Rush, Yes and The Moody Blues have created part of progressive rock's structural architecture. They are three of the pillars on which progressive rock is built.

Next comes King Crimson, the fourth pillar. This is a rather quirky band whose existence as a solid entity changes. By comparison to the three aforementioned bands, King Crimson is slightly amorphous. King Crimson had a huge influence upon the music of Rush and Yes, but they themselves were most probably influenced by The Moody Blues, as were Rush and Yes.

So where does Procol Harum fit into this structure? Where does Genesis fit?

Posted by Enigmaticus on Sunday, 02/5/2017 @ 13:51pm

The biggest news thus far this year in the world of Rush is Geddy Lee's and Alex Lifeson's upcoming induction of Yes into the Rock & Roll Hall Of Fame in April of this year. As I have said many times before, "Yes and Rush are my co-favorite progressive rock artists musically." Lyrically, I like Rush slightly more than Yes.

After Yes, comes The Moody Blues.

I have written rather extensively about The Moody Blues for the past several years and have indirectly supported their induction into the Rock & Roll Hall Of Fame for nearly the past 20 years. In my honest opinion, Rush, Yes and The Moody Blues have created part of progressive rock's structural architecture. They are three of the pillars on which progressive rock is built.

Next comes King Crimson, the fourth pillar. This is a rather quirky band whose existence as a solid entity changes. By comparison to the three aforementioned bands, King Crimson is slightly amorphous. King Crimson had a huge influence upon the music of Rush and Yes, but they themselves were most probably influenced by The Moody Blues, as were Rush and Yes.

So where does Procol Harum fit into this structure? Where does Genesis fit?

Posted by Enigmaticus on Sunday, 02/5/2017 @ 13:54pm

Enig,

Roll The Bones came out in the '90s, well past their heyday, the cache already well-established, but yielding no pop hit singles, and four Mainstream Rock hits, which was about par for the course for them at the time. Just because it's one of your favorite albums, that does not make it an "Essential Album."

Posted by Philip on Sunday, 02/5/2017 @ 21:08pm

Philip,

Re: "Roll The Bones"

It was voted into the Album Project back in December, 2015. What reason is there for the Album Project, if the albums voted in by the contributors never make it onto any lists?

Posted by Enigmaticus on Monday, 02/6/2017 @ 09:33am

I will state for the record that Roll the Bones is a badass Rush album.

Posted by Paul in KY on Monday, 02/6/2017 @ 11:25am

Primarily, something to do during the lulls between major Rock Hall news. Also, it's a project run by fans. FRL's list of Essential albums and tracks is primarily decided by professional critics and historians of rock music--something that I believe none of us here are.

Posted by Philip on Monday, 02/6/2017 @ 23:13pm

Philip

FRL's list of essential albums and songs are indeed selected by the voters here in the Album and Songs Project. FRL just hasn't gotten around to doing all of the updates.

Posted by Gass3268 on Monday, 02/6/2017 @ 23:56pm

I stand corrected then. In that case, Enig, patience is a virtue.

Posted by Philip on Tuesday, 02/7/2017 @ 00:14am

Posted by Enigmaticus on Tuesday, 02/7/2017 @ 01:29am

PaulinKY,

Thank you for your comment regarding "Roll The Bones."

Philip,

Regarding: "Roll The Bones"

For several decades, rock music critics had given many of Rush's studio recordings truly atrocious ratings. I can certainly understand this, because I am definitely not a fan of Geddy Lee's screeching vocals either. However, when Geddy Lee sings in his normal register, everything is markedly better. On "Presto" and "Roll The Bones," producer Rupert Hine had suggested that Geddy should sing at a level of one octave lower. Geddy had wholeheartedly heeded that advice and as a result, "Presto" and "Roll The Bones" had been much more pleasant to listen to. Plus, the songs that had been written from the mid 1980's onward still had great quality in their lyrics. Now, the best of both worlds were represented, the songs were still great, but the vocals were superlative. Such songs as 'Available Light,' 'Red Tide,' 'Anagram (for Mongo),' 'Presto,' 'The Pass' and 'Show Don't Tell' had made "Presto" an extraordinaryalbum. Even so, "Roll The Bones" is markedly better than "Presto." Such magnificent
Nificent songs as 'Dreamline,' 'Ghost Of A Chance,' 'Bravado' and 'Roll The Bones' had regularly remained a fixture of many Rush playlists.

Posted by Enigmaticus on Tuesday, 02/7/2017 @ 01:48am

PaulinKY,

Thank you for your comment regarding "Roll The Bones."

Philip,

Regarding: "Roll The Bones"

For several decades, rock music critics had given many of Rush's studio recordings truly atrocious ratings. I can certainly understand this, because I am definitely not a fan of Geddy Lee's screeching vocals either. However, when Geddy Lee sings in his normal register, everything is markedly better. On "Presto" and "Roll The Bones," producer Rupert Hine had suggested that Geddy should sing at a level of one octave lower. Geddy had wholeheartedly heeded that advice and as a result, "Presto" and "Roll The Bones" had been much more pleasant to listen to. Plus, the songs that had been written from the mid 1980's onward still had great quality in their lyrics. Now, the best of both worlds were represented, the songs were still great, but the vocals were superlative. Such songs as 'Available Light,' 'Red Tide,' 'Anagram (for Mongo),' 'Presto,' 'The Pass' and 'Show Don't Tell' had made "Presto" an extraordinary album. Even so, "Roll The Bones" is markedly better than "Presto." Such magnificent
songs as 'Dreamline,' 'Ghost Of A Chance,' 'Bravado' and 'Roll The Bones' had regularly remained a fixture on many Rush playlists and also, on many Rush set lists. In fact, the only time that a song from "Roll The Bones" was not featured on a set list was during the "Time Machine Tour." Otherwise, songs from "Roll The Bones" have regularly appeared during the other Rush concert tours.

Posted by Enigmaticus on Tuesday, 02/7/2017 @ 01:56am

Today is the 38th anniversary of my introduction to the music of Rush via "Hemispheres." Today is also, the 54th anniversary of Michael Jordan's birth and Richard Karn's 61st birthday. Happy Birthday, gentlemen.

Posted by Enigmaticus on Saturday, 02/18/2017 @ 01:44am

Okay, let's change the subject. Which, major progressive rock band should the members of Rush have the honor of inducting into the Rock Hall next year, if they are so nominated: The Moody Blues, Procol Harum, or King Crimson?

Posted by Enigmaticus on Thursday, 02/23/2017 @ 09:29am

Okay, prior to Rush's induction into the Rock Hall, Rush's guitarist Alex Lifeson had mentioned that The Moody Blues and King Crimson were a huge influence. Bassist, keyboardist and vocalist, Geddy Lee, had mentioned that Yes and Deep Purple were also hugely influential. Since, Deep Purple and Yes have now been inducted, I think that the spotlight will be placed on getting The Moody Blues and King Crimson a nomination for induction into the Rock Hall. I also think that Procol Harum may be re-nominated.

Which other major progressive rock bands do I think that Geddy and Alex would support for induction?

Jethro Tull
Gentle Giant
Renaissance
Supertramp
Emerson Lake and Palmer
Roxy Music
Duran Duran
Kansas
Styx

Posted by Enigmaticus on Saturday, 02/25/2017 @ 13:42pm

Will the upcoming induction of Yes by Geddy Lee and Alex Lifeson of Rush finally usher in a belated love fest for prog? Will The Moody Blues, Procol Harum and King Crimson be the next recipients of the Rock Hall's newfound appreciation for prog? Will Duran Duran and Sade receive a nomination in their wake?

Stay tuned, as the 50th anniversary of prog may bring quite a few surprises.

Posted by Enigmaticus on Wednesday, 03/8/2017 @ 05:46am

I really like Eric Layton's post about progressive rock in his E-Rockracy blog. Although I totally agree that The Moody Blues, King Crimson, Procol Harum, Jethro Tull and Emerson Lake & Palmer definitely deserve induction, I would be remiss if I did not mention Supertramp, Alan Parsons Project, Gentle Giant, Kansas and Styx as being worthy of consideration as well.

Posted by Enigmaticus on Friday, 03/17/2017 @ 03:43am

Which "prog" adjacent artists may benefit from the upcoming induction of Journey into the Rock & Roll Hall Of Fame in April, 2017?

Foreigner
Toto
Boston

Which prog bands may also receive a nomination as a result of Journey's upcoming induction?

Styx
Kansas

Posted by Enigmaticus on Saturday, 03/25/2017 @ 05:28am

On Friday night, two members of Rush (Alex Lifeson and Geddy Lee) gave impassioned speeches for Yes' induction into the Rock & Roll Hall Of Fame. Geddy Lee also had the opportunity to play bass on 'Roundabout' in honor of the Late Chris Squire.

Well, we know that Yes had been a very huge influence on Rush. We also realize that King Crimson and previous inductee Genesis were also influential.

However, since Rush 's ambition was to become the "world's smallest symphony orchestra, Rush has yet to honor the band which had helped to give them their direction: The Moody Blues.

Posted by Enigmaticus on Sunday, 04/9/2017 @ 07:27am

On Friday night, two members of Rush (Alex Lifeson and Geddy Lee) gave impassioned speeches for Yes' induction into the Rock & Roll Hall Of Fame. Geddy Lee also had the opportunity to play bass on 'Roundabout' in honor of the Late Chris Squire.

Well, we know that Yes had been a very huge influence on Rush. We also realize that King Crimson and previous inductee Genesis were also influential.

However, since Rush 's ambition was to become the "world's smallest symphony orchestra," Rush has yet to honor the band which had helped to give them their direction: The Moody Blues.

Posted by Enigmaticus on Sunday, 04/9/2017 @ 07:29am

The biggest news in the world of "prog" this year apparently happens to be the induction of Yes by 2/3 of the members of Rush.

Hopefully later this year, The Moody Blues will finally receive a ridiculously long overdue Rock Hall nomination and be inducted into the Rock Hall in 2018 by all three members of Rush.

What do you, think?

Posted by Enigmaticus on Sunday, 04/16/2017 @ 14:40pm

https://www.youtube.com/watch?v=kFdemFi-zJw

"Rockin' the Free World" Super Jam - 2017 Induction Ceremony Full Performance

Posted by Roy on Monday, 05/22/2017 @ 12:25pm

Today is the 24th of May, a date which had been made famous by a lyric from 'Lakeside Park' from "Caress Of Steel," from 1975, arguably Rush's first full blown prog album.

Posted by Enigmaticus on Wednesday, 05/24/2017 @ 10:37am

Question: Does 2/3 of Rush still equal Rush?

Posted by Enigmaticus on Friday, 06/2/2017 @ 09:33am

I think 2/3 of Rush equals a Hustle, or maybe a Scurry.

Posted by Philip on Friday, 06/2/2017 @ 20:46pm

Tomorrow will mark the 25th anniversary of my first Rush concert, or major rock concert, for that matter. As I have stated previously, I have only seen Rush perform live in concert three times, approximately once per decade. My first Rush concert was during the "Roll The Bones" tour on June 7, 1992. My second Rush concert was during the "Vapor Trails" tour on September 27, 2002. My most recent Rush concert was during the "Clockwork Angels" Tour on November 25, 2012.

Posted by Enigmaticus on Tuesday, 06/6/2017 @ 10:03am

https://www.youtube.com/watch?v=eJMqYGOF_iw

Rush is inducted into the Canadian Songwriters Hall of Fame (CSHF) 2010

Posted by Roy on Saturday, 06/17/2017 @ 19:13pm

https://www.youtube.com/watch?v=MSKkUWWBYRE

Rush 1994 Canadian Music Hall Of Fame Induction Ceremony

Posted by Roy on Sunday, 06/18/2017 @ 06:24am

Although, it has now been slightly more than 20 years since I had started to create my now long-archived website, the main body of the website was created between July, 1997 and June, 1999.

Posted by Enigmaticus on Sunday, 06/25/2017 @ 19:25pm

Enigmaticus
a few seconds ago
20 years ago this week, I had started to build the "art rock" section of my now long-archived website. Ostensibly, the impetus grew out of my desire to learn webpage design and my interest in progressive rock. I would often work on more than one page during the same day. The creation of the main Rush page was my primary concern during those first few weeks of July, 1997. Most of the website had been completed by June, 1999. Afterwards, I would continue to make periodic updates to the website, until 2008.

Posted by Enigmaticus on Sunday, 07/2/2017 @ 05:52am

Many successful musical artists will eventually reach a point of complacency. They feel that they no longer need to progress in order to maintain their fan bases. Fortunately, Rush has never been like that; there has always been this constant need within them to create something different. You will find variations from one album to the next. There is a constant sense of revitalization throughout the body of their discography. Rather than rehashing old ideas, due to prevailing commercial success, Rush has had this constant need to push their musical vision in other directions.

If Rush's long overdue induction has had any real impact on
the Rock & Roll Hall Of Fame, then that impact will be felt over the next several years. The inductions of Yes and Electric Light Orchestra into the Rock & Roll Hall Of Fame in 2017 is certainly a step in the right direction. Inducting Chicago and Deep Purple in 2016 was also a good move. Allow the members of Rush to induct The Moody Blues into the Rock & Roll Hall Of Fame in 2018. Also, induct Procol Harum, King Crimson, Duran Duran, Sade and Carly Simon the same year and this will continue this progression.

Posted by Enigmaticus on Friday, 07/14/2017 @ 10:53am

Twenty years ago this month, I had started building the main body of my now long-archived website. In a way, I suppose that I had felt like a pioneer of sorts. I was taking existing material from multiple sources and creating something entirely new from it. Back during those days, you had to learn how to write HTML in order to create a website. I had ncorporated elements of Corel Draw and Photoshop, in order to create my graphics and I had scanned a few images, in order to move some of my existing artwork onto the pages. I had also collaborated with other webmasters on their particular sites. Outside of a few major comprehensive websites which had been mostly text and individual fan sites, there really were not a great deal of "prog" websites in existence.

I had first started building the main Rush pages during the middle of July in 1997. I had felt that it was very important to challenge the previous notions that Rush had been a "heavy metal" band. I had also started planting the seed which would eventually lead to Rush's Rock Hall induction in 2013, almost 16 years later.

Many successful musical artists will eventually reach a point of complacency. They feel that they no longer need to progress in order to maintain their fan bases. Fortunately, Rush has never been like that; there has always been this constant need within them to create something different. You will find variations from one album to the next. There is a constant sense of revitalization throughout the body of their discography. Rather than rehashing old ideas, due to prevailing commercial success, Rush has had this constant need to push their musical vision in other directions.

If Rush's long overdue induction has had any real impact on
the Rock & Roll Hall Of Fame, then that impact will be felt over the next several years. The inductions of Yes and Electric Light Orchestra into the Rock & Roll Hall Of Fame in 2017 are certainly steps in the right direction. Inducting Chicago and Deep Purple in 2016 were also good moves. At the present time, allowing the members of Rush to induct The Moody Blues into the Rock & Roll Hall Of Fame in 2018 is foremost on my mind.

Also, inducting Procol Harum, King Crimson, Duran Duran, Sade and Carly Simon during the same year will continue with this progression. I would not be opposed to seeing more women enter the Rock Hall either.

Posted by Enigmaticus on Sunday, 07/16/2017 @ 15:59pm

Now that my most favorite "prog" bands (Rush & Yes) of all time havefinally been inducted into the Rock & Roll Hall Of Fame, I think that it's time for The Moody Blues (3),, King Crimson (4) and Duran Duran (5) to receive this honor next.

Posted by Enigmaticus on Sunday, 07/23/2017 @ 01:29am

Now that my most favorite "prog" bands (Rush & Yes) of all time have finally been inducted into the Rock & Roll Hall Of Fame, I think that it's time for The Moody Blues (3), King Crimson (4), Duran Duran (5) and Procol Harum (16) to receive this honor next.

Afterwards, I think that Jethro Tull (7), Emerson Lake & Palmer (8), Kansas (14), Supertramp (17) and Styx (19) should be considered for this honor, also.

Posted by Enigmaticus on Sunday, 07/23/2017 @ 03:24am

Today is the 64th birthday of Geddy Lee and the 43rd anniversary of the present lineup of Rush. Next month will Rush will officially be 49 years old, although "The Projection," the predecessor to Rush is slightly older.

Now, I would like to wish Geddy Lee the happiest of birthdays and a very sincere thank you for all of the magnificent music that he has co-written over nearly the past half century.

Posted by Enigmaticus on Saturday, 07/29/2017 @ 11:34am

Enigmaticus
a few seconds ago
Today is the 64th birthday of Geddy Lee and the 43rd anniversary of the present lineup of Rush. Next month, Rush will officially be 49 years old, although "The Projection," the predecessor to Rush is slightly older.

Now, I would like to wish Geddy Lee the happiest of birthdays and a very sincere thank you for all of the magnificent music that he has co-written over nearly the past half century.

Posted by Enigmaticus on Saturday, 07/29/2017 @ 11:39am

Sometime later this month, Rush will turn 49.

Posted by Enigmaticusu on Wednesday, 08/9/2017 @ 03:31am

I would sincerely like to extend Happy Birthday wishes to Alex Lifeson, guitarist and co-founder of progressive rock masters Rush. Thank you, Alex for all of the great solo instrumental music which you have written over nearly 50 years and your nearly half-century ongoing collaboration with Geddy Lee on some of the most magnificent music that has ever been committed to the recording medium. Your music just happens to be extrardinarily timeless and awe inspiring! Thank you.

Posted by Enigmaticus on Sunday, 08/27/2017 @ 10:12am

Posted by Enigmaticus on Sunday, 08/27/2017 @ 10:15am

In case, you are still unaware, the "prog" highlight of this year was most probably the induction into the Rock & Roll Hall Of Fame of Yes by 2/3 of Rush earlier this year. In the July, 2017 issue of "PROG" magazine this is certainly mentioned in the article titled "Perpetual Change," on pp. 38-41.

Posted by Enigmaticus on Sunday, 08/27/2017 @ 10:22am

I would sincerely like to extend Happy Birthday wishes to Alex Lifeson, guitarist and co-founder of progressive rock masters Rush. Thank you, Alex for all of the great solo instrumental music which you have written during the past 49 years and your nearly half-century ongoing collaboration with Geddy Lee on some of the most magnificent music that has ever been committed to the recording medium. Your music just happens to be extraordinarily timeless and awe inspiring! Thank you.

Posted by Enigmaticus on Sunday, 08/27/2017 @ 18:09pm

Hey Enig, question for you as an expert on Prog rock...

A co-worker of mine was commenting on a humorous situation recently wherein he stopped at a glass blowing place, and as they were making bongs, they were listening to Pink Floyd, and he thought it was all too fitting that they'd be listening to some prog while forging some drug paraphernalia. My immediate reaction was that it wasn't really all that appropos at all. Pink Floyd certainly does have its share of music to trip balls to ("Us And Them" immediately springs to mind), but prog overall really doesn't seem like it would be all that closely tied to drug culture. That's more the realm of psychedelic rock, imo. Now you're quick to call psychedelic rock "prog adjacent," but as for empirical prog rock, my intuition tells me that prog rock and drug culture really only overlap in two areas: one, they were both a huge part of the audience during the popularization of FM radio during the late '60s and early '70s (as album halves and longer songs found a home, something the two have in common); two, popularity with the college crowd. Beyond that, it seems that the classical influences and intricacies are far too complexly woven in to be conducive to a stoner culture.

I of course, am only hypothesizing and would appreciate your input on this. In fact, anyone who was in college or generally around at that time, I'd appreciate some input. I wasn't around then, so I can't speak too well to it, and prog's never been my bread and butter either.

Posted by Philip on Wednesday, 08/30/2017 @ 00:28am

Philip,

Progressive rock is the child of psychedelia, so therefore drugs, particularly hallucinogenic ones, have been associated with the reason for many prog band's conceptualizations. There was a British program titled "Top Ten" which had covered the top 10 prog bands in the United Kingdom. It is available to watch on YouTube. Not all prog bands were into mind expansion, but bands such as The Moody Blues have admitted to the use of L.S.D., in order to fuel their imaginations. The members of Jethro Tull, however vehemently deny that any drug taking was involved in their work. Rush is named after an aspect of a hallucinogenic experience.

Posted by Enigmaticus on Monday, 09/4/2017 @ 19:13pm

Thanks Enig. Sometimes it really is that simple, eh? Lol

Posted by Philip on Tuesday, 09/5/2017 @ 00:17am

I have also write notes rather extensively about Rush for the past several years:

Here is my first posting on this page:
'

I was first introduced to the music of Rush in early 1979 with the album, "Hemispheres." At that time, it had been the most amazing piece of music that I had ever heard. After enrolling in the University of Arizona, I would be re-introduced to "Hemispheres" by a fellow student in the autumn of 1980. I have been an aficionado of Rush's music ever since. With the possible exception of most of the songs on their debut album, with the exceptions of 'Here Again' and 'Working Man'.and 'Lesson' from 2112, I have enjoyed almost all of Rush's vast catalogue. I feel that Rush is one of those bands who is undoubtedly amongst the most consistently excellent songwriters of all time. Their upcoming induction into the Rock & Roll Hall Of Fame is long overdue. My hope is that other "progressive rock" bands will be inducted in their wake. I am also hoping that this is the first of many honors yet to be bestowed upon them. They deserve to receive induction into both the American and U.K. Songwriter's Hall Of Fame, a lifetime Grammy award and the Kennedy Center Honors.

Posted by Enigmaticus on Monday, 03.4.13 @ 09:24am

Posted by Enigmaticus on Tuesday, 09/26/2017 @ 12:24pm

I have also written rather extensively about Rush for the past several years:

Here is my first posting on this page:

I was first introduced to the music of Rush in early 1979 with the album, "Hemispheres." At that time, it had been the most amazing piece of music that I had ever heard. After enrolling in the University of Arizona, I would be re-introduced to "Hemispheres" by a fellow student in the autumn of 1980. I have been an aficionado of Rush's music ever since. With the possible exception of most of the songs on their debut album, with the exceptions of 'Here Again' and 'Working Man'.and 'Lessons' from 2112, I have enjoyed almost all of Rush's vast catalogue. I feel that Rush is one of those bands who is undoubtedly amongst the most consistently excellent songwriters of all time. Their upcoming induction into the Rock & Roll Hall Of Fame is long overdue. My hope is that other "progressive rock" bands will be inducted in their wake. I am also hoping that this is the first of many honors yet to be bestowed upon them. They deserve to receive induction into both the American and U.K. Songwriter's Hall Of Fame, a lifetime Grammy award and the Kennedy Center Honors.

Posted by Enigmaticus on Monday, 03.4.13 @ 09:24am

As far as I am concerned, Rush's induction was essential, it had finally opened the door for many well-deserving prog acts.

Posted by Enigmaticus on Tuesday, 09/26/2017 @ 12:40pm

Unfortunately, "Roll The Bones" has still not been added to the list of Rush's essential albums. :-(

Posted by Enigmaticus on Tuesday, 09/26/2017 @ 13:34pm

It's a very well known fact that over the years The Rock Hall has gotten thousands of letters from fans of The Moody Blues and Rush. More than any other bands. The Moody Blues pre-date Rush, but Rush might get inducted first, to add to the votes for The Moody Blues. The Moody Blues were nerd Rock long before Rush came along.

Posted by Roy on Saturday, 11.3.12 @ 22:31pm

Roy,

Thank you for that prophetic post.

The biggest news in the world of "prog" this year apparently happens to be the induction of Yes by 2/3 of the members of Rush.

Hopefully later this year, The Moody Blues will finally receive a ridiculously long overdue Rock Hall nomination and be inducted into the Rock Hall in 2018 by all three members of Rush.

What do you, think?

Posted by Enigmaticus on Sunday, 04.16.17 @ 14:40pm

Posted by Enigmaticus on Sunday, 10/8/2017 @ 09:08am

Yes, Rush should induct The Moody Blues.

Posted by Roy on Sunday, 10/8/2017 @ 10:12am

Roy,

Thank you, I happen to agree with you completely.

By the way, I am still extremely disappointed that “Roll The Bones,” probably the most Moody Bluesish of all of the Rush studio albums, has still not been added to the list of essential Rush albums, even though it was inducted nearly 22 months ago. Why has this not been done?

Posted by Enigmaticus on Saturday, 10/21/2017 @ 18:56pm

For those of you who are interested and have AXS TV on your network,

An interview with Geddy Lee is scheduled to air on Tuesday October 24, 2017 on The Big Interview with Dan Rather @ 9 p.m. E.D.T.

Posted by Enigmaticus on Saturday, 10/21/2017 @ 23:50pm

Today is the day which I happen to refer to as the “trifecta” of prog, the holiest of all “prog” holidays. Why is it so special? Because on this date, in different years, Rush had released three very different, yet very important albums.

In 1978, Rush had released “Hemispheres,” their last album to feature side-long epics. “Hemispheres” represents Rush’s final overtly “symphonic progressive” rock studio recording. In my honest opinion, it is Rush’s first studio masterpiece and the 4 songs featured on it are among Rush’s best work, especially ‘La Villa Strangiato,” which happens to be Rush’s greatest instrumental and is #012 on my list of favorite Rush songs. ‘La Villa Strangiato,’ subtitled (An exercise in self indulgence) epitomizes the apex of Rush’s instrumental work. It always sounds fresh and Alex’s guitar on this is haunting, yet startlingly beautiful. According to “Rush: Beyond The Lighted Stage,” it is highly regarded by Kirk Hammett, of Metallica and Mike Portnoy, formerly of Dream Theater, for it’s virtuosity.

“Hemispheres” also features, ‘The Trees,’ another song which has been interpreted as a metaphor for class struggle. ‘Circumstances’ is one of Rush’s most poignant shorter songs. ‘Cygnus X-1 Part II: Hemispheres,’ is perhaps Rush’s most overtly complex epic.

“Hemispheres” had been my first introduction to the magnificent music of Rush. I had first heard it on February 17, 1979, two weeks after my 17th birthday. I had later become more familiar with this recording 37 years ago, when I had been re-introduced to this album, in late October, 1980.

If “Hemispheres” had been the album which had introduced me to the splendor of Rush, then “Exit... Stage Left” had been the recording which had cemented my interest in the music of Rush and accordingly, all things musically progressive. The reason why I had become an aficionado of “prog” has been due for the most part, to my appreciation of this superlative live recording. For 36 consecutive years, “Exit... Stage Left” has been my favorite Rush live recording, my favorite progressive live recording, my favorite progressive rock recording and my favorite album of all time. It has been the standard, by which I have judged other recordings. It has also been the primary reason, why I have thoroughly embraced various artists as: Yes, The Moody Blues, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Gentle Giant, ELP, Talking Heads, Kansas, Electric Light Orchestra, Alan Parson’s Project, Renaissance, Genesis, Peter Gabriel, Procol Harum, Jefferson Airplane, Echolyn, etc.

My appreciation of “Exit... Stage Left” has also been the reason why I have been open to listening to and appreciating the works of the so-called “New Age” artists. Those artists have included: Vangelis, Jean Michel Jarre, Andreas Vollenweider, Yanni and Shadowfax, amongst others. The reason why I have also enjoyed various types of jazz fusion and smooth jazz has been due in no small part, to my appreciation of this highly underrated live masterpiece. So what makes, “Exit... Stage Left” so great, other than it had been like a live version of Rush’s greatest hits, at that time?

After “Hemispheres,” Rush had decided to change direction and embrace the so-called “new wave,” with it’s emblematically shorter songs. In so doing, they had decided to give up their side-long epics. In so doing, they had felt like they had been creating songs which still had embraced the complexity of earlier works, but in a shorter format. As a result, Rush had become even more popular. “Exit... Stage Left,” in my honest opinion, has represented a synthesis of the old and the new. It had also been Rush’s last overt attempt to become the world’s smallest symphony orchestra, their raison d’ etre.

In my honest opinion, the minimalistic style set forth by “Permanent Waves” and “Moving Pictures” combined with the grandeur and virtuosity of “A Farewell To Kings” and “Hemispheres” had culminated in the superlative music on “Exit... Stage Left.” “Exit... Stage Left” features the epic prog masterpieces, ‘Xanadu’ and ‘Jacob’s Ladder,’ In addition to the instrumental tour de force, ‘La Villa Strangiato’ and the shorter, but equally intense, ‘YYZ,’ as well as Alex Lifeson’s shorter classical guitar intro to ‘The Trees,’ ‘Broon’s Bane.’ In fact, II has been my honest opinion, that the succession of songs from the epic, ‘Jacob’s Ladder’ through ‘Xanadu’ has represented the finest symphonic progressive rock ever having been committed to the compact disc format.

Continuing on with shorter songs for another 4 years had led to the magnificence of “Power Windows,” an album which had been described as “... the missing link between Yes and the Sex Pistols,” by various critics.

I do not know if I would go that far to say that, but it had been my favorite Rush studio album for over 26 consecutive years, from the time of it’s release 32 years ago, until a few weeks before my 50th birthday, in late January, 2012. It was then that “Power Windows” had been eclipsed by the Audiofidelity gold cd version of “Roll The Bones.”

Otherwise, “Power Windows” has been described as “... the perfect synthesis of keyboards and guitar for Rush.” In addition to The Police and U2, I have also seen quite a bit of Talking Heads and Duran Duran’s influence on this particular recording. My favorite songs from “Power Windows” are the chillingly beautiful and sophisticated, yet primitive, ‘Mystic Rhythms,’ the poignant ‘Middletown Dreams,’ the intensely engulfing and atmospheric, ‘Manhattan Project,’ the culturally significant and gripping ‘Territories,’ the energetic ‘Marathon’ and the elegant, sophisticated and luscious ‘Grand Designs.’ The political, ‘The Big Money’ and the subdued ‘Emotion Detector’ are my least favorite songs on this magnificent studio album. What makes “Power Windows” different is the support of the string section on many of it’s songs. In a way, “Power Windows” is not only the predecessor to “Hold Your Fire,” but also the parent of “Clockwork Angels.”

Posted by Enigmaticus on Sunday, 10/29/2017 @ 19:29pm

To the editors of Wikipedia:

1. Rush was never a "heavy metal" band.
2. "Roll The Bones" is a "progressive rock" album, not a "hard rock" album.
3. Rush was hugely influenced by The Moody Blues,
Posted by Enigmaticus on Saturday, 11.12.16 @ 20:05pm

FRL,

I am still quite disappointed that "Roll The Bones" (1991) has not been added as an essential Rush album. It was inducted into the Album Project in late December, 2015. ;-(

Posted by Enigmaticus on Sunday, 02.5.17 @ 03:04am

Posted by Enigmaticus on Saturday, 11/4/2017 @ 13:56pm

About Rush, Enigmaticus wrote:
To the editors of Wikipedia:

1. Rush was never a "heavy metal" band.
2. "Roll The Bones" is a "progressive rock" album, not a "hard rock" album.
3. Rush was hugely influenced by The Moody Blues.

FRL,

I am still extremely disappointed that "Roll The Bones" (1991) has not been added as an essential Rush album. It was inducted into the Album Project in late December, 2015. :-(

Perhaps, we need to vote Rush in as one of the artist’s in the Artist Project, in order to make this a reality?

Posted by Enigmaticus on Saturday, 11/4/2017 @ 15:52pm

I am extremely disappointed that Rush is only ranked 106th on that list of Rock Hall inductees, whereas Pink Floyd is 28th and Talking Heads is 78th. I actually don’t have that much of a problem with this, as I do with ranking AC/DC above the holy triumvirate, or N.W.A. above
Yes, that, as far as I am concerned is completely incomprehensible.

Posted by Enigmaticus on Sunday, 11/12/2017 @ 00:25am

106. Rush
Rush is the biggest progressive rock band of all time in terms of cultural impact. The band was known for its conceptual albums and precise, wide-ranging musicianship. Despite its complex music, Rush’s popularity grew and grew, as band would influence modern bands like Tool, Foo Fighters, The Smashing Pumpkins and Soundgarden.

Really, then why are Rush ranked 106th? In my honest opinion, they should be ranked 100 places higher, or at the very least in the top 10, period.

Posted by Enigmaticus on Sunday, 11/12/2017 @ 13:34pm

Today is the 28th anniversary of the release of “Presto.” “Presto” is second on my list of favorite Rush studio albums after “Roll The Bones.”

My favorite song from “Presto” is ‘Available Light,’ ‘Available Light’ is quite possibly Rush’s most cinematic song overall. It is also fourth on my list of favorite Rush songs. Many songs on “Presto” feature prominent piano flourishes which give this recording greater depth and scope. When I had first heard “Presto,” I was quite figuratively blown away.

Posted by Enigmaticus on Tuesday, 11/21/2017 @ 09:31am

Today is Thanksgiving in the United States, one of those rare days off from work when I feel compelled to sleep through until after 10 a.m. on a holiday. I also frequently do the same thing on Christmas Day, by the way.

Yes, It looks like The Moody Blues will be the next major prog act to be inducted into the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Thursday, 11/23/2017 @ 16:40pm

And then on Christmas Eve, you'll be visited by three spirits who'll try to convince you there's more to life than prog, and to embrace life and the meanings of holidays.

Posted by Philip on Friday, 11/24/2017 @ 00:38am

The Ghosts of Future Past 😂

Posted by The_Claw on Friday, 11/24/2017 @ 09:20am

Philip,

Yes, there is more to life than prog rock, there is also art. There is also great food.

Resting on holidays is a necessity; I sometimes have to recharge my batteries, prior to going back to work. Of course, I will still ascertain that vacations are not necessarily as important to me.

Holidays, however mean almost nothing to me anymore. For one thing, I cannot stand Holiday music; it irritates the heck out of me. I think celebrating holidays is for younger people, not for middle aged people without families like me.

Posted by Enigmaticus on Saturday, 11/25/2017 @ 00:01am

Doesn't mean holidays can't mean something.

I still love holiday music, btw, and I'm pretty much in the same demographic as you. It's a matter of having perspective and joy.

Posted by Philip on Saturday, 11/25/2017 @ 00:39am

On Friday December 1, a new 40th anniversary box set issue of “A Farewell To Kings” had been released. This recording has been featured in the latest issue of PROG Magazine. Unfortunately, the new issue will most probably not be available on the newstands until later this month.

Posted by Enigmaticus on Sunday, 12/3/2017 @ 15:41pm

In my honest opinion, these are the greatest Rush studio albums;

10. Test For Echo (1996)
09. Hemispheres (1978)
08. Snakes & Arrows (2007)
07. Signals (1982)
06. Permanent Waves (1980)
05. Moving Pictures (1981)
04. Clockwork Angels (2012)
03. Power Windows (1985)
02. Presto (1989)
01. Roll The Bones (1991)

Posted by Enigmaticus on Saturday, 12/9/2017 @ 15:34pm

In my honest opinion, Rush’s biggest overall musical influence has been none other than The Moody Blues. That is why, it has been extremely difficult to fathom why The Moody Blues had not been inducted previously. But now that The Moody Blues are scheduled to be inducted in April, 2018, I think that it is appropriate to discuss the artists which will benefit from The Moody Blues upcoming induction into the Rock & Roll Hall Of Fame.

Here are five, who I believe merit immediate induction into the Rock Hall, in order:

1. King Crimson
2. Duran Duran
3. Jethro Tull
4. Supertramp
5. Procol Harum

Posted by Enigmaticus on Thursday, 12/14/2017 @ 04:08am

I had written this posting slightly over a year ago:

Prior to Rush's induction into the Rock & Roll Hall Of Fame in 2013, there were very few progressive rock artists that had been inducted into the Rock Hall. Certainly, there were: Pink Floyd, Jefferson Airplane, Talking Heads, Traffic, and of course- Genesis. However, whether directly, or indirectly, Rush's induction was a catalyst for things to come. Before you knew it, a campaign for Yes' induction had emerged, A new documentary had been released on Kansas; Chicago, Blue Oyster Cult and Duran Duran had declared themselves to be "prog" bands. Now that Yes, Electric Light Orchestra and Journey have finally been inducted into the Rock & Roll Hall Of Fame, I think that it is imperative to nominate two very long overdue "progressive rock" pioneers: The Moody Blues and King Crimson and re-nominate co-founders- Procol Harum. I think that it is also necessary to nominate Duran Duran and perhaps, our homegrown prog heroes, Kansas.

Now that The Moody Blues, the fathers of prog are finally being inducted into the Rock & Roll Hall Of Fame, who do you think might be next?

My list:

Procol Harum
King Crimson
Jethro Tull
Supertramp
Duran Duran

Posted by Enigmaticus on Sunday, 12/17/2017 @ 11:42am

According to the Rock Hall snubs website, Duran Duran is now the #1 Rock Hall snub.

Okay, I can certainly understand that. Apparently, The Moody Blues upcoming induction has now opened the door for Duran Duran.

I could also argue that Duran Duran and Jethro Tull are most probably the next two “prog” bands to be inducted into the Rock Hall in 2019, but I am still very interested in seeing a King Crimson nomination, also.

Some individuals still do not believe that Duran Duran is a major “prog” band and they are most certainly entitled to their opinion. But, over recent years, Duran Duran has become more and more “proggy,” in fact, ‘What Are The Chances?’ is one song which would probably fit quite nicely on any post “Grace Under Pressure,” Rush recording, with the possible exception of “Vapor Trails.”

Since, this has already happened:

Rush——————> Yes (2017)
Rush—————————> The Moody Blues (2018)

Maybe, just maybe, This will happen:
Rush——————————————————> Duran Duran (2019)
Rush——————————————————-> Jethro Tull (2019)
Rush————————————————————————-> King Crimson (2020)
Procol Harum (2020)

Posted by Enigmaticus on Wednesday, 12/20/2017 @ 04:52am

I am still quite disappointed that “Roll The Bones” has still not been added to the list of Rush’s essential albums. It had been voted into the album project over 2 years ago. Please correct this omission. Thank you. ;-(

Posted by Enigmaticus on Friday, 12/29/2017 @ 13:10pm

When I started posting on this site over 5 1/2 years ago, not a single artist who I had been supporting for several decades had been nominated, nor inducted. Then, rather mysteriously my favorite progressive rock band- Rush had been inducted. My second favorite progressive rock band- Yes had received their first nomination, then after three nominations, Yes had finally been inducted. Also, my twelfth favorite progressive rock band, Electric Light Orchestra had joined Yes in the Rock & Roll Hall Of Fame, earlier this year. Now, finally the co-founders of progressive rock, a group which I have long supported for induction, my third favorite progressive rock band-The Moody Blues are finally being inducted. There are still more progressive rock bands which I would like to see inducted: King Crimson (my fourth favorite progressive rock band), Duran Duran (my fifth favorite progressive rock band), Jethro Tull (my sixth favorite progressive rock band), Kansas (my tenth favorite progressive rock band), Procol Harum (my fourteenth favorite progressive rock band), Supertramp (my sixteenth favorite progressive rock band) and Styx (my eighteenth favorite progressive rock band). I would also like to see Sade, Carly Simon, Doobie Brothers and Foreigner inducted in the not too distant future. I know that it is highly unlikely that my 9th favorite progressive rock band- Gentle Giant, my 11th favorite progressive rock band- Emerson Lake & Palmer, my 17th favorite progressive rock band- Renaissance, or my 19th favorite progressive rock band- Alan Parson’s Project will ever be inducted, but my 7th favorite progressive rock band- Pink Floyd, my 8th favorite progressive rock band- Talking Heads, my 13th favorite progressive rock band- Genesis and my 15th favorite progressive rock artist- Peter Gabriel have already been inducted. So, who knows for certain?

So, once again here is my revised list of favorite progressive rock artists:

01. Rush
02. Yes
03. The Moody Blues
04. King Crimson
05. Duran Duran
06. Jethro Tull
07. Pink Floyd
08. Talking Heads
09. Gentle Giant
10. Kansas
11. Emerson Lake & Palmer
12. Electric Light Orchestra
13. Genesis
14. Procol Harum
15. Peter Gabriel
16. Supertramp
17. Renaissance
18. Styx
19. Alan Parsons Project
20. Asia

Posted by Enigmaticus on Saturday, 12.24.16 @ 13:58pm

Posted by Enigmaticus on Saturday, 12/30/2017 @ 13:15pm

Today is the 38th anniversary of the release of “Permanent Waves,” my sixth favorite Rush studio recording.

Posted by Enigmaticus on Monday, 01/1/2018 @ 02:38am

Posted by Enigmaticus on Tuesday, 01/2/2018 @ 01:44am

Happy New Year, everyone.

Prior to Rush’s induction into the Rock & Roll Hall Of Fame in 2013. Geddy Lee and Alex Lifeson had mentioned 4 progressive rock bands who should be in the Rock & Roll Hall Of Fame: Deep Purple, Yes, The Moody Blues and King Crimson. Of those 4 bands: Deep Purple and Yes have been inducted and The Moody Blues will be inducted in April of this year. However, King Crimson may be a tougher nut to crack, or so to speak. As far as major “progressive” rock bands are concerned, according to the R.I.A.A. : Pink Floyd, Rush and Genesis are the prog bands who have been the most successful. Unfortunately, King Crimson has not sold very many albums in the U.S., overall. Thus, King Crimson does not have the name recognition that perhaps Jethro Tull, or Duran Duran, or The Moody Blues have among the general public. I think that this is really rather unfortunate since several of King Crimson’s recordings are masterpieces. Albums such as: “In The Court Of The Crimson King,” “Lark’s Tongues In Aspic,” “Red,” “Discipline,” “Beat” and “Three Of A Perfect Pair” are absolutely brilliant. Plus there are great King Crimson songs, such as: ‘The Nightwatch’ on “Starless And Bible Black.”

Oh by the way, Styx and Kansas have also been relatively successful in the U.S. also. But of course, those two are homegrown U.S. prog bands. One is from the heartland (Kansas) and the other from the city of Chicago (Styx). So, perhaps they should be.

Additionally, I wanted to say that both Donnie’s (Donnie’s Blog) and Philip’s (Rock Hall Monitors) latest blog entries were really quite astute and very well written.

Overall, I’ve been informed that theoretically our musical tastes generally evolve and become most definitive between the time when we reach the age of 15 and the time when we turn 30. In any case, hypothetically since I am almost 56 yrs. old, I had turned 15 in 1977 and I had turned 30 in 1992, therefore supposedly, many of the artists that came after that time period would not be as highly regarded as those who came afterwards, or perhaps prior. However, in my own particular situation, the clock starts slightly later, since I had arrived relatively late to the whole classic rock scene, so instead of being 15, I was 17 when I had first heard “Hemispheres” by Rush. I had turned 31 when Duran Duran had released their so-called “Wedding” Album. So, any music that I had heard between 1979 and 1994 probably had the most impact. Whereas, only a handful of bands after that time period would be given even a modicum of attention by me, for example, I really like “As The World” by Echolyn a huge amount, because it is “prog,” but I am very indifferent towards the music made after 1993, unless it had been progressive. Therefore, I have never really been a grunge aficionado, however I did like ‘Jeremy,’ by Pearl Jam, ‘Heart-Shaped Box,’ by Nirvana and ‘Black Hole Sun’ by Soundgarden.

Posted by Enigmaticus on Wednesday, 01/3/2018 @ 00:48am

In reality my list of favorite prog artistsactually looks more like this:

01. Rush
01. Yes
02. The Moody Blues
03. King Crimson
04. Duran Duran
05. Jethro Tull
06. Pink Floyd
07. Talking Heads
08. Gentle Giant
09. Kansas
10. Emerson Lake & Palmer
11. Genesis
12. Electric Light Orchestra
13. Peter Gabriel
14. Procol Harum
15. Jefferson Airplane
16. Supertramp
17. Renaissance
18. Styx
19. Alan Parsons Project
20. Asia

Posted by Enigmaticus on Saturday, 01/13/2018 @ 00:21am

In reality my list of favorite prog artists actually looks more like this:

01. Rush
01. Yes
02. The Moody Blues
03. King Crimson
04. Duran Duran
05. Jethro Tull
06. Pink Floyd
07. Talking Heads
08. Gentle Giant
09. Kansas
10. Emerson Lake & Palmer
11. Genesis
12. Electric Light Orchestra
13. Peter Gabriel
14. Procol Harum
15. Jefferson Airplane
16. Supertramp
17. Renaissance
18. Styx
19. Alan Parsons Project
20. Asia

Posted by Enigmaticus on Saturday, 01/13/2018 @ 00:24am

In approximately 20 more days, I will be 56 years old. 34 more days from now will mark the 39th anniversary of my introduction to the music of Rush via an album titled,“Hemispheres.”

“Hemispheres” is ninth on my list of favorite Rush studio albums.

Posted by Enigmaticus on Sunday, 01/14/2018 @ 16:55pm

Howard Stern doesn't like Rush.

Posted by Roy on Friday, 01/19/2018 @ 10:06am

A fortnight from now, I will start my 57th orbit around the sun. As I approach my 56th Birthday, I have realized that Rush and Yes are my co-favorite bands with The Moody Blues, King Crimson and Duran Duran slightly behind the other two;

Rush Yes
The Moody Blues
King Crimson
Duran Duran

Jethro Tull
Pink Floyd
Talking Heads
Gentle Giant
Kansas

Emerson Lake & Palmer

Genesis
Electric Light Orchestra
Peter Gabriel

Procol Harum
Jefferson Airplane

Styx

Alan Parsons Project

Asia

Posted by Enigmaticus on Saturday, 01/20/2018 @ 14:33pm

A fortnight from now, I will begin my 57th orbit around the sun. As I approach my 56th Birthday, I have realized that Rush and Yes are my co-favorite bands. The Moody Blues, King Crimson and Duran Duran are only slightly behind the other two.

————— Rush———————————-Yes
————————-The Moody Blues—————
............................King Crimson..........................
——————————Duran Duran—————-

Or perhaps something like this:

The Moody Blues
.
. .
. .
. .
. .
. .
. Rush . . . . .Yes.

Posted by Enigmaticus on Saturday, 01/20/2018 @ 14:56pm

It is always difficult to write an obituary about a rock band, especially one who has meant quite a lot to millions of fans and aficionados around the world. As I have stated numerous times before, Rush had been my co-favorite band, alongside Yes, for over 36 consecutive years. I had first been introduced to the music of Rush via their sixth studio album, “Hemispheres” in February, 1979. At that time, “Hemispheres” had been the most amazing music which I had ever heard. In August, 1980 while attending the University of Arizona as a Freshman, I had started changing the channel on my college roommate’s radio and had discovered the music of The Moody Blues. Those two bands have for the most part, been responsible for influencing the styles of music which I happen to like or dislike and have done so for over 37 consecutive years. So, although Yes and Rush are my co-favorite bands, The Moody Blues are only slightly behind them. The reason why I am such a huge aficionado of “progressive rock” is for the most part, due to my appreciation of such landmark recordings as: “Days Of Future Passed” by The Moody Blues and “Exit... Stage Left” by Rush.

Posted by Enigmaticus on Sunday, 01/21/2018 @ 12:01pm

https://www.youtube.com/watch?v=AIsCNMWVOvM

Alex Lifeson Says Rush Is Done for Good – Fans Share Memories

Posted by Roy on Sunday, 01/21/2018 @ 14:26pm

In 7 Days, I will attempt to celebrate my 56th birthday. I had taken yesterday off from work, due to exhaustion.

Over the past week, one of my favorite bands- Rush has been identified as being finished. I prefer to think of Rush as being on indefinite hiatus until I read confirming evidence from Geddy Lee that Rush is no longer an entity. Rush has gone on hiatus before, so it is remotely possible that they will return again, sometime in the future.

It is always difficult to write an obituary about a rock band, especially one who has meant quite a lot to millions of fans and aficionados around the world. As I have stated numerous times before, Rush had been my co-favorite band, alongside Yes, for over 36 consecutive years. I had first been introduced to the music of Rush via their sixth studio album, “Hemispheres” in February, 1979. At that time, “Hemispheres” had been the most amazing music which I had ever heard. In August, 1980 while attending the University of Arizona as a Freshman, I had started changing the channel on my college roommate’s radio and had discovered the music of The Moody Blues. Those two bands have for the most part, been responsible for influencing the styles of music which I happen to like or dislike and have done so for over 37 consecutive years. So, although Yes and Rush are my co-favorite bands, The Moody Blues are only slightly behind them. The reason why I am such a huge aficionado of “progressive rock” is for the most part, due to my appreciation of such landmark recordings as: “Days Of Future Passed” by The Moody Blues and “Exit... Stage Left” by Rush.

In retrospect those two albums had fueled my interests in most things progressive. As I have stated numerous times before, “I have seen no greater influence on Rush’s overall discography than that of The Moody Blues. Yes may have influenced Rush to become better musicians, but The Moody Blues had given Rush their direction.”

Accordingly, I feel that it an absolute necessity for the members of Rush to induct The Moody Blues into the Rock & Roll Hall Of Fame in April, 2018.

Posted by Enigmaticus on Saturday, 01/27/2018 @ 12:23pm

Well, I am not terribly surprised that this supposed celebration did not happen. However, in two weeks, I may attempt to celebrate the 39th anniversary of my introduction to the music of Rush via their sixth studio album- “Hemispheres.”

It is an unlikely scenario anyway, the last time that I had attempted to celebrate my birthday on my actual birthday was over 6 years ago and even that was tentative. I had been extremely furious that day also.

I had been incorrect about the date of my last proper vacation as well, it was actually in early May, 1987 instead. I had stayed in a hotel in Tokyo for three days during a torrential downpour. Perhaps, I had attempted to erase it from my mind, since it was also undoubtedly, a major disappointment, of course. :-(

Posted by Enigmaticus on Sunday, 02/4/2018 @ 01:14am

Today is the 17th of February; two weeks ago, it was the 56th anniversary of my birth. Today is Michael Jordan’s 55th Birthday and Richard Karn’s 62nd Birthday. Happy Birthday, gentlemen. Not to discount their birthdays, but today is also the 39th anniversary of my introduction to the magnificent music of Rush via their sixth studio album, “Hemispheres.”

Who would have known at that time, that “Hemispheres” would have been that important to me, overall? I certainly did not at that time and yet, because of that initial introduction to the music of Rush 39 years ago, I had become a huge aficionado of progressive music from that time forward.

Posted by Enigmaticus on Saturday, 02/17/2018 @ 11:17am

Of course, it had not happened overnight. However, that introduction to the music of Rush, via “Hemispheres” would initially lead me to seek out more similar music. It would lead to my discovery of the music of E.L.O. six months later and my discovery of the music of The Moody Blues eighteen months later. It would also spark an interest and lead to the embracement of many of the major progressive rock groups over the next several years. As a result, I would be re-introduced to the music of Rush 20 months later. I would also be introduced to the music of Pink Floyd 20 months later. I would be introduced to the music of Yes 27 months later and I would cement my interest in most things progressive 32 months later.

Posted by Enig on Saturday, 02/17/2018 @ 11:36am

29 days ago, I had started my 57th orbit around the sun. As I have stated previously, I have been an aficionado of progressive rock for almost 37 consecutive years. Now that the “holy trinity” of progressive rock (Rush, Yes and The Moody Blues) has been inducted, who do I think will be next?

2019:

Jethro Tull
Duran Duran

2020:

Supertramp
Procol Harum

2021:

Kansas
King Crimson

2022:

Emerson Lake & Palmer
Styx

2023:

Asia
Roxy Music

2024:

Dream Theater
Mastodon

Posted by Enigmaticus on Sunday, 03/4/2018 @ 14:39pm

FRL,

In December, 2015, “Roll The Bones” had been inducted into the Album Project. When will “Roll The Bones” be added to the list of essential Rush albums?

Posted by Enigmaticus on Sunday, 03/4/2018 @ 14:43pm

I have heard recently that the Rush references in the new film, “Ready Player One” have been removed. Am I upset about this? Not even in the slightest sense. It is probably not a film that I really have even a modicum of interest in seeing. In my honest opinion, I think that the “bromantic” comedy “I Love You, Man” had been much more appropriate for Rush, overall.

Posted by Enigmaticus on Tuesday, 03/13/2018 @ 10:50am

Not quite 22 years ago, I had watched a program about the Internet featuring actor Richard Karn, formerly known as Al Borland from “Home Improvement.” It was titled, “Secrets Of The Internet” and it had aired on the Discovery Channel in 1996. Watching that particular show on the Discovery Channel had inspired me to take a few classes at the local community college and to design my own website in 1997. In May, 1997 I had decided to take Learn HTML, the formatting structure of the Internet. I had two things in mind initially when I had started to create my website:

1. Change the public’s perception that Rush was a “progressive rock” band, or an “art rock” band, not a hard rock, nor a “heavy metal” band.

2. Plant the seed which would create the environment which would allow for Rush and by extension, other prog rock icons to be inducted into the Rock & Roll Hall Of Fame.

Fortunately, both of those objectives have been achieved. As of now, my website has been long-archived.

Posted by Enigmaticus on Wednesday, 03/14/2018 @ 10:39am

Not quite 22 years ago, I had watched a program about the Internet featuring actor Richard Karn, formerly known as Al Borland from “Home Improvement.” It was titled, “Secrets Of The Internet” and it had aired on the Discovery Channel in 1996. Watching that particular show on the Discovery Channel had inspired me to take a few classes at the local community college and design my own website in 1997. In May, 1997 I had decided to take a class in HTML, the formatting structure of the Internet. I had two things in mind initially when I had started to create my website:

1. Change the public’s perception that Rush was indeed a “progressive rock” band, or an “art rock” band, not a hard rock, nor a “heavy metal” band.

2. Plant the seed which would create the environment which would allow for Rush and by extension, other prog rock icons to be inducted into the Rock & Roll Hall Of Fame.

Fortunately, both of those objectives have been achieved. As of now, my website has been long-archived.

Now that those objectives have been met, there are still many more things to do. Jethro Tull, Duran Duran, Procol Harum, King Crimson, Supertramp, XTC and Kansas still need to be receive nominats for induction.

Posted by Enigmaticus on Friday, 03/16/2018 @ 16:38pm

Now that those objectives have been met, there are still many more things left to do. Jethro Tull, Duran Duran, Procol Harum, King Crimson, Supertramp, XTC and Kansas still need to receive nominations for induction.

Posted by Enigmaticus on Friday, 03/16/2018 @ 16:48pm

Doubtful that Kansas or XTC will ever receive nomination.
Fall short of criteria to meet HOF creds.
Supertramp and Crimson also longshots.
Duran Duran , Doobie Bros. seems realistic to eventually receive a nom.
Seems certain that this year that Radiohead, Rage Against the Machine, Judas Priest will receive nominations.
Radiohead sure to be inducted.
Unfortunately the Zombies may have missed their chance.

Posted by Mark on Friday, 03/16/2018 @ 21:43pm

Last year, two members of Rush (Geddy Lee and Alex Lifeson) had inducted Yes. Overall, it had been a great ceremony with members of three prog acts (Yes, Electric Light Orchestra and Rush) represented at the ceremony. Prog adjacent act Journey had also been inducted. This year however, only one progressive rock band- The Moody Blues, the co-fathers of the prog genre will be present. I am somewhat disappointed by this. In my honest opinion, progressive rock should have at least one other representative. Approximately a week ago, Troy L. Smith of the Cleveland Plain Dealer had chosen Geddy Lee as the ideal choice for inductor of The Moody Blues. Although I thoroughly enjoy Ann Wilson’s singing and the music of Heart, I still think that there will be something missing from this ceremony, i.e. the presence of another prog icon. Ideally my solution and the best compromise would have been to have at least one member of Heart (Ann Wilson) and at least one member of Rush (Geddy Lee) be co-inductors. This way, the prog community would be satisfied and we would be convinced that prog artists have finally been acknowledged and received by the Rock Hall as important and legitimate contributors to the history and fabric of rock and roll. The Rock Hall has made some major strides to correct this situation in recent years. Well, what do you, think?

Posted by Enigmaticus on Saturday, 03/31/2018 @ 06:03am

RIAA Gold & Platinum Update.

Time Stand Still (Video Longform)- Gold (50,000 copies)

Total: 23.315 million awards in America.

If the numbers are inaccurate, lemme know.

Posted by The Dude on Thursday, 04/5/2018 @ 11:48am

The Dude,

I am terribly sorry, but Rush has definitely sold a lot more records in the U.S. than 23.315 million. Even that 25 million sales figure that the RIAA frequently uses is approximately 20- 25 years old. I estimate that their total U.S. record sales are significantly higher and only Geddy, Alex, Neil, Ray, their attorneys and accountants know those actual numbers.

Posted by Enigmaticus on Friday, 04/6/2018 @ 08:25am

That’s okay, and there’s no need to apologize. I made my own list of the highest-certified bands in the US with the inclusion of singles - both standard and digital - and video albums/singles other than LP’s and EP’s.

I’ve already recounted the total amount of awards Rush made from the Rush, and they sold more twenty-seven million copies. I wanna thank ya for the correction.

Posted by The Dude on Friday, 04/6/2018 @ 10:30am

*from the RIAA

If only I can edit my comments.

Posted by The Dude on Friday, 04/6/2018 @ 10:34am

The Dude,

You are very welcome.

Now, since the holy trinity of prog (Rush, Yes and The Moody Blues) have been or are still in the process of being inducted, who should be next?

Procol Harum- with The Moody Blues induction happening next Saturday, I think that a re-nomination of Procol Harum may occur later this year. An induction however may be unlikely, unless neither of the next two listed prog bands appear on the ballot.

Jethro Tull- with The Moody Blues’ upcoming induction nigh, I think that Jethro Tull stands a good chance of not only receiving a nomination, but also an induction in 2019.

Duran Duran- in my opinion, they are not only the next likely
prog band to be nominated, but also the one most likely to be inducted. Duran Duran has had widespread crossover appeal and influence on many musicians worldwide for 2 generations.

King Crimson- Unfortunately they do not have the sales of their predecessors on this list. A nomination could occur, but their lack of familiarity among voters in the U.S. may hurt their chances. Of course, I would vote for them and so would most die-hard prog aficionados, but will that be enough votes to get them in? Who can say for certain.

The Rock Hall has been roundly criticized for not inducting enough women. Of course, I was hoping that Eurythmics and Kate Bush would be inducted. However, if the Rock Hall wants to get in female superstars who have cross over appeal, then nominations for Carly Simon and Sade should be forthcoming. I have long supported both of these great artists. I have been listening to the music of Carly Simon since I was a young child. The band Sade is in my honest opinion, an egregious omission. I have long held the belief that Sade and Carly Simon have not only deserved nominations, but have also deserved inductions for a very long time.

Posted by Enigmaticus on Sunday, 04/8/2018 @ 18:44pm

Oh one more thing, Sporcle has a quiz involving putting the songs of every Rush studio album in order from ‘Finding My Way’ to ‘The Garden.’ You have 15:00 to do so, my most recent time of completion using my iPad Pro is 9:08.

Posted by Enigmaticus on Sunday, 04/8/2018 @ 20:43pm

Procol Harum definitely deserves another nomination and induction. However, they may have, regrettably, along with the Zombies, missed their chance.
Jethro Tull will probably receive a nomination in the next few years. They deserve induction with the aforementioned groups.
Carly Simon definitely deserves to be in the HOF.
Hopefully this will be rectified this year.
Should be an interesting group of nominees this year.

Posted by Mark on Sunday, 04/8/2018 @ 20:46pm

Mark,

Thank you for your response. Yes, I definitely believe that Carly Simon warrants immediate induction also.

Now regarding the lack of “Roll The Bones” being on Rush’s essential album list even though it had been inducted into the Album Project nearly 2 years and 4 months ago. I am still very disappointed by this. The members of Rush have themselves attested to the fact that “Roll The Bones” is one of heir best albums.

Once again, here is my list of Rush’s essential studio albums:

10. Test For Echo
09. Hemispheres
08. Snakes & Arrows
07. Signals
06. Permanent Waves
05. Moving Pictures
04. Clockwork Angels
03. Power Windows
02. Presto
01. Roll The Bones

As far as their greatest live albums are concerned, I offer the following list:

06. Different Stages
05. Snakes & Arrows Live
04. R30
03. R40 Live
02. Snakes & Arrows Tour
01. Exit... Stage Left

Now, one more question. With the exception of “Exit.. Stage Left,” which Rush studio album’s songs are prominently featured on those other albums?

Posted by Enigmaticus on Sunday, 04/8/2018 @ 21:09pm

Now regarding the lack of “Roll The Bones” being placed on Rush’s essential album list, even though it was inducted into the Album Project nearly 2 years and 4 months ago:

1. I still find this extremely disappointing.
2. The members of Rush have attested to the fact that “Roll The Bones” is one of their best albums.
3. Songs from “Roll The Bones” are featured on most of Rush’s most recent live albums, with the exception of “Time Machine Tour: Live In Cleveland.”

When will this oversight be corrected?

Posted by Enigmaticus on Sunday, 04/8/2018 @ 21:23pm

I still find it to be slightly disappointing that the founding fathers of progressive rock had not been inducted by any of the aforementioned members of the “holy trinity” of prog, namely Geddy Lee, Alex Lifeson, or Neil Peart. Although Ann Wilson had given a great speech for the induction of The Moody Blues, I am still taken aback by the lack of prog representation also. I have been campaigning for over 2 decades, for the induction of more progressive rock bands to be inducted into the Rock Hall. It’s good to know that the “holy trinity,” (Rush, Yes and The Moody Blues) have finally been inducted, but we still have a long way to go.

In my honest opinion, we should next see a nomination for Duran Duran, Jethro Tull and a renomination for Procol Harum. Due to their lack of familiarity with American voters, King Crimson may still have to wait a few more years. The same may be true of Roxy Music, although “Avalon” had been one of their defining masterpieces and ‘Love Is The Drug’ has been rather ubiquitous, perhaps after Duran Duran has been inducted, Roxy Music will finally receive their first nomination.

After those three, I think that Supertramp may receive a nomination. Supertramp have enough pop sensibilities, yet they are also a progressive rock band. Hopefully, they will be nominated soon, I really do not want to see any more posthumous nominees for prog.

Although, I have not seen this year’s ceremony, perhaps a Ray Thomas tribute will happen next year. I was also slightly disappointed that Mike Pinder had not given a speech.

Well, what do you, think?

Posted by Enigmaticus on Thursday, 04/19/2018 @ 10:43am

I still find it to be slightly disappointing that the founding fathers of progressive rock had not been inducted by any of the aforementioned members of the “holy trinity” of prog, namely Geddy Lee, Alex Lifeson, or Neil Peart. Although Ann Wilson had given a great speech for the induction of The Moody Blues, I am still taken aback by the lack of prog representation also. I have been campaigning for over 2 decades, for the induction of more progressive rock bands to be inducted into the Rock Hall. It’s good to know that the “holy trinity,” (Rush, Yes and The Moody Blues) have finally been inducted, but we still have quite a long way to go.

In my honest opinion, we should next see a nomination for Duran Duran, Jethro Tull in October of this year and a possible renomination for Procol Harum in 2019. Due to their lack of familiarity with American voters, King Crimson may still have to wait a few more years. The same may be true of Roxy Music, although “Avalon” had been one of their defining masterpieces and ‘Love Is The Drug’ has been rather ubiquitous. One could argue that perhaps after Duran Duran has been inducted, Roxy Music will finally receive their first nomination.

After those three, I think that Supertramp may receive a nomination. Supertramp have enough pop sensibilities, yet they are also a progressive rock band. Hopefully, they will be nominated soon, I really do not want to see any more posthumous nominees from the prog genre.

Although, I have not seen this year’s ceremony, perhaps a Ray Thomas tribute will happen next year. I was also slightly disappointed that Mike Pinder had not given a speech.

Next year, we may see a further surprise in the world of progressive rock.

Well, what do you, think?

Posted by Enigmaticus on Friday, 04/20/2018 @ 10:51am

The Rock Hall has appeared to become more “prog” friendly as time has gone on. With the recent induction of one of the founding fathers of prog- The Moody Blues, into the Rock & Roll Hall Of Fame in 2018, the question then becomes, who’s next? Will another nomination for Procol Harum, or The Zombies be forthcoming? Will Jethro Tull receive their first long overdue nomination later this year? Since the “holy trinity” of prog have now been inducted, will we see more inductions of philosophical rock bands whose output is almost like a new religion? Will prog take a backseat this year and will hard rock and some long overdue “heavy metal” bands finally receive long overdue nominations?

Although one cannot say with absolute certainty, I still think that the Rock Hall will want to cleanup some of the prog backlog. Although incorrectly identified as a “synth pop” band, I think that the last of the first generation of prog bands will receive their first long-overdue nomination. Yes, I finally expect Duran Duran to get on the shortlist for the Rock Hall Nominating Committee of overdue bands. In the 1980’s Duran Duran had been considered to be a “throwaway assembly line pop band” and had been referred to as a “mall version” of Roxy Music, yet Duran Duran have stood the test of time. According to one particular website, Duran Duran is now considered to be the #1 Rock Hall snub.

I am certain that you must wonder by now, why I so frequently mention Duran Duran on a page devoted to Rush?
Well, the answer is quite simple, both Duran Duran and Rush have evolved into the bands which I had always wanted them to become. Duran Duran may have started out as a New Romantic pop band, but as of late have moved in more progressive directions and have become much closer to Rush. Rush has evolved from a bluesy hard rock band to perhaps the premier progressive rock band on this planet.

Well, what do you, think?

Posted by Enigmaticus on Friday, 04/20/2018 @ 12:36pm

The Rockhall has appeared to have become more “prog” friendly as time has passed. With the recent induction of one of the founding fathers of PROG – The Moody Blues, into the Rock and Roll Hall of Fame in 2018, the question then becomes, who is next? Will another nomination for Procol Harum, or The Zombies be forthcoming? Will Jethro Tull receive their first long overdue nomination later this year? Since the holy Trinity of PROG have now been inducted, Will we see more inductions of philosophical rock bands whose output have essentially become like a “new religion?” Or, will PROG take a backseat this year and will hard rock and some influential heavy metal bands finally receive their long overdue nominations?

Although one cannot say with absolute certainty, I still think that the Rockhall want to clean up some of the PROG backlog. Although incorrectly identified as a simple pop band, I think that the last of the first generation of PROG bands will receive their first long overdue nomination. Yes, I finally expect Duran Duran do you get on the shortlist for the rock Hall nominating committee. In the 1980s, Duran Duran had been considered to be a throwaway assembly line pop band and had also been referred to as a mall version of Roxy music. Yet, Duran Duran have withstood the test of time. According to one particular website, Duran Durand has now been considered to be the number one Rockhall snub.

I am certain that you must wonder by now, why I have so frequently mentioned Duran Duran on the page devoted to Rush? Well, the answer is quite simple: both Duran Duran and Rush have evolved into the bands which I have always wanted them to become. Duran Duran may have started out as a New Romantic pop band, but as of late, Duran Duran have moved in more progressive directions and have become much closer overall to Rush. Rush has evolved from a bluesy hard rock band into perhaps the premier progressive rock band on this planet.

With Duran Duran’s most recent output, we have witnessed a newfound appreciation for their previous output also. Such songs like ‘What Are The Chances? Have a closer affinity with much of the output from the “Presto” and “Roll The Bones” era of Rush. In fact, ‘What Are The Chances?’ would nicely fit alongside such Rush masterpieces as ‘Available Light,’ or ‘Ghost Of A Chance,’ for that matter. Nonetheless, Duran Duran is still an ongoing concern, whereas Rush may be on indefinite hiatus. Is it possible that Duran Duran will eventually replace Rush as the premier progressive rock band? Or, will there be a resurgence in the interest of Rush’s music among the public consciousness which will cause their return to the music scene? Only time will tell, what lies ahead for two of the greatest rock bands of all time.

Well, what do you, think?

Posted by Enigmaticus on Friday, 04/20/2018 @ 16:07pm

The Rock Hall has appeared to have become more prog friendly as time has passed. With the recent induction of one of the founding fathers of progressive rock- The Moody Blues into the Rock & Roll Hall of Fame in 2018, the question then becomes, who is next? Will yet another nomination for The Zombies be forthcoming? Will Procol Harum receive their second nomination? Will Jethro Tull receive their first long overdue nomination later this year? Since the “holy trinity” of PROG (Rush, Yes and The Moody Blues) have now been inducted, will we see more inductions of philosophical rock bands whose output have essentially become like a new religion? Or, will PROG bands take a backseat this year and will hard rock and some influential “heavy metal” bands finally receive their long overdue nominations?

Although one cannot say with absolute certainty, I still think that the Rock Hall wants to clean up some of the prog backlog. Although incorrectly identified as a “synth pop” band, I think that the last of the first generation of progressive rock bands will receive their first long overdue nomination. Yes, I finally expect Duran Duran to get on the shortlist of the Rock Hall Nominating Committee. During the 1980s, Duran Duran had been considered by many to be a “throwaway assembly line pop band” and had also been referred to as a “mall version” of Roxy Music. But, Duran Duran had been neither. No, Duran Duran has always been a major progressive rock band, although they had not yet been recognized as such. Yet, Duran Duran has withstood the test of time. According to one particular website, Duran Duran has now been considered to be the number one Rockhall snub.

I am certain that you must wonder by now, why I have so frequently mentioned Duran Duran on the page devoted to Rush? Well, the answer is quite simple: both Duran Duran and Rush have evolved into the bands which I have always wanted them to become. Duran Duran may have started out as a New Romantic pop band, but as of late, Duran Duran has moved in more progressive directions and has become much closer overall to Rush. Rush has evolved from a bluesy hard rock band into perhaps the premier progressive rock band on this planet.

With Duran Duran’s most recent output, we have witnessed a newfound appreciation for their previous output also. Such songs as “What Are The Chances?” and “The Universe Alone” have a closer affinity with the “Presto” and “Roll The Bones” eras of Rush. In fact, ‘What Are The Chances? would fit nicely alongside such Rush masterpieces as ‘Available Light,’ or ‘Ghost Of A Chance,’ for that matter. Nonetheless, Duran Duran is still an ongoing concern, whereas Rush may be on indefinite hiatus. Is it possible that Duran Duran will eventually replace Rush as the premier progressive rock band? Or, will there be a resurgence in the interest of Rush’s music among the public consciousness which will cause their return to the music scene? Only time will tell what lies ahead for two of the greatest progressive rock bands of all time.

Well, what do you think?

Posted by Enigmaticus on Friday, 04/20/2018 @ 16:55pm

I suppose that the main impact of Rush’s long overdue induction into the Rock & Roll Hall Of Fame in 2013 had definitely changed some of the ways that the Rock Hall appears to do business. Of course, the younger generation, i.e. “Generation X” appears to be much more interested in inducting artists from their generation.

Look, I am 56 years old and I have a great deal of interest in watching many of the bands which were popular with “Generation Jones” inducted. However, since I had been born on the cusp of the 2 generations, I am not going to limit myself to only 1960’s and 1970’s era bands, I also like some of the 1980’s bands, as well. First and foremost on my lists are the bands which have prog roots, therefore my push for the past several years has been to induct most of the first generation of prog bands. As far as I am concerned, such acts as: Procol Harum, King Crimson, Jethro Tull, ELP, Gentle Giant, Renaissance, Supertramp, Kansas, Styx and Duran Duran definitely deserve induction into the Rock & Roll Hall Of Fame. However, Emerson Lake & Palmer, Gentle Giant and Renaissance are very highly unlikely nominees. The others are far more likely nominees and if you look at the impact that many of those other bands had upon American culture, you will realize that many of those other listed bands are much more likely inductees. As far as I am concerned, progressive rock had been defined by certain unreasonable limits, i.e. the very idea that you need a song longer than 8 minutes in order to constitute prog has fallen by the wayside. Overall, Rush has many long songs, but most of their catalog consists of shorter songs which are also prog. So, what then constitutes “prog?”

Posted by Enigmaticus on Sunday, 04/29/2018 @ 12:12pm

FRL,

Thank you for adding “Roll The Bones” to the list of essential Rush albums. You did a good thing.

Classic Rock,

I have never heard of “Roll The Bones” as being referred to as a “Power Pop” album. I have heard of it being referred to as a “progressive rock concept album,” however.

Most of the songs on “Roll The Bones,” deal with choice and chance. Plus, Geddy Lee’s vocals have improved immeasurably on this recording.

The fact that a song like ‘What Are The Chances?’ by Duran Duran could fit neatly beside such masterpieces as ‘Available Light’ from “Presto,” ‘Ghost Of A Chance,’ from “Roll The Bones” and perhaps, ‘Nobody’s Hero’ from “Counterparts” or perhaps even, ‘The Garden’ from “Clockwork Angels” is a testament for the evolution of Duran Duran’s music over the past several decades. Duran Duran may have started out as a post punk “arty” New Romantic band, but their evolution in style has been nothing short of remarkable. In my honest opinion, ‘What Are The Chances?’ would fit very neatly beside several latter day Rush masterpieces. Moreover, it is quite apparent that Duran Duran had been referred to incorrectly as Roxy Music wannabes, when in actuality they sit in that nebulous realm inside the triangle formed by the“holy trinity” (Rush, Yes and The Moody Blues) of progressive rock.

Well, what do you think?

Or is all of this “pop” music as Andy Partridge, formerly of XTC claims?

Posted by Enigmaticus on Wednesday, 05/2/2018 @ 10:26am

Enig I agree with you Roll the Bones is not really a Power Pop album. However I don't see Duran Duran as Prog band. I see them as an Art Pop band.

Posted by Greg F on Wednesday, 05/2/2018 @ 15:51pm

Greg F,

Thank you for your response. By the way, what is the difference between “art pop” and “progressive pop?”

Posted by Enigmaticus on Thursday, 05/3/2018 @ 10:17am

Art pop is influenced by integration of high and low culture. Progressive pop on the other hand is more complex and attempts to break with the genre’s standard formula.

Posted by The Dude on Thursday, 05/3/2018 @ 11:05am

Since, the “holy trinity” of prog (Rush, Yes and The Moody Blues) have finally been inducted into the Rock & Roll Hall Of Fame, the question then becomes, “who is next?”

Posted by Enigmaticus on Friday, 05/11/2018 @ 23:55pm

I had originally written this, actually on October 20, 2016.

In case you have not seen it, "I Love You, Man" starring Paul Rudd (Peter Klaven) and Jason Segel (Sydney Fife) and Rashida Jones (Zooey Rice) as Peter's fiancée has been airing on HBO this week. It concerns a man searching for a best man for his upcoming wedding. In the ensuing search, he asks for his brother's and his mother's advice? After several hilariously disastrous encounters, Peter's mother (Joyce Klaven) played by Jane Curtin sets him up for a dinner with Doug, an architect from Chicago, played by Thomas Lennon, formerly of "Reno 911" fame. The two have a great dinner together, but Doug mistakes Peter's friendly intentions and kisses Peter in front of the steakhouse's valet stand. Peter is certainly surprised by this and after he returns to his house, he explains the whole situation to his girlfriend. Later that week, at an open house to sell Lou Ferrigno's mansion, he meets investor Sydney Fife (Jason Segel). Peter and Sydney eventually bond over their love of fish tacos and later for their mutual admiration of the progressive rock band, Rush. There are more hilarious occurrences to come during the film and this also includes a cameo "concert" appearance from Rush filmed during their "Snakes & Arrows" tour. Two Rush songs are featured in this film, 'Tom Sawyer' and 'Limelight.' There is also a cameo by O.K. Go during the wedding reception.

I highly recommend seeing this film, in case you haven't. Although, I do not particularly care for some of the more adolescent events in this film, overall, it had still been quite hilarious.

Posted by Enigmaticus on Monday, 05/21/2018 @ 09:45am

Since, the “holy trinity” of prog (Rush, Yes and The Moody Blues) have finally been inducted into the Rock & Roll Hall Of Fame, the question then becomes, “Who is next?”

2019

Jethro Tull
Duran Duran
Sade
Carly Simon
Doobie Brothers
Soundgarden

2020

Procol Harum
Foreigner
Judas Priest
Radiohead
Roxy Music
Supertramp

2021

King Crimson
Kansas
Smashing Pumpkins
Willie Nelson
Tori Amos

2022

Styx
Garth Brooks
Mariah Carey
Rage Against The Machine
The Cure

2023

ELP
Shania Twain
k. d. Lang
Alice In Chains
Dream Theater

Well, what do you think?

Posted by Enigmaticus on Monday, 05/21/2018 @ 10:33am

Yesterday was the 24th Of May, sometimes known as Victoria Day, made famous by Neil Peart’s lyrics from ‘Lakeside Park’ from “Caress Of Steel,” by Rush.

Yesterday was also the 44th anniversary of Donna Halper’s introduction to the music of Rush.

Posted by Enigmaticus on Friday, 05/25/2018 @ 06:50am

Although it calls for some speculation, here is what I think may happen:

Various members of Rush will induct Duran Duran into the Rock & Roll Hall Of Fame in 2019. Various members of Duran Duran will then mention that Roxy Music deserves to be inducted.

Various members of Heart will induct Jethro Tull into the Rock Hall in 2019.

Former member of The Moody Blues, Ray Thomas will receive a tribute at next year’s ceremony. ‘Legend Of A Mind’ May be performed.

Soundgarden will be nominated for induction, due to the passing of Chris Cornell.

The late Glen Campbell will receive a posthumous nomination.

Well, what do you think?

The

Posted by Enigmaticus on Monday, 05/28/2018 @ 10:21am

Although it calls for some speculation, here is what I think may happen in 2019:

Various members of Rush may induct Duran Duran into the Rock & Roll Hall Of Fame in 2019. Various members of Duran Duran may then mention that Roxy Music also deserves to be inducted.

Various members of Heart may induct Jethro Tull into the Rock Hall in 2019.

Former member of The Moody Blues, Ray Thomas may receive a tribute at next year’s ceremony. ‘Legend Of A Mind’ may be performed.

Soundgarden may be nominated for induction and possibly receive an induction, due to the passing of Chris Cornell.

The late Glen Campbell may receive a posthumous nomination and possible induction.

Well, what do you think?

Posted by Enigmaticus on Monday, 05/28/2018 @ 10:27am

@ Enig

I can see Duran Duran and Jethro Tull getting an induction, but I’m not really expecting Soundgarden to get in that soon cause the HOF is still catching up with the 60’s, 70’’s, and 80’s, putting the 90’s on hold with the exception of the most universal names like the Dave Matthews Band, which is why Nirvana, Green Day, Pearl Jam, and Tupac were lucky to get in their first year.

Expect that to happen to Notorious BIG, Foo Fighters, Jay-Z, Eminem, and Coldplay in the next few years; however it’s doubtful SG gets in next year as a response to Chris’ death. I could also see Rage Against the Machine get in a couple of years from now, so they can let Zack De La Rocha take some shots at Trump for the next Presidential Campaign.

Posted by The Dude on Monday, 05/28/2018 @ 11:20am

I suppose that it really depends a great deal upon the music which you like to listen to. As far as rock music is concerned, I happen to prefer the types of music which are much more challenging to play. Therefore I happen to appreciate “prog” rock and it’s many derivative forms over anything more simplistic. If you allow your music to include the support of a string section, or perhaps even a full symphony orchestra, then I will probably enjoy it even more. The artists which I have been touting for nearly 40 years seem to have that element in common.

For those of us who happen to prefer the “progressive rock” and “art rock” genres, we probably prefer jazz, over rhythm and blues, unless of course the artist happens to be a crossover artist like Sade. Many of us thoroughly enjoy Sade and much of their discography. Most of us would probably support the induction of Sade into the Rock & Roll Hall Of Fame. We would also probably support artists like The Pointer Sisters, Dionne Warwick, Lionel Richie, etc. (ones who actually performed those songs in a live setting), but we will definitely not support the induction of artists who lip synch and dance, nor other artists who happen to have other artists write most of their material for them. If you want to impress us, offer us artists who have written their own material and ones who can actually sing.

I personally happen to be most supportive of artists who have taken the time to absolutely master their instruments, over novices.

I am relieved and perhaps slightly grateful that our “holy trinity” of prog (Rush, Yes and The Moody Blues) have finally been inducted into the Rock Hall. I will continue to support more artists who have pushed the boundaries of rock.

When it comes to the artists of the so-called “MTV generation”, I happen to find it most disappointing that artists, such as Duran Duran have not yet been nominated, nor inducted. However, I see that the recent inductions of The Cars and Dire Straits may represent a turning point for such artists.

Posted by Enigmaticus on Tuesday, 05/29/2018 @ 10:27am

In the novel 'Ready Player One', the genius who designed the OASIS (Halliday, I think his name is) was a huge Rush fan.

The album 2112 figures prominently in the plot.

I'm sure you already know that, Enig :-)

Posted by Paul in KY on Tuesday, 05/29/2018 @ 12:50pm

@ Paul

I wonder if there are any Rush references in the movie.

Posted by The Dude on Tuesday, 05/29/2018 @ 13:49pm

Dude, I would hope so. I haven't seen it yet. Just finishing up the book. I will probably get the blueray & see it then.

Hear the movie diverges somewhat from book plot.

Posted by Paul in KY on Wednesday, 05/30/2018 @ 05:54am

Paul,

I have never read the novel, “Ready Player One,” I have heard that the novel features several Rush references, however.

The Dude, From What I’ve heard, all Rush references have been eliminated in the movie version.

People forget that only a small portion of Rush’s total output features the harder rocking songs; most of Rush’s output is softer music overall. That is why comparisons between Rush and Led Zeppelin are only valid on the earlier Rush albums. The Yes influence covers most of the mid to late 1970’s Rush. But the influence by The Moody Blues on Rush is ubiquitous; it starts with their earlier albums and continues throughout the vast majority of their discography.
Yet, unfortunately neither the Allmusic Guide, nor Wikipedia have yet acknowledged The Moody Blues influence upon Rush. Of course, Duran Duran is another band whose influence upon Rush should be debated. We do know that both Roger Taylor of Duran Duran and Neil Peart Of Rush had used Simmons electronic drums in the 1980’s. I cannot say whether or not Geddy Lee had used the same basses as John Taylor, or the same keyboard as Nick Rhodes, however.

Posted by Enigmaticus on Wednesday, 05/30/2018 @ 05:58am

Posted by Enigmaticus on Wednesday, 05/30/2018 @ 11:24am

Paul in KY,

I have never read the novel, “Ready Player One,” I have heard that the novel features several Rush references, however.

The Dude,

From What I’ve heard, all Rush references have been eliminated in the movie version.

People forget that only a small percentage of Rush’s total overall output features the harder rocking songs; most of Rush’s output is softer music overall. That is why comparisons between Rush and Led Zeppelin are only valid on the earlier Rush albums. The Yes influence covers most of the mid to late 1970’s Rush. But the influence by The Moody Blues on Rush is ubiquitous; it starts with their earlier albums and continues throughout the vast majority of their discography.
Yet, unfortunately neither the Allmusic Guide, nor Wikipedia have yet acknowledged The Moody Blues influence on Rush.

Of course, Duran Duran is another band whose influence on Rush should be debated. We do know that both Roger Taylor of Duran Duran and Neil Peart Of Rush had used Simmons electronic drums in the 1980’s. I cannot say whether or not Geddy Lee had used the same basses as John Taylor, or the same types of keyboards as Nick Rhodes, however. In their 2010 documentary- “Rush: Beyond The Lighted Stage”, Chapter IX: ‘New World Men,’ drummer Neil Peart explains that the members of Rush were young enough to be influenced by bands from the early 1980’s. Since, Geddy Lee had already singled out Simon Le Bon in another interview, I think that it is not unreasonable to discuss the influence of Duran Duran on the music of Rush, do you?

Posted by Enigmaticus on Friday, 06/1/2018 @ 04:57am

Is the music of Rush overrated? One music reviewer seems to think so. In fact in her article, “7 Wildly Successful Band’s That Are Totally Overrated,” Lauren Spagnoletti also includes: Metallica, The Beach Boys, Backstreet Boys, Hole, ABBA, Mariah Carey and of course, the aforementioned Rush. As far as I am concerned, only Backstreet Boys and Hole really fit in this category, but as far as Mariah Carey, Metallica, The Beach Boys, ABBA and Rush are concerned, are you kidding me?

Well, what do you think?

Posted by Enigmaticus on Saturday, 06/2/2018 @ 21:41pm

Today marks the 26th anniversary of the date of my first major rock concert. I had been 30 years old at that time.

Posted by Enigmaticus on Thursday, 06/7/2018 @ 06:44am

Ben,

I do agree with Steve Z.

If you wish to discuss Rush’s greatest studio albums, then it should be on this page. If you wish to discuss Duran Duran’s greatest studio albums, then it should be done on the Duran Duran page. However, if you wish to discuss “prog” in general, then either this page, or The Moody Blues page are the best fora. Until a “prog” page comes into existence, that is. If the discussion refers to the “holy trinity” of prog, then either this page, the Yes page, or The Moody Blues are acceptable fora.

Thank you. Have a great day.

By the way, there is nothing that says you have to abstain from posting for 2 months, is there?

Posted by Enigmaticus on Friday, 06/8/2018 @ 10:46am

Enig,

I apologized to Steve Z. It was early in the morning. I wasnt thiking. So anyway I ordered Moving Pictures. I started with one I used to own and play a lot on Vinyl in the 80s. I looked some of your Rush lists. I will order Exit Stage Left, Presto and Roll the Bones in the near future.

Posted by Ben on Friday, 06/8/2018 @ 13:51pm

Ben,

“Moving Pictures” is certainly a good start as far as Rush’s studio recordings go. I wholeheartedly applaud your choices of “Exit... Stage Left,” “Roll The Bones” and “Presto.” However, in my honest opinion, “Clockwork Angels Tour” is the epitome of Rush’s more recent live output. With “Clockwork Angels Tour,” you get to see how Rush’s songs sound with the support of a string section, in addition to the way that Rush songs sound by themselves. “R40 Live” had been Rush’s most recent live outing. So, you may consider at least borrowing a copy of that recording in the future, as well.

Thank you. Have a great day.

Posted by Enigmaticus on Saturday, 06/9/2018 @ 10:59am

Enig,

That is right there is nothing that says I have to abstain from posting for 2 months in the summer. I meant the main pages for Inductees or Nominees. Nothing much happens on there during the summmer. Thats why. I will post here about my review of those Rush albums. Moving Pictures is coming soon. I start with one I know pretty well. I haven't owned that in 30 Years though. I like Red Barchetta,YYZ and Limelight on that. I recall Witch Hunt and Vital Signs.

Presto is the last Rush album I ever bought. Thats back in 1989. So I will continue with that.

Posted by Ben on Tuesday, 06/12/2018 @ 05:45am

Ben,

“Presto” is undoubtedly one of my favorite Rush studio albums, although it had taken me several decades to really start appreciating it. Of course, when I had initially heard “Presto,” I had been completely blown away. Then 2 years later and “Roll The Bones” had been released. Unlike “Presto,” however, I had immediately liked almost everything about “Roll The Bones.” The day that I first heard “Roll The Bones” had been the day that “Roll The Bones” had become second on my list of favorite Rush studio albums. I think that this illustrates satisfactorily just how much immediate impact “Roll The Bones” had upon my taste of music. Of course, “Power Windows” had been my favorite Rush studio album for over a quarter century, prior to my familiarization with the Audiofidelity 24 K gold version of “Roll The Bones.”

Posted by Enigmaticus on Thursday, 06/14/2018 @ 03:42am

Ben,

“Presto” is undoubtedly one of my favorite Rush studio albums, although it had really taken me several decades, in order to really start fully appreciating it. Of course, when I had initially heard “Presto,” I had been completely blown away by many of the songs, but not everything had initially resonated with me.. Then 2 years later, “Roll The Bones” had been released. Unlike “Presto,” however, I had immediately liked almost everything about “Roll The Bones.” The day that I first heard “Roll The Bones” had been the day that “Roll The Bones” had become second on my list of favorite Rush studio albums. I think that this illustrates satisfactorily just how much immediate impact “Roll The Bones” had upon my taste in music. Of course, “Power Windows” had been my favorite Rush studio album for over a quarter century, prior to my purchase of and familiarization with the Audiofidelity 24 K gold version of “Roll The Bones.” After that date, “Roll The Bones” had become my favorite Rush studio album.

Posted by Enigmaticus on Thursday, 06/14/2018 @ 03:50am

Ben,

“Presto” is undoubtedly one of my favorite Rush studio albums, although it had really taken me several decades, in order to really start to fully appreciate it. Of course, when I had initially heard “Presto,” I had been completely blown away by many of the songs, but not everything had initially resonated with me.

Then almost 2 years later, “Roll The Bones” had been released. Unlike “Presto,” however, I had immediately liked almost everything about “Roll The Bones.” The day when I had first heard “Roll The Bones” had been the day when “Roll The Bones” had become second on my list of favorite Rush studio albums. I think that this illustrates just how much immediate impact “Roll The Bones” had upon my taste in music. Of course, “Power Windows” had been my favorite Rush studio album for over a quarter century, prior to my purchase of and complete familiarization with the Audiofidelity 24 K gold version of “Roll The Bones.” After that date, “Roll The Bones” had become my favorite Rush studio album. Of course, since I had purchased this particular version of “Roll The Bones,” a few weeks prior to my 50th birthday, had given it even more resonance. For some reason when I had turned 50, the lyrical content and musical content of this superlative Rush studio album had really become even much more relevant, than it had in previous years. ;-)

Posted by Enigmaticus on Thursday, 06/14/2018 @ 10:10am

Ben,

“Presto” is undoubtedly one of my favorite Rush studio albums, although it had really taken me several decades, in order to really start to fully appreciate it. Of course, when I had initially heard “Presto,” I had been completely blown away by many of the songs, but not everything had initially resonated with me.

Then almost 2 years later, “Roll The Bones” had been released. Unlike “Presto,” however, I had immediately liked almost everything about “Roll The Bones.” The day when I had first heard “Roll The Bones” had been the day when “Roll The Bones” had become second on my list of favorite Rush studio albums. I think that this illustrates just how much immediate impact “Roll The Bones” had upon my taste in music. Of course, “Power Windows” had been my favorite Rush studio album for over a quarter century, prior to my purchase of and complete familiarization with the Audiofidelity 24 K gold version of “Roll The Bones.” After that date, “Roll The Bones” had become my favorite Rush studio album. Of course, since I had purchased this particular version of “Roll The Bones,” a few weeks prior to my 50th birthday, my middle aged perspective had given this particular version even more resonance. For some reason when I had turned 50, the lyrical content and musical content of this superlative Rush studio album had really become even much more relevant, than it had in previous years. ;-)

Posted by Enigmaticus on Friday, 06/15/2018 @ 01:52am

Well, today is apparently Father’s Day. All three members of Rush happen to be fathers. All four current members of Duran Duran are also fathers. Does the genre of “progressive rock” create stability within the Rock world?

What do you, think?

Posted by Enigmaticus on Sunday, 06/17/2018 @ 13:47pm

Well, today is apparently Father’s Day. All three members of Rush happen to be fathers. All four current members of Duran Duran are also fathers. Does the genre of “progressive rock” appear to create stability within the Rock world?

Well, what do you, think?

Posted by Enigmaticus on Sunday, 06/17/2018 @ 13:49pm

Posted by Enigmaticus on Saturday, 06/23/2018 @ 12:50pm

@ Enig

After Jethro Tull and Duran Duran, I’m only expecting ONE “prog” band per year.

2019: JT and DD
2020: ELP
2021: Procol Harum
2022: Roxy Music
2023: King Crimson

I don’t think STXY and Kansas will get an induction at all, but they’re very doubtful.

Posted by The Dude on Saturday, 06/23/2018 @ 13:13pm

The Dude,

Thank you for your opinion about the remaining “prog” bands, but I still think that Roxy Music will be inducted later than King Crimson and that Supertramp definitely could be inducted after Duran Duran and Jethro Tull. I do however wholeheartedly agree with you about 2019, however.

Posted by Enigmaticus on Sunday, 06/24/2018 @ 14:34pm

@ Enig

No problem! I think the HOF will pick up the Crims in 2023 not only they could possibly be their last “prog” band from 60’s and 70’s, but also because they could end it with a bang, inducting a lot of certain members from the band for the second time. I also think Bad Company and Foreigner would also increase more possibilities for KC once they get in a few years from now. Ian McDonald and Boz Burrel were members from that band too; that’s how I see it.

Posted by The Dude on Sunday, 06/24/2018 @ 22:02pm

Ultimate Classic Rock had created a rather major faux pas recently by tasking a novice with listing Rush’s songs from worst to best.

Since everyone has been expecting me to chime in, I will. Quite obviously this is not a list by an aficionado of Rush, nor of progressive rock either. Perhaps, he had been tasked with this list by his bosses. Hey, quickly make a list up that will annoy Rush fans! It’s quite controversial and as we all know- controversy sells. Over 3 years ago, more specifically on May 15, 2015, I had created my list of Rush’s songs from my favorite- the “Exit... Stage Left” version of ‘Xanadu’ (1981) to my least favorite- the abominable ‘Lessons’ from “2112,” on the Rush is a Band website. You are more than welcome to take a look at it, if you so desire. The author apparently does not like “Roll The Bones,” nor “Test For Echo” which I think is really quite unfortunate. Yet, he is certainly welcome to his opinion, however right, or perhaps wrong that this opinion appears to be.

Posted by Enigmaticus on Friday, 06/29/2018 @ 09:45am

Enigmaticus

Ultimate Classic Rock has virtually nothing interesting to offer and you can see their ranking from a mile away. I also loathe the people who go there, they're like those annoying anti-sjws running around on YouTube except they're 40 years older and just as, if not more bigoted.

Posted by Nicky Joe on Friday, 06/29/2018 @ 13:19pm

I am extremely disappointed to see that Wikipedia has reduced the number of Rush albums sold from over 65 million back to 40 million. This is a huge mistake. Although we may never know the exact number of Rush album sales worldwide, (only the members of Rush, their manager and their attornies do), it does not take a mathematical genius to realize that both of those numbers are extremely low. I do know that Rush has sold numerous albums over that 25 million figure in the United States alone, which has long been outdated. So, the music industry does not want us to know the truth. That’s typical. They only want the artists who quite obviously kowtow to their very whims to be deemed successful. Yet, it costs a great deal of money to purchase and maintain possessions like private estates, luxury cars, golf courses and wine collections and airplanes, doesn’t it? Or, perhaps even go on extended vacations around the world. Taking a hiatus from work for over 5 years at a time, would be quite impossible for most of us. Wouldn’t it? Finally, when Rush does eventually release the approximate, or perhaps even the exact number of their album sales, it will be absolutely shocking to most people. It will be metaphorically like the proverbial meteor striking the earth.

Posted by Enigmaticus on Thursday, 07/5/2018 @ 10:37am

I am extremely disappointed to see that Wikipedia has reduced the number of Rush albums sold from over 65 million back to 40 million. This is a huge mistake. Although we may never know the exact number of Rush album sales worldwide, (only the members of Rush, their manager and their attornies do), it does not take a mathematical genius to realize that both of those numbers are extremely low. I do know that Rush has sold numerous albums over that 25 million figure in the United States alone, which has long been outdated. So, the music industry does not want us to know the truth. That’s typical. They only want the artists who quite obviously kowtow to their every whim, to be deemed successful. Yet, it costs a great deal of money to purchase and maintain possessions like private estates, luxury cars, golf courses and wine collections and airplanes, does it not? Or, perhaps even go on extended vacations around the world. Taking a hiatus from work for over 5 years at a time, would be quite impossible for most of us. Would it not? Finally, when Rush does eventually release the approximate, or perhaps even the exact number of their album sales, it will be absolutely shocking to most people. It will be metaphorically like the proverbial meteor striking the earth.

Posted by Enigmaticus on Thursday, 07/5/2018 @ 10:44am

What is “dad rock?”

Posted by Enigmaticus on Monday, 07/9/2018 @ 11:15am

@ Enig

“Dad Rock” is just an insult term coined by hipsters and classic rock haters.

Posted by The Dude on Monday, 07/9/2018 @ 12:22pm

"Dad Rock" is a term that is becoming more widely used, not just by hipsters and classic rock haters, but with Gen-Z people (the current college crowd, or I'll just put it at age 24 and under people). And quite frankly, I get very aggravated when I hear it. In my mind, I just picture it as EDM/hip-hop loving kids who have no respect for the music their middle-aged dads listen to.

Posted by Jason on Tuesday, 07/10/2018 @ 00:44am

Thank yous definitely go out to The Dude and Jason about the definition of “dad rock.”

I thought that I had written something else about Rush on this thread. Had I not? I do not know anything about Rush’s impact in Canada, but I think that we can fairly say with a certain degree of certainty that worldwide, Rush has been a huge band. That is the primary reason why I have difficulty believing that Rush is finished. I would say that Rush is on indefinite hiatus, instead.

I miss VH1 Classic. Don’t you? Not only was Rush 28th on their list of greatest hard rock artists, but they were 75th on VH1’s list of greatest artists of all time. Of course, I would have placed them in the top 5 of that list, instead.

Among PROG Magazine’s “100 Greatest Artists Of All Time,” Rush is ranked fifth overall. I would personally rank them first alongside Yes musically, but lyrically they are ahead of most of their peers. In my honest opinion, Rush has sixteen 5-star albums (10 studio and 6 live recordings), excluding compilations.

Posted by Enigmaticus on Tuesday, 07/10/2018 @ 10:50am

Enig,

Jason and The Dude are only half explaining it. "Dad Rock" does indeed refer primarily to the classic rock format, but not to artists like Led Zeppelin or Queen. The term was coined as a reactionary way to describe the past three classes of the Rock And Roll Hall Of Fame, and to some degree some of the acts in classes prior to that. The term refers mostly to the Hall's seeming willingness to nominate and induct the most artistically fallow, corporate manufactured, assembly line arena rock like; catering primarily to the balding, aging, beer-gut displaying White dads whose suburban acclimatization has rendered them incapable of abstract thought or appreciating anything outside their comfort songs they used to try and unintentionally become dads to.

It's a term used in protest for the voting bloc's myopic perceptions and definitions of rock and roll, trying to jostle them into expanding their horizons a bit, because there's nothing more uncool than parenthood.

Posted by Philip on Tuesday, 07/10/2018 @ 23:05pm

Philip,

Thank you. I had been hoping that you would chime in and provide the ultimate definition of “dad rock?” By the way, why is it so uncool to be a parent?

Posted by Enigmaticus on Wednesday, 07/11/2018 @ 10:33am

While I’ll admit, there are a lot of whiny, middle-aged fans who are very closed minded. But the classic rock fanbase is more universal than ya think; the music associated with the format always gets more exposure with younger generations of listeners like myself thanks to the internet, streaming, digital downloading, and video games like Guitar Hero.

I know some of you guys are gonna whine about this due your progressive opinions. Not only that goes to show how much I hate the term “dad rock” other than the fact it’s used by the haters and hipsters, but it also explains why I don’t think the HOF will largely discontinue rock music from the 60’s, 70’s, and 80’s for a while or maybe a long time, putting the 90’s on the hold with the exception of the most universal names like Foo Fighters and Coldplay.

Once they get to the later years of the decade and the 2000’s, I don’t think will be seeing a lot of rock bands from that era in the HOF decades from now, since there aren’t many bands who have that kind of material for an induction like 3 Doors Down and Staind for instance.

The only ones I can think of that will in the future are Muse, Queens of the Stone Age, Linkin Park (very likely to be an FYE inductee), the White Stripes (also a possible FYE inductee) the Strokes, System of the Down, Slipknot, the Black Keys, My Chemical Romance, Korn, Deftones, Paramore, Fall Out Boy, and Panic! At the Disco.

Posted by The Dude on Wednesday, 07/11/2018 @ 10:39am

Enigma, to answer your question, let me 1st ask you: did you think your parents were cool when you were a teenager? The notion of being cool, I would hypothesize, relies rather heavily on the idea of fun over responsibility. I would further conjecture that that is a lot of the attitude that some suggest is the defining parameter of what constitutes rock and roll. Parenthood, on the other hand, is perhaps the ultimate idea when it comes to responsibility over fun. You often see parents try to be the cool parents, but it usually looks like they are trying too hard. Furthermore cama parenthood is the ultimate passage of the torch from being the youngest generation. Rock and roll, as I have stated in the past, is primarily about youth culture, and once you become a parent, that no longer applies to you.

Dude, I agree that the number of rock bands from this current age that get inducted into the Hall might be rather sparse, but that has more to do with the way the music industry has changed, and not so much upon the talent of this generation. I like classic rock, and I listen to it when I am in the car, particularly because there are no all these stations around anymore. However, I cannot deny that some classic rock acts are just derivative, boring, and unimaginative. I would rather see acts that I hate that have imagination and artistic merit get inducted before these safe rock acts. But that is just me. Furthermore cama if the number of bands from this later generation are going to be fewer and further between, then why shouldn't the Hall try to space out the homogeneity and create more diverse acts now?

Posted by Philip on Wednesday, 07/11/2018 @ 12:17pm

When it comes to classic rock bands from the 70’s and 80’s, I think these guys on the list - If not, then most of them - will get an induction in the future, and this also includes prog, hard rock, metal and to a lesser extent, punk. New Wave, post-punk, synth-pop, and gothic rock, are mostly on the classic alternative side.

The Monkees
Def Leppard
The Doobie Brothers
Jethro Tull
Motley Crue
Bad Company
ELP
Foreigner
Boston
Procol Harum
Judas Priest
Scorpions
Roxy Music
Iron Madien
Blue Oyster Cult
King Crimson
Megadeth
Anthrax
Slayer
UFO
Billy Idol

The rest will never get in, but doubtful for some.

Posted by The Dude on Wednesday, 07/11/2018 @ 13:07pm

My apologies for the syntax errors. I was stuck in southbound I-5 traffic I downtown Seattle when I replied, and was using voice recognition to respond. "Cama" was me telling the phone to insert a comma and "all these stations" was supposed to be "Oldies stations."

Posted by Philip on Wednesday, 07/11/2018 @ 13:07pm

I also see Ozzy, Robert Plant, and Phil Collins as the next multiple inductees.

Posted by The Dude on Wednesday, 07/11/2018 @ 13:11pm

*When it comes to classic rock acts from the 60’s, 70’s, and 80’s,

Posted by The Dude on Wednesday, 07/11/2018 @ 13:13pm

I wondered what 'cama' was. Thanks for explanation!

If you dictated all that, the software worked pretty well, IMO.

Posted by Paul in KY on Wednesday, 07/11/2018 @ 13:54pm

Philip and the Dude,

You said it much better than I did in my post. (I forgot to use my last name...) I didn't want to go off on much of a tangent, where I'd probably say something politically incorrect.

Posted by Jason Voigt on Wednesday, 07/11/2018 @ 16:27pm

"putting the 90’s on the hold with the exception of the most universal names like Foo Fighters and Coldplay."

The '90s had a zillion mainstream alternative acts eligible but not in yet: Radiohead, Beck, Soundgarden, Alice in Chains, Nine Inch Nails, Smashing Pumpkins, Blur, Rage Against the Machine, Tool, and others soon to be eligible like Oasis, Weezer, and Foo Fighters. That will take many years.

"Once they get to the later years of the decade and the 2000’s, I don’t think will be seeing a lot of rock bands from that era in the HOF decades from now, since there aren’t many bands who have that kind of material for an induction like 3 Doors Down and Staind for instance."

After the Telecommunications Act deregulated the radio and television industries, that largely killed mainstream radio and television in general to the point where basically no mainstream acts that emerged after this point were critically acclaimed and very few critically acclaimed acts could ever truly become mainstream. Mainstream alternative's period of relevance basically ended in 1996 so that would explain most of this. The critically acclaimed acts weren't popular enough and the popular acts weren't critically acclaimed enough. It seems in this period and later, primarily only rap acts could manage to be popular and acclaimed simultaneously, so one would expect more and more rap, with the rock acts being inducted being backlog from the past, probably older new wave/alternative acts at this point.

No way on 3 Doors Down and Staind. They had no critical acclaim and I think most people remember them for one song each: "Kryptonite"/"It's Been Awhile" even though they had other hits. I would imagine if they go into alternative light they'd be more likely to go towards bands like Gin Blossoms, Soul Asylum, Live, Collective Soul, or Third Eye Blind, who at least were considered solid if unexceptional and don't have particularly massive hatedoms. Bands like that may be the equivalent of Journey or Bon Jovi for alternative, but probably none of them had enough longevity in their popularity. But they were more respected than that era of post-grunge was.

"The only ones I can think of that will in the future are Muse, Queens of the Stone Age, Linkin Park (very likely to be an FYE inductee), the White Stripes (also a possible FYE inductee) the Strokes, System of the Down, Slipknot, the Black Keys, My Chemical Romance, Korn, Deftones, Paramore, Fall Out Boy, and Panic! At the Disco."

Muse, QotSA, White Stripes, Strokes, and Black Keys seem likely due to combining commercial success and critical acclaim but I'd kind of doubt most of the others if they're not even getting most of the major alternative rock acts yet. You forgot Arcade Fire and Killers, who I think are likely. Aside from that, I wouldn't expect most of those others.

Linkin Park as a first-year inductee? The band most frequently cited as originators of rap-rock (RHCP) didn't get in first ballot. The band most frequently cited as originators of rap-metal (RATM) didn't get in first ballot. I would highly doubt a second-generation rap metal band like them would get in first ballot, regardless of their popularity (nobody expects/expected bands that were equally huge on commercial radio like Dave Matthews Band or Incubus to go first ballot.) I think critics view them like Nickelback or Blink-182. Maybe a slight step higher and they may get a boost from Chester Bennington's death. But no way they're first ballot. In a world where Radiohead wasn't first-ballot, I can't imagine any rock acts except Foo Fighters and Coldplay and White Stripes possibly being first-ballot after that. Most first-ballot acts would be rap acts, since those are the acts that had both popularity and critical acclaim.

"When it comes to classic rock bands from the 70’s and 80’s, I think these guys on the list - If not, then most of them - will get an induction in the future"

I agree with most of that list but you kind of ignored glam rock there except for Roxy Music, which is probably where the biggest classic rock snubs are at this point (T. Rex, Slade, Sweet, and New York Dolls who maybe don't count since they never got album rock radio play seem more deserving than most of that list), and I can't really imagine Motley Crue or the non-Metallica thrash acts doing well (though I agree Priest and Maiden and Motorhead probably will.) UFO seems like a big stretch and Procol Harum won't be inducted because they had a song induction. If they haven't inducted Kraftwerk yet, I wouldn't expect Scorpions either, even if they had a handful more hits here. I think you're overestimating the metal and underestimating the glam. I hope they go for some of the early glam rock before proceeding to Def Leppard, but I suspect Leppard's greater US popularity will make the difference there... I find it utterly bizarre given how much hair metal gets trashed that it seems to do better in its nominations (GNR first ballot, Van Halen first appearance, and Bon Jovi relatively early) than either the original glam acts or the original metal acts do. I find it strange a hybrid genre that is usually mocked is doing better than its progenitors. That does seem to make Def Leppard very likely next year since they did have both commercial success and critical acclaim, even though it basically only amounted to two albums.

Posted by Sean on Wednesday, 07/11/2018 @ 18:42pm

Paul in KY,

Thanks! I did fix a few words that I caught at a pit stop... most importantly "homogeneity."

Posted by Philip on Thursday, 07/12/2018 @ 01:12am

@ Sean

I guess I wasn't saying more clearly on 3DD and Staind; I'm actually not expecting them to get in once they become eligible at all cause they're not hall material.

As for LP, I think you were thinking a different similar situation Queen had with HOF years after Freddie's death rather than RHCP; they're in, but shocking not an FYE. I actually do see RATM getting an induction in 2020, cause they're gonna let one of the members take some shots at Trump for the next presidental campaign.

Tom once collaborated with LP on a instrumental track called "Drawbar" from the Hunting Party. With him on the Nom Com, I could see him supporting them for a nomination. Same goes with Questlove, since the band did cited the Roots as one of their influences. And last, you have Jay-Z who once collaborated with them and put out their own Mash-Up EP. When he gets inducted in 2021, I'm expecting him to be on the Nom Com as a advocate for his peers like LP.

Sure, they're not much of a critics' band, but neither was Led Zeppelin and they got in right off the bat. That's why I think it's very possible for them to be an FYE once they become eligible in 2025.

I obviously want the New York Dolls in, but they're - and other 70's glam rock bands with the exception of Roxy Music - are just not that easy to pick up cause those guys had never been big commercially. I do see Def Leppard and the Crue get an induction in a couple of years - maybe that would increase more possibilites for them.

Foo Fighters will get in cause the HOF wants Dave to be their next multiple inductee. I just don't think we will be seeing a lot of 90's bands at this point in the next few years (or maybe a decade). I love Tool, Radiohead, NIN, AIC, STP, Soundgarden, and many others from that era. But I can't deny they don't have a larger fansize similar to Nirvana, Green Day, and Pearl Jam, which is why those guys were lucky to get inducted their first year despite the fact commercial success doesn't mean credibility. To prove this: Name one Diamond album by a 90's rock/alternative snub beside Smashing Pumpkins's Siamese Dream.

Posted by The Dude on Thursday, 07/12/2018 @ 02:07am

*To prove this: Name one diamond album by a 90’s rock/alternative snub beside Smashing Pumpkins’ Mellon Collie and the Infinite Sadness.

I’ve mentioned the wrong album before posting this comment.

Posted by The Dude on Thursday, 07/12/2018 @ 08:10am

Jagged Little Pill is the only one I can think of.

Posted by The_Claw on Thursday, 07/12/2018 @ 09:48am

Hootie and the Blowfish’s landmark album sold over twenty million copies in the states, but they’ll never get in. Alanis is doubtful though.

Posted by The Dude on Thursday, 07/12/2018 @ 10:21am

This previous Tuesday evening, a longtime friend had told me that she had listened to “Exit... Stage Left” in it’s entirety during the previous weekend. She had introduced the music of Rush to a younger generation of musicians and had unfortunately forgotten about just how great “Exit...Stage Left” happens to be. Of course, “Exit... Stage Left” happens to be my favorite live recording by Rush, in addition to my favorite “progressive rock” live recording of all time, with “Clockwork Angels Tour” only slightly below it. Even more amazing happens to be the way that “Exit.. Stage Left” happens to sound on headphones. The fact is that many Rush recordings sound quite extraordinary when heard via headphones, in my honest opinion. I had first listened to “Presto” and “Roll The Bones” on headphones and I had been utterly blown away. “Roll The Bones” had been second on my list of favorite Rush studio recordings from September 1991 until late January 2012, just prior to my 50th birthday, when it had become my favorite Rush studio recording of all time.

Philip,

I had actually never really considered what had been, or what had not been “cool” when I was growing up. I had been too busy reading encyclopedias, studying for tests and doing associated homework in the 7 Science classes which I had taken during my high school years. I had taken Biology as a Freshman. I had enrolled in Advanced Ecology, Health Occupations and Geology, as a Sophomore. I had studied Chemistry as a Junior and finally Physics and Second Year Chemistry as a Senior. Yet, I had still not received any type of
Scholarship, not even the coveted Bausch and Lomb Science Award, the valedictorian had received that instead. :-(

Posted by Enigmaticus on Thursday, 07/12/2018 @ 10:49am

FRL,

Could we possibly please move the previous discussion on 1990’s rock artists to another thread, perhaps the 2018 inductees thread instead? I think that we may have taken a serious tangent here which unfortunately has little to do with Rush.

Thank you.

Posted by Enigmaticus on Thursday, 07/12/2018 @ 10:56am

This previous Tuesday evening, a longtime friend had told me that she had listened to “Exit... Stage Left” in its entirety during the previous weekend. She had introduced the music of Rush to a younger generation of musicians and had unfortunately forgotten about just how great “Exit...Stage Left” happens to be. Of course, “Exit... Stage Left” happens to be my favorite live recording by Rush, in addition to my favorite “progressive rock” live recording of all time, with “Clockwork Angels Tour” only slightly below it. Even more amazing happens to be the way that “Exit.. Stage Left” happens to sound on headphones. The fact is that many Rush recordings sound quite extraordinary when heard via headphones, in my honest opinion. I had first listened to “Presto” and “Roll The Bones” on headphones and I had been utterly blown away. “Roll The Bones” had been second on my list of favorite Rush studio recordings from September 1991 until late January 2012, just prior to my 50th birthday, when it had become my favorite Rush studio recording of all time.

Philip,

I had actually never really considered what had been, or what had not been “cool” when I was growing up. I had been too busy reading encyclopedias, studying for tests and doing associated homework in the 7 Science classes which I had taken during my high school years. I had taken Biology as a Freshman. I had enrolled in Advanced Ecology, Health Occupations and Geology, as a Sophomore. I had studied Chemistry as a Junior and finally Physics and Second Year Chemistry as a Senior. Yet, I had still not received any type of
Scholarship, not even the coveted Bausch and Lomb Science Award, the valedictorian had received that instead. :-(

Many apologies gentlemen, but could we please move your discussion to another thread, unless your discussion is associated with Rush? Thank you.

Posted by Enigmaticus on Thursday, 07/12/2018 @ 11:10am

Enig, you have very little to worry about. The convo has pretty much run its course. Besides which, you asked on this thread, and we responded. Pretty sure it's back to your monologues now.

So back to Rush, my personal favorite would have to be "Take Off" with special appearances by Rick Moranis and Dave Thomas.

*coo roo coo coo, coo coo coo coo*

Posted by Philip on Friday, 07/13/2018 @ 00:03am

Philip,

I had an appointment this evening in Tucson, so I had made my usual sojourn to Trader Joe’s, Whole Foods and Zia. In case you were not aware, Zia is a record store.

After visiting Whole Foods, I had made my usual pilgrimage to Zia. When I had arrived, I had started by picking up 4 albums by Björk : “Debut”, “Post,” “Homogenic”and “Utopia.” Then, I had visited the R section, looking for another copy of “Clockwork Angels Tour,” by Rush. Unfortunately there were not any copies of Clockwork Angels Tour to be found within the store.

Posted by Enigmaticus on Tuesday, 07/17/2018 @ 03:12am

Philip,

By the way, I had failed to mention that I had been extremely eager to read your “Songs Of Proof: Class Of 2013” on your Rock Hall Monitors website.

Therefore I did later this evening.

Posted by Enigmaticus on Tuesday, 07/17/2018 @ 05:02am

Do you remember when you were in High School and the four major groups which had made up the majority of the student body. First of all their were the “freaks,” who had long hair, indulged in illicit substances and had listened to prog and psychedelic music. Second, there were the “jocks,” whose primary interests had been in excelling in sports and fooling around with girls. Then came the “goat ropers,” who had dressed like cowboys, ridden horses and had listened to country music. Finally, there were the “nerds,” who had either been members of the National Honor Society, and/or had been members of the marching band. I had not belonged to any of those groups. I had not
really listened to prog music, nor did I have long hair, therefore I had not been a “freak.” I had no natural athletic ability, therefore I had not been a “jock.” I had not listened to country music, nor ridden horses, therefore I had not been a “goat roper.” I had not been a member of either the N.H.S., nor the Marching Band, therefore I had not been a nerd. No, I am afraid that my closest peers had actually been the teachers; the avowed enemies of all four of those aforementioned groups. I did not belong, I had not belonged, nor will I ever likely belong to any such group, or organization metaphorically speaking. I may join an organization, however I will never be a part of it. I think of myself mostly as a catalyst and a non-conformist. But, that had been high school. In case you are wondering, I did not participate in the graduation exercises; instead, I had picked up my diploma the very next day. I have also not attended any of my high school reunions, either. As far as most of those individuals are concerned, I essentially no longer exist.

Now, the University had been a completely different situation, you had the freedom to not belong and that had certainly been okay. Of course, I had never joined a fraternity and had only belonged to the Science Fiction club. No, I had been busy studying for tests, listening to “progressive rock” music and changing my major multiple times. Although, I had a strong background in chemistry and biology, I had initially chosen to study architecture. If I had never done that, I probably would never have been re-introduced to the music of Rush, nor would I have discovered the music of The Moody Blues almost 38 years ago on my own, nor would I have probably have built a long-archived website over 21 years ago which had celebrated “progressive rock” and had planted the seeds for Rush’s and many other “prog” bands inductions into the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Sunday, 07/22/2018 @ 06:16am

Do you remember when you were in high school? Do you remember the four major groups which had made up the majority of the student body? Although it may vary, in accordance with geographical location, the four groups which had made up the majority of my high school had been the following: freaks, jocks, goat ropers and nerds. First of all, there were the “freaks” who had long hair, indulged in the consumption of illicit substances and had listened to “prog,” or “psychedelic” rock music. Secondly, there were the “jocks” whose primary interests had been in excelling in sports and fooling around with girls. Thirdly, there were the “goat ropers” who had dressed like cowboys, chewed tobacco, ridden horses and had listened to country music. Finally, there were the “nerds” who had taken courses in computer programming, had been members of the prestigious “National Honors Society” and/or had been members of the marching band. I had not belonged to any of the aforementioned groups. Instead, I had taken almost all of the possible science classes, including: “biology,” “anatomy and physiology,” “ecology,” “geology,” “chemistry,” “advanced chemistry” and “physics.” I had also been a member of the “Med-Start Club” (for those who had interests in pursuing Medicine and other health related fields) and the German Club (I had taken German as a foreign language for two years). I had not taken any kind of music, nor art electives in high school either. I had never heard of “dungeons and dragons” and I had stopped playing Chess in my Freshman year of high school, in case you are wondering.

I had not listened to “prog” music, nor had I had long hair, therefore I had not been a “freak.” I had no natural athletic ability, therefore I had not been a “jock.” I had not listened to country music, nor chewed tobacco, nor ridden horses, therefore I had not been a “goat roper.” I had not belonged to the marching band, nor had I been a member of the N.H.S., therefore I had not been a “nerd.” No, I am afraid that my closest peers had been the teachers, the avowed enemies of those four aforementioned groups. In retrospect, I had realized that I did not belong; I had not belonged, nor would I likely ever belong to any such group, or organization, metaphorically speaking. I may join an organization, however I will never be a part of it. I think of myself basically as a catalyst and a non-conformist. But that had been how I had viewed high school. In case you had been wondering, I had not participated in any of the “graduation exercises,” instead, I had picked up my high school diploma, the very next day. I have also not attended any of my high school reunions either, nor do I plan to, even though my 40th high school reunion is coming up in less than 2 years. As far as most of those individuals are concerned, I essentially no longer exist.

Now attending the university had been a completely different situation. You had the freedom to not belong to any organization and that had certainly been okay. Of course, I had never joined a fraternity and had only joined the Science Fiction club. Nonetheless, I had not belonged there either and had quit shortly thereafter. No, instead I had been studying for tests, doing homework, listening to “progressive rock” music and changing my major from Architecture to Engineering to Business. Although I had a strong background in chemistry and biology, I had initially opted to study Architecture. If I had never done that, I probably would never have been re-introduced to the music of Rush. Nor would I likely have discovered the music of The Moody Blues on my own, nearly 38 years ago. Nor would I have built a long-archived website over 21 years ago which had celebrated “progressive rock” and had planted the seeds for the future inductions of Rush and many other “prog” bands, into the Rock & Roll Hall Of Fame.

Posted by Enigmaticus on Sunday, 07/22/2018 @ 13:38pm

I am terribly sorry, I had needed to amend my previous statement:

“…I had never heard of “dungeons and dragons “ and I had stopped playing Chess regularly in my Freshman year of high school, in case you are wondering.”

Posted by Enigmaticus on Tuesday, 07/24/2018 @ 09:10am

I am terribly sorry, I had needed to amend my previous statement:

“…I had never heard of “dungeons and dragons” and I had stopped playing Chess regularly in my Freshman year of high school, in case you are wondering.”

But that does not mean that I have stopped playing Chess completely, only that I have stopped playing Chess regularly.

Posted by Enigmaticus on Tuesday, 07/24/2018 @ 09:58am

RIAA Gold & Platinum Update

R40 Live
Format: Video Longform
Gold (50,000)

Total: 27.155 million

Posted by The Dude on Friday, 07/27/2018 @ 16:06pm

Today is the 65th birthday of Geddy Lee and the official 44th anniversary of the present lineup of Rush. Thank you, Geddy for all of the great songs you have co-written for nearly half a century. Have an extraordinary day!

Posted by Enigmaticus on Sunday, 07/29/2018 @ 12:21pm

https://www.youtube.com/watch?v=39aIvPBaBBU

The Police's Stewart Copeland Says Rush Didn't Bite Concerning Feud

Posted by Roy on Sunday, 07/29/2018 @ 14:09pm

It is now the first day of the month of August. Fifty years ago this month, one of the greatest prog bands of all time- Rush had been co-founded by guitarist Alex Lifeson and the late drummer John Rutsey. Later next month, Geddy Lee will mark his 50th anniversary of joining Rush.

Posted by Enigmaticus on Wednesday, 08/1/2018 @ 11:01am

Over six years ago, I had written this, it had probably been my first posting on this site:

My list of 2013 inductees:

Donna Summer (posthumously)
Heart (two sisters who had dominated a band, whose great singles are still being played on the radio)
Rush (their long term snub is starting to reach critical mass, even Rolling Stone magazine readers are in favor of this. Rush was voted greatest prog rock of all time by their readers). They are ranked third in most consecutive gold and platinum albums behind The Beatles and The Rolling Stones.
Yes (IMHO, if you induct Rush, then you absolutely must induct Yes), but probably not necessarily in 2013.
Yes was instrumental in starting prog rock, plus 90125 was a danceable hit album.

I think that The Moody Blues deserve a nod also, for inventing the "prog rock" genre, but inducting Rush and Supertramp should push the Moodies and Procol Harum, in within the next several years. Compared to the amount of time that they have waited, this will be relatively soon. Technically, Rush is not really heavy metal, and most of their songs are not that hard anyway.

Although one could argue for King Crimson as well,
"ITCOCK," "Red" and "Discipline" are bonafide masterpieces.
Supertramp sold millions of albums, especially "Crime Of The Century" and "Breakfast In America." therefore they are the most likely prog band to get in this year.
Monkees (Davy Jones will be inducted posthumously)

Now, from this list made over 6 years ago, who have been inducted?

Rush
Yes
The Moody Blues
Heart
Donna Summer

Who have yet to be inducted?

King Crimson
Supertramp
Monkees

Who had been nominated, but not inducted?

Procol Harum

Is there a trend here?

Posted by Enigmaticus on Thursday, 08/2/2018 @ 08:49am

Back in April of this year, someone had started a thread regarding which progressive rock artist should be the gateway band to the magnificent genre of prog on the Rush page of the Prog Archives website. Many individuals had unfortunately recommended not starting with Rush. Not only do I strongly disagree with this assertion, but I happen to believe that “Exit... Stage Left” is probably the best choice for which recording to start with. Then, after that perhaps the superlative “Clockwork Angels Tour” cd set. On the other hand, I would strongly recommend not choosing “All The World’s A Stage,” which is undoubtedly my least favorite live recording by Rush. ‘

Well, what do you think?

Posted by Enigmaticus on Friday, 08/3/2018 @ 09:30am

Back in April of this year, someone had started a thread regarding which progressive rock artist should be the gateway band to the magnificent genre of prog on the Rush page of the Prog Archives website. Many individuals had unfortunately recommended not starting with Rush. Not only do I strongly disagree with this assertion, but I happen to believe that “Exit... Stage Left” is probably the best choice for which recording to begin with. Then, after that perhaps the superlative “Clockwork Angels Tour” cd set. On the other hand, I would strongly recommend not choosing “All The World’s A Stage,” which is undoubtedly my least favorite live recording by Rush. ‘

Well, what do you think?

Posted by Enigmaticus on Friday, 08/3/2018 @ 10:00am

Slowly, but surely the artists who Geddy Lee and Alex Lifeson had endorsed prior to their 2013 induction are being inducted into the Rock & Roll Hall Of Fame. In case you are wondering, those artists are: Yes, The Moody Blues, Deep Purple and King Crimson. Over the years, Geddy has also mentioned Procol Harum and Jethro Tull, plus Geddy Lee had mentioned that Alex Lifeson had wanted to dress like Simon Le Bon. You do not emulate an artist who you would not endorse, therefore expect Duran Duran to be on the Nomination list later this year. Inducting King Crimson into the Rock Hall is probably quite difficult, since their familiarity among the general populace is quite low. Unless you are a “prog” aficionado, you are probably not going to own many King Crimson albums. On the other hand, both Jethro Tull and Duran Duran have done relatively well in the United States. People know who they are. Many Americans have purchased their albums. John Taylor lives in California. Simon and Nick and perhaps Roger make frequent trips to the United States. Duran Duran and Jethro Tull will bring in many attendees to the Rock Hall induction Ceremony. So, I think that since the “holy trinity” of prog (Rush, Yes and The Moody Blues) have finally been inducted, the next logical steps are to nominate and induct Jethro Tull and Duran Duran in 2019.

Posted by Enigmaticus on Sunday, 08/5/2018 @ 12:41pm

For those of you who think that they have waited too long for their favorite musical artist to be inducted, let me put it this way. I will remind you that Rush had waited 14 years past their eligibility date to be inducted. Yes had waited 22 years past their eligibility date to be inducted and The Moody Blues had waited 28 years past their eligibility date to be inducted. For many of you, 28 years is an awfully long time; it is slightly less than half of a lifetime for others. Yet, the members of The Moody Blues were not bitter about it, even though they had every right to be. Overall, they have influenced countless artists, include the aforementioned ones. The Moody Blues were just grateful to just be inducted.

Posted by Enigmaticus on Friday, 08/10/2018 @ 10:15am

For those of you who think that they have waited too long for their favorite musical artist to be inducted, let me put it this way, for the most part you have not. I will remind you that Rush had waited 14 years past their eligibility date to be inducted. Yes had waited 22 years past their eligibility date to be inducted and The Moody Blues had waited 28 years past their eligibility date to be inducted. For many of you, 28 years is an awfully long time; it is slightly less than half of a lifetime for others. Yet, the members of The Moody Blues were not bitter about it, even though they had every right to be. Overall, they have influenced countless artists, include the aforementioned ones. The Moody Blues were just grateful to just be inducted.

Posted by Enigmaticus on Friday, 08/10/2018 @ 22:30pm

I will remind you that Rush had waited 14 years past their eligibility date to be inducted. Yes had waited 22 years past their eligibility date to be inducted and The Moody Blues had waited 28 years past their eligibility date to be inducted. For many of you, 28 years is an awfully long time; it is slightly less than half of a lifetime for others. Yet, the members of The Moody Blues were not bitter about it, even though they had every right to be. Overall, they have influenced countless artists, include the aforementioned ones. The Moody Blues were very grateful just to be inducted. I think that gives you a rough indication of just how modest and humble these great men truly are.

Posted by Enigmaticus on Friday, 08/10/2018 @ 22:37pm

According to Joey Tempest, lead singer for Europe, Rush should be our planet’s musical ambassadors.

Joey also says,”If our planet ever finds itself in the situation where we have to describe and explain rock music to a new civilisation - or another life form from another galaxy - I would put forward the catalogue of the band Rush! This action would insure new positive future relations with other galaxies, with respect and admiration for planet Earth... Amen.“

I thought that this was somewhat fascinating, so I had decided to post it. You can read it on-line at www.loudersound.com under “Europe’s Joey Tempest- 10 records that changed my life.”

Posted by Enigmaticus on Wednesday, 08/15/2018 @ 05:44am

Did Rush’s induction into the Rock Hall in April, 2013, change things about how the Rock & Roll Hall Of Fame has inducted artists since then?

Discuss.

Posted by Enigmaticus on Monday, 08/20/2018 @ 02:21am

Posted by Enigmaticus on Tuesday, 08/21/2018 @ 12:48pm

Posted by Enigmaticus on Friday, 08/24/2018 @ 10:26am

Today is Alex Lifeson’s 65th birthday. I would like to extend best wishes for a Happy Birthday to Alex and thank him for all of the great music he has co-written for the past half century. Have a fantastic day, Alex.

Posted by Enigmaticus on Monday, 08/27/2018 @ 03:29am

Wow, I am utterly surprised that no one other than me has written any comments on this Rush blog in quite a while.

September had been the month, when many Rush recordings had been released.

In around six weeks, the nominees’ list for the 2019 Rock & Roll Hall Of Fame Induction Class should be released. Next month, I will also celebrate the 30th anniversary of my last “proper” vacation- a one and a half day air safari in Kenya. 1.5 days of that would be vacation, the other 3 were staycation days. I did have the opportunity to visit the magnificent Tamarind Restaurant in Mombasa, Kenya twice during that same week. In case you did not know, the Tamarind happens to be one of the finest seafood restaurants on the African continent.

So, why am I mentioning this, because my best friend in the U.S.N. at that time, had been an avid Rush fan. I would agree with Paul Crutcher’s assertion that “All the Rush fans I have met throughout my life are intelligent people. They are well spoken, and they appreciate the intricacies and subtle nuances that are often associated with this band.” Yet I was extremely hesitant to attend the 2013 Rock & Roll Hall Of Fame Induction Ceremony in Los Angeles, California. I wonder, why?

Posted by Enigmaticus on Saturday, 09/1/2018 @ 13:48pm

Wow, I am utterly surprised that no one other than me has written any comments on this Rush blog in quite a while.

September had been the month, when many Rush recordings had been released.

On September 1, “A Farewell To Kings” (**** 1/2) will celebrate it’s 41st anniversary.

On September 3, “Roll The Bones” (*****) will celebrate it’s 27th anniversary.

On September 8, “Hold Your Fire” (**** 1/2) will celebrate it’s 31st anniversary.

On September 9, “Signals” (*****) will celebrate it’s 36th anniversary.

On September 10, “Test For Echo” (*****) will celebrate it’s
22nd anniversary.

On September 24, “Caress Of Steel” (*** 1/2) will celebrate it’s 43rd anniversary.

On September 12, Neil Peart will celebrate his 66th birthday.

On September 18, Rush’s first gig will celebrate it’s 50th anniversary.

On September 25, Geddy Lee will officially mark the 50th anniversary since he had joined Rush.

On September 27, my least favorite Rush live recording, “All The World’s A Stage” (**) will celebrate it’s 42nd anniversary.

In around six weeks, the nominees’ list for the 2019 Rock & Roll Hall Of Fame Induction Class should be released. Next month, I will also celebrate the 30th anniversary of my last “proper” vacation- a one and a half day air safari in Kenya. 1.5 days of that would be vacation, the other 3 were staycation days. I did have the opportunity to visit the magnificent Tamarind Restaurant in Mombasa, Kenya twice during that same week. In case you did not know, the Tamarind happens to be one of the finest seafood restaurants on the African continent.

So, why am I mentioning this? Because, my best friend in the U.S.N. at that time, had been an avid Rush fan. I would agree with Paul Crutcher’s assertion that “All the Rush fans I have met throughout my life are intelligent people. They are well spoken, and they appreciate the intricacies and subtle nuances that are often associated with this band.” Yet I was extremely hesitant to attend the 2013 Rock & Roll Hall Of Fame Induction Ceremony in Los Angeles, California. I wonder, why?

Posted by Enigmaticus on Saturday, 09/1/2018 @ 14:25pm

One is not enough.

For several decades, Introducing new acquaintances to the majesty of Rush had been accomplished through an introduction to Rush via their second live recording, “Exit... Stage Left” and for nearly 35 years that had been quite acceptable. However, I am now finding that one Rush live recording is not nearly enough, so now I am introducing new individuals to the brilliance of Rush via their live recording from 2013, the superlative, “Clockwork Angels Tour.”

In my honest opinion, I will not say that Rush is completely finished, but instead has been on indefinite hiatus for almost 3 consecutive years. Rush may also celebrate their 50th anniversary as a band sometime in the not too distant future. At the present time, they seem to be enjoying themselves by not recording, nor touring. And they have certainly earned this break.

Posted by Enigmaticus on Sunday, 09/2/2018 @ 06:01am

Eng

Have you come across any of the members of Rush saying anything about the Guess Who? I did come across an article one where Geddy Lee said something in regards to Chicago not being in the hall.

Posted by Zuzu on Sunday, 09/2/2018 @ 06:31am

One is certainly not enough.

For several decades, Introducing new acquaintances to the majesty of Rush had been accomplished through an introduction to Rush’s music via their second live recording, “Exit... Stage Left” and for nearly 35 years that had been quite acceptable. However, I am now finding that one Rush live recording is not nearly enough, so now I am introducing new individuals to the brilliance of Rush via their live recording from 2013, the superlative, “Clockwork Angels Tour,” in addition to the aforementioned majestic live masterpiece, “Exit... Stage Left.” Yes, it costs me quite a bit more in the long run, however it also provides the greatest introduction to not only the “progressive” side of Rush, but also their “art rock” side, as well.

In my honest opinion, I will not say that Rush is completely finished, but instead has been on indefinite hiatus for almost 3 consecutive years. The members of Rush may also decide to celebrate their 50th anniversary as a band sometime, sans Neil Peart, in the not too distant future. At the present time, they seem to be enjoying themselves by not recording, nor touring. They have certainly earned this well- deserved break. Yet, I have not read anything about either Geddy Lee’s nor Alex Lifeson’s reaction to the induction of The Moody Blues this year. Have you? ;-(

Posted by Enigmaticus on Sunday, 09/2/2018 @ 11:10am

Zuzu,

No, I have not read anything about whether or not the members of Rush had said anything about The Guess Who. Most of Rush’s early influences had been bands from the United Kingdom. Alex Lifeson did however appear in Randy Bachman’s documentary “Bachman.” So, even though only a few of the Guess Who’s songs had a “progressive” edge to them, especially ‘No Time,’ the members of Rush may be supportive of The Guess Who’s induction.

In contrast, I suspect that all three members of Rush would definitely support the nominations and inductions of: Duran Duran, Jethro Tull, Supertramp, Procol Harum, King Crimson, Roxy Music, ELP, Gentle Giant, Renaissance, Kansas, Dream Theater and Tool. ;-)

Posted by Enigmaticus on Sunday, 09/2/2018 @ 11:28am

Eng,

I was asking about the Guess Who and not the Moody Blues.

I found a comment from Geddy Lee on Chicago not being in the hall on a backdoor search but I could not find it again and I could not remember what I was searching for when I found it. I am shocked that none of the members of Rush would not mention the Guess Who since they broke the door down for Canadian bands to be played in the US. It's like a Brit saying they were not influenced by the Beatles.

Did you ever see my comment on how Geddy Lee's mom pronounced his name. I grew up with several languages spoken around me when I was little and I went to school with the children of post WWII refugees escaping the Soviet Russians. One of the people in my neighborhood was smuggled out of a Soviet occupied country because he was being tortured. So I do know a bit about how different ethnic groups pronounce words.

Posted by Zuzu on Sunday, 09/2/2018 @ 11:40am

Eng

We wrote at the same time.

You may need to look deeper unless a member said something. They would need to hve some non-prog influences, otherwise all prog bands would sound the same and it would be yawn boring after a while.

Every artist worth induction worthy of induction is also influenced by artist outside their genre and sub-genre. How else would you get fusion?

By the way when I say deeper I do not mean to validate the Guess Who but I think you will find other influences if you look. You do not always pick up on these influences in an artists sound.

If you get a chance look at the M&R Rush site under who each member considers an influence. They are a metal band that played the high school circuit when I was in high school. They were originally known as Rush but changed their name when your Canadian Rush stated getting noticed.
What is interesting is that members include country artist as an influence.

Posted by Zuzu on Sunday, 09/2/2018 @ 11:55am

Zuzu,

I am not a heavy metal aficionado. I listen primarily to prog, classical, jazz and mellow classic rock. Therefore, I would probably not be interested in listening to Mahogany Rush, or whatever their name is.

Today is the 27th anniversary of the release of my favorite Rush studio recording-“Roll The Bones.” Today is also the official 19th anniversary of the date when I had started working at my present job.

Posted by Enigmaticus on Monday, 09/3/2018 @ 12:22pm

Eng

I wasn't asking you to listen to their music. I was asking you to read what individual band members say is their influence and their favorite artist and music are. Especially read their keyboardist's bio.
He has a interesting connection to Dennis DeYoung and a story to tell about it. They are from the same neighborhood as Styx and Styx had them open for their concerts.

Posted by Zuzu on Monday, 09/3/2018 @ 12:50pm

Carl Moszur is their keyboardist.

Posted by Zuzu on Monday, 09/3/2018 @ 12:54pm

It has been announced finally that the 2010- 2013 Rock & Roll Hall Of Fame Induction Ceremonies will be released as either 4 dvd, or 2 BluRay sets on September 21, 2018. I am definitely excited about the prospects of re-living the spectacular moments of the 2013 induction ceremony. From the opening song, ‘I Love L.A.’ to the closing Jam, ‘Crossroads,’ the 2013 Rock & Roll Hall Of Fame Induction Ceremony had been really quite iconic, overall. It had probably only been bested by the 2017 Rock & Roll Hall Of Fame ceremony. Of course, I had been most excited by the inductions of Yes and E.L.O. from 2017, but the inductions of Rush, Heart and the late great Donna Summer had definitely been the highlights for me from the 2013 ceremony. Unfortunately, I had not attended the 2013 induction in Los Angeles, due to the cost involved at that time.

Posted by Enigmaticus on Thursday, 09/6/2018 @ 09:41am

Regarding the 2013 through 2018 ceremonies, here is how I would rank them overall:

06. 2015 Rock & Roll Hall Of Fame Induction Ceremony. Unfortunately, no “prog” acts had been inducted during that year.

05. 2014 Rock & Roll Hall Of Fame Induction Ceremony, although one “prog” act had been inducted, i.e. Peter Gabriel, I did not dislike the induction of Hall and Oates either, unfortunately it is missing from the BluRay.

04. 2016 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Chicago and Deep Purple (two prog adjacent artists) and even Cheap Trick. The absolute lowlight had been the induction of N.W.A.

03. 2018 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the posthumous inductions of the late great Sister Rosetta Tharpe, which had been quite brilliant and thoroughly enjoyable and the late great Nina Simone, which had been fantastic also and the long overdue inductions of The Cars and The Moody Blues, The Godfathers of progressive rock. The lowlight had been the unfortunate induction of Dire Straits, due to no actual presenter being present.

02. The 2013 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Rush, Heart and the late great Donna Summer. I had also enjoyed the induction of singer/songwriter Randy Newman, the tribute to the late Albert King and the inductions of Quincy Jones and Lou Adler.

01. The 2017 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Yes (absolutely spectacular) by 66.6% of the membership of Rush- (why wasn’t Neil Peart there?), Electric Light Orchestra, Joan Baez (especially, the performance of ‘The Night They Drove Old Dixie Down’) and Journey. I had also enjoyed Snoop Dogg’s induction Speech for the late Tupac Shakur and Alicia Keys playing. I did not dislike the induction of Pearl Jam’ nor the closing Jam, ‘Rocking In The Free World,’ either.

Well, what do you think?

Posted by Enigmaticus on Thursday, 09/6/2018 @ 10:17am

Today is the 66th birthday of Neil Peart, lyricist and percussionist for Rush. Neil Peart had joined Geddy Lee and Alex Lifeson in Rush, on Geddy Lee's 21st birthday: July 29, 1974. For nearly 6 years prior, Rush had a different drummer, the late John Rutsey. In addition to being a lyricist and a retired percussionist, Neil is also an author of several books.

Posted by Enigmaticus on Wednesday, 09/12/2018 @ 03:51am

In two more days, the Rock & Roll Hall Of Fame will release the 2010- 2013 Induction Ceremonies on BluRay and DVD. I have been waiting patiently for this, for the past 5 years. I sometimes find it quite ironic that the 2014- 2017 Rock Hall Induction Ceremonies had been released first. I suppose that receiving permission from the various artists and their management had been part of the issue. Still, I am somewhat excited to see the inductions of Genesis and Rush and of course several other highlights from those years.

One can only speculate about the “prog” artists who will be nominated during the next few weeks, but I would venture to guess that both Duran Duran and Jethro Tull, and possibly Procol Harum will be on that particular list.

Posted by Enigmaticus on Wednesday, 09/19/2018 @ 16:25pm

Today is the day which I have been waiting for over five years for. The date when the 2010- 2013 Rock & Roll Hall Of Fame Induction Ceremonies will be available on BluRay and DVD.

I have been waiting patiently for this, for the past 5 years. I sometimes find it quite ironic that the 2014- 2017 Rock Hall Induction Ceremonies had been released first. I suppose that receiving permission from the various artists and their management had been part of the issue. Still, I am somewhat excited to see the inductions of Genesis and Rush and Heart and of course several other highlights from those years.

One can only speculate about the “prog” artists who will be nominated during the next few weeks, but I would venture to guess that both Duran Duran and Jethro Tull, and possibly Procol Harum will be on that particular list. Of course, I have elucidated my many reasons why Duran Duran deserves induction into the Rock & Roll Hall Of Fame.

Oh, incidentally, “Paper Gods” is The 14th studio album by Duran Duran and “Roll The Bones” had been Rush’s 14th studio album. Is there a recognizable trend here?

In conclusion, the members of Duran Duran have longevity. They have acknowledged that they have always had a progressive side to their music. Duran Duran had been a major influence on the work of several artists, including those artists who have been critically accepted, in addition to previous Rock & Roll Hall Of Fame inductees. Simon Le Bon and Nick Rhodes have written great songs together for more than 38 years and many of those songs have become classics. “Rio” has been recognized as a Classic Album, however I think that there is enough compelling evidence to also add: Duran Duran (1981), Duran Duran (1993), Pop Trash (2000), Astronaut (2004), All You Need Is Now (2010) and Paper Gods (2015) to that list. Not only does Duran Duran create great studio albums, but they have also proven themselves to be a great live act. According to at least one major website, Duran Duran tops the list of Rock Hall snubs, as did The Moody Blues and Rush, before them. Duran Duran has continued to remain innovative, influential, experimental and important for nearly 4 decades. Is it now time for Duran Duran to receive their long-overdue acknowledgement and be inducted into the Rock & Roll Hall Of Fame? I would say that answer is a definitive yes!

Well, what do you think?

By the way, I do not think that taking a break from inducting “prog” artists is a good idea, either.

Posted by Enigmaticus on Friday, 09/21/2018 @ 06:50am

Eng

induction of Brits needs to take a hiatus. Several of the groups you say were prog were not even prog. They were in the rock section. Prog was only a very very small part of the 70s. Folk country and soft rock need to be brought up to speed, Rush is in but other Canadians need to be remembered and honored

Paul Anka
The Guess Who
BTO
Gordon Lightfoot
The Blues Brothers - includes Canadians

This stroll in the park for prog has to end.

No more garbage dump tickets so they can walk right in

If they are going to be inducted let them have competition and prove their worth

Moodies got in on a garbage dump ticket

Rush got in on a garbage dump ticket too.

Would they have gotten in if Chicago, The Guess Who, Gordon Lightfoot, BTO, Paul Anka, Chubby Checker, Patsy Cline or their like had been on the ticket?

Posted by Zuzu on Friday, 09/21/2018 @ 10:07am

Zuzu,

I am sorry, but I will definitely not stop until every single “prog” band who have I revered has been inducted. It has been my mission since 1997; when I had first started creating my now long archived website. I do not consider “prog” bands to be garbage dump bands either. “Prog” has for the most part been largely ignored by the Nominating Committee until October, 2012 when Rush, Procol Harum, Deep Purple and Kraftwerk had all been placed upon the ballot. Of course, I had voted for the late Donna Summer, Rush, Heart, Randy Newman and Procol Harum during that year. I had also advocated for Yes- my co-favorite band and The Moody Blues- the first band which- I had discovered entirely on my own. My taste in music largely hinges on both the music and lyrics of Rush and The Moody Blues. That is one primary reason why I cannot stand AC/DC and like only a few songs by Aerosmith. I also revere Yes and am rather annoyed by those who cannot appreciate their musical vision, especially those who say “No to Yes.” By the way, I had also placed Chicago on my nomination list in 2014 and in late August, 2015. I had felt that their snub had been quite egregious also. I had voted for Deep Purple and Chicago the year that both had been inducted. 2017 had been a banner year for me, since I had voted for Electric Light Orchestra, Yes and Joan Baez that year. Last year, I had voted for The Cars, The Zombies (50% Of the time) and the late great Nina Simone (the other 50% of the time). I had also voted for Kate Bush, Eurythmics and of course, The Moody Blues. In fact, I now wear a Moody Blues t-shirt which reads “Keep Calm and Listen To Moody Blues” t-shirt each night as sleepwear.

Posted by Enigmaticus on Friday, 09/21/2018 @ 12:04pm

About Rush, Enigmaticus wrote:
Zuzu,

I am sorry, but I will definitely not stop until every single “prog” band who I have revered has been inducted. It has been my mission since 1997; when I had first started creating my now long archived website. I do not consider “prog” bands to be garbage dump bands either. “Prog” has for the most part been largely ignored by the Nominating Committee until October, 2012 when Rush, Procol Harum, Deep Purple and Kraftwerk had all been placed upon the ballot. Of course, I had voted for the late Donna Summer, Rush, Heart, Randy Newman and Procol Harum during that year. I had also advocated for Yes- my co-favorite band and The Moody Blues- the first band which- I had discovered entirely on my own. My taste in music largely hinges on both the music and lyrics of Rush and The Moody Blues. That is one primary reason why I cannot stand AC/DC and like only a few songs by Aerosmith. I also revere Yes and am rather annoyed by those who cannot appreciate their musical vision, especially those who say “No to Yes.” By the way, I had also placed Chicago on my nomination list in 2014 and in late August, 2015. I had felt that their snub had been quite egregious also. I had voted for Deep Purple and Chicago the year that both had been inducted. 2017 had been a banner year for me, since I had voted for Electric Light Orchestra, Yes and Joan Baez that year. Last year, I had voted for The Cars, The Zombies (50% Of the time) and the late great Nina Simone (the other 50% of the time). I had also voted for Kate Bush, Eurythmics and of course, The Moody Blues. In fact, I now wear a Moody Blues t-shirt which reads “Keep Calm and Listen To Moody Blues” t-shirt each night as sleepwear.

For the past 5 years, I have also been a huge advocate for Duran Duran’s inclusion. Some individuals may not understand the “prog” connection, but I do and will continue to support their induction. I am not really an Anglophile either; I cannot stand Pimms, nor have I ever eaten traditional British food. With that in mind, my reasons for endorsing, or not endorsing an artist has a great deal to do with how much I like their output. If their work does not resonate with me in any way, shape or form, then I will most likely not listen to it. I do not like Duran Duran, Jethro Tull, Procol Harum, or King Crimson because they are British, but because their work has resonated with me. It is the same reason why I enjoy the work of Sade and can dismiss Janet Jackson quite readily.

Now as far The Guess Who is concerned, I like much of their work, but I cannot stand their offshoot- B.T.O. In fact, I am okay with ‘Taking Care Of Business,’ but I very strongly detest, ‘You Ain’t Seen Nothing Yet.’

I do also agree that more ladies should be included in the Hall. I think that Carly Simon and Sade are egregious omissions. I am also okay with Pat Benatar and even The Bangles making the list, although I cannot really appreciate The Go-gos, save Belinda Carlisle’s solo work.

Posted by Enigmaticus on Friday, 09/21/2018 @ 12:21pm

Now as far as The Guess Who is concerned, I like much of their work, but I cannot stand their offshoot- B.T.O. In fact I am okay with ‘Taking Care Of Business,’ but I very strongly detest, ‘You Ain’t Seen Nothing Yet.’ As far as Canadian singer songwriting luminaries are concerned, my late father had liked Gordon Lightfoot, especially, ‘If You Could Read My Mind.’ I have always liked ‘The Wreck Of The Edmund Fitzgerald,’ even though it is quite maudlin in nature.

Posted by Enigmaticus on Friday, 09/21/2018 @ 12:36pm

Posted by Enigmaticus on Friday, 09/21/2018 @ 12:42pm

Eng

To me a garbage dump ticket is one the nom com designs with a bunch of artist they think will not get votes in order to ensure that an artist that does get some votes but would probably not make the final 5 cut get in.

If these had been a fair ballots with actual competition Rush and the Moodies eventually they would have gotten but just not right away.

I am actually calling for no more garbage dump ballots. I think that with some competition 80s and Brits will not get enough votes. At least until other areas are brought up to speed.

Bill has said that he felt that the nom com was only putting up r&b artist that would not get votes and not ones that will.

I think I am seeing the same thing but from a different angle where I see the nom com doing this with more than r&b.

You should check out Marshall Tucker's Can't You See video, Not sure if it is a flute but they do use one o the woodwinds in the song.

Posted by Zuzu on Friday, 09/21/2018 @ 14:17pm

Today, I plan on picking up the “Rock & Roll Hall Of Fame In Concert: Encore” BluRay.

Slowly, but surely the artists who Geddy Lee and Alex Lifeson had endorsed prior to their 2013 induction are being inducted into the Rock & Roll Hall Of Fame. In case you are wondering, those artists are: Yes, The Moody Blues, Deep Purple and King Crimson. Over the years, Geddy has also mentioned Procol Harum and Jethro Tull, plus Geddy Lee had mentioned that Alex Lifeson had wanted to dress like Simon Le Bon. You do not emulate an artist who you would not endorse, therefore expect Duran Duran to be on the Nomination list later this year. Inducting King Crimson into the Rock Hall is probably quite difficult, since their familiarity among the general populace is quite low. Unless you are a “prog” aficionado, you are probably not going to own many King Crimson albums. On the other hand, both Jethro Tull and Duran Duran have done relatively well in the United States. People know who they are. Many Americans have purchased their albums. John Taylor lives in California. Simon and Nick and perhaps Roger make frequent trips to the United States. Duran Duran and Jethro Tull will bring in many attendees to the Rock Hall induction Ceremony. So, I think that since the “holy trinity” of prog (Rush, Yes and The Moody Blues) have finally been inducted, the next logical steps are to nominate and induct Jethro Tull and Duran Duran in 2019.

After Jethro Tull and Duran Duran have been inducted in 2019, I think that the most logical steps are to re-nominate and induct Procol Harum and nominate and induct Supertramp in 2020.

In 2021, I would expect King Crimson and Roxy Music to enter the Rock Hall.

Well, what do you think?

Posted by Enigmaticus on Saturday, 09/22/2018 @ 11:46am

Rush’s induction had not surprisingly been the highlight of the 2013 Induction Ceremony, as well as quite possibly the highlight of the 2010- 2013 Induction Ceremonies, followed closely by the inductions of Heart and Genesis. I had been somewhat disappointed that neither the inductions of the late great Donna Summer, nor Guns N Roses had been featured on this compilation. Perhaps, the Rock & Roll Hall Of Fame will eventually feature these inductions on a later compilation.

Last month, Rush had officially turned 50, even though, Rush is still on “indefinite hiatus.”

Posted by Enigmaticus on Monday, 10/1/2018 @ 04:38am

Thirty years ago today, I had been on my last proper vacation- an air safari in Kenya. Now, I realize that since those thirty years have passed, it is very unlikely that I will probably ever take another vacation again. But during the “staycation” part (the last 3 of the 5 days), I had managed to visit the magnificent Tamarind Restaurant in Mombasa twice. Since, I am a seafood connoisseur, I thought that it had been quite appropriate to mention this. So, why am I mentioning this on the Rush page? Because the song, ‘Mystic Rhythms,’ had inspired me to do this. “Power Windows” had been my favorite Rush studio recording for over 26 years, until it had been replaced by the Audiofidelity Gold version of “Roll The Bones,” a few weeks before my 50th birthday in February, 2012. Even so, “Power Windows” is still one of my favorite Rush studio albums and on October 29, it will turn 33 years old, around the same time that Exit... Stage Left,” will turn 37 and “Hemispheres” will celebrate it’s 40th anniversary. I refer to this day as the “trifecta” of prog. Well, what do you think?

Posted by Enigmaticus on Thursday, 10/11/2018 @ 10:47am

Enig - This doesn't necessarily fit here, but I know you would find it here if I put it!

I do a lot of exploring musically to discover old music I have not yet encountered; it's one of the pleasures of the modern internet - the easy access to almost everything ever released (the trick is to find a way to organize your listening/searching to sift through such a deep treasure trove).

anyway, yesterday night I happened to listen to a band called Le Orme, who are an Italian prog-rock band. The album I happened to listen to is Uomo di pezza, and as I listened, I thought to myself "that prog rock lover on futurerocklegends would probably really dig this stuff!"

So if you haven't heard the band before, you should check them out. The album I listened to was all in Italian, so the lyrics have no meaning for me, but the music was very good. Maybe try the youtube link for their song "Alienazione"

https://www.youtube.com/watch?v=c5SLjb732Fc

Posted by Shrek on Friday, 10/12/2018 @ 14:59pm

Shrek,

I am not opposed to listening to Italian progressive rock groups, although I have not heard the music of Le Orme, P.F.M. (Premiata Forneria Marconi), or Banco (Banco del Mutuo Soccorso).

Did you ever have a week which you would like to do over? Almost everything about the previous week had sucked. My workload had diminished greatly, causing me to use up more than 1 day of my reserve time. My 401K had taken a 20K hit. The Nominees list for the Rock & Roll Hall Of Fame had been far less than desirable, to say the least. More than 30 years have now passed since my last proper vacation. Yet for some unknown reason, the sheer idea of taking a vacation causes me extreme anxiety and elevates my blood pressure significantly. I may have to conclude that taking another vacation in my lifetime could be quite detrimental to my health. The one minor highlight had been Thursday and my glorious dinner at my favorite restaurant, otherwise this week had been completely depressing! ;-P

Posted by Enigmaticus on Sunday, 10/14/2018 @ 08:40am

I have posted excerpts from three very significant articles from the Cleveland Plain Dealer about Rush:

1. “Yes and Rush to turn 2017 Rock Hall Ceremony into prog-rock gala” by Troy L. Smith- updated Jan 27, 2017:

CLEVELAND, Ohio - The Rock & Roll Hall of Fame voting process hasn't exactly been kind to progressive rock.

Yes will be added to that list when the band is inducted into the Rock Hall on April 7 in New York City. Appropriately, Rush members Alex Lifeson and Geddy Lee will do the honors of inducting the band.

Lee has long cited acts like Yes, Van der Graaf Generator and King Crimson as an influence on Rush's style. The presence of both massive prog-rock acts will easily put the genre under its biggest Rock Hall spotlight yet. Some might even argue that Jeff Lynne's progressive nature with fellow inductee Electric Light Orchestra even further drives that point home.

The induction of Yes, and Rush's presence at this year's ceremony should also shine a lot on other longtime snubs in terms of progressive rock bands. King Crimson probably tops that list. But you could also group in the Zombies, Jethro Tull, the Moody Blues, Procol Harum and others for their impact on the genre.

Certainly, the 2017 Rock Hall Ceremony is a must-see for any fan of prog-rock's 1970s peak years.

2. “Rock & Roll Hall Of Fame: Bon Jovi, Moody Blues for sure, but is there a dark horse? Chuck Yarborough” by Chuck Yarborough Updated Nov 20, 2017

But the undeniable fan support for the Moodies - and before them, Yes and Rush - means it's time to realize that those days of censure have passed, to mangle the title of the band's groundbreaking album.

“Rock Hall 2018: Who should induct the Cars, Nina Simone & More” by Troy L. Smith Updated March 23, 2018.

The Moody Blues

Ideal Choice: Geddy Lee
Why: Acts like Rush and Heart have stated that The Moody Blues were a major influence on them. Not a perfect choice, we know. But The Moodies go back a ways and this feels like a real head-scratcher.

Posted by Enigmaticus on Sunday, 10/14/2018 @ 12:42pm

On November 16, 2018- the 40th anniversary edition of “Hemispheres” will be released on cd and vinyl. “Hemispheres” had been the studio album which had introduced me to the majestic music of Rush not quite 40 years ago. Of course, “Hemispheres” is still one of my favorite Rush studio recordings and is my 9th favorite overall studio recording by Rush.

Six days ago, “Hemispheres” had celebrated it’s 40th anniversary. “Exit... Stage Left” had celebrated it’s 37th anniversary and “Power Windows” had celebrated it’s 33rd anniversary on the day which I like to refer to as the “trifecta” of prog.

With that being said, I still find it extremely disappointing and ultimately quite aggravating that neither Jethro Tull, nor Duran Duran, nor Procol Harum had been nominated this year. But then again, I absolutely detest critic’s lists and the 2019 list of Rock Hall nominees is a critic’s list. So Instead of any of those great aforementioned artists, we have Roxy Music, as possibly the sole representative of “prog rock” on this ballot. In my honest opinion, Roxy Music have created two really extraordinary studio albums- “Avalon” and “Country Life.” I had attempted to listen to a portion of Roxy Music’s debut album, however i had found it to be quite annoying and it did not have the cachet of either “Country Life,” or “Avalon,” in my honest opinion. I have yet to listen to “For Your Pleasure,” “Stranded” and “Siren.” Although I agree that in terms of influence, Roxy Music has definitely been overdue for nomination into the Rock & Roll Hall Of Fame, I just do not think that their work compares that favorably with any of those previously mentioned artists, other than perhaps those two brilliant studio recordings- “Country Life” and “Avalon.”

Posted by Enigmaticus on Sunday, 11/4/2018 @ 04:30am

Oh and by the way, since Rush fans have been compared to Trekkies, let me just voice my extreme disappointment and aggravation over the fact that “Star Trek: Voyager” has not yet been released on BluRay. In my honest opinion, this is a huge travesty, since less important and far less interesting series, such as “Star Trek: Enterprise” have received the BluRay treatment. :-P

Posted by Enigmaticus on Monday, 11/5/2018 @ 09:52am

Posted by Enigmaticus on Monday, 11/5/2018 @ 09:59am

On a totally unrelated subject:

I have recently been collecting Star Trek: “The Original Series” and have ordered individual seasons and the entire series, “Star Trek: The Next Generation” on BluRay. Yet, my ultimate goal has been to have “Star Trek: Voyager” released on BluRay. I think this series definitely deserves the BluRay treatment. Since it is still unavailable on BluRay, I had to purchase “Star Trek: Voyager” on DVD. Perhaps, CBS could just release the 3 episodes of “Voyager” which had featured Q first on BluRay: “Death Wish,” “The Q and The Grey” and “Q2.” This would test the waters and determine whether it would have been feasible to reissue the entire series of “Star Trek: Voyager” on BluRay. Well, what do you think?

Posted by Enigmaticus on Monday, 11/12/2018 @ 09:31am

On a totally unrelated subject:

I have recently been collecting Star Trek: “The Original Series” on BluRay and have ordered individual seasons (Seasons 1, 2, 6 & 7 thus far) and ultimately, the entire series of “Star Trek: The Next Generation” on BluRay. Yet, my ultimate goal has been to have “Star Trek: Voyager” released on BluRay. I think this series definitely deserves the BluRay treatment. Since it is still unavailable on BluRay, I had to purchase “Star Trek: Voyager” on DVD. Perhaps, CBS could just release the 3 episodes of “Voyager” which had featured Q first on BluRay: “Death Wish,” “The Q and The Grey” and “Q2.” This would test the waters and determine whether it would have been feasible to reissue the entire series of “Star Trek: Voyager” on BluRay. Well, what do you think?

Posted by Enigmaticus on Monday, 11/12/2018 @ 10:01am

In October, 2012 the Rock & Roll Hall Of Fame Nominating Committee had sought to correct previous oversights and had finally nominated Rush to be inducted into the Rock & Roll Hall Of Fame after nearly 14 years of eligibility. Then everything had been getting better with the long overdue inductions of Yes in 2017 and The Moody Blues In 2018- finally the “holy trinity” of prog had been inducted. Then October, 2018 came along and the “prog” community who had expected Jethro Tull, Procol Harum and Duran Duran to receive a nomination had been severely disappointed. Instead of any of those aforementioned bands, we had been left Roxy Music, Kraftwerk, The Zombies and Todd Rundgren to represent “progdom.” To say the least most of us had been extremely disappointed. The good rapport that the Rock Hall had generated had nearly been erased in one stultifying move. If we include Radiohead, which I am quite reluctant to do, then we have five less than satisfactory representatives of our favorite genre. Even so, I do believe that these 5 artists merit induction.

Last year, Sue and I had encouraged you to vote for The Moody Blues, The co-fathers of our magnificent genre. Now, I am encouraging my fellow prog aficionados to vote for Roxy Music, Kraftwerk, Todd Rundgren, The Zombies and possibly Radiohead, until the deadline on December 09, 2018. Thank you.

Posted by Enigmaticus on Thursday, 11/15/2018 @ 09:44am

Tomorrow will mark the 5th anniversary of the release of “Clockwork Angels Tour” on cd. In my honest opinion, this is Rush’s second greatest live compilation, only bested by the incomparable “Exit.. Stage Left” from 1981.

Well, what do you think?

Posted by Enigmaticus on Sunday, 11/18/2018 @ 10:25am

In my honest opinion, this is a phenomenal live recording made even more extraordinary through the addition of a nine member string ensemble. As far as I am concerned whenever anything can be done to bring about the enhancement of Rush’s songs, it is always better. The Clockwork Angels String Ensemble is composed of great musicians who have redefined Rush as a symphonic progressive rock band; their interpretations of songs from “Clockwork Angels” are precise, uplifting and beautiful, providing each of these songs with a dramatic flair which would further improve Rush’s already superlative compositions. Not surprisingly, the bulk of the material comes from the “Clockwork Angels” studio album. The remainder of the material comes from two of their more popular studio recordings: “Power Windows” (Manhattan Project) and “Roll The Bones” (Dreamline). There are also songs from “Grace Under Pressure” (Red Sector A) and “Moving Pictures” (YYZ) which also feature this symphonic enhancement.

The first set is a hodgepodge of earlier Rush classics, beginning with 'Subdivisions' from "Signals" and concluding with 'Far Cry' from "Snakes & Arrows." Much of this set is dominated by songs from "Power Windows," including 'The Big Money,' 'Grand Designs' and 'Territories', "Roll The Bones" is represented by 'Bravado' and 'Where's My Thing' and the remaining songs are either from "Signals" (The Analog Kid), or "Grace Under Pressure" (The Body Electric), or "Hold Your Fire," (Force Ten). These are all great songs, although I think that 'Bravado' would have been another great song to re-interpret with the addition of the string ensemble.

The second set and a portion of the third set however is what makes this recording really spectacular. First of all, let me say that I am not and have never been, a Rush purist. In my honest opinion, whatever can be done to improve their work is perfectly acceptable. Therefore, the songs on this disc are enhanced by the support of the Clockwork Angels String Ensemble. Beginning with 'Caravan,' we are led on a personal journey through some individual's life. 'Caravan' is extraordinary and sets the stage for the sublime 'Clockwork Angels,' the gripping 'Anarchist,' the dark and moody 'Carnies,' the intensely sad, but beautiful 'The Wreckers,' the energetic 'Headlong Flight,' the serene 'Halo Effect,' the intense 'Seven Cities Of Gold,' the reflective 'Wish You Well' and the superlative 'The Garden.' 'The Garden' has the elements which have made it an instant classic, it is sublime, understated and ethereal. Geddy Lee's singing reaches a new level of calmness, heretofore unknown.

The third set begins with the extraordinary 'Dreamline,' from the magnificent album "Roll The Bones." To those detractors who do not like "Roll The Bones," for some unknown reason, one cannot deny that Geddy Lee's voice had never been better before, nor since the release of that recording. On this particular song, the Clockwork Angels String Ensemble adds greatly to the overall atmosphere of 'Dreamline.' In my honest opinion, this version is even better than that on "Roll The Bones." The remainder of the songs, 'Red Sector A' and 'YYZ' benefit greatly from the String ensemble which adds more depth and texture to each of these songs. Of course, I was not surprised by yet another version of those Rush staples, 'The Spirit Of Radio,' 'Tom Sawyer,' and '2112,' but 'Middletown Dreams,' 'The Pass' and 'Manhattan Project' were spectacular. Conclusion: I highly recommend this recording; it is one of Rush's best live albums! I will give it a rating of (*****).

Posted by Enigmaticus on Sunday, 11/18/2018 @ 14:02pm

FYI: I had previously posted my altered review of “Clockwork Angels Tour” which I had originally posted on Prog Archives on January 7, 2014.

Posted by Enigmaticus on Sunday, 11/18/2018 @ 14:21pm

5 years ago today, Rush had released “Clockwork Angels Tour” on cd. This particular live recording by Rush would be commemorate the last time that I had seen Rush perform live prior to their present extended hiatus. I had seen Rush perform live twice before in 1992, during the “Roll The Bones” Tour, after I had turned 30 and in 2002, during the “Vapor Trails” Tour in 2002, after I had turned 40. However, my perspective had certainly been different this time, since I had turned 50 several months prior to this time and Rush had been deservedly inducted into the Rock & Roll Hall Of Fame slightly more than 4 months later. It would also be the last rock concert which I had attended, thus far. Unlike the previous Rush concerts which had not been the most enjoyable experiences, this concert had been superlative. Since it had occurred during Thanksgiving weekend, it had not been totally sold out. I had been able to get much better seats for this event and I had brought my first generation iPad with me. I had also purchased a great concert t-shirt for this event which would eventually become extremely faded and quite ridden with holes. Nevertheless, this Rush concert had featured the magnificent “Clockwork Angels Ensemble,” which had been the closest Rush had ever been to touring with a symphony orchestra thus far. Every nuance of Rush’s extraordinary music had been enhanced by this group of very talented musicians and the arrangements had been created, in order to not detract from the extraordinary live experience. Yesterday, I had updated my review of this live recording in two previous posts.

Posted by Enigmaticus on Monday, 11/19/2018 @ 09:39am

5 years ago today, Rush had released “Clockwork Angels Tour” on cd. This particular live recording by Rush would commemorate the last time that I had seen Rush perform live prior to their present extended hiatus. I had seen Rush perform live twice, once before in 1992, during the “Roll The Bones” Tour, after I had turned 30 and in 2002, during the “Vapor Trails” Tour in 2002, after I had turned 40. However, my perspective had certainly been different this time, since I had turned 50 several months prior to this time and Rush had been deservedly inducted into the Rock & Roll Hall Of Fame slightly more than 4 months later. It would also be the last rock concert which I had attended, thus far. Unlike the previous Rush concerts which had not been the most enjoyable experiences, this concert had been superlative. Since it had occurred during Thanksgiving weekend, it had not been totally sold out. I had been able to get much better seats for this event and I had brought my first generation iPad with me. I had also purchased a great concert t-shirt for this event which would unfortunately eventually become extremely faded and quite ridden with holes. Nevertheless, this Rush concert had featured the magnificent “Clockwork Angels Ensemble,” which had been the closest Rush had ever been to touring with a full symphony orchestra thus far. Every nuance of Rush’s extraordinary music had been enhanced by this group of very talented musicians and the arrangements had been created, in order to not detract from the extraordinary live experience. Yesterday, I had updated my review of this superlative live recording in two previous posts. I had also purchased a new recording of this magnificent concert. Well, what do you think?

Posted by Enigmaticus on Monday, 11/19/2018 @ 09:49am

The 40th anniversary of the release of “Hemispheres” is probably the biggest event now occurring in Rush’s world. The next issue of PROG Magazine is scheduled to feature “Hemispheres” on the cover. The present issue of PROG features King Crimson on the cover. However, the issue now available on the newsstands here in the U.S. features the greatest keyboardists in the history of progressive rock, of which Geddy Lee is ranked 19th. By the way, for a musician known primarily for playing the bass guitar, that is actually a relevantly high ranking.

Posted by Enigmaticus on Saturday, 11/24/2018 @ 10:29am

The 40th anniversary of the release of “Hemispheres” is probably the biggest event now occurring in Rush’s world. The next issue of PROG Magazine issue #93 is scheduled to feature “Hemispheres” on the cover. The present issue of PROG Magazine Issue #92 features King Crimson on the cover. However, the issue now available on the newsstands here in the U.S. features the greatest keyboardists in the history of progressive rock, of which Geddy Lee is ranked 19th. By the way, for a musician known primarily for playing the bass guitar, this is actually a relatively high ranking.

Posted by Enigmaticus on Sunday, 11/25/2018 @ 01:17am

Even though no so called traditional “prog” acts are on this year’s ballot, I think that we can expect the major prog acts to vote for other peripheral prog artists. By the way, the latest episode of the “Who Cares About The Rock Hall” podcast was really quite interesting. Apparently, their guest from last week’s episode is a huge aficionado of progressive rock. Kudos to Patrick Fabian, Joe Kwaczala and Kristen Studard on their most recent podcast on the merits of Def Leppard which mentions Yes and Rush- my two favorite bands and of course 2/3 of the “holy trinity” of prog. I think that we can expect the majority of the prog artists to vote for: Roxy Music, Kraftwerk, The Zombies, Radiohead and possibly Todd Rundgren.

Posted by Enigmaticus on Tuesday, 11/27/2018 @ 09:29am

Many times I have mentioned just how disappointing this list is to aficionados of progressive rock. I would really like to reiterate just how huge of a mistake it was to not nominate Duran Duran, Jethro Tull and re-nominate Procol Harum.

However, it is what it is and in approximately 2 weeks we will know the results of this extremely underwhelming Rock & Roll Hall Of Fame Class Of 2019 really is.

In their “Rock and Roll Hall Of Fame Remixed” series, Rush would have been inducted in 2006, instead of 2013. The Moody Blues should have definitely been inducted prior to 2018 also, at a time when Ray Thomas would have been still able to attend their induction. Yes should have been inducted while Chris Squire had still been alive also. However, that did not happen and the posthumous inductions of members of various bands has unfortunately become quite common.

Well, what do you think?

Posted by Enigmaticus on Friday, 11/30/2018 @ 10:08am

Many times I have mentioned just how disappointing this list is to aficionados of progressive rock. I would really like to reiterate just how huge of a mistake it was to not nominate Duran Duran, Jethro Tull and re-nominate Procol Harum.

However, it is what it is and in approximately 2 weeks we will know the results of how extremely underwhelming the Rock & Roll Hall Of Fame Class Of 2019 really is.

In their “Rock and Roll Hall Of Fame Remixed” series, Cleveland.com mentions how Rush should have been inducted in 2006, instead of 2013. The Moody Blues should have definitely been inducted prior to 2018 also, at a time when Ray Thomas would have been still able to attend their induction. Yes should have been inducted while Chris Squire had still been alive also. However, that did not happen and the posthumous inductions of members of various bands has unfortunately become quite common. To their credit, both King Crimson and Jethro Tull have already been inducted in this Cleveland.com series.

Well, what do you think?

Posted by Enigmaticus on Friday, 11/30/2018 @ 10:17am

On November 16, 2018- the 40th anniversary edition of “Hemispheres” had been released on cd and vinyl. “Hemispheres” had been the studio album which had introduced me to the majestic music of Rush not quite 40 years ago. Of course, “Hemispheres” is still one of my favorite Rush studio recordings and is my 9th favorite overall studio recording by Rush.

On October 29, 2018, “Hemispheres” had celebrated it’s 40th anniversary. “Exit... Stage Left” had celebrated it’s 37th anniversary and “Power Windows” had celebrated it’s 33rd anniversary on the day which I like to refer to as the “trifecta” of prog.

Speaking of prog, the latest issue of PROG Magazine features “Hemispheres” on the cover. I am really looking forward to this particular issue.

With that being said, I still find it extremely disappointing and ultimately quite aggravating that neither Jethro Tull, nor Duran Duran, nor Procol Harum had been nominated this year. But then again, I absolutely detest critic’s lists and the 2019 list of Rock Hall nominees is undoubtedly a critic’s list. So instead of any of those great aforementioned artists, we have Roxy Music, as possibly the sole representative of “prog rock” on this ballot. In my honest opinion, Roxy Music had created two really extraordinary studio albums- “Avalon” and “Country Life.” I had attempted to listen to a portion of Roxy Music’s debut album, however i had found it to be quite annoying and it did not have the cachet of either “Country Life,” or “Avalon,” in my honest opinion. I have yet to listen to “For Your Pleasure,” “Stranded” and “Siren.” Although I agree that in terms of influence, Roxy Music has definitely been overdue for nomination into the Rock & Roll Hall Of Fame, I just do not think that their work compares that favorably with any of those previously mentioned artists, other than perhaps those two brilliant studio recordings- “Country Life” and “Avalon.” Nonetheless, I have been voting for Roxy Music, The Zombies and Stevie Nicks every single day for the Fan Vote. I have also been voting for Kraftwerk and occasionally Todd Rundgren, Devo and Radiohead for the remainder of the time.

Posted by Enigmaticus on Saturday, 12/1/2018 @ 15:24pm

Of course, I have always been interested in introducing someone new to the majesty of the members of the “holy trinity” of prog. Yesterday, I had a conversation with a younger couple who had enjoyed the music of Apocalyptica. This had intrigued me greatly since Apocalyptica had covered the works of Metallica played on four cellos. As you are probably well aware, Metallica had been influenced by Rush. Therefore, I had given the younger couple a copy of “Clockwork Angels Tour” which had featured the members of Rush accompanied by a nine piece string ensemble. Perhaps Rush is indirectly the grandfather of Apocalyptica?

Otherwise, I had introduced someone else who has been a very diehard Country fan to the music of Rush via “Exit... Stage Left” and “Clockwork Angels Tour” during the previous few months.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/2/2018 @ 12:12pm

Posted by Enigmaticus on Saturday, 12/8/2018 @ 21:19pm

Who will the members of Rush vote for? Although it calls for a certain amount of speculation. Here is what I think:

1. Roxy Music- Neil Peart had mentioned that Roxy Music had been an influence on the music of Rush in an article written in the mid 1980’s.

2. The Zombies- Rush had wanted Yes, The Moody Blues, Deep Purple, Procol Harum and King Crimson to be inducted. Rush had also started out as a band in the late 1960’s, imbibing the styles of that era like a musical sponge. .

3. Devo- Gerald Casale had directed their video for ‘Mystic Rhythms.’

4. Stevie Nicks-

5. Radiohead- Bassist Geddy Lee has mentioned “OK Computer” as being one of his favorite recordings.

Prog is a nebulous type of music embracing styles from the progressive electronic styles of Kraftwerk to the symphonic prog styles of groups such as: Yes, Genesis, Kansas, ELP and numerous others. Crossover prog or “art rock” includes artists such as: Electric Light Orchestra, The Moody Blues, Roxy Music, Supertramp,Talking Heads and of course, Duran Duran. Rush is unusual among many prog bands because they have never stuck to any particular style or variety of prog, at times they have been “heavy prog,” “heavy symphonic prog,” “symphonic prog,” “crossover prog,” “eclectic prog” and “symphonic eclectic prog,” in addition to “atmospheric symphonic prog.”

Posted by Enigmaticus on Saturday, 12/8/2018 @ 21:33pm

Who will the members of Rush vote for? Although it calls for a certain amount of speculation. Here is what I think:

1. Roxy Music- Neil Peart had mentioned that Roxy Music had been an influence on the music of Rush in an article written in the mid 1980’s.

2. The Zombies- Rush had wanted Yes, The Moody Blues, Deep Purple, Procol Harum and King Crimson to be inducted. Rush had also started out as a band in the late 1960’s, imbibing the styles of that era like a musical sponge.

3. Devo- Gerald Casale had directed their video for ‘Mystic Rhythms.’

4. Stevie Nicks- they do know each other and perhaps even the other members of Fleetwood Mac.

5. Radiohead- Bassist Geddy Lee has mentioned “OK Computer” as being one of his favorite recordings.

Prog is a nebulous type of music embracing many different subgenres. From the progressive electronic of Kraftwerk to the symphonic prog of groups such as: Yes, Genesis, Kansas, ELP and numerous others. Crossover prog or “art rock” includes artists such as: Electric Light Orchestra, The Moody Blues, Roxy Music, Supertramp, Talking Heads and of course, Duran Duran. Progressive folk includes Jethro Tull and Gryphon. King Crimson and Gentle Giant are eclectic prog. Pink Floyd and Hawkwind are space rock. Rush is unusual among many prog bands because they have never stuck to any particular style or variety of prog; at times, they have been “heavy prog,” “heavy symphonic prog,” “symphonic prog,” “crossover prog,” “eclectic prog” and “symphonic eclectic prog,” in addition to “atmospheric symphonic prog.” Even so, regardless of their particular subgenre, prog artists often feel compelled to support other prog artists. So expect most of the inducted prog artists to support other artists which are representative of prog, even those of peripheral prog bands.

Posted by Enigmaticus on Sunday, 12/9/2018 @ 00:33am

We all know by now that Rush had been inducted several years ago (2013) into the Rock & Roll Hall Of Fame. Of course, Yes (2017) and The Moody Blues (2018) had followed them in, relatively recently, therefore the “holy trinity” of prog are now in the Rock Hall.

Now, with the most recent pending inductions in 2019 of Roxy Music, The Zombies and Radiohead, will we see more of the “crossover prog” artists on the ballot? Will Duran Duran receive a nomination and induction in 2020 as a result of Roxy Music’s recent induction to be? Will Procol Harum follow The Zombies into the Rock & Roll Hall Of Fame? What about Jethro Tull and King Crimson, will they join Genesis in the “unholy trinity” of prog?

Well, what do you think?

Posted by Enigmaticus on Friday, 12/14/2018 @ 10:14am

We all know by now that Rush had been inducted several years ago (2013) into the Rock & Roll Hall Of Fame. Of course, Yes (2017) and The Moody Blues (2018) had followed them in relatively recently, therefore the “holy trinity” of prog are now in the Rock Hall.

Now, with the most recent pending inductions in 2019 of Roxy Music, The Zombies and Radiohead, will we see more of the “crossover prog” artists on the ballot? Will Duran Duran receive a nomination and induction in 2020 as a result of Roxy Music’s recent induction to be? Will Procol Harum follow The Zombies into the Rock & Roll Hall Of Fame? What about Jethro Tull and King Crimson, will they join Genesis in the “unholy trinity” of prog? Or, has the “prog” train been derailed?

Well, what do you think?

Posted by Enigmaticus on Friday, 12/14/2018 @ 10:22am

@ Enig

The addition of Roxy Music on next year’s class is more than an induction, it’s a sign of victory along with two other bands who have some prog influences. I still think we’re gonna see more prog bands in the next few years. Here’s what I’m picturing now:

2020: Jethro Tull and Duran Duran
2021: ELP
2022: Procol Harum
2023: King Crimson

Posted by The Dude on Friday, 12/14/2018 @ 10:55am

Enig, was out on my patio last night burnin some wood & burnin one when 'Dreamtime' from Roll the Bones came on.

Toasted you & Rush. Hope you have a fine Holiday Season.

Posted by Paul in KY on Friday, 12/14/2018 @ 11:09am

It's great that Geddy Lee got the ultimate honor. Not that he is in the Hall of Fame with Rush, nor that he is appointed to the Order of Canada (also with his bandmates) or that Rush had three rodents at a Toronto zoo named after them.

But Geddy, like David Lee Roth and Courtney Love (but not Gene Simmons, Neil Diamond or Barry Manilow) got...a mention in an installment of the Adam Sandler Chanukah song (albeit two years ago)! For someone of his faith, there is probably no higher honor! https://www.google.com/search?client=firefox-b-1&q=Adam+Sandler+chanukah+song+4

Posted by Joe on Friday, 12/14/2018 @ 12:38pm

The Dude, I think your order, if not your timeline, is correct. I don’t know about characterizing Duran Duran as a prog band (they were certainly more than just a pop band), but I think you’re right that both they and Jethro Tull are the next most viable on the list, hopefully getting in as early as next year. We had a hard-fought battle getting Procol Harum inducted on this site, but hopefully Little Steven being a champion means they have more outside support in the real Hall. And hopefully by that time, there’ll be enough critical mass to finally get King Crimson in, even if they deserved to get in before a few of the others. I have a pipe dream where Camel, The Soft Machine, Van de Graaf Generator, and Marillion are also viable, but that seems sadly unlikely unless there’s a real champion of prog on the nominating committee, for starters.

Out burning a witch there, Paul? Hey, someone’s gotta do it...

Posted by Ray on Friday, 12/14/2018 @ 12:39pm

The Dude,

I most certainly agree that it is quite likely that Duran Duran and Jethro Tull will be inducted in 2020. In fact, that is a really good idea for a future installments of the “Who Cares About The Rock Hall” Webcast, discussing the merits of Duran Duran, Procol Harum, Jethro Tull, Supertramp and King Crimson being inducted into the Rock & Roll Hall Of Fame.

Ray,

Duran Duran have referred to themselves as a progressive band several times over the past several years.

PaulinKY,
Thank you for the Holiday wishes. I hope that you have a great Holiday also.

Glad to hear that you had been listening to Rush, although I think that you may be referring to ‘Dreamline’ from “Roll The Bones” instead. Dreamtime’ happens to be a great song from Yes’ last studio masterpiece,“Magnification.”

Posted by Enigmaticus on Wednesday, 12/26/2018 @ 07:55am

According to a recent article, Geddy Lee had said that Neil Peart is no longer playing drums. Rush has survived 50 years as a band, but the entity which had included Neil Peart for 41 years now appears to be a thing of the past. On the other hand, Geddy Lee and Alex Lifeson may get back together and create some new music in the not too distant future. At the present time, Geddy is discussing and promoting his “Big Beautiful Book of Bass.” Which is about his favorite instrument, the bass guitar. This is not to be confused with the fish, although both are spelled the same, but do not smell the same. That is, unless both have been immersed in seawater for a long period of time. Ugh! Yuck! ;-P

Posted by Enigmaticus on Wednesday, 12/26/2018 @ 08:08am

The Dude,

I most certainly agree that it is quite likely that Duran Duran and Jethro Tull will be inducted in 2020. In fact, that is a really good idea for a future installments of the “Who Cares About The Rock Hall” Webcast, discussing the merits of Duran Duran, Procol Harum, Jethro Tull, Supertramp and King Crimson being inducted into the Rock & Roll Hall Of Fame.

Ray,

Duran Duran have referred to themselves as a progressive band several times over the past several years.

PaulinKY,

Thank you for the Holiday wishes. I hope that you have a great Holiday also.

Glad to hear that you had been listening to Rush, although I think that you may be referring to ‘Dreamline’ from “Roll The Bones” instead. ‘Dreamtime’ happens to be a great song from Yes’ last studio masterpiece,“Magnification.”

Posted by Enigmaticus on Wednesday, 12/26/2018 @ 08:11am

@ Enig

They should bring back that guy who was on the Def Leppard episode; he’s a sucker for prog and mentioned Rush and Yes.

Posted by The Dude on Wednesday, 12/26/2018 @ 09:34am

The Dude,

I most certainly agree that it is quite likely that Duran Duran and Jethro Tull will be inducted in 2020. In fact, that is a really good idea for future installments of the “Who Cares About The Rock Hall?” Webcast, discussing the merits of Duran Duran, Procol Harum, Jethro Tull, Supertramp and King Crimson being inducted into the Rock & Roll Hall Of Fame. They could bring back DeMorge Brown, Patrick Fabian, or perhaps even Roy Trakin, or perhaps someone new who is a prog Rock aficionado.

Ray,

Duran Duran have referred to themselves as a progressive band several times over the past several years.

PaulinKY,

Thank you for the Holiday wishes. I hope that you have a great Holiday also.

Glad to hear that you had been listening to Rush, although I think that you may be referring to ‘Dreamline’ from “Roll The Bones” instead. ‘Dreamtime’ happens to be a great song from Yes’ last studio masterpiece,“Magnification.”

Posted by Enigmaticus on Wednesday, 12/26/2018 @ 11:22am

It was 'Dreamline'! Thanks for getting the name right, Enig!

Posted by Paul in KY on Wednesday, 12/26/2018 @ 13:03pm

Paul in KY,

You are most assuredly very welcome.

Posted by Enigmaticus on Wednesday, 12/26/2018 @ 22:50pm

Rush's song was called "Dreamline" but two other HOFers had songs called "Dreaamtime" Daryl Hall released "Dreamtime" as the first single from his 1986 album "Three Hearts And The Happy Endingg Machine" Fifteen years later Yes included a song called "Dreamtime" on their 2001 album "Magnification"

Posted by Aaron O'Donnell on Thursday, 12/27/2018 @ 04:56am

Ben,

My first Rush concert had been on June 7, 1992 at a venue in Phoenix, Az formerly known as Desert Sky Pavilion. I had been an aficionado of Rush’s music for nearly 12 years prior to my first concert. I have only seen Rush perform live in concert three times; the last time had been during the “Clockwork Angels Tour” on November 25, 2012 at U.S. Airways Center in Phoenix, Az.

February 17, 2019 will mark the 40th anniversary of my introduction to the music of Rush via their sixth studio album, “Hemispheres.”

Posted by Enigmaticus on Thursday, 12/27/2018 @ 11:22am

Enig,

I was wise Enough this time to switch to the Rush section. Or Forum. What do you Call it? I was talking about Rush and Aerosmith but my last post was Rush only so I didnt want to bother the other posters over Rush. I remember going to a regular Forum about Rush albums several months ago.

I saw Rush in Dec. 1982. About 10 Years earlier. But you were apparently an afficianado before that. My introduction to Rush music was their seventh Studio album Permanent Waves in 1980.

Posted by Ben on Thursday, 12/27/2018 @ 11:55am

Enig,

What I was originally going to say here in the Rush section before you mentioned your Rush concerts, which are Coool to hear about, IS that I did purchase a couple Rush albums back in the Summer. They are Moving Pictures and Presto. I was to buy mpre in Sept but My Dad suddenly passed away. I was intense with Sadness and Music tributes to my Dad. Bach, Beethoven,Artie Shaw, Duke Ellington, Charlie Parker,etc. Alll that. When I jumped back to my own music I failed to Jump to Rush.

Posted by Ben on Thursday, 12/27/2018 @ 12:13pm

Although it calls for a certain amount of speculation, I will rank the 2019 Rock & Roll Hall Of Fame Induction Ceremony in 5th position on this list. The younger generation thinks that this will be a great ceremony; at the present moment, I have my serious doubts. On a more positive note, the highlights of this ceremony will undoubtedly be the long overdue inductions of Roxy Music (especially if Duran Duran inducts them), The Zombies and Stevie Nicks as a solo artist. Although I am not really thinking that this particular ceremony will exceed, either the 2017 RRHOF Ceremony, nor the 2013 RRHOF Ceremony, nor the 2018 RRHOF Ceremony, at least it will not be nearly as horrible as either the 2014, nor 2015 Induction Ceremonies. From a purely “prog” point of view, there are 3 inductees (Roxy Music, The Zombies and Radiohead), though none of them are widely recognized as major “prog” artists. Because there are more than 2 “prog” artists on this list, there is no doubt that this ceremony will rank somewhere above the 2015 Ceremony, nor will it rank as highly as any of the years when any member of the “holy trinity” of prog (Rush, Yes and The Moody Blues) had been inducted. I have decided to give it a C grade at this time.

Regarding the 2013 through 2019 ceremonies, here is how I would rank them overall:

07. 2015 Rock & Roll Hall Of Fame Induction Ceremony. Unfortunately, no “prog” acts had been inducted during that year. (D)

06. 2014 Rock & Roll Hall Of Fame Induction Ceremony, although one “prog” act had been inducted, i.e. Peter Gabriel, I did not dislike the induction of Hall and Oates either, unfortunately it is missing from the BluRay. (C-)

05. 2019 Rock & Roll Hall Of Fame Induction Ceremony. (C)

04. 2016 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Chicago and Deep Purple (two prog adjacent artists) and even Cheap Trick. The absolute lowlight had been the induction of N.W.A.
(B-)

03. 2018 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the posthumous inductions of the late great Sister Rosetta Tharpe, which had been quite brilliant and thoroughly enjoyable and the late great Nina Simone, which had been quite fantastic also and the long overdue inductions of The Cars and The Moody Blues- the Godfathers of progressive rock. The lowlight had been the unfortunate induction of Dire Straits, due to no actual presenter being present. (B+)

02. The 2013 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Rush, Heart and the late great Donna Summer. I had also enjoyed the induction of singer/songwriter Randy Newman, the tribute to the late Albert King and the inductions of Quincy Jones and Lou Adler. (A)

01. The 2017 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Yes (absolutely spectacular) by 66.6% of the membership of Rush- (why wasn’t Neil Peart there?), Electric Light Orchestra (another spectacular highlight), Joan Baez (especially, the performance of ‘The Night They Drove Old Dixie Down’) and Journey. I had also enjoyed Snoop Dogg’s induction Speech for the late Tupac Shakur and Alicia Keys playing. I did not dislike the induction of Pearl Jam nor the closing Jam, ‘Rocking In The Free World,’ either. (A+)

Well, what do you think?

Posted by Enigmaticus on Thursday, 12/27/2018 @ 12:22pm

So, in my honest opinion, the ultimate goal of the Rock & Roll Hall Of Fame Nominating Committee for next year should be to absolutely ensure that Carly Simon, Sade, Duran Duran, Jethro Tull, Procol Harum, Doobie Brothers and possibly King Crimson receive nominations. If so, then I think that we might have an absolutely extraordinary induction ceremony in 2020. By the way, I also think that Tina Turner is worthy of a second induction as a solo artist!

Well, what do you think?

Posted by Enigmaticus on Thursday, 12/27/2018 @ 12:40pm

calls for a certain amount of speculation, I will rank the 2019 Rock & Roll Hall Of Fame Induction Ceremony in 5th position on this list. The younger generation thinks that this will be a great ceremony; at the present moment, I have my serious doubts. On a more positive note, the highlights of this ceremony will undoubtedly be the long overdue inductions of Roxy Music (especially if Duran Duran inducts them), The Zombies and Stevie Nicks as a solo artist. Although I am not really thinking that this particular ceremony will exceed, either the 2017 RRHOF Ceremony, nor the 2013 RRHOF Ceremony, nor the 2018 RRHOF Ceremony in terms of quality, at least it will not be nearly as horrible as either the 2014, nor 2015 Induction Ceremonies had been. From a purely “prog” point of view, there are 3 inductees (Roxy Music, The Zombies and Radiohead), though none of them are widely recognized as major “prog” artists. Because there are more than 2 “prog” artists on this list, there is no doubt that this ceremony will definitely rank somewhere above the 2015 Ceremony, nor will it rank as highly as any of the years when any member of the “holy trinity” of prog (Rush, Yes and The Moody Blues) had been inducted. I have decided to tentatively give it a Grade of (C) at this time.

Regarding the 2013 through 2019 ceremonies, here is how I would rank them overall:

07. 2015 Rock & Roll Hall Of Fame Induction Ceremony. Unfortunately, no “prog” acts had been inducted during that year. This was in my honest opinion, the worst induction ceremony from those years with the highlights being the inductions of the late great Stevie Ray Vaughan as a performer and Ringo Starr for Musical Excellence, by Sir Paul McCartney and the jam featuring Zac Brown and Gary Clark Jr. and others at the close of the ceremony. (D)

06. 2014 Rock & Roll Hall Of Fame Induction Ceremony, although one “prog” act had been inducted, i.e. Peter Gabriel, I did not dislike the induction of Hall and Oates either, unfortunately it is missing from the BluRay. (C-)

05. 2019 Rock & Roll Hall Of Fame Induction Ceremony, for the aforementioned reasons. (C)

04. 2016 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Chicago and Deep Purple (two prog adjacent artists) and even Cheap Trick. The absolute lowlight had been the induction of N.W.A.
(B-)

03. 2018 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the posthumous inductions of the late great Sister Rosetta Tharpe, which had been quite brilliant and thoroughly enjoyable and the late great Nina Simone, which had been quite fantastic also and the long overdue inductions of The Cars and The Moody Blues- the Godfathers of progressive rock. The lowlight had been the unfortunate induction of Dire Straits, due to no actual presenter being present. (B+)

02. The 2013 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Rush, Heart and the late great Donna Summer. I had also enjoyed the induction of singer/songwriter Randy Newman, the tribute to the late Albert King and the inductions of Quincy Jones and Lou Adler. (A)

01. The 2017 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Yes (absolutely spectacular) by 66.6% of the membership of Rush- (why wasn’t Neil Peart there?), Electric Light Orchestra (another spectacular highlight), Joan Baez (especially, the performance of ‘The Night They Drove Old Dixie Down’) and Journey. I had also enjoyed Snoop Dogg’s induction Speech for the late Tupac Shakur and Alicia Keys playing. I did not dislike the induction of Pearl Jam nor the closing Jam, ‘Rocking In The Free World,’ either. (A+)

Well, what do you think?

Posted by Enigmaticus on Thursday, 12/27/2018 @ 12:53pm

Although it calls for a certain amount of speculation, I will rank the 2019 Rock & Roll Hall Of Fame Induction Ceremony in 5th position on this list. The younger generation thinks that this will be a great ceremony; at the present moment, I have my serious doubts. On a more positive note, the highlights of this ceremony will undoubtedly be the long overdue inductions of Roxy Music (especially if Duran Duran inducts them), The Zombies and Stevie Nicks as a solo artist. Although I am not really thinking that this particular ceremony will exceed, either the 2017 RRHOF Ceremony, nor the 2013 RRHOF Ceremony, nor the 2018 RRHOF Ceremony in terms of quality, at least it will not be nearly as horrible as either the 2014, nor 2015 Induction Ceremonies had been. From a purely “prog” point of view, there are 3 inductees (Roxy Music, The Zombies and Radiohead), though none of them are widely recognized as major “prog” artists. Because there are more than 2 “prog” artists on this list, there is no doubt that this ceremony will definitely rank somewhere above the 2015 Ceremony, nor will it rank as highly as any of the years when any member of the “holy trinity” of prog (Rush, Yes and The Moody Blues) had been inducted. I have decided to tentatively give it a Grade of (C) at this time.

Regarding the 2013 through 2019 ceremonies, here is how I would rank them overall:

07. 2015 Rock & Roll Hall Of Fame Induction Ceremony. Unfortunately, no “prog” acts had been inducted during that year. This was in my honest opinion, the worst induction ceremony from those years with the highlights being the inductions of the late great Stevie Ray Vaughan and Doube Trouble as a performer and Ringo Starr for Musical Excellence, by Sir Paul McCartney and the jam featuring Zac Brown and Gary Clark Jr. and others at the close of the ceremony. (D)

06. 2014 Rock & Roll Hall Of Fame Induction Ceremony, although one “prog” act had been inducted, i.e. Peter Gabriel, I did not dislike the induction of Hall and Oates either, unfortunately it is missing from the BluRay. (C-)

05. 2019 Rock & Roll Hall Of Fame Induction Ceremony, for the aforementioned reasons. (C)

04. 2016 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Chicago and Deep Purple (two prog adjacent artists) and even Cheap Trick. The absolute lowlight had been the induction of N.W.A.
(B-)

03. 2018 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the posthumous inductions of the late great Sister Rosetta Tharpe, which had been quite brilliant and thoroughly enjoyable and the late great Nina Simone, which had been quite fantastic also and the long overdue inductions of The Cars and The Moody Blues- the Godfathers of progressive rock. The lowlight had been the unfortunate induction of Dire Straits, due to no actual presenter being present. (B+)

02. The 2013 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Rush, Heart and the late great Donna Summer. I had also enjoyed the induction of singer/songwriter Randy Newman, the tribute to the late Albert King and the inductions of Quincy Jones and Lou Adler. (A)

01. The 2017 Rock & Roll Hall Of Fame Induction Ceremony. The highlights had been the long overdue inductions of: Yes (absolutely spectacular) by 66.6% of the membership of Rush- (why wasn’t Neil Peart there?), Electric Light Orchestra (another spectacular highlight), Joan Baez (especially, the performance of ‘The Night They Drove Old Dixie Down’) and Journey. I had also enjoyed Snoop Dogg’s induction Speech for the late Tupac Shakur and Alicia Keys playing. I did not dislike the induction of Pearl Jam nor the closing Jam, ‘Rocking In The Free World,’ either. (A+)

Posted by Enigmaticus on Thursday, 12/27/2018 @ 12:58pm

07. 2015 Rock & Roll Hall Of Fame Induction Ceremony. Unfortunately, no “prog” acts had been inducted during that year. This was in my honest opinion, the worst induction ceremony from those years with the highlights being the inductions of the late great Stevie Ray Vaughan and Double Trouble as a performer and Ringo Starr for Musical Excellence, by Sir Paul McCartney and the jam featuring Zac Brown and Gary Clark Jr. and others at the close of the ceremony. (D)

06. 2014 Rock & Roll Hall Of Fame Induction Ceremony, although one “prog” act had been inducted, i.e. Peter Gabriel, I did not dislike the induction of Hall and Oates either, unfortunately it is missing from the BluRay. I also had surprisingly enjoyed the tribute to Linda Ronstadt and Cat Stevens’ (Yusuf Islam) performances. (C-)

Posted by Enigmaticus on Thursday, 12/27/2018 @ 13:17pm

@ Enig

Looking at your thoughts on the 2015 ceremony, Green Day pretty much showed some prog influences since American Idiot and 21st Century Breakdown were their most album-oriented efforts. So, they were the closest you had. I wouldn’t be surprised if they voted for Yes, ELO, the Moody Blues, and Rocky Music.

Posted by The Dude on Thursday, 12/27/2018 @ 13:31pm

*Roxy Music

Posted by The Dude on Thursday, 12/27/2018 @ 14:09pm

Enig,

I would say you are glad I purchased Moving Pictures and Presto. I started with 2. I wanted order a few more in mid Sept BUT it was right at that time That My Dad passed away. I made 5 Volumes as Music Tributes to my Dad. Classical, Old Jazz like Duke Ellington, Charlie Parker, etc. 3 other Volumes with Ancient oldies like

Posted by Ben on Thursday, 12/27/2018 @ 15:52pm

As far as Music Tributes to my Dad there were 3 other Volumes with ancient 50s Oldies like In the Still of the Night,Frankie Laine,The Platters, Elvis Presley, Dean Martin, At the Hop, Little Darlin, etc etc. Alll before my Time. My Dad played them.

You should respond to that. I certainly threw me off from buying Rush albums. Again you can understand that. In Nov I bounced back with Lots of music in my own time 30 years later. With one Rush tune. Time Stand Still, GnR, Def Leppard, Midnight Oil, Pat Benatar, Robert Palmer. But I DID NOT play a lot of Rush lately.

Posted by Ben on Thursday, 12/27/2018 @ 16:04pm

Ben,

My father had passed away on March 25, 2003. Afterwards, I had used up most of my P.T.O. for that entire year while taking care of my mother.

By the way, I think that “Presto” and “Moving Pictures” are great Rush studio albums to begin with. Of course, I would also highly recommend the Audiofidelity Gold version of “Roll The Bones,” in addition to the live Rush recordings: “Exit... Stage Left” and “Clockwork Angels Tour” as your next purchases.

Posted by Enigmaticus on Thursday, 12/27/2018 @ 19:36pm

Enig,

So I meant to say IT certainly threw me off from buying Rush albums. Even when I Bounced back in November in music and Emotion I forgot about a lot of Rush music. I played a lot of GnR, Def Leppard, Midnight Oil, Talking Heads,others circa 1988. I simply added 30 Years from my Dads Time. Instead of songs 1955-59
I played songs during 1985-89. My Own time. Not a lot of Rush.

Posted by Ben on Thursday, 12/27/2018 @ 23:44pm

Enig,

I was looking at your thoughts i
on the Ceremonies in General. I first heard of the RnR Hall of Fame in 1988 when the Beatles were inducted. I guess because the 50s is totally before my time. They are the first group that grabbed my Attention. Then The Rolling Stones grabbed my attention in 1989 and of course the Who in 1990. The Who are my favorite band. I have mentioned this. Similarly I was very excited when both Cream,The Doors and Van Morrison were allll inducted in 1993. 3 of my Favs all inducted.

Now I skip to the 1999 ceremony. One can look up alll ceremonies. This Ceremony will be exactly 20 Years ago.The Key Inductees were Billy Joel,Dusty Springfield, Paul McCartney and Bruce Springsteen. I would be curious how the. 1999 Ceremony would rate for you. I think it was very good. Those 4 are top Notch and deserved. Also the 2002 Ceremony was pretty good. It was Ok. Key ones here Brenda Lee,Tom Petty, Ramones and Talking Heads. I have always felt though that Brenda Lee was really an early mistake. There are others from even that era who could have been inducted instead. I mention 2002 because You do dig Talking Heads. They were at least partly Prog for you. Fear of Music and Remain in Light are Rather Prog

Posted by Ben on Friday, 12/28/2018 @ 06:25am

Ben,

Let’s say that we set up a numerical scale. Any major progressive rock artist (1-20), or early rock & roll pioneer gets 5 pts. If you are the greatest artist from a genre, or an extremely important artist in your particular genre, then you also get 5 pts. If you are a very good, but not an exceptional artist, you will get 4 pts. If you are a good artist, then you receive 3 pts. If you are mediocre- 2 pts. and if you are below average- 1 pt. If you are absolutely horrible-0 pts.

Accordingly,

92- 100 (Magnificent)
84- 91 (Great)
77- 83 (Very Good)
71- 76 (Good)
65-70 (Average)
60-64 (Below Average)
< 59- (Horrible)

On the surface it might look like this:

Now let’s evaluate the 2013 performer inductees-

Rush- 5
Heart- 5
Donna Summer- 5
Public Enemy- 5
Randy Newman- 5
Albert King- 4

On the surface, it looks like 29/30, however our own biases are also going to come into play. Now look at the results:

Rush- 5
Heart- 5
Donna Summer- 5
Randy Newman- 5
Albert King- 4
Public Enemy- 3

Now, we have 27/30 instead, which gives us a 90% or an A rating, in other words a great ceremony.

Let’s do the same thing with the 2017 inductee class:

Yes- 5
ELO- 5
Joan Baez- 5
Pearl Jam- 5
Tupac Shakur- 5
Journey- 4

On the surface, we then have 29/30 or ~ 97%, A+ , i.e. a magnificent ceremony

Now, let’s look at the 2018 induction class:

Sister Rosetta Tharpe- 5
Nina Simone- 5
The Moody Blues- 5
The Cars- 4
Dire Straits- 4
Bon Jovi- 3

So, we have 26/30 or ~87% or a B+ In other words, a great ceremony.

Now, let’s look at the 2019 Class:

Roxy Music- 5
The Zombies- 5
Stevie Nicks- 4
The Cure- 4
Radiohead- 4
Def Leppard- 3
Janet Jackson- 1

Or in other words, 26/35 ~ 74% or a solid C- a good ceremony

Now, let’s look at the 2016 induction class:

Chicago- 5
Deep Purple- 5
Cheap Trick- 4
Steve Miller- 4
N.W.A.- 1

The total is 19/25 or 76% ~ C+- a good ceremony

Now, let’s consider the 2002 induction class:

Talking Heads- 5
Isaac Hayes- 5
Gene Pitney- 5
Tom Petty- 4
Brenda Lee- 4
Ramones- 3

Total is 26/30 ~ 87%, or a B+, a great ceremony.

Now, let’s consider the best possible, (in my honest opinion) 2020 induction class:

Sade- 5
Carly Simon- 5
Duran Duran- 5
Jethro Tull- 5
Procol Harum- 5
Pat Benatar- 5
Tina Turner- 4
Doobie Brothers- 4

The total is 38/40, or 95%. In other words, another magnificent ceremony.

Now, let’s look at the 1996 Class:

Pink Floyd- 5
Jefferson Airplane- 5
David Bowie- 5
Little Willie John- 5
The Velvet Underground- 5
The Shirelles- 4
Gladys Knight & The Pips- 4

The total is 32/35 ~ 94%, or a solid A, in other words a magnificent ceremony.

Well, what do you, think?

Posted by Enigmaticus on Friday, 12/28/2018 @ 12:54pm

Ben,

Let’s say that we set up a numerical scale. Any major progressive rock artist (1-20), or early rock & roll pioneer gets 5 pts. If you are the greatest artist from a genre, or an extremely important artist in your particular genre, then you also get 5 pts. If you are a very good, but not an exceptional artist, you will get 4 pts. If you are a good artist, then you receive 3 pts. If you are mediocre- 2 pts. and if you are below average- 1 pt. If you are absolutely horrible-0 pts.

Accordingly,

92- 100 (Magnificent)
84- 91 (Great)
77- 83 (Very Good)
71- 76 (Good)
65-70 (Average)
60-64 (Below Average)
< 59- (Horrible)

On the surface it might look like this:

Now let’s evaluate the 2013 performer inductees-

Rush- 5
Heart- 5
Donna Summer- 5
Public Enemy- 5
Randy Newman- 5
Albert King- 4

On the surface, it looks like 29/30, however our own biases are also going to come into play. Now look at the results:

Rush- 5
Heart- 5
Donna Summer- 5
Randy Newman- 5
Albert King- 4
Public Enemy- 4

Now, we have 28/30 instead, which gives us a 93% or an A rating, in other words a magnificent ceremony.

Let’s do the same thing with the 2017 inductee class:

Yes- 5
ELO- 5
Joan Baez- 5
Pearl Jam- 5
Tupac Shakur- 5
Journey- 4

On the surface, we then have 29/30 or ~ 97%, A+ , i.e. a magnificent ceremony

Now, let’s look at the 2018 induction class:

Sister Rosetta Tharpe- 5
Nina Simone- 5
The Moody Blues- 5
The Cars- 5
Dire Straits- 4
Bon Jovi- 3

So, we have 27/30 or ~ 90% or an A- , in other words, a great ceremony.

Now, let’s look at the 2019 Class:

Roxy Music- 5
The Zombies- 5
Stevie Nicks- 5
The Cure- 4
Radiohead- 4
Def Leppard- 3
Janet Jackson- 2

Or in other words, 28/35 ~ 80% or a solid B- a very good ceremony.

Now, how would it compare with a Kraftwerk induction, in lieu of Janet?

Roxy Music-5
Kraftwerk- 5
The Zombies- 5
Stevie Nicks- 5
The Cure- 4
Radiohead- 4
Def Leppard- 3

The total is 31/35 ~ 88%, B+- a great ceremony

Now, let’s look at the 2016 induction class:

Chicago- 5
Deep Purple- 5
Cheap Trick- 4
Steve Miller- 4
N.W.A.- 1

The total is 19/25 or ~ 76%, a C- a good ceremony. Note: This ceremony could have been magnificent, if Yes, or some other artist from the list, other than Janet Jackson had been inducted instead of N.W.A.

Now, let’s consider the 2002 induction class:

Talking Heads- 5
Isaac Hayes- 5
Gene Pitney- 5
Tom Petty- 4
Brenda Lee- 4
Ramones- 3

Total is 26/30 ~ 87%, or a B+, a great ceremony.

Now, let’s consider the best possible, (in my honest opinion) 2020 induction class:

Sade- 5
Carly Simon- 5
Duran Duran- 5
Jethro Tull- 5
Procol Harum- 5
Pat Benatar- 5
Tina Turner- 5
Doobie Brothers- 4

The total is 39/40, or ~ 98%. A+, in other words, another magnificent ceremony.

Now, let’s look at the 1996 Class:

Pink Floyd- 5
Jefferson Airplane- 5
David Bowie- 5
Little Willie John- 5
The Velvet Underground- 5
The Shirelles- 4
Gladys Knight & The Pips- 4

The total is 32/35 ~ 94%, or a solid A, in other words a magnificent ceremony.

Finally, let’s look at the 2015 induction Class:

Stevie Ray Vaughan and Double Trouble- 5
The Paul Butterfield Blues Band- 5
Bill Withers- 4
Green Day- 4
Lou Reed- 3
Ringo Starr- 3
Joan Jett and The Blackhearts- 2

The total is 26/35, or ~ 74% i.e. a solid C- a good ceremony.

Well, what do you think?

Posted by Enigmaticus on Friday, 12/28/2018 @ 14:53pm

I think you're outta you're freaking mind! NO WAY would your proposed (lame) 2020 class be > the 1996 class; it wouldn't even be as worthy as the 2018 class!
#andthatsucked

Posted by KXB on Friday, 12/28/2018 @ 17:00pm

Enig,

I think I get most of it. I will practice with one.

Let's consider the 1994 induction Class.

The Animals 5
The Band 5
Duane Eddy 4
Grateful Dead 5
Elton John 5
John Lennon 5
Bob Marley 5
Rod Stewart 4

Total. 38/40 or 98%

Is that right? I think I got the right idea

Posted by Ben on Friday, 12/28/2018 @ 18:33pm

Ben,

Yes, that is exactly the correct idea. I think that you now understand completely how I determine how great each of the Rock & Roll Hall Of Fame Induction Classes have been, or will be. Thank you.

Posted by Enigmaticus on Saturday, 12/29/2018 @ 00:15am

Enig,

This is a cool exercise. My Math was wrong for 1994 Class. It's 95%. 1994 was still A+, a magnificent ceremony.

Let's look at the 1993 Class.

Cream 5
Creedence Clearwater Revival-5
Etta James-5
The Doors-5
Van Morrison-5
Sly & the Family Stone-5
Ruth Brown-4
Frankie Lymon & the Teenagers-3

The total is 37/40 or 97%,A+-a magnificent ceremony

Let's look at the 1995 class:

Allman Brothers Band-5
Al Green-5
Led Zeppelin-5
Neil Young-5
Frank Zappa-5
Janis Joplin-4
Martha & the Vandellas-4

The total is 33/35 or 94%,A+,a magnificent ceremony

Let's look at the 1997 Class:

Buffalo Springfield-5
Crosby,Stills & Nash-5
Jackson 5-5
Joni Mitchell-5
Rascals-5
Bee Gees-4
Parliament-4

The total is 33/35 or 94%,A+,a magnificent ceremony

Let's look at the 1999 class. Almost exactly 20 years ago.

Billy Joel-5
Paul McCartney-5
Curtis Mayfield-5
Dusty Springfield-5
Bruce Springsteen-5
Del Shannon-4
Staple Singers-3

The total is 32/35 or 91%,A,a great ceremony

Well,What do you think of those?

Posted by Ben on Saturday, 12/29/2018 @ 06:00am

I had listened to the “Who Cares About The Rock Hall Podcast?” earlier this morning and I must admit that it had been quite entertaining. However, I think that the idea of inducting Rush and other superlative “prog” bands had been an absolutely great idea and I totally disagree with Kristen, Joe and Joey about returning to critic’s lists. Nor, do I believe that inducting Rush had been a populist move. Those of us who have enjoyed progressive rock had been tired of reading about having our favorite artists repeatedly snubbed over and over again. I had not been paid to create my now long-archived website, nor had I received any kind of financial compensation to support the induction of Rush and other artists into the Rock Hall. I may have received some incidental gratuity (overall ~ $30) for referring customers to a very old no longer extant music website, but that had absolutely nothing whatsoever to do with my desire to right the wrongs which the prog genre had suffered at the hands of the rock music critics. In my honest opinion, Rush, Yes and The Moody Blues (aka the “holy trinity” of prog) had long deserved inductions into the Rock & Roll Hall Of Fame and my intention had been to make certain that it would become reality.

Well, what do you think?

Posted by Enigmaticus on Saturday, 12/29/2018 @ 10:00am

@ Enig

Well, Joe seems to be a fan of bands critics listen to who mostly read articles online only at Spin and Pitchfork. Me and Doonie are somewhat the only millennials in the Rock Hall community who are advocates for prog despite the fact it is considered as one of the branches of Classic Rock. We both know the guys who are on the Nom Com and from the Voting Body are doing great at representing the genre. Also, in most cases, the most universal names always opens doors for smaller ones when they get inducted. Bands like Rush and Yes made a big difference for Roxy Music and even for New Wave now with the Cars and the Cure now in.

Once Jethro Tull, Duran Duran, ELP, Procol Harum and King Crimson gets inducted in the next four years, I think that should be acceptably enough to represent Prog, opening doors for other genres.

Posted by The Dude on Saturday, 12/29/2018 @ 12:10pm

I think they were correct in naming the induction of Rush a populist move. Rush didn't appear on the ballot before that year, and that is not because they forgot about them. It is because the Nominating Committee realized that they were not catering to an important part of their public. I don't think that Joe was correct when he said that "the populist move" started with Rush. I think the inductions of Genesis and Alice Cooper already pointed to this, and the main reason that it happened, was that the Hall got called out on it not just by the public, but also by other artists like Dave Grohl, Metallica and Tom Morello.

Posted by The_Claw on Saturday, 12/29/2018 @ 13:38pm

The Dude,

Yes, I certainly do appreciate your support of my favorite music genre. For those of us who have been aficionados of prog for more than 30 years, it had been absolutely essential for the “holy trinity” of prog (Rush, Yes and The Moody Blues) to be inducted into the Rock & Roll Hall Of Fame. After Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, Kansas and possibly ELP and Styx have been inducted, I think that the Rock Hall will start to induct more country and country adjacent artists.

Almost ten years ago, Tony Sclafani had written about the exclusion of prog bands for an article titled, “Why the Rock Hall says: No Rush for you!” on March 30, 2009 for Today.com.

Here are four important excerpts:

“When the Rock and Roll Hall of Fame holds its annual induction ceremony April 4, there once again won’t be any progressive rock artists amongst its five honorees. The Rock Hall’s snubbing of the once-popular genre hasn’t gone unnoticed by its supporters.”

“In the past few years, fans of Yes and the Moody Blues have started online petitions to get those groups a nod. Blogs and Web sites question the Hall’s choices, as did Stephen Colbert when he interviewed Rush (who also have a campaign petition).”

“Decades ago, these groups packed thousands into stadiums and sold tons of vinyl by pushing the boundaries of rock. But evidence suggests their elaborate concept albums, impeccable musicianship and oblique lyrics might have pushed things too far for the Hall’s tastemakers.”

“The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but Rush, Yes, the Moody Blues, Jethro Tull, the Electric Light Orchestra, Genesis, Emerson, Lake and Palmer and Soft Machine have not. Beyond Pink Floyd, the closest the Hall gets to prog is Queen (who flirted with the genre) and Police drummer Stuart Copeland, who played in Curved Air.”

Of course, since that time, Genesis (2010), Rush (2013), Peter Gabriel (as a solo artist) (2014), Yes (2017), Electric Light Orchestra (2017) and The Moody Blues (2018) have been inducted into the Rock & Roll Hall of Fame.

Well, what do you think?

Posted by Enigmaticus on Saturday, 12/29/2018 @ 13:39pm

@ The Claw

Don’t forget about U2 and Jeff Ament from Pearl Jam. Those guys should partly be thanked for catching things up.

@ Enig

I think after the Hall is done with 60’s and 70’s prog, they’ll not only keep the New Wave and the 70’s and 80’s Hard Rock/Metal trains going, but also start adding more 90’s bands. Once the last remaing four from the genre’s golden era gets inducted (Jethro Tull, ELP, Procol Harum, and King Crimson), I could see them and other inducted prog members support newer and future eligible bands who are/were in different genres but showed some prog influences like Nine Inch Nails, Tool, Coldplay, Muse, and Linkin Park (Yep, that kind of musical influence have mostly been with them since they put out the Hybrid Theory EP in 99, and you should check out A Thousand Suns; that’s they’re most album-oriented effort).

Posted by The Dude on Saturday, 12/29/2018 @ 15:16pm

*their

Posted by The Dude on Saturday, 12/29/2018 @ 16:24pm

Enig,

Rush was a populist pick. That's not a derogatory term; it's just a fact. Just because they were prog does not mean they weren't popular, nor that their nomination wasn't a populist pick. Their album sales history is incredible, the outcry against their being snubbed was also heard from realms outside of prog aficionados, and they flat-out dominated the fan ballot.

Posted by Philip on Saturday, 12/29/2018 @ 22:14pm

Enig,

I will do One Class Right Now.

Let's look at the 2000 Class.

Eric Clapton-5
Earth,Wind & Fire-5
Lovin Spoonful-5
James Taylor-5
Bonnie Raitt-4
The Moonglows-3

The total is 27/30 or 96%. A magnificent Ceremony

Posted by Ben on Sunday, 12/30/2018 @ 11:32am

Enig,

When You started this Cool exercise you said Major progressive Rock artist(1-20). What does that mean? So in the meantime.

Lets Look at the 2003 Class.

The Clash-5
Elvis Costello-5
The Police-5
Righteous Brothers-4
AC/DC-3

22/25 OR 95%. Magnificent Ceremony

Posted by Ben on Sunday, 12/30/2018 @ 18:30pm

Ben,

Yes, let us look at the 2003 Class. Here is my opinion:

The Police- 5
Elvis Costello & The Attractions- 4
The Clash- 4
The Righteous Brothers- 4
AC/DC- 2

Total is 19/25= 76%, A solid C- a good ceremony.

Posted by Enigmaticus on Monday, 12/31/2018 @ 03:15am

Ben,

In reality my list of favorite prog artists actually looks more like this:

01. Rush
01. Yes
02. The Moody Blues
03. King Crimson
04. Duran Duran
05. Pink Floyd
06. Jethro Tull
07. Gentle Giant
08. Talking Heads
09. Kansas
10. Emerson Lake & Palmer
11. Genesis
12. Electric Light Orchestra
13. Peter Gabriel
14. Procol Harum
15. Jefferson Airplane
16. Supertramp
17. Renaissance
18. Styx
19. Alan Parsons Project
20. Asia

Well, what do you think?

Posted by Enigmaticus on Monday, 12/31/2018 @ 03:31am

Enig,

First of all I must correct. Not the points but the Math. I had no calculator that moment.

2003 Class

The Police-5
Elvis Costello & the Attraction-5
The Clash-5
Righteous brothers-4
AC/DC-3

22/25=88%,a B+ a great ceremony

I want to say as far as 2003. I am No Punk Rocker but I feel that the Clash at least stuck more with Regular Rock n'Roll sounds. Now AC/DC
IMO are a good artist but nothing more than. They came up at my Old Job in Best Buy. I worked at Best Buy in the warehouse. A bunch of us guys were the morning crew. A bunch of us were a bit Older. 39-50. There was a friend who is a guitarist. He felt that AC/DC were a monotonous band. All their albums sound the same. I heard some AC/DC. A bunch are pretty bad. I like maybe Back in Black and You Shook Me All NL. About 3 others maybe. It is my feeling they should have waited a long while on AC/DC and that could have been a year for Chicago, Moody Blues or Yes. That is somewhat close to your opinion of AC/DC. I tried them out. NO Thanks NOT a fan. I will come back later with my thoughts on your Prog rock list.

Posted by Ben on Monday, 12/31/2018 @ 05:45am

Enig,

You seem to list the artist of a Class in order of importance and personal preference NOT alphabetical. So I will do the same.

Let's look at the 2004 Class:

George Harrison-5
Traffic-5
Bob Seger-5
ZZ Top-5
Jackson Browne-4
Prince-4
The Dells-3

Total is 26/30=86%, a B+, a great ceremony

Posted by Ben on Monday, 12/31/2018 @ 10:31am

Enig,

First of all I want to say Happy New Year. Wow. That's the same thing I texted lots of my friends here at Home in New York.

Now Let us Look at the 2007 Class.

Van Halen-5
R.E.M.-5
The Ronettes-4
Patti Smith-4
Grandmaster Flash and the Furious Five-2

The Total is 20/25=80%,a solid B-,a very good ceremony

What do you think of this look at the 2007 Class? What are your ratings. I will go up to 2009 or 2010 and stop. Give me 2007.

Posted by Ben on Tuesday, 01/1/2019 @ 16:07pm

Enig.

I said I will Come back later with my thoughts on your Prog list. I own music from 18 out of 20 on Your list. There is No need to list all of them. The only I dont own anything from is King Crimson and Gentle Giant. I know them a bit but Own nothing.

Posted by Ben on Wednesday, 01/2/2019 @ 05:57am

Enig,

I will continue. I do own music from 18 of your Top 20 Prog list. The Moody Blues, Yes and Pink Floyd are all in my Top 10.
This is my Top 10 artists of All Time.
1.The Who
2.Neil Young
3.Eric Clapton
4.Allman Brothers Band
5.Bob Dylan
6.The Moody Blues
7.The Beatles
8.Grateful Dead
9.Yes
10.Pink Floyd

I just wanted to clear that up. So there are 3 of Your Prog favs in my Top 10. But my #1 artist The Who did toy with Prog quite a bit. Tommy is one of the Greatest and first Concept albums of all Time. There is also Prog to a small extent on Who's Next and a lot of Prog Rock shown on Quadrophenia. That was succesful Double Concept album in 1973. It was just the 45th Ann of this great album.Also Grateful Dead are in my Top 10. They also Dabbled with Prog I feel in some live albums and Concerts like Europe 72 and Dead Set.

As far as your list. I also love Jethro Tull and ELP a lot. I own Brain Salad from
ELP and also Love Pictures at an Ex and Trilogy. I do own a lot of Jethro Tull albums on CD. I own a sufficient amount of Talking Heads and Kansas. You have a Very fine list. Thats what I think of your Prog list. Please Respond to my 2007 Class stats.

Posted by Ben on Wednesday, 01/2/2019 @ 06:26am

Ben,

Happy New Year also.

Yes, let’s take a look at the 2007 Class.

R.E.M.-5
Van Halen- 4
Patti Smith-4
Grandmaster Flash and the Furious Five-4
The Ronettes- 2

The Total is 19/25= 76%,a solid C- a good ceremony.

Posted by Enigmaticus on Wednesday, 01/2/2019 @ 09:50am

Enig,

That is interesting. You gave Patti Smith a higher Value than I expected. I know your personal attitude to Punk Rock. She was Part of that. I aint no Punk Rocker either and also Gave her 4. I guess we agree on some importance.

You actually Rated Grandmaster Flash. higher than me. I actually 1 tune Called White Lines. I Guess the problem I had is Grandmaster further delayed acts like Chicago and Yes, etc. You rated the Ronettes low. I wonder why

Posted by Ben on Wednesday, 01/2/2019 @ 19:15pm

Enig,

This is a good way to go into the past RnR Hall classes. What are your extra thoughts on Grandmaster Flash,Patti Smith and the Ronettes. I am Not a big fan of the Ronettes either. But I know they were big with Be My Baby and a couple other hits in the early 60s. I gave them a 4. let me know.

Posted by Ben on Thursday, 01/3/2019 @ 08:39am

Posted by Enigmaticus on Thursday, 01/3/2019 @ 09:14am

Ben,

Let’s see, The Ronettes had only 3 hit singles. None of the members of The Ronettes had either written their own songs, nor had they played any musical instruments. Those are pretty slim reasons to induct a group into the Rock & Roll Hall Of Fame in my honest opinion. Therefore, I gave them a 2- which does not mean that they had been great, unlike a 4- which means that they had been a very significant artist in their genre. A rating of 2 means that The Ronettes are just as good as either AC/DC, or Janet Jackson, in my honest opinion.

On the other hand, Grandmaster Flash and the Furious Five and Patti Smith (whether, I personally like them or not) are considered to be extremely important artists within their respective genres.

Follower,

In terms of influence, musical virtuosity, experimentation and overall impact, Rush has been an extremely important artist. In my honest opinion, I would have placed them in either the fourth tier or perhaps even the fifth tier, along with The Moody Blues and Yes. I think that it is an absolute travesty that they are in the second tier. I cannot help it that either intellectually challenged rock music critics, or radio programmers did not understand, or appreciate their overall importance. Perhaps, they will begin to do so in the future.

Posted by Enigmaticus on Thursday, 01/3/2019 @ 09:28am

Enig,

Thank you for that excellent response. We seem to be the only 2 doing this exercise. Ohh its fun. It's something to do. What you said about the Ronettes makes sense.Also you are right Grandmaster Flash and the Furious Five are considered to be extremely important artists within their genre. We have already agreed on Patti Smith.

So let's Relook at the 2007 Class.

Van Halen-5
R.E.M.-5
Patti Smith-4
Grandmaster Flash and the Furious Five-4
The Ronettes-2

The Total is 20\25=80%,a B-,a Very Good Ceremony

Now Let's Look at the 2009 Class- Exactly 10 Years ago.

Jeff Beck-5
Metallica-5
Run DMC-4
Little Anthony & the Imperials-3
Bobby Womack-2

19\25=76%,a C-,a Good Ceremony

It would be cool to see your Ratings and opinions perhaps on 2009 since thats 10 years ago. I feel the Hall has improved their quality since then. The Hall would soon realize all the great acts that were missing. Oh I have decided to go to 2013. That is appropriate since this is the Rush forum.

Posted by Ben on Friday, 01/4/2019 @ 05:55am

Enig,

As I was saying it would be cool to see your Ratings and opinions on 2009 to commemorate the 10th Ann of this ceremony. I have decide to go to 2013 in honor of Rush which is this forum.

Maybe you will Post on 2009 Monday or Tuesday. In the meantime. I will give some opinions of 2009. I DID NOT watch this ceremony. I watched all the ones 2006-2018 except 2009. I was early in my relationship with my Long time girlfriend I didnt think she wanted to watch it. It turns out she didnt mind at all so 2010 and on I watch them alll.

So as for the 2009 Class. Jeff Beck was overdue. I love him as a guitarist. He was overlooked before this. Eric Clapton, Pete Townsend, Jimmy Page and Joe Perry had all been acknowledged either Solo or in Bands. It took until Jeff Beck until 2009.

Little Anthony & the Imperials I know very very little about. They were 50s. I think this is the last time an actual 50s act went in. I could be wrong. Bobby Womack I know just a little about. There so many better R&B acts that could have been inducted. The Spinners are still waiting. He gets a 2. No if you are going to bother with Rap you may as well induct Run DMC. They were important in their genre.

And of course Metallica are one of the greatest Heavy Metal bands of all time. I own 3 albums on CD. I am mot a Heavy metal but even I know music from Metallica. I didn't watch it but as an Nod to prog Lars Ulrich mentioned either in his speech or an interview that Rush needed to be Inducted. He also said while he is honored he said in 2009 why isn't Deep Purple, Judas Priest and Iron Maiden in the Hall yet among others in Hard Rock/Heavy metal.

I look forward to your rating and opinions of 2009. This is a great Flashback idea for Old Classes. But I am only going up to 2013
and will probably skip 1 or 2.

Posted by Ben on Saturday, 01/5/2019 @ 10:00am

Ben,

Yes,

Okay, let’s take a look at the 2009 Class:

Metallica- 5
Run DMC- 5
Jeff Beck- 4
Wanda Jackson- 4
Little Anthony & The Imperials- 2
Bobby Womack- 2

Total is 22/30= 73%, or in other words- a C, a good ceremony.

Posted by Enigmaticus on Sunday, 01/6/2019 @ 04:53am

One is certainly not enough.

For several decades, Introducing new acquaintances to the majesty of Rush had been accomplished through an introduction to Rush’s music via their second live recording, “Exit... Stage Left” and for nearly 35 years that had been quite acceptable. However, I am now finding that one Rush live recording is not nearly enough, so now I am introducing new individuals to the brilliance of Rush via their live recording from 2013, the superlative, “Clockwork Angels Tour,” in addition to the aforementioned majestic live masterpiece, “Exit... Stage Left.” Yes, it costs me quite a bit more in the long run, however it also provides the greatest introduction to not only the “progressive” side of Rush, but also to their “art rock” side, as well.

In my honest opinion, I will not say that Rush is completely finished, but instead has been on indefinite hiatus for over 3 consecutive years. The members of Rush may also decide to celebrate their 50th anniversary as a band sometime, sans Neil Peart, in the not too distant future. At the present time, they seem to be enjoying themselves by not recording, nor touring. They have certainly earned this well- deserved break. Yet, I have not read anything about either Geddy Lee’s nor Alex Lifeson’s reaction to the induction of The Moody Blues last year. Have you? ;-(

Posted by Enigmaticus on Sunday, 01/6/2019 @ 13:10pm

With the recent upcoming inductions of Roxy Music, Radiohead and The Zombies into the Rock & Roll Hall Of Fame later this year, prog is receiving a necessary boost. Although none of those bands would typically qualify as “major” progressive rock bands, their inductions could shine a light on other possible inductees.

Slowly, but surely the artists who Geddy Lee and Alex Lifeson had endorsed prior to their 2013 induction are being inducted into the Rock & Roll Hall Of Fame. In case you are wondering, those artists are: Yes (2017), The Moody Blues (2018), Deep Purple (2016) and King Crimson. Over the years, Geddy has also mentioned Procol Harum and Jethro Tull, plus Geddy Lee had mentioned that Alex Lifeson had wanted to dress like Simon Le Bon. You do not emulate an artist who you would not endorse, therefore expect Duran Duran to be on the Nomination list later this year.

Inducting King Crimson into the Rock Hall is probably quite difficult, since their familiarity among the general populace is quite low. Unless you are a “prog” aficionado, you are probably not going to own many King Crimson albums.

On the other hand, both Jethro Tull and Duran Duran have done relatively well in the United States. People know who they are. Many Americans have purchased their albums. John Taylor lives in California. Simon and Nick and perhaps Roger make frequent trips to the United States. Duran Duran and Jethro Tull will bring in many attendees to the Rock Hall induction Ceremony. So, I think that since the “holy trinity” of prog (Rush, Yes and The Moody Blues) have finally been inducted, the next logical steps are to re-nominate Procol Harum, then nominate and induct Jethro Tull, Procol Harum and Duran Duran into the Rock & Roll Hall Of Fame in 2020.

After Jethro Tull, Procol Harum and Duran Duran have been inducted in 2020, I think that the most logical steps are to nominate King Crimson and Supertramp, then induct Supertramp and King Crimson in 2021.

In 2021, I would expect King Crimson to enter the Rock Hall.

Well, what do you think?

Posted by Enigmaticus on Sunday, 01/6/2019 @ 13:27pm

Enig,

Thanks for the ratings on the 2009 Class. We run about the same. I get confused on the Grade. Since my Rating for 2009 is 76% and you said 73% giving it a C I will also give it a C.

We do run About the same with Jeff Beck, Metallica and Run DMC. I know very little about Little Anthony & the Imperials. They go so far back they are essentially in my Dad's time. I was NOT even born yet. The only reason I gave them a rating of 3 is to show respect for an early era. I think they had a couple hits in the late 50s. My earliest artists are acts like Bob Dylan, Rolling Stones, The Who and the Animals. I really don't know it very well before that. Little A and the I's seem like they were good in their time.

Bobby Womack has got me stumped on how he got inducted before others. In terms of R&B the Spinners should have been inducted instead. Or for that matter Rush or Chicago could have been. I own a few songs by Bobby Womack but it's Not very breath taking. I do agree with Rating 2. A little later I will do 2010.

Posted by Ben on Monday, 01/7/2019 @ 06:11am

Enig,

Its time for the 2010 Class.

Genesis-5
The Hollies-5
Jimmy Cliff-5
The Stooges-3
Abba-3

Total is 21/25=84%,a solid B,a Great ceremony.

Again What do you think? The 2010 Class

Posted by Ben on Monday, 01/7/2019 @ 12:17pm

Enig,

Yes. So that is my rating for the 2010 Class. It would have been an A+ ceremony. Genesis, The Hollies and Jimmy Cliff are all 5 as far as I am concerned. The ceremony was a bit ruined by Abba and even more so the Stooges perhaps. The Stooges opened this ceremony. I watched it. They were not the best choice IMO. There is probably 50 other artists that could have been chosen over them. This is another opportunity missed for Rush, Chicago or of course the Moody Blues. The 2010 nominee list did NOT even include those great acts. Kiss were nominated. The push for Kiss began around this time. The powers that be in the Hall thought they were onto something with a nomination for Kiss. Gratefully Genesis and the Hollies were inducted but Not Kiss.

Now Abba do at least have to their credit that they are one of the biggest selling acts in Pop history. Abba did make Stockholm, Sweden a hit making mecca perhaps. But why suddenly in 2010 did Abba get inducted is mysterious. So I rated the 2010 Class as a B.

Posted by Ben on Tuesday, 01/8/2019 @ 05:38am

Enig,

Let's Look at the 2012 Class:

Donovan-5
Guns n'Roses-5
Beastie Boys-5
Red Hot Chili Peppers-4
Freddie King-4
Laura Nyro-4
The Faces-3

The Total is 30/35=86%,a B+, a great ceremony

And Now we look at the 2013 Ceremony:

Heart-5
Rush-5
Albert King-5
Randy Newman-5
Donna Summer-5
Public Enemy-4

Total is 29\30=96%, An A+, a magnificent ceremony

What do you think?

Posted by Ben on Tuesday, 01/8/2019 @ 08:44am

Enig,

I said I would go up to 2013 since this is the Rush Forum. I Value Heart and Rush very high. Also Donna Summer even though I am NO Disco fan. The Hall had great regret she was NOT inducted while Alive. I think most of these are a 5. Albert King is a Blues Legend that was late. Even Public Enemy were important in their Genre. A magnificent Ceremony. The Best in Years.

I will say a couple extra things about Rush. They are long standing act that should and Could have been inducted about 15 years earlier. I would have settled for 2003. The year in fact AC/DC were inducted. This was a great triumph for Prog Rock. It makes sense in a sense that they preceded Yes and Moody Blues from a Popularity perspective. I will always feel Moody Blues should Have been inducted around 1993 or 94. But Hey Rush were overdue by 2013.

Posted by Ben on Tuesday, 01/8/2019 @ 16:11pm

Enig,

So I went to 2013. But now I will get to the ,ost recent classes.

Ok. Let's look at the 2018 Class.

The Moody Blues-5
Nina Simone-5
The Cars-5
Sister Rosetta Tharpe-5
Bon Jovi-4
Dire Straits-4

Total is 28/30=93%,an A,a magnificent ceremony

Now,We look at the 2019 Class

Roxy Music-5
The Zombies-5
Stevie Nicks-4
Def Leppard-4
The Cure-4
Radiohead-3
Janet Jackson-3

Total is 28/35=80%,a B-,a very good ceremony.

Well,What do think of any of this?
I may do a rare thing and make predictions early. I will make predictions for 2020 later on.

Posted by Ben on Wednesday, 01/9/2019 @ 05:44am

Enig.

Now let's consider an excellent but realistic,
2020 Induction Class:

Jethro Tull-5
Doobie Brothers-5
Duran Duran-5
Tina Turner-5
Foreigner-4
Rage Against the Machine-4
Kraftwerk-3

The Total is 31/35=88%,a B+, a great ceremony

Well,What do you think? Please let me know. I actually made predictions for next year. So you should react to 2018.2019 as well as 2020 that does NOT exist yet.

Posted by Ben on Thursday, 01/10/2019 @ 05:49am

Enig,

Now just a few details on my Ratings for the 2020 Class. Its Not the Best possible list for 2020 but it is realistic. Like you I can easily predict Doobie Brothers, Duran Duran. Jethro Tull and Tina Turner. I will focus on 2 acts here. Jethro Tull are way overdue just like Yes and Moody Blues were. They were a key Rock Group of the 70s.I am confident that since the Hall skipped Key Prog this Year, they will go back to that Next Year.

Tina Turner as a Solo act is a good idea. She is an African American female singer with tremendous talent. She was on my Prediction list of Nominees for 2019. The Hall went with Janet J. instead. Now thatShe is Done. The Hall can certainly push for Tina.

Now to be realistic I included Kraftwerk and Rage Against TM. They were both nominated. There is a rumor that Kraftwerk just missed this year. Rage Against TM Can easily be inducted as the 90s choice following Radiohead. Others like Devo, John Prine and Todd Rundgren could return as Nominees But will most likely Not be inducted as Performers.

Posted by Ben on Thursday, 01/10/2019 @ 10:03am

Geddy was on Sirius/XM today (Channel 80's on 8) to plug his new book and to introduce 8 songs from the 80's of HIS CHOOSING.

Did you hear what I heard?

I heard the myth of Rush/Geddy being fans of or influenced by or liking DURAN DURAN crash and burn.

Geddy played and talked up the following songs/bands from the 1980's:

U2 - With or Without You (makes sense, Adam Clayton was interviewed for Geddy's new book, good plug)

Rolling Stones - Start Me Up (same thing, Bill Wyman interviewed in the book)

Talking Heads - Once in a Lifetime

The Police - Every Breath You Take

Michael Jackson - Billy Jean

Dire Straits - Money For Nothing

Metallica - One

Prince - Raspberry Beret

No mention of Duran Duran on an hour devoted to Geddy talking about his bass book and introducing 1980's music. repeat 1980's MUSIC! No DD, 0 for 8. Case closed. Is he still going to induct them when they are finally inducted?

Well, what do you think?

Posted by Classic Rock on Thursday, 01/10/2019 @ 16:39pm

Enig,

I made it easy for you as far as rating and opinions. You already rated the most recent classes. You rated the 2018 class overall as 90%. I rated it at 93%. That's because I rated Bon Jovi slightly higher. You are a prog purist and expert. Bon Jovi is the furthest thing from that. I value Bon Jovi more because they are such a huge arena band from New Jersey. Also,the Home of Bruce S. Whom I value a lot.

Mow the your rating for 2019 class is 80% and so is mine. We have some differences on the ratings of the acts. For instance we agree with Roxy Music and The Zombies as 5. What I really want your opinion on is my 2020 Class. That would be cool. I read your ratings. I have 3 acts that are different than you. Foreigner, Kraftwerk and Rage Against TM. I gave it an overall rating from 88%. I do NOT expect a super magnificent class of 98&. My picks of Kraftwerk and Rage Against TM lower my rating. Those 2 are very possible. If you don't feel like responding to this then this is my last post on this cool exercise.It's up to you. Then I will go back to Rush discussions. Thanks for this.

Posted by Ben on Friday, 01/11/2019 @ 05:47am

According to the Rock & Roll Hall Of Fame’s website, next Saturday January 19, 2019 will be Rush Fan Day at the Rock Hall. Unfortunately, I have been informed that the tickets have been sold out for this event which will occur from 11 a.m. to 4:00 p.m. E.S.T. To find out more about this special event, go to www.rockall.com.

Posted by Enigmaticus on Sunday, 01/13/2019 @ 11:00am

Enig,

I am not the Rush fan you are but in honor of Rush fan day I may order another Rush album. That may be Power Window. Since I am NOT the fan you are I only offhand know Big Money on this one. I heard about the Power Windows album.

Posted by Ben on Tuesday, 01/15/2019 @ 06:34am

Ben,

“Power Windows” is a great studio album to represent Rush’s synthesizer, or “art rock” era. Although I still think that as far as Rush studio albums are concerned, the Super Audio cd of “Presto” and the 24 Gold version of “Roll The Bones” are better, however.

By the way, Saturday had been Rush Fan Day at the Rock & Roll Hall Of Fame. Geddy Lee and Alex Lifeson had been in attendance to promote Geddy Lee’s Big Beautiful Book Of Bass book.

Posted by Enigmaticus on Monday, 01/21/2019 @ 10:04am

Why does Peart always sit out? It seems like every time Rush does a thing, it's only Alex and Geddy. What's Neil's deal?

Posted by Adam K Baldwin on Monday, 01/21/2019 @ 14:56pm

Enig,

Rush fan day passed me right by. I didn't order Power Windows yet. I will order it in the near future. Today or tomorrow perhaps. I may perhaps know one tune besides Big Money. I was very in tune with NY Rock Radio in 1985,86.

Posted by Ben on Tuesday, 01/22/2019 @ 06:55am

Unfortunately, this year no major “progressive rock” bands had been inducted into the Rock & Roll Hall Of Fame. This certainly contrasts with the past several years when the following prog superstars had been inducted: The Moody Blues (2018), Yes (2017) and Rush (2013) (aka the “holy trinity” of prog). Also Peter Gabriel (as a solo artist) (2014) and Genesis (2010) had been inducted. Pink Floyd had been inducted in 1996.

There are also several “prog” adjacent and “art rock” artists which have been, or will be inducted: Roxy Music (2019), The Zombies (2019), Radiohead (2019), Journey and Electric Light Orchestra (2017), Chicago and Deep Purple (2016), Heart (2013), Traffic (2004), Talking Heads (2002), Queen (2001), David Bowie, The Velvet Underground and Jefferson Airplane (1996), Frank Zappa (1995), The Grateful Dead (1994). There have also been inductions of several of the proto-progressive bands, such as: Cream and The Doors (1993), The Who (1990) and The Beatles (1988).

So how do these inductions impact the future inductions of other major “prog” and art rock artists? Although it calls for a great deal of speculation, I think that the recent inductions of the aforementioned members of the “holy trinity” of prog (Rush, Yes and The Moody Blues), Roxy Music, The Cars and The Zombies should lead to the nominations and inductions of: Duran Duran, Jethro Tull and possibly Procol Harum In 2020. I also think that those inductions will possibly lead to the nominations and inductions of Supertramp and King Crimson (2021), Kansas, ELP, Styx and possibly the Alan Parsons Project in the next several years afterwards. Well, what do you think?

Posted by Enigmaticus on Sunday, 02/3/2019 @ 06:03am

Once again, I did not celebrate my 57th birthday, which had occurred one week ago. Instead, I had stayed at home and had completed several loads of laundry on Sunday and Monday, since it had been raining for the duration of both days.

However, in one week, I may attempt to celebrate the 40th anniversary of my introduction to the music of Rush via their sixth studio album- “Hemispheres.”

I had been incorrect about the date of my last proper vacation as well, it had actually been in early May, 1987 instead. I had stayed in a hotel in Tokyo for three days during a torrential downpour. Perhaps, I had attempted to erase it from my mind, since it had also undoubtedly, been a major disappointment, of course. So, I am now approaching the 32nd anniversary of my last “proper” vacation, although I prefer to think of my air safari in Kenya over 30 years ago, as my last actual vacation. This year will also celebrate the 22nd anniversary of the creation of my now long-archived website. For three days in January, much to my chagrin, my site had been unavailable, however it has returned since that time.

Posted by Enigmaticus on Sunday, 02/10/2019 @ 08:02am

Today is not just Michael Jordan's 56th birthday, nor Richard Karn's 63rd birthday. No, today is a much more important day for me, personally. For today is the 40th anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 22 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the “holy trinity” of prog (Rush, Yes and The Moody Blues) and of course- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, and of course, the aforementioned Kansas and Styx, among others.

Posted by Enigmaticus on Sunday, 02/17/2019 @ 08:25am

Today is not just Michael Jordan's 56th birthday, nor Richard Karn's 63rd birthday. No, today is a much more important day for me, personally. For today is the 40th anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 22 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the “holy trinity” of prog (Rush, Yes and The Moody Blues) and of course- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, and of course, the aforementioned Kansas and Styx, among numerous others.

Posted by Enigmaticus on Sunday, 02/17/2019 @ 09:42am

Today is a rare occasion, for It has been snowing outside of my house today.

Last Sunday- February 17, 2019 had not been just Michael Jordan's 56th birthday, nor Richard Karn's 63rd birthday. No, that day had been much more important for me, personally. For that day had been the 40th anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 22 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the “holy trinity” of prog (Rush, Yes and The Moody Blues) and of course- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, and of course, the aforementioned Kansas and Styx, among numerous others.

Posted by Enigmaticus on Friday, 02/22/2019 @ 09:46am

Posted by Enigmaticus on Sunday, 03/3/2019 @ 23:36pm

Two weeks ago today, had not been Michael Jordan’s 56th birthday, nor had it only been Richard Karn's 63rd birthday. No, that day had been much more important for me, personally. For that day had been the 40th anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 22 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the “holy trinity” of prog (Rush, Yes and The Moody Blues) and definitely- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, and of course, the aforementioned Kansas and Styx, among numerous others.

Well, what do you think?

Posted by Enigmaticus on Monday, 03/4/2019 @ 00:02am

I had started my 58th revolution around the Sun 28 days ago. Since late December, I have been very busy at work and in my spare time, I have watched every episode of Star Trek: Voyager sequentially from the first episode, “Caretaker” to the final episode, “Endgame.”

Two weeks ago today, had not been just Michael Jordan’s 56th birthday, nor had it only been Richard Karn's 63rd birthday. No, that day had been even much more important for me, personally. For that day had been the 40th anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had turned 17 years old (just two weeks prior) and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 22 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the “holy trinity” of prog (Rush, Yes and The Moody Blues) and definitely- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, and of course, the aforementioned Kansas and Styx, among numerous others.

Posted by Enigmaticus on Monday, 03/4/2019 @ 00:16am

I wanted to let you know that Geddy Lee has been scheduled to be the guest day on The Beatles Channel, Channel 18 on Sirius X-M Radio @ 2 p.m. EST today. Please check Sirius X-M Radio’s website for additional air times. Thank you.

Posted by Enigmaticus on Saturday, 03/9/2019 @ 12:18pm

Yesterday, Geddy Lee of Rush had been the guest dj on The Beatles Channel, Channel 18 on Sirius X-M radio. In case you are interested, this program will be available from 8:00- 9:00 p.m. P.D.T. on Tuesday March 12, 2019 and from 9:00- 10:00 a.m. P.D.T. on Thursday March 14, 2019. For specifics about the set list, please consult the Rush is a band website. Thank you.

Posted by Enigmaticus on Sunday, 03/10/2019 @ 12:57pm

Remember that pivotal event back in 2013 when a terminally unhip “prog” band had been inducted into the Rock & Roll Hall Of Fame and had changed the way that “prog” had been viewed forever?

Remember the flurry of artists who had declared themselves to be “prog” bands after that pivotal event?

Remember when that major “prog” band had declared that two of it’s predecessors had long deserved induction into the Rock & Roll Hall Of Fame and how those long overlooked artists had finally been inducted?

Remember when two members of that particular band had inducted one of their biggest influences into the Rock Hall and had shone a huge spotlight on the “prog” genre as a result?

Now, we stand on the brink of another such moment, a long deserved acknowledgement that another artist who has long possessed “progressive tendencies” will finally be acknowledged, through having two of those members induct one of their greatest influences.

Yes ladies and gentlemen, the moment is now approaching which Duranie’s have long waited for, the enshrinement and immortalization of their favorite artist by induction into the Rock & Roll Hall Of Fame.

Well, what do you think?

Posted by Enigmaticus on Saturday, 03/16/2019 @ 15:54pm

Groups like Chicago, Moody Blues, Rush were inducted thanks to vocal fan bases and the importance of social media. All these fans did a good job of mobilizing and explaining why Rush and others were deserving of the RRHOF. The shakeup on the board and bringing some younger members also brought a fresh perspective and musical tastes. Also, the induction of 5-7 Groups in a class brings others on the outside of the fence closer to induction. I think Duran Duran will be nominated and inducted in the 2020-2021 cycle. They have too many hit songs,influence,longevity,and popularity to be shut of the RRHOF much longer. I think Depeche Mode will be inducted in 2020. Next Duran Duran! Hopefully, Procol Harum and Duran Duran will be inducted in the same cycle! That definitely would be a slice of heaven! You could all the Inductees singing Rio as the finale. KING 👑

Posted by KING on Saturday, 03/16/2019 @ 18:21pm

The recent inductions of the “holy trinity” of prog (RusH, Yes and THe Moody Blues) (RHYTHM), The Zombies, Roxy Music and Radiohead should lead to the inductions of Procol Harum, Duran Duran and quite possibly King Crimson.

Well, what do you, think?

Posted by Enigmaticus on Sunday, 03/24/2019 @ 05:47am

Over 10 years ago, Tony Sclafani had written that great article- “Why the Rock Hall says: No Rush for you!” for Today.com

As many of you are well aware, since that article had been written, Genesis (2010), Electric Light Orchestra (2017) and of course, the “holy trinity” of prog ((Rush (2013), Yes (2017) and The Moody Blues (2018)) have been inducted into the Rock & Roll Hall Of Fame. However, neither Jethro Tull, nor Emerson Lake & Palmer, nor Soft Machine have been inducted.

Well, what do you think?

Posted by Enigmaticus on Sunday, 04/7/2019 @ 11:23am

Just to let you know- Geddy Lee had joined the members of the Claypool Lennon Delirium onstage in Toronto for their performance of ‘Tomorrow Never Knows’ on Wednesday night.

Posted by Enigmaticus on Saturday, 04/13/2019 @ 20:10pm

I had scheduled to take yesterday off from work and I had actually done so. During the past 4 months, I have averaged working approximately 110 hours per pay period. I had taken yesterday off, in order to attend to yard maintenance, pick up groceries and get a haircut. I had also afforded myself the opportunity to have lunch at a restaurant. This activity is something which I seldom, if ever engage in during the work week. Normally, I stay at home and do laundry during such occasions. The last time which I had taken a day off from work back in early February had been for the purpose of doing laundry and filing my state and federal income taxes. I do not normally take time off from work for purely frivolous reasons. Later this month will mark the 32nd anniversary of my last proper vacation, the 3 day rain soaked Tokyo excursion. However, I tend to think of my excursion to Kenya as my last actual vacation. By the way, it has now been over 30.5 years since I had taken the 2 day air safari in Kenya.

So what does this have to do with Rush? Well, approximately 35 years ago or so, drummer and lyricist Neil Peart had visited east Africa and Kenya, in particular. Those lyrical ideas had fueled his introspective output on the songs on “Power Windows,” especially ‘Mystic Rhythms,’ one of Rush’s greatest studio recordings.

Posted by Enigmaticus on Tuesday, 04/16/2019 @ 10:21am

Enig,

I came here to tell you I purchased and played Power Windows. It is good. I knew more of the tracks than I thought. And Now that I come to the Rush page I see you mentioned Power Windows in your last Post. Ha. I played it yesterday on my PC. I am Not the huge fan you are but I think I now own one of your all Time Favorite Rush albums.

Posted by Ben on Friday, 04/19/2019 @ 18:04pm

Ben,

“Power Windows” is third on my list of favorite Rush studio albums, after “Roll The Bones” and “Presto.”

Once again, here is my list of favorite Rush recordings (studio and live) from least favorite to most favorite:

**
30. Rush (1974)
29. Fly By Night (1975)
28. All The World's A Stage (1976)

***
27. Feedback (2004)
26. 2112 (1976)

***1/2

25. Caress Of Steel (1975)
24. Rush In Rio (2003)

****
23. Grace Under Pressure (1984)
22. Vapor Trails (2002)
21. A Show Of Hands (1989)

****1/2

20. A Farewell To Kings (1977)
19. Counterparts (1993)
18. Hold Your Fire (1987)
17. Time Machine 2011: Live In Cleveland (2011)

*****

16. Test For Echo (1996)
15. Hemispheres (1978)
14. Different Stages (1998)
13. Snakes & Arrows (2007)
12. Signals (1982)
11. Snakes & Arrows Live (2009)
10. Permanent Waves (1980)
09. Moving Pictures (1981)
08. R30: 30th Anniversary Tour (2005)
07. Clockwork Angels (2012)
06. Power Windows (1985)
05. R40 Live (2015)
04. Presto (1989)
03. Roll The Bones (1991)
02. Clockwork Angels Tour (2013)
01. Exit... Stage Left (1981)

Well, what do you think?

Posted by Enigmaticus on Saturday, 04/20/2019 @ 14:03pm

I have to admit that I can certainly admire Bryan Ferry’s incredible chutzpah for including ‘In Every Dream Home A Heartache’ and ‘Editions Of You’ during Roxy Music’s Rock & Roll Hall Of Fame Induction Ceremony. Personally, I would have preferred to have these songs included, instead: ‘Do The Strand,’ ‘The Thrill Of It All,’ ‘To Turn You On’ and ‘More Than This.’

Now, as far as the songs which Rush had played during their Rock Hall Induction ceremony are concerned, I would have chosen ‘Dreamline,’ ‘Ghost Of A Chance’ and ‘Available Light,’ in lieu of the ‘2112 Overture,’ ‘Tom Sawyer’ and ‘The Spirit Of Radio.’

Well, what do you think?

Posted by Enigmaticus on Thursday, 05/2/2019 @ 10:24am

I have to admit that I can certainly admire Bryan Ferry’s incredible chutzpah for including ‘In Every Dream Home A Heartache’ and ‘Editions Of You’ during Roxy Music’s Rock & Roll Hall Of Fame Induction Ceremony. Personally, I would have preferred to have these songs included, instead: ‘Do The Strand,’ ‘The Thrill Of It All,’ ‘To Turn You On’,’ ‘Love Is The Drug’ and ‘More Than This.’

Now, as far as the songs which Rush had played during their Rock Hall Induction ceremony are concerned, I would have chosen ‘Dreamline,’ ‘Ghost Of A Chance’ and ‘Available Light,’ in lieu of the ‘2112 Overture,’ ‘Tom Sawyer’ and ‘The Spirit Of Radio.’ Other possibilities include: ‘Xanadu’ and ‘Ghost Of A Chance,’ or perhaps even ‘Roll The Bones.’

Well, what do you think?

Posted by Enigmaticus on Thursday, 05/2/2019 @ 11:05am

I had started my 58th revolution around the Sun 91 days ago. Since late December, I had been very busy at work and in my spare time, I had watched every episode of Star Trek: Voyager sequentially from the first episode, “Caretaker” to the final episode, “Endgame.”

Eleven weeks ago today, had not been just Michael Jordan’s 56th birthday, nor had it only been Richard Karn's 63rd birthday. No, that day had been even much more important for me, personally. For that day had been the 40th anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had turned 17 years old (just two weeks prior) and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Baroque, Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 22 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the “holy trinity” of prog (Rush, Yes and The Moody Blues) and definitely- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, and of course, the aforementioned Kansas and Styx, among numerous others.

The recent inductions of the “holy trinity” of prog (RusH, Yes and THe Moody Blues) (RHYTHM), The Zombies, Roxy Music and Radiohead should lead to the inductions of Procol Harum, The Bangles, Duran Duran and quite possibly King Crimson.

Well, what do you, think?

Posted by Enigmaticus on Sunday, 05/5/2019 @ 20:50pm

I have recently read in PROG Magazine online that Geddy Lee has certainly missed playing with his buddies in Rush. The question has been, did Alex Lifeson inadvertently speak about Rush’s disbandment too soon thereafter? Is there a potential for a Lee and Lifeson collaboration in the near future? Although Neil Peart has stopped drumming, if he still continues to be the lyricist, would it still be Rush? As I have stated several times, “I prefer to have thought of Rush as being on indefinite hiatus, rather than having disbanded.” By the way, placing Rush at #173 on a list of previous RRHOF inducted artists is a huge insult to Rush, as well as an insult to all aficionados of “progressive rock.”

Well, what do you think?

Posted by Enigmaticus on Monday, 05/27/2019 @ 11:56am

Posted by Enigmaticus on Monday, 06/24/2019 @ 10:26am

I have not written anything about Rush for nearly a month. Of course, the various members of Rush are still doing their own thing. Neil Peart had apparently retired from drumming and has become an author, instead. Geddy Lee has also become an author and has been on a book tour promoting “Geddy Lee’s Big Beautiful Book Of Bass” at various bookstores throughout North America and Europe.

Of course, Alex Lifeson has kept busy with his guitar work and has been an active guest musician on a number of side projects by various individuals.

Of course, I had been very disappointed by this excerpt from an article in the New Yorker; a magazine which I had subscribed to for several years. The article is titled, “The Persistence of Prog Rock” by Kelefa Sanneh and had been published on June 12, 2017.

“The fans showing up to hear Rush were the wrong kind of fans—the mockable ones, with mockable taste in music,” Weigel writes, holding up this judgment for ridicule without quite dissenting from it. (No doubt he was sorely tempted to use the term “deplorables.”) By the time Rush emerged, progressive rock had entered its never-ending defensive phase; uncoolness is now part of the genre’s identity, and even a devoted fan like Weigel may not be entirely sure whether he wants that to change.”

Well, what do you think?

Posted by Enigmaticus on Tuesday, 06/25/2019 @ 02:36am

“The fans showing up to hear Rush were the wrong kind of fans—the mockable ones, with mockable taste in music,” Weigel writes, holding up this judgment for ridicule without quite dissenting from it. (No doubt he was sorely tempted to use the term “deplorables.”) By the time Rush emerged, progressive rock had entered its never-ending defensive phase; uncoolness is now part of the genre’s identity, and even a devoted fan like Weigel may not be entirely sure whether he wants that to change.”

With this single statement, Weigel has violated the 1st Commandment Of Prog:

01. Thou shalt not criticize any member of the “holy trinity” of prog (Rush, Yes and The Moody Blues), nor their fan bases!

For one thing, It is not a smart move and it makes one appear to be both an elitist and less intelligent overall. In this one bold statement, Weigel has alienated a huge group of artists, musicians, academics, engineers, physicians, physicists, astrophysicists, attorneys, judges, entrepreneurs, medical professionals, scientists, automotive mechanics, professional writers and key members of other fan bases, etc. to name but a few.

Please remember that to many people, PROG is very much like a religion and when you offend them and their favorite artists, you may get a severe reaction from the zealots.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 06/25/2019 @ 10:47am

Wow,

I am really quite surprised that I have not written anything about Rush on this particular page, in over 2 months.

Posted by Enigmaticus on Wednesday, 08/28/2019 @ 03:32am

It is now September 2, 2019.

There are so many great and magnificent Rush studio album release date anniversaries to celebrate this month:

September 1, 1977 "A Farewell To Kings" (**** 1/2)
September 3, 1991 "Roll The Bones" (*****)
September 8, 1987 "Hold Your Fire" (**** 1/2)
September 9, 1982 "Signals" (*****)
September 10, 1996 "Test For Echo" (*****)

September 24, 1975 "Caress Of Steel" (*** 1/2)

Plus Neil Peart's 62nd Birthday, (September 12, 1952)

Plus, the 51st anniversary of Rush's first gig: September 18, 1968.
Then, probably most important of all, the 51st anniversary of the date when Geddy Lee joined Rush:

September 25, 1968

As far as live recordings are concerned, my least favorite Rush live album will celebrate it's 38th birthday tomorrow:

September 27, 1976 "All The World's A Stage" (**)

Next month however, will herald the "trifecta" of prog: October 29. I am definitely looking forward to that date.

By the way, have I forgotten any?

Well, what do you think?

Posted by Enigmaticus on Monday, 09/2/2019 @ 12:22pm

It is now September 2, 2019.

There are so many great and magnificent Rush studio album release date anniversaries to celebrate this month:

September 1, 1977 "A Farewell To Kings" (**** 1/2)
September 3, 1991 "Roll The Bones" (*****)
September 8, 1987 "Hold Your Fire" (**** 1/2)
September 9, 1982 "Signals" (*****)
September 10, 1996 "Test For Echo" (*****)

September 24, 1975 "Caress Of Steel" (*** 1/2)

Plus Neil Peart's 67th Birthday, (September 12, 1952)

Plus, the 51st anniversary of Rush's first gig: September 18, 1968.
Then, probably most important of all, the 51st anniversary of the date when Geddy Lee first joined Rush:
September 25, 1968

As far as live recordings are concerned, my least favorite Rush live album will celebrate it's 38th birthday later this month:

September 27, 1976 "All The World's A Stage" (**)

Next month however, will herald the "trifecta" of prog on October 29. I am definitely looking forward to that date. Also, on November 21 of this year, “Presto” (*****) will celebrate it’s 30th anniversary and “To Our Children’s Children’s Children” (*****) by The Moody Blues will celebrate it’s 50th anniversary.

By the way, have I forgotten any?

Well, what

Posted by Enigmaticus on Monday, 09/2/2019 @ 15:24pm

It is now September 2, 2019.

There are so many great and magnificent Rush studio album release date anniversaries to celebrate this month:

September 1, 1977 "A Farewell To Kings" (**** 1/2)
September 3, 1991 "Roll The Bones" (*****)
September 8, 1987 "Hold Your Fire" (**** 1/2)
September 9, 1982 "Signals" (*****)
September 10, 1996 "Test For Echo" (*****)

Later this month, will also herald the 44th anniversary of the release of Rush’s first “prog” album:

September 24, 1975 "Caress Of Steel" (*** 1/2)

In addition to the birthday of “the new guy,” or in other words:

Neil Peart's 67th Birthday (September 12, 1952)

Plus, the 51st anniversary of Rush's first gig: September 18, 1968.
Then, probably most important of all, the 51st anniversary of the date when Geddy Lee first joined Rush:
September 25, 1968

As far as live recordings are concerned, my least favorite Rush live album will celebrate it's 43rd birthday later this month:

September 27, 1976 "All The World's A Stage" (**)

Next month however, will herald the "trifecta" of prog on October 29. I am definitely looking forward to that date. Also, on November 21 of this year, “Presto” (*****) will celebrate it’s 30th anniversary and “To Our Children’s Children’s Children” (*****) by The Moody Blues will celebrate it’s 50th anniversary.

By the way, have I forgotten any?

Well, what do you think?

Posted by Enigmaticus on Monday, 09/2/2019 @ 15:34pm

Is it “prog?” That is a question which I am quite often asked. We know that progressive rock had grown into a genre as a result of psychedelic rock’s adventurism. Grace Slick had the audacity to write such songs as ‘White Rabbit’ and ‘Rejoyce,’ that is why I consider her to be the “prog” mother. Justin Hayward had written songs like ‘Tuesday Afternoon’ and ‘Nights In White Satin’ after joining The Moody Blues, that is why I consider him to be the “prog” father. Of course, the output of both Jefferson Airplane and The Moody Blues, who have been inducted into the Rock & Roll Hall Of Fame had been hugely influential on the music of Rush. But so also, had Procol Harum. I think that is quite a travesty that Procol Harum has not yet been re-nominated for induction into the Rock & Roll Hall Of Fame. But I also think that is still quite unfortunate that neither Jethro Tull, nor Duran Duran have yet received a nomination either. I fully expect the members of Rush to endorse the inductions of all three of these groups, if they happen to appear on the ballot, next month.

Well, what do you think?

Posted by Enigmaticus on Monday, 09/9/2019 @ 10:42am

Is it “prog?” That is a question which I am quite often asked. We know that progressive rock had grown into a genre as a result of psychedelic rock’s adventurism. Grace Slick had the audacity to write such songs as ‘White Rabbit’ and ‘Rejoyce,’ that is why I consider her to be the “prog” mother. Justin Hayward had written songs like ‘Tuesday Afternoon’ and ‘Nights In White Satin’ after joining The Moody Blues, that is why I consider him to be the “prog” father. Of course, the output of both Jefferson Airplane and The Moody Blues, who have been inducted into the Rock & Roll Hall Of Fame had been hugely influential on the music of Rush. But so also, had Procol Harum. I think that is quite a travesty that Procol Harum has not yet been re-nominated for induction into the Rock & Roll Hall Of Fame. But I also think that is still quite unfortunate that neither Jethro Tull, nor Duran Duran, nor King Crimson have yet received a nomination either. I fully expect the members of Rush to endorse the inductions of all three or four of these groups, if they happen to appear on the ballot, next month.

Well, what do you think?

Posted by Enigmaticus on Monday, 09/23/2019 @ 10:56am

To those of us who are aficionados of progressive rock, this is an extremely disappointing ballot. Although our "holy trinity" (Rush, Yes and The Moody Blues) have previously been inducted and we had a banner year earlier this year with the inductions of Roxy Music, The Zombies and Radiohead, we are now at an impasse. Unfortunately, I cannot recommend voting for a single nominee to any of the prog heads. The Rock & Roll Hall of Fame Nominating Committee has done us a huge disservice by not nominating either Duran Duran, King Crimson, Jethro Tull, or Procol Harum. Our sole representatives are: Kraftwerk, Nine Inch Nails and Todd Rundgren. I know, that you are much less enthusiastic about this list than I am, however our hard rock/metal brothers should be ecstatic with Thin Lizzy, Motorhead (yes I know that Lemmy had been a previous member of Hawkwind), Judas Priest and Soundgarden making the cut. Also, hooray for Kristen Studard of the "Who Cares About The Rock Hall?" Podcast for finally getting a long overdue well- deserved nomination for Pat Benatar and Neil Giraldo, who both deserve this recognition.she should be ecstatic!

As far as "prog" adjacent bands are concerned, I have only the Doobie Brothers to endorse.

Posted by Enigmaticus on Tuesday, 10/15/2019 @ 13:31pm

For those of us who are aficionados of progressive rock, this is an extremely disappointing ballot. Although our "holy trinity" (Rush, Yes and The Moody Blues) have previously been inducted and we had a banner year earlier this year with the inductions of Roxy Music, The Zombies and Radiohead, we are now at an impasse. Unfortunately, I cannot recommend voting for a single nominee to any of my fellow prog heads. The Rock & Roll Hall of Fame Nominating Committee has done us a huge disservice by not nominating either Duran Duran, King Crimson, Jethro Tull, or Procol Harum; long overdue prog artists we could have voted for. Our sole representatives are: Kraftwerk, Nine Inch Nails and Todd Rundgren. I know, that you are much less enthusiastic about this list than I am. However, our hard rock/metal brothers should be ecstatic with Thin Lizzy, Motorhead (yes I know that Lemmy had been a previous member of Hawkwind), Judas Priest and Soundgarden finally making the cut. Also, hooray for Kristen Studard of the "Who Cares About The Rock Hall?" Podcast for finally receiving a long overdue well-deserved nomination for Pat Benatar and Neil Giraldo, who both deserve this recognition; she should be ecstatic!

As far as "prog" adjacent bands are concerned, unfortunately, I have only the Doobie Brothers to endorse. :-(

Posted by Enigmaticus on Tuesday, 10/15/2019 @ 13:37pm

Posted by Enigmaticus on Thursday, 10/17/2019 @ 07:40am

Today is the 26th anniversary of "Counterparts", my 12th favorite Rush studio album. Although not as great as either the Rush studio recording which had followed, "Test For Echo," (10), nor it's predecessors: "Presto," (02), nor "Roll The Bones," (01) "Counterparts" nevertheless contains songs with sublime beauty, such as: 'Nobody's Hero,' 'Leave That Thing Alone,' 'Animate,' 'Cut To The Chase,' 'Cold Fire,' 'Double Agent,' 'Everyday Glory' and 'Between Sun & Moon.'

Well, what do you think?

Posted by Enigmaticus on Saturday, 10/19/2019 @ 13:39pm

Today is the 26th anniversary of "Counterparts", my 12th favorite Rush studio album. Although not as great as either the Rush studio recording which had followed, "Test For Echo," (10), nor it's predecessors: "Presto," (02), nor "Roll The Bones," (01) "Counterparts" nevertheless features several songs which contain moments of sublime beauty, such as: 'Nobody's Hero,' 'Leave That Thing Alone,' 'Animate,' 'Cut To The Chase,' 'Cold Fire,' 'Double Agent,' 'Everyday Glory' and 'Between Sun & Moon.' Unfortunately there is one song which I dislike tremendously on this particular studio recording, 'Stick It Out,'

Well, what do you think?

Posted by Enigmaticus on Saturday, 10/19/2019 @ 13:57pm

Yesterday had been the 26th anniversary of "Counterparts", my 12th favorite Rush studio album. Although not as great as either the Rush studio recording which had followed, "Test For Echo," (10), nor it's predecessors: "Presto," (02), nor "Roll The Bones," (01) "Counterparts" nevertheless features several songs which contain many moments of sublime beauty, such as: 'Nobody's Hero,' 'Leave That Thing Alone,' 'Animate,' 'Cut To The Chase,' 'Cold Fire,' 'Double Agent,' 'Everyday Glory' and 'Between Sun & Moon.' Unfortunately there is one song which I happen to dislike tremendously on this particular studio recording, 'Stick It Out.' Due to the presence of 'Stick It Out,' "Counterparts" has always been my least favorite studio album from Rush's Middle Modern Period and Rush's only recording from that particular time period to have not received a 5-star (*****) rating.

By the way, there are only 9 more days until the "trifecta" of prog.

Well, what do you think?

Posted by Enigmaticus on Sunday, 10/20/2019 @ 11:58am

Since neither Jethro Tull, nor Procol Harum, nor King Crimson, nor Supertramp, nor Kansas, nor Duran Duran had received a nomination this year, it looks like the "prog" train has been derailed. For nearly 7 years, we could for the most part count on seeing at least one "prog" act on the Rock & Roll Hall Of Fame Nominating Committee ballot, since that had been under Jann Wenner's watch and under his watch, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had finally been inducted, in addition to: Electric Light Orchestra, Chicago, Deep Purple, Genesis, Roxy Music and The Zombies. It had been a banner time for "prog." Unfortunately the new Chairman John Sykes appears to be more interested in nominating artists that are either deceased, new wave, or hip hop artists. So, how does this bode for the genre of Progressive Rock? Not very well, I am afraid. Guys, we have now lost our hugely maligned "prog" advocate! :-(

For those of us who are aficionados of progressive rock, this is an extremely disappointing ballot. Although our "holy trinity" (Rush, Yes and The Moody Blues) have previously been inducted and we had a banner year earlier this year with the inductions of Roxy Music, The Zombies and Radiohead, we are now at an impasse. Unfortunately, I cannot recommend voting for a single nominee to any of my fellow prog heads. The Rock & Roll Hall of Fame Nominating Committee has done us a huge disservice by not nominating either Duran Duran, King Crimson, Jethro Tull, or Procol Harum; long overdue prog artists we could have voted for. Our sole representatives are: Kraftwerk, Nine Inch Nails and Todd Rundgren. I know, that you are much less enthusiastic about this list than I am. However, our hard rock/metal brothers should be ecstatic with Thin Lizzy (the fathers of Irish rock?), Motorhead (yes I know that Lemmy had been a previous member of Hawkwind- a British prog band, so you may choose to vote for them), Judas Priest (they would also be in) and Soundgarden finally making the cut.

Also, hooray for Kristen Studard of the "Who Cares About The Rock Hall?" Podcast for finally receiving long overdue well-deserved nominations for Pat Benatar and Neil Giraldo and yet another diva- the late great singer Whitney Houston, who both deserve this recognition; she should be ecstatic!

As far as "prog" adjacent bands are concerned, unfortunately, I have only the Doobie Brothers to endorse. :-(

The Nominating Committee seems to have recently forgotten just how popular most of these artists are. :-(

So, who (from this particular list) may be inducted?

01. Pat Benatar
02. Doobie Brothers
03. Dave Matthews Band
04. Judas Priest
05. Motörhead
06. Thin Lizzy
07. Whitney Houston

Well, what do you think?

Posted by Enigmaticus on Thursday, 10/24/2019 @ 10:09am

Since neither Jethro Tull, nor Procol Harum, nor King Crimson, nor Supertramp, nor Kansas, nor Duran Duran had received a nomination this year, it looks like the "prog" train has been derailed. For nearly 7 years, we could for the most part count on seeing at least one "prog" act on the Rock & Roll Hall Of Fame Nominating Committee ballot, since that had been under Jann Wenner's watch and under his watch, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had finally been inducted, in addition to: Electric Light Orchestra, Chicago, Deep Purple, Genesis, Roxy Music and The Zombies. It had been a banner time for "prog." Unfortunately the new Chairman John Sykes appears to be more interested in nominating artists that are either deceased, new wave, or hip hop artists. So, how does this bode for the genre of Progressive Rock? Not very well, I am afraid. Ladies and gentlemen, unfortunately we have now lost our hugely maligned "prog" advocate! :-(

For those of us who are aficionados of progressive rock, this is an extremely disappointing ballot. Although our "holy trinity" (Rush, Yes and The Moody Blues) have previously been inducted and we had a banner year earlier this year with the inductions of Roxy Music, The Zombies and Radiohead, we are now at an impasse. Unfortunately, I cannot recommend voting for a single nominee to any of my fellow prog heads. The Rock & Roll Hall of Fame Nominating Committee has done us a huge disservice by not nominating either Duran Duran, King Crimson, Jethro Tull, or Procol Harum; long overdue prog artists we could have voted for. Our sole representatives are: Kraftwerk, Nine Inch Nails and Todd Rundgren. I know, that you are much less enthusiastic about this list than I am. However, our hard rock/metal brothers should be ecstatic with Thin Lizzy (the fathers of Irish rock?), Motörhead (yes I know that Lemmy had been a previous member of Hawkwind- a British prog band, so you may choose to vote for them), Judas Priest (they should also be in) and Soundgarden finally making the cut.

Also, hooray for Kristen Studard of the "Who Cares About The Rock Hall?" Podcast for finally receiving long overdue well-deserved nominations for Pat Benatar and Neil Giraldo and yet another diva- the late great singer Whitney Houston, who both deserve this recognition; she should be ecstatic!

As far as "prog" adjacent bands are concerned, unfortunately, I have only the Doobie Brothers to endorse. :-(

The Nominating Committee seems to have recently forgotten just how popular most of these artists are. :-(

So, who (from this particular list) may be inducted?

01. Pat Benatar
02. Doobie Brothers
03. Dave Matthews Band
04. Judas Priest
05. Motörhead
06. Thin Lizzy
07. Whitney Houston

Honestly, I really think that Whitney could be inducted similarly to Donna Summer. If Janet can get in on 3 tries, then I think that Whitney really has a good chance for induction.

Now, as far as the three heavy rock bands (Motörhead, Thin Lizzy and Judas Priest) are concerned, they may not cancel themselves out. There is no hard and fast rule that says that you have to vote for gangsta rap, nor synth pop, is there? I certainly did not!

So, who have I been voting for lately? I have voted for the Doobie Brothers, Pat Benatar and Dave Matthews Band (100% of the time) Motörhead (because Lemmy had been a "prog" rocker) at least 75% of the time and have divided my vote between Thin Lizzy (because Phil Lynott definitely deserves to be inducted and Thin Lizzy had originated the two guitar attack) 50% of the time, Judas Priest and a few other artists depending on how well they have been, or have not been doing in the polls.

Well, what do you think?

Posted by Enigmaticus on Friday, 10/25/2019 @ 11:58am

Please, let us not forget that today is the day in different years when there were had been two different magnificent Rush albums released in different years. "Hemispheres" will celebrate it's 41st anniversary and "Exit... Stage Left" will celebrate it's 38th anniversary today. "Power Windows" had celebrated it's 34th anniversary on Tuesday October 15, 2019 according to the R.I.A.A.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 10/29/2019 @ 09:18am

Looking back to my first posting on this site, almost 7 1/2 years ago.

My list of 2013 inductees:

Donna Summer (posthumously)
Heart (two sisters who had dominated a band, whose great singles are still being played on the radio)
Rush (their long term snub is starting to reach critical mass, even Rolling Stone magazine readers are in favor of this. Rush was voted greatest prog rock of all time by their readers). They are ranked third in most consecutive gold and platinum albums behind The Beatles and The Rolling Stones.
Yes (IMHO, if you induct Rush, then you absolutely must induct Yes), but probably not necessarily in 2013.
Yes was instrumental in starting prog rock, plus 90125 was a danceable hit album.

I think that The Moody Blues deserve a nod also, for inventing the "prog rock" genre, but inducting Rush and Supertramp should push the Moodies and Procol Harum, in within the next several years. Compared to the amount of time that they have waited, this will be relatively soon. Technically, Rush is not really heavy metal, and most of their songs are not that hard anyway.

Although one could argue for King Crimson as well,
"ITCOCK," "Red" and "Discipline" are bonafide masterpieces.
Supertramp sold millions of albums, especially "Crime Of The Century" and "Breakfast In America." therefore they are the most likely prog band to get in this year.
Monkees (Davy Jones will be inducted posthumously)

Posted by Keith on Sunday, 06.10.12 @ 02:12am

Posted by Enigmaticus on Sunday, 11/3/2019 @ 15:08pm

Here is my second posting on this site and comments on whether or not the artist has been inducted, nominated or not:

Yes, I will admit that I am a progressive rock aficionado; I have been one since 1980, or did I become one when first introduced to "Hemispheres," in February, 1979.

My favorite bands presently are: Yes (in), Rush (in), Pink Floyd (in), Genesis (in), The Moody Blues (in) , Jethro Tull, Gentle Giant, King Crimson, ELP, Jefferson Airplane (in), Fleetwood Mac (in), Procol Harum (nom), Alan Parsons Project, Supertramp, Kansas, Talking Heads (in) and Styx.

My favorite solo artists are: Peter Gabriel (in), Sting (nom) and Stevie Nicks (in).

I also really like Cars (in), Roxy Music (in), Duran Duran, Asia, Heart (in), Andreas Vollenweider and Yanni.

I can accept the nominations of Dick Dale, SRV (in) and others.

I am not an aficionado of "heavy metal," nor "rap."

Posted by Keith on Saturday, 06.16.12 @ 15:59pm

Posted by Enigmaticus on Sunday, 11/3/2019 @ 15:22pm

In addition to the diversification of the Nominating Committee and the nomination of more female artists on next years ballot, getting the "prog" train back on it's respective tracks should be one of the major goals for the Rock & Roll Hall Of Fame Nominating Committee to focus on next year.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/16/2019 @ 03:37am

In addition to the previous inductions of Rush, Yes and The Moody Blues (aka the "holy trinity" of progressive rock), the Rock & Roll Hall Of Fame Nominating Committee should continue to nominate and induct various "prog" artists who have had a major impact on American culture. I would strongly suggest that over the next several years such artists as: Duran Duran, Jethro Tull, King Crimson, Procol Harum, Supertramp, Styx and Kansas should receive nominations.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/16/2019 @ 03:47am

Okay, my favorite aspect of the past several years of Rock Hall induction ceremonies has ultimately been the inductions into the Rock & Roll Hall Of Fame of the "holy trinity" of prog (Rush, Yes and The Moody Blues). As far as I am concerned, those inductions had been absolutely essential. Secondly, my favorite inductions of the past year had been the inductions of Roxy Music, The Zombies and Radiohead into the Rock & Roll Hall Of Fame by John Taylor and Simon Le Bon of Duran Duran, Susanna Hoffs and David Byrne, formerly of Talking Heads, respectively. All six of those particular inductions, at the very least, should have led to the long overdue nominations and possible subsequent inductions of Duran Duran, Jethro Tull and Procol Harum and perhaps King Crimson later this year. But this was not to be. Granted, the Rock & Roll Hall Of Fame is a private organization and they are certainly allowed to nominate who they wish to. I most certainly agree that hard rock & heavy metal artists have also been severely overlooked. However, by completely ignoring "prog" this year, which had not been a very wise move in my honest opinion, those Rock Hall watchers who appreciate progressive rock may have lost interest. It is very difficult to convince them of the necessity of voting for non-prog acts, so I have not even attempted to try. I am afraid that if later next year, the prog community does not see some of their long overdue artists nominated, there will be a considerable backlash against the Rock Hall.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/16/2019 @ 23:49pm

Okay, my favorite aspect of the past several years of Rock Hall induction ceremonies has ultimately been the inductions into the Rock & Roll Hall Of Fame of the "holy trinity" of prog (Rush, Yes and The Moody Blues). As far as I am concerned, those inductions had been absolutely essential. Secondly, my favorite inductions of the past year had been the inductions of Roxy Music, The Zombies and Radiohead into the Rock & Roll Hall Of Fame by John Taylor and Simon Le Bon of Duran Duran, Susanna of The Bangles and David Byrne, formerly of Talking Heads, respectively. All six of those particular inductions, at the very least, should have led to the long overdue nominations and possible subsequent inductions of Duran Duran, Jethro Tull and Procol Harum and perhaps King Crimson later this year. But this was not to be. Granted, the Rock & Roll Hall Of Fame is a private organization and they are certainly allowed to nominate who they wish to. I most certainly agree that hard rock & heavy metal artists have also been severely overlooked. However, by completely ignoring "prog" this year, which had not been a very wise move in my honest opinion, those Rock Hall watchers who appreciate progressive rock may have lost interest. It is very difficult to convince them of the necessity of voting for non-prog acts, so I have not even attempted to try. I am afraid that if later next year, the prog community does not see some of their long overdue artists nominated, there will be a considerable backlash against the Rock Hall.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/16/2019 @ 23:53pm

Okay, my favorite aspect of the past several years of Rock Hall induction ceremonies has ultimately been the inductions into the Rock & Roll Hall Of Fame of the "holy trinity" of prog (Rush, Yes and The Moody Blues). As far as I am concerned, those inductions had been absolutely essential. Secondly, my favorite inductions of the past year had been the inductions of Roxy Music, The Zombies and Radiohead into the Rock & Roll Hall Of Fame by John Taylor and Simon Le Bon of Duran Duran, Susanna Hoffs of The Bangles and David Byrne, formerly of Talking Heads, respectively. All six of those particular inductions, at the very least, should have led to the long overdue nominations and possible subsequent inductions of Duran Duran, Jethro Tull and Procol Harum and perhaps King Crimson later this year. But this was not to be. Granted, the Rock & Roll Hall Of Fame is a private organization and they are certainly allowed to nominate who they wish to. I most certainly agree that hard rock & heavy metal artists have also been severely overlooked. However, by completely ignoring "prog" this year, which had not been a very wise move in my honest opinion, those Rock Hall watchers who appreciate progressive rock may have lost interest. It is very difficult to convince them of the necessity of voting for non-prog acts, so I have not even attempted to try. Although it calls for a certain amount of speculation, I am afraid that if later next year, the prog community does not see some of their long overdue artists nominated, there will be a considerable backlash against the Rock Hall.

Well, what do you think?

Posted by Enigmaticus on Sunday, 11/17/2019 @ 09:35am

I had decided to watch a portion of the 2019 Rock & Roll Hall Of Fame ceremony last night, more specifically, the inductions of: Roxy Music, Radiohead and The Zombies.

Okay, my favorite aspect of the past several years of Rock Hall induction ceremonies has ultimately been the inductions into the Rock & Roll Hall Of Fame of the "holy trinity" of prog (Rush, Yes and The Moody Blues) and the induction of the late great Sister Rosetta Tharpe, the "grandmother" of prog and the "godmother" of Rock and Roll. As far as I am concerned, those inductions had been absolutely essential. Secondly, my favorite inductions of the past year had been the inductions of Roxy Music, The Zombies and Radiohead into the Rock & Roll Hall Of Fame by John Taylor and Simon Le Bon of Duran Duran, Susanna Hoffs of The Bangles and David Byrne, formerly of Talking Heads, respectively. All seven of those particular inductions, at the very least, should have led to the long overdue nominations and possible subsequent inductions of: Sade, Duran Duran, Jethro Tull and Procol Harum and perhaps King Crimson later this year. But this was not to be. Granted, the Rock & Roll Hall Of Fame is a private organization and they are certainly allowed to nominate who they wish to. I most certainly agree that hard rock & heavy metal artists have also been severely overlooked. However, by completely ignoring "prog" and "prog adjacent" acts this year, which had not been a very wise move in my honest opinion, those Rock Hall watchers who appreciate progressive rock may have lost interest. It is very difficult to convince them of the necessity of voting for non-prog acts, so I have not even attempted to try. Although it calls for a certain amount of speculation, I am afraid that if later next year, the prog community does not see some of their long overdue artists nominated, including those previously mentioned, then there will be a considerable backlash against the Rock Hall.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 11/19/2019 @ 08:31am

Today is the 30th anniversary of the release of "Presto," my next to favorite studio recording by Rush.

Posted by Enigmaticus on Thursday, 11/21/2019 @ 04:50am

Many apologies, but my definitive review of "Presto" after tit's 30th anniversary has also been delayed.

In the meantime, these are the six major "prog" artists who in my honest opinion, definitely, absolutely deserve immediate enshrinement into the Rock Hall:

01. Duran Duran- for the many reasons which I have cited over the past 7 years, plus certain members of Rush have liked them for decades. Have they been influential upon the music of Rush and vice versa? I will let you decide.

02. Jethro Tull- just how long does it take to induct such a monumentally influential band; one which had been supposedly hugely influential on the music of Rush?

03. King Crimson- I think that the critics are actually in favor of this, since they happen to prefer those somewhat quirky bands, plus the members of Rush have also called for their induction.

04. Supertramp- they have sold millions of copies of their most popular albums, plus Geddy Lee had discussed them as having been an influence decades ago.

05. Emerson, Lake & Palmer- had been influential upon Rush, but for the most part- hugely influential in the 1970's.

06. Procol Harum- A huge influence on Rush, as had been the other two members of the "holy trinity" of prog- Yes and The Moody Blues. They have only been nominated once, unfortunately. Their influence on "prog" had been huge!

Now, as far as the other 3 (Kansas, Styx and the Alan Parsons Project) are concerned? Should they also be in?

Well, what do you think?

Posted by Enigmaticus on Friday, 11/22/2019 @ 15:49pm

What about the other 6:

01. Gentle Giant

02. Soft Machine

03. Camel

04. Caravan

05. Van der Graaf Generator

06. Echolyn

Well, what do you think?

Posted by Enigmaticus on Friday, 11/22/2019 @ 15:58pm

Yes a case can be made for Kansas, Styx and Alan Parsons Project. As far as the other six are concerned they don't have a chance of getting in. They have mostly been forgotten about by the general public and I don't think they had much of an impact.

Posted by Greg F on Friday, 11/22/2019 @ 17:05pm

I just wanted to let you know that there are now new essays for each member of the "holy trinity" of prog (Rush, Yes and The Moody Blues), Roxy Music, The Zombies and Radiohead, etc. on the Rock Hall site.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/1/2019 @ 03:22am

I had just wanted to let you all know that there are now new Rock Hall Inductee essays for each member of the "holy trinity" of prog (Rush, Yes and The Moody Blues), Genesis, Talking Heads,Traffic, Pink Floyd, Jefferson Airplane, Roxy Music, The Zombies and Radiohead, etc. on the Rock Hall site.

I had spent quite a few hours much earlier this morning reading quite a few of them. In addition to each of the aforementioned "prog bands," I had also read an essay on ZZ Top, a band which Rush had opened for in their early days.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/1/2019 @ 12:36pm

It is now December 1, one month from today will mark the 40th anniversary of the release of "Permanent Waves." Last month on November 21, 2019- "Presto" had turned 30 and "To Our Children's Children's Children" by The Moody Blues had celebrated it's 50th anniversary.

I had decided to watch a portion of the 2019 Rock & Roll Hall Of Fame ceremony a few weeks ago, more specifically, the inductions of: Roxy Music, Radiohead and The Zombies.

Okay, my favorite aspect of the past several years of Rock Hall induction ceremonies has ultimately been the inductions into the Rock & Roll Hall Of Fame of the "holy trinity" of prog (Rush, Yes and The Moody Blues) and the induction of the late great Sister Rosetta Tharpe, the "grandmother" of prog and the "godmother" of Rock and Roll. As far as I am concerned, those inductions had been absolutely essential. Secondly, my favorite inductions of the past year had been the inductions of Roxy Music, The Zombies and Radiohead into the Rock & Roll Hall Of Fame by John Taylor and Simon Le Bon of Duran Duran, Susanna Hoffs of The Bangles and David Byrne, formerly of Talking Heads, respectively. All seven of those particular inductions, at the very least, should have led to the long overdue nominations and possible subsequent inductions of: Sade, Duran Duran, Jethro Tull and Procol Harum and perhaps King Crimson later this year. But this was not to be. Granted, the Rock & Roll Hall Of Fame is a private organization and they are certainly allowed to nominate who they wish to. I most certainly agree that hard rock & heavy metal artists have also been severely overlooked. However, by completely ignoring "prog" and "prog adjacent" acts this year, which had not been a very wise move in my honest opinion, those Rock Hall watchers who appreciate progressive rock may have lost interest. It is very difficult to convince them of the necessity of voting for non-prog acts, so I have not even attempted to try. Although it calls for a certain amount of speculation, I am afraid that if later next year, the prog community does not see some of their long overdue artists nominated, including those previously mentioned, then there will be a considerable backlash against the Rock Hall.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/1/2019 @ 13:38pm

Since neither Jethro Tull, nor Procol Harum, nor King Crimson, nor Supertramp, nor Kansas, nor Duran Duran had received a nomination this year, it looks like the "prog" train has been derailed. For nearly 7 years, we could for the most part count on seeing at least one "prog" act on the Rock & Roll Hall Of Fame Nominating Committee ballot, since that had been under Jann Wenner's watch and under his watch, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had finally been inducted, in addition to: Electric Light Orchestra, Chicago, Deep Purple, Genesis, Roxy Music, Radiohead and The Zombies. It had been a banner time for "prog." Unfortunately the new Chairman John Sykes appears to be more interested in nominating artists that are either deceased, new wave, or hip hop artists. So, how does this bode for the genre of Progressive Rock? Not very well, I am afraid. Ladies and gentlemen, unfortunately we have now lost our hugely maligned "prog" advocate! :-(

For those of us who are aficionados of progressive rock, this is an extremely disappointing ballot. Although our "holy trinity" (Rush, Yes and The Moody Blues) have previously been inducted and we had a banner year earlier this year with the inductions of Roxy Music, The Zombies and Radiohead, we are now at an impasse. Unfortunately, I cannot recommend voting for a single nominee to any of my fellow prog heads. The Rock & Roll Hall of Fame Nominating Committee has done us a huge disservice by not nominating either Duran Duran, King Crimson, Jethro Tull, or Procol Harum; long overdue prog artists we could have voted for. Our sole representatives are: Kraftwerk, Nine Inch Nails and Todd Rundgren. I know, that you are much less enthusiastic about this list than I am. However, our hard rock/metal brothers should be ecstatic with Thin Lizzy (the fathers of Irish rock?), Motörhead (yes I know that Lemmy had been a previous member of Hawkwind- a British prog band, so you may choose to vote for them), Judas Priest (they should also be in) and Soundgarden finally making the cut.

Also, hooray for Kristen Studard of the "Who Cares About The Rock Hall?" Podcast for finally receiving long overdue well-deserved nominations for Pat Benatar and Neil Giraldo and yet another diva- the late great singer Whitney Houston, who both deserve this recognition; she should be ecstatic!

As far as "prog" adjacent bands are concerned, unfortunately, I have only the Doobie Brothers to endorse. :-(

The Nominating Committee seems to have recently forgotten just how popular most of these artists are. :-(

So, who (from this particular list) may be inducted?

01. Pat Benatar
02. Doobie Brothers
03. Dave Matthews Band
04. Judas Priest
05. Motörhead
06. Thin Lizzy
07. Whitney Houston

Honestly, I really think that Whitney could be inducted similarly to Donna Summer. If Janet can get in on 3 tries, then I think that Whitney really has a good chance for induction.

Now, as far as the three heavy rock bands (Motörhead, Thin Lizzy and Judas Priest) are concerned, they may not cancel themselves out. There is no hard and fast rule that says that you have to vote for gangsta rap, nor synth pop, is there? I certainly did not!

So, who have I been voting for lately? Since the Dave Matthews Band is in the first place of the fan poll, I have voted for Pat Benatar, Whitney Houston, the Doobie Brothers, Motörhead and Thin Lizzy (100% of the time). Although, I am not a huge aficionado of hard rock, or heavy metal, I have voted for Motörhead (because Lemmy had been a "prog" rocker) and Thin Lizzy (because Phil Lynott definitely deserves to be inducted and because Thin Lizzy had originated the two guitar attack).

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/1/2019 @ 20:03pm

It has come to my attention quite recently that I have been an aficionado of prog for almost 51 years, although my history of actually collecting "progressive rock" and "art rock" recordings only goes back 39 years.

My first "prog" purchase was the "Original Picture Soundtrack to Xanadu" in October, 1980. My second "prog" purchase was "The Grand Illusion" by Styx in November, 1980. My third purchase of "progressive rock" was "A Farewell To Kings" by Rush in December, 1980. After that, the floodgates had opened, I was interested in collecting everything "prog" that I could.

So what was it about "A Farewell To Kings" that had opened my mind and my eyes?

So what was it about "A Farewell To Kings" that had encouraged me to buy more prog?

Was it Rush's first hit single, 'Closer To The Heart?' No, although it did not hurt.

Was it the title track? No.

Was it 'Madrigal,' 'Cinderella Man,' or 'Cygnus X-1 Book I? No.

No, instead it was 'Xanadu.'

Indirectly, my appreciation of Tchaikovsky, Mozart, Beethoven, Bach, The Moody Blues, 'Man In The Wilderness' by Styx, 'Classical Gas' by Mason Williams and several songs by Electric Light Orchestra, from the "Xanadu" soundtrack had
lead to this point.

'Xanadu' has been my favorite song for almost 39 consecutive years, although my favorite present version of this epic comes from "Exit... Stage Left." Now, there may be a contender, the version of 'Xanadu' from "R40 Live." It is really great to know that Rush had included the full version of 'Xanadu' on this particular recording. In my honest opinion, 'Xanadu' would work as a purely acoustic version, as well as a version played with a full symphony orchestra.

'Xanadu' had cemented my interest in "prog" and all of it's sub genres. 'Xanadu' had led me to my appreciation of new age composers, such as: Andreas Vollenweider, Yanni, Jean Michel Jarre, Vangelis, Hilary Stagg and others.

'Xanadu' had led me to discover such artists as: Yes, King Crimson, Gentle Giant, ELP, Duran Duran, Asia, Procol Harum, Genesis, Roxy Music, Alan Parson's Project, Caravan, Camel, Echolyn, Sade, etc.

'Xanadu' had cemented my appreciation for Rush, The Moody
Blues, Pink Floyd, Kansas, Styx, E.L.O, Tchaikovsky, Rimsky Korsakov, Mussorgsky, Prokofiev, Stravinsky, Gershwin, Mozart, Beethoven and Bach.

Well, what do you think?

Posted by Enigmaticus on Monday, 12/2/2019 @ 08:20am

Lest we forget:

Once again, it is necessary to acknowledge those "prog" artists who had influenced Rush:

Progressive and/or art rock bands who had influenced the "holy triumvirate", who are currently in the Rock & Roll Hall Of Fame:

THE BEATLES
CREAM
THE WHO
JEFFERSON AIRPLANE
PINK FLOYD
TALKING HEADS
THE POLICE
GENESIS
PETER GABRIEL
DEEP PURPLE
YES
THE MOODY BLUES
ROXY MUSIC

Those prog and/ or art rock artists who have yet to be
inducted:

PROCOL HARUM
JETHRO TULL
KING CRIMSON
VAN DER GRAAF GENERATOR
GENTLE GIANT
SUPERTRAMP
EMERSON, LAKE & PALMER
RENAISSANCE
DURAN DURAN

Other than perhaps Baroque, Classical, Romantic or Modern composers, or Led Zeppelin, have I forgotten anyone?

In my honest opinion, if you had influenced, the band who is arguably progressive rock's greatest band, then you should be enshrined within the Rock & Roll Hall Of Fame.

Well, what do you think?

Posted by Enigmaticus on Monday, 12/2/2019 @ 08:37am

"The fans showing up to hear Rush were the wrong kind of fans—the mockable ones, with mockable taste in music," Weigel writes, holding up this judgment for ridicule without quite dissenting from it. (No doubt he was sorely tempted to use the term "deplorables.") By the time Rush emerged, progressive rock had entered its never-ending defensive phase; uncoolness is now part of the genre's identity, and even a devoted fan like Weigel may not be entirely sure whether he wants that to change."

With this single statement, Weigel has violated the 1st Commandment Of Prog:

01. Thou shalt not criticize any member of the "holy trinity" of prog (Rush, Yes and The Moody Blues), nor their fan bases!

For one thing, It is not a smart move and it makes one appear to be both an elitist and less intelligent overall. In this one bold statement, Weigel has alienated a huge group of artists, musicians, academics, engineers, physicians, physicists, astrophysicists, attorneys, judges, entrepreneurs, medical professionals, scientists, automotive mechanics, professional writers and key members of other fan bases, etc. to name but a few.

Please remember that to many people, PROG is very much like a religion and when you offend them and their favorite artists, you may get a severe reaction from the zealots.

And speaking of Rush, here is my most recent assessment of their studio and live recordings:

To put it in a nutshell, very simply and concisely, "I am not a fan of screaming, nor screeching vocals," that is why I detest AC/DC so strongly and why I have ranked the Rush studio and live albums, accordingly. Once again, here is that list of Rush's studio and live recordings from least favorite to most favorite:

30. Rush (1974) (**)
29. Fly By Night (1975) (**)
28. All The World's A Stage (1976) (**1/2)

27. Feedback (2004) (***)

26. 2112 (1976) (*** 1/2)
25. Caress Of Steel (1975) (***1/2)
24. Rush in Rio (2003) (*** 1/2)

23. Grace Under Pressure (1984) (****)
22. Vapor Trails (2002) (****)
21. A Show Of Hands (1989) (****)

20. A Farewell To Kings (1977) (**** 1/2)
19. Counterparts (1993) (**** 1/2)
18. Hold Your Fire (1987) (**** 1/2)
17. Time Machine 2011: Live In Cleveland (2011) (**** 1/2)

16. Test For Echo (1996) (*****)
15. Hemispheres (1978) (*****)
14. Different Stages (1998) (*****)
13. Snakes & Arrows (2007) (*****)
12. Signals (1982) (*****)
11. Snakes & Arrows Live (2008) (*****)
10. Permanent Waves (1980) (*****)
09. Moving Pictures (1981) (*****)
08. R30: 30th Anniversary Tour (2005) (*****)
07. Clockwork Angels (2012) (*****)
06. Power Windows (1985) (*****)

05. R40 Live (2015) (*****)
04. Presto (1989) (***** +)
03. Roll The Bones (1991) (***** +)
02. Clockwork Angels Tour (2013) (***** ++)
01. Exit... Stage Left (1981) (***** +++)

Well, what do you think?

Posted by Enigmaticus on Tuesday, 12/3/2019 @ 09:00am

Enig,
Since you went to the trouble of listing your favorites of the Rush catalogue, I will list my best of starting with #1. Although I am more of an early Rush fan, having been introduced to them in 1975.

1.--Permanent Waves
2.--2112
3.--Signals
4.--Hemispheres
5.--Grace Under Pressure
6.--All the World's A Stage
7.--Moving Pictures
8.--Rush(s/t)
9.--Different Stages
10.- Caress Of Steel
11.- Exit.. Stage Left
12.- A Farewell To Kings
13.- R30
14.- Fly By Night
15.- Time Machine 2011
16.- Roll The Bones
17.- R40 Live
18.- Hold Your Fire
19.- Rush in Rio 2003
20.- Clockwork Angels Tour
21.- Presto
22.- Snakes and Arrows Live
23.- Power Windows
24.- Snakes and Arrows
25.- Vapor Trails
26,- Clockwork Angels
27.- Counterparts
28.- Feedback
29.- Test For Echo
30.- A Show of Hands

Roughly correct. I kind of threw it together quickly.

Posted by Will N. on Tuesday, 12/3/2019 @ 11:44am

Prog like a religion? Seriously? If it's that sacrosanct to you, then you've really got problems.

Also, Weigel's probably writing to an audience larger than the prog fans. I'm sorry if you can't imagine such a concept, but it's true.

Posted by Philip on Wednesday, 12/4/2019 @ 11:45am

Philip,

No, as far as I am concerned, an individual should never criticize an artist's fan base; it is not a smart move.

But please keep in mind, as far as these things are ultimately concerned, these are nothing more to me than interesting diversions. No, my focus and my raison d'etre is quite different. It is what I have engaged in for approximately 12 hours a day, at least for the past year and a half or so and for much of the 19 years prior to that time. You see, I can be more gregarious online when I want to, but you are actually seeing my alter ego. This is not what I have engaged in for more than half of my life. That thing which I ritualistically prepare for by solving crossword puzzles on dictionary.com, quizzes at sporcle.com, et cetera is my true focus. None of these other things provide me with any real level of satisfaction, nor financial benefit. No, my central focus is my career, although no one really seems to fully appreciate me for my efforts. By being a workaholic, I can shut the real world out. I do not have to engage in anything more than superficial banter. I do not have to spend time developing ultimately dissatisfying relationships. I can temporarily relieve my severe depression for several hours through my work. Then when I am thoroughly exhausted, I can take a day off. My work is the real reason why I have not taken a "proper" vacation in nearly 33 consecutive years, nor have I consulted a physician in over 13 years.

Well, what do you think?

Posted by Enigmaticus on Thursday, 12/5/2019 @ 08:59am

Enig,

I'm not licensed, so I can't tell you whether or not your coping mechanisms are healthy. I will say that both religion and evolution conclude that we are supposed to be communal, social creatures. so please don't shut out the real world entirely.

As far as picking on fan bases... I'm just gonna say the fan base of Jesus seems to be fair game. And more and more lately, so is the fan base of Oprah. Or that of our current president. Though trends might be on the verge of changing, I'd say yours is still the minority opinion there. Meanwhile, I got my Personal Tastes Ranking on RHM up. Enjoy.

Posted by Philip on Thursday, 12/5/2019 @ 22:10pm

Philip,

Perhaps, I should have clarified this a bit more.

No, as far as I am concerned, an individual should never criticize an artist's fan base; it is simply not a smart move.

But please keep in mind, as far as these things are ultimately concerned, these are nothing more to me than interesting diversions. No, my focus and my raison d'etre are really quite different. They are what I have engaged in for approximately 12 hours a day, at least for the past year and a half or so and for much of the 19 years prior to that time. You see, I can be far more gregarious online when I want to, but you are actually seeing my alter ego. These activities are not what I have engaged in for more than half of my life. Those things which I ritualistically prepare for by solving crossword puzzles on dictionary.com, quizzes at sporcle.com, et cetera are my true focus. None of these other things provide me with any real level of satisfaction, nor financial benefit. No, my central focus has been my career, although no one really seems to fully appreciate me for my efforts. By being a workaholic, I can shut the real world out. I do not have to engage in anything more than superficial banter with co-workers. I do not have to spend time developing ultimately dissatisfying physical relationships. I do not have to answer my door and deal with solicitors. I can temporarily relieve my severe depression for several hours a day through my work. Then when I am thoroughly exhausted, I can attempt to sleep. Once in a while, I can actually take a day off. My work has been the real reason why I have not taken a "proper" vacation in nearly 33 consecutive years, nor have I consulted a physician in over 13 years.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/8/2019 @ 00:45am

It is now December 8, 2019, in 23 days this year will finally be over. In 24 days, "Permanent Waves" will celebrate the 40th anniversary since it's release date.

2020 will also herald the 40th anniversary since my discovery of the music of The Moody Blues and the 40th anniversary of my re-introduction to the music of Rush.

2020 will also mark for me personally:

The 33rd year since my last proper 3 day long vacation.
The 40th anniversary since my graduation from high school.
The 44th anniversary since my last fishing trip and my first and most recent visit to Disneyland.
The 46th anniversary since my last proper (4 or more day long) vacation.
The 58th anniversary of my birth.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/8/2019 @ 01:16am

I had needed to amend this list once more. Over 3 years ago, I had originally posted my 100 favorite PROG songs:

0001. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
0002. Yes: 'Awaken,' "Keys To Ascension" (1996)
0003. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
0004. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
0005. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
0006. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
0007. Yes: 'We Agree,' "Magnification" (2001)
0008. Rush: 'Available Light,' "Presto" (1989)
0009. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
0010. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
0011. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
0012. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1972)
0013. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
0014. Yes: 'Magnification' "Symphonic Live" (2009)
0015. Yes: 'Close To The Edge' "Symphonic Live" (2009)
0016. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
0017. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
0018. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
0019. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
0020. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
0021. Rush: 'Losing It,' "Signals" (1982)
0022. Rush: 'Faithless,' "Snakes & Arrows" (2007)
0023. Yes: 'Give Love Each Day,' "Magnification" (2001)
0024. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
0025. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
0026. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
0027. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
0028. Duran Duran: 'What Are The Chances?' "Paper Gods" (2015)
0029. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
0030. Supertramp: 'Fool's Overture,' "Paris" (1980)
0031. Gentle Giant: 'Free Hand,' "Free Hand" (1975)
0032. Electric Light Orchestra: 'Mr. Blue Sky,' "Out of the Blue" (1977)
0033. Kansas: 'Miracles Out Of Nowhere,' "Leftoverture" (1976)
0034. Jefferson Airplane: 'rejoyce,' "After Bathing At Baxters" (1968)
0035. Kansas: 'Dust In The Wind,' "Point of Know Return" (1977)
0036. Genesis: 'The Musical Box,' "Nursery Cryme" (1971)
0037. Peter Gabriel: 'Games Without Frontiers,' "Peter Gabriel" (1980)
0038. Emerson, Lake & Palmer: 'Take A Pebble,' "Emerson, Lake & Palmer" (1970)
0039. Genesis: 'Supper's Ready,' "Foxtrot" (1972)
0040. Rush: 'La Villa Strangiato,' "Hemispheres" (1978)
0041. Duran Duran: 'What Happens Tomorrow,' "Astronaut" (2004)
0042. Rush: 'Time & Motion,' "Test For Echo" (1996)
0043. Yes: 'In The Presence Of,' "Symphonic Live" (2009)
0044. The Moody Blues: '22,000 Days,' "Long Distance Voyager" (1981)
0045. Pink Floyd: 'Dogs,' "Animals" (1977)
0046. Jethro Tull: 'A Hunting Girl,' "Songs From The Wood" (1977)
0047. Gentle Giant: 'Wreck,' "Acquiring The Taste" (1971)
0048. Duran Duran: 'The Man Who Stole A Leopard,' "All You Need Is Now" (2010)
0049. Procol Harum: 'A Whiter Shade Of Pale,' "Procol Harum" (1967)
0050. Styx: 'Man In The Wilderness,' "The Grand Illusion" (1977)
0051. Yes: 'Roundabout,' "Fragile" (1972)
0052. Alan Parsons Project, "The Turn of A Friendly Card,' "The Turn Of A Friendly Card" (1980)
0053. Rush: 'Prime Mover,' "Hold Your Fire" (1987)
0054. Yes: 'Starship Trooper,' "The Yes Album" (1971)
0055. Pink Floyd: 'Shine On You Crazy Diamond,' "Wish You Were Here" (1975)
0056. Gentle Giant: 'Playing The Game,' "The Power and The Glory" (1974)
0057. King Crimson: 'Sleepless,' "Three of a Perfect Pair" (1984)
0058. Duran Duran: 'The Chauffeur,' "Rio" (1982)
0059. Kansas: 'The Pinnacle,' "Masque" (1975)
0060. Rush: Nobody's Hero, "Counterparts" (1993)
0061. Yes: 'And You And I,' "Symphonic Live" (2009)
0062. The Moody Blues: 'Strange Times,' "Strange Times" (1999)
0063. Pink Floyd: 'Comfortably Numb,' "The Wall" (1979)
0064. Gentle Giant: 'Nothing At All,' "Gentle Giant" (1970)
0065. Kansas: 'Closet Chronicles,' "Point Of Know Return" (1977)
0066. Yes: 'South Side Of The Sky,' "Fragile" (1972)
0067. The Moody Blues: 'Forever Afternoon (Tuesday),' "Days Of Future Passed" (1967)
0068. King Crimson: 'Starless,' "Red" (1974)
0069. Duran Duran: 'Come Undone,' "Duran Duran" (1993)
0070. Kansas: 'Magnum Opus,' "Leftoverture" (1976)
0071. Alan Parsons Project: 'Old and Wise,' "Eye In The Sky" (1982)
0072. Renaissance: 'Ashes Are Burning,' "Ashes Are Burning" (1973)
0073. Genesis: 'Squonk,' "A Trick of the Tail" (1976)
0074. Peter Gabriel: 'Here Comes The Flood," "Peter Gabriel" (1977)
0075. Emerson, Lake & Palmer: 'Tarkus,' "Tarkus" (1971)
0076. Rush: 'Red Lenses,' "Grace Under Pressure" (1984)
0077. Yes: 'Spirit Of Survival,' "Magnification" (2001)
0078. The Moody Blues: 'Candle Of Life,' "To Our Children's Children's Children" (1969)
0079. Rush: 'Bravado,' "Roll The Bones" (1991)
0080. Yes: 'Siberian Khatru,' "Keys To Ascension" (1996)
0081. The Moody Blues: 'The Voice,' "Long Distance Voyager" (1981)
0082. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
0083. Jethro Tull: 'Farm On A Freeway,' "Crest Of A Knave" (1987)
0084. Yes: 'The Remembering: High The Memory,' "Tales From Topographic Oceans" (1973)
0085. The Moody Blues: 'Blue World,' "The Present" (1983)
0086. Rush: 'Red Tide,' "Presto" (1989)
0087. Yes: 'Heart of the Sunrise,' "Fragile" (1972)
0088. The Moody Blues: 'I'm Just a Singer (In a Rock and Roll Band),' "Seventh Sojourn" (1972)
0089. Pink Floyd: 'Wish You Were Here,' "Wish You Were Here (1975)
0090. Duran Duran: 'The Universe Alone,' "Paper Gods" (2015)
0091. Talking Heads: 'I Zimbra,' "Fear Of Music" (1979)
0092. Genesis: 'Mad Man Moon,' "A Trick of the Tail" (1976)
0093. Yes: 'Yours Is No Disgrace,' "The Yes Album" (1971)
0094. Rush: 'Middletown Dreams,' "Power Windows" (1985)
0095. Yes: 'Turn Of The Century,' "Going For The One" (1977)
0096. The Moody Blues: 'The Actor,' "In Search of the Lost Chord" (1968)
0097. Renaissance: 'Trip to the Fair,' "Scheherezade and other Stories" (1975)
0098. Genesis: 'cul-de-sac,' "Duke" (1980)
0099. Peter Gabriel: 'Red Rain,' "So" (1986)
0100. Peter Gabriel: 'Shock the Monkey,' "Peter Gabriel" (1982)

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/8/2019 @ 09:13am

Ultimate Classic Rock seems to have rather unfortunately forgotten that Rush had been inducted into the Rock & Roll Hall Of Fame in 2013 and that Yes had been inducted into the Rock & Roll Hall Of Fame in 2017. Additionally, since the 21st century had started on January 1, 2001, why are these idiots celebrating the end of the 2nd decade of the 21st century, since there is still one more year to go? The third decade of the 21st century begins on January 1, 2021 not on January 1, 2020! I know it must be difficult for some individuals to realize that the 20th century had ended on December 31, 2000 since 20 X 100 = 2000, (the reason why the previous century had been referred to as the 20th century, duh!) not 1999, or was simple basic math, not their forte?

Posted by Enigmaticus on Sunday, 12/22/2019 @ 12:14pm

Ultimate Classic Rock seems to have rather unfortunately forgotten that Rush had been inducted into the Rock & Roll Hall Of Fame in 2013 and that Yes had been inducted into the Rock & Roll Hall Of Fame in 2017. Additionally, since the 21st century had started on January 1, 2001, why are these idiots celebrating the end of the 2nd decade of the 21st century, since there is still one more year to go? The third decade of the 21st century begins on January 1, 2021 not on January 1, 2020! I know it must be difficult for some individuals to realize that the 20th century had ended on December 31, 2000, since 20 X 100 = 2000, (the reason why the previous century had been referred to as the 20th century, duh!) not 1999, or was simple basic math, not their forte?

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/22/2019 @ 12:20pm

I must admit that my overall input to this site during the past year has been far less frequent than in any year since. My co-workers sometimes joke with me about my living at work and sleeping at my house. That is probably true. In order to earn the kind of money that I have needed, in order to afford my more lavish lifestyle, I have averaged working approximately more than 10 hours per workday during the past year. Will this continue in 2020? Well, it does seem like a likely scenario. The advantage to working more hours is certainly a greater income, overall. So, what does this mean for my overall contributions to this site? It is highly likely that I will be here even less frequently. 2019 had been a very busy year for me.

Now, let's see how well "prog" has fared since that famous article, "Why the Rock Hall Says: No Rush for you!" Had been written by Tony Sclafani on March 30, 2009.

Originally, this paragraph had stated the following with my comments notwithstanding:

' The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but (Rush, Yes, the Moody Blues- aka "the holy trinity of prog"), Jethro Tull, the Electric Light Orchestra, Genesis, Emerson, Lake and Palmer and Soft Machine have not. Beyond Pink Floyd, the closest the Hall gets to prog is Queen (who flirted with the genre) and Police drummer Stuart Copeland, who played in Curved Air.'

At the present time, it would read this way:

'The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but Jethro Tull, Emerson, Lake and Palmer and Soft Machine have not.'

As far as I am concerned, there has definitely been a great deal of progress since then and I think that Jann Wenner has deserved a great deal of credit for making this become a reality. Unfortunately, there is still much more to do. The new Rock Hall Chairman, John Sykes will need to continue to ensure that prog acts are not ignored. Unfortunately, 2020 may be as dreadful as 2015 had been, due to the absence of any major prog artists on the ballot.

Well, what do you think?

Posted by Enigmaticus on Thursday, 12/26/2019 @ 07:26am

I must admit that my overall input to this site during the past year has been far less frequent than in any year since. My co-workers sometimes joke with me about my living at work and sleeping at my house. That is probably true. In order to earn the kind of money that I have needed, in order to afford my more lavish lifestyle, I have averaged working approximately more than 10 hours per workday during the past year. Will this continue in 2020? Well, it does seem like a likely scenario. The advantage to working more hours is certainly a greater income, overall. So, what does this mean for my overall contributions to this site? It is highly likely that I will be here even less frequently. 2019 had been a very busy year for me.

Now, let's see how well "prog" has fared since that famous article, "Why the Rock Hall Says: No Rush for you!" had been written by Tony Sclafani on March 30, 2009 for TODAY.com.

Originally, this paragraph had stated the following with my comments notwithstanding:

' The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but (Rush, Yes, the Moody Blues- aka "the holy trinity of prog"), Jethro Tull, the Electric Light Orchestra, Genesis, Emerson, Lake and Palmer and Soft Machine have not. Beyond Pink Floyd, the closest the Hall gets to prog is Queen (who flirted with the genre) and Police drummer Stuart Copeland, who played in Curved Air.'

At the present time, it would read this way:

'The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but Jethro Tull, Emerson, Lake and Palmer and Soft Machine have not.'

As far as I am concerned, there has definitely been a great deal of progress since then and I think that Jann Wenner has deserved a great deal of credit for making this become a reality. Unfortunately, there is still much more to do. The new Rock Hall Chairman, John Sykes will need to continue to ensure that prog acts are not ignored. Unfortunately, 2020 may be as dreadful as 2015 had been, due to the absence of any major prog artists on the ballot. However, if Duran Duran, Jethro Tull, Procol Harum and perhaps even King Crimson happen to receive a nomination later next year, then this decade which had started on January 1, 2011 and will end on December 31, 2020 will definitely be considered to be a great decade for "prog."

Well, what do you think?

Posted by Enigmaticus on Thursday, 12/26/2019 @ 07:36am

Happy New Year everyone,

Today is January 1, 2020. The palindromic date for this year is on Sunday, February 2, 2020, or in other words, "Groundhog Day," it is the day prior to my 58th birthday. Lately, I have been watching "Ratatouille" on BluRay and have playing Gusteau's Gourmet Game and as of a few hours ago, I had finally completed it, with a win. Otherwise, I have been playing various games on Sporcle.com, doing the daily crossword puzzles on dictionary.com. Anything to ensure that my mind remains razor sharp for the next several decades at least.

Since it is now 2020, I will not announce that this is the first day of the third decade of the 21st century. I will always always disagree and contradict those individuals in the entertainment industry who have perpetuated the incorrect idea that the previous century had begun on January 1, 1900, instead of on January 1, 1901 when it had really begun. Therefore the third millennium C.E. and in particular- the 21st century C.E. had begun on January 1, 2001 and will end on December 31, 2100.

In approximately 2 weeks, we should know the inductees of the Rock & Roll Hall Of Fame Class of 2020. Although, it calls for some speculation, these are the artists who I think (at the present time) will be awarded his honor:

01. Pat Benatar/Neil Giraldo
02. Doobie Brothers
03. Whitney Houston
04. Dave Matthews Band
05. Depeche Mode
06. Motörhead

If 7, either Judas Priest, or Thin Lizzy.

If given an award for Musical Excellence- Todd Rundgren

If considered as an early influence- Kraftwerk.

For those of you who appreciate the music of Rush and progressive rock, in particular- today is the 40th anniversary of the release of Permanent Waves.

For me, personally, in reference to the the world of "prog."

In August, I will celebrate what will be the 40th anniversary of my discovery of the music of The Moody Blues.

In October, I will celebrate my re-introduction to the music of Rush, via "Hemispheres."

In December, I will celebrate the 40th anniversary of my first Rush studio album purchase- "A Farewell To Kings."

Well, what do you think?

Posted by Enigmaticus on Wednesday, 01/1/2020 @ 04:21am

Happy New Year everyone,

Today is January 1, 2020. The palindromic date for this year is on Sunday, February 2, 2020, or in other words, "Groundhog Day," it is the day prior to my 58th birthday. Lately, I have been watching "Ratatouille" on BluRay and have been playing Gusteau's Gourmet Game and as of a few hours ago, I had finally completed it, with a win. Otherwise, I have been playing various games on Sporcle.com, doing the daily crossword puzzles on dictionary.com. Anything to ensure that my mind remains razor sharp for the next several decades at least.

Since it is now 2020, I will not announce that this is the first day of the third decade of the 21st century. I will always always disagree and contradict those individuals in the entertainment industry who have perpetuated the incorrect idea that the previous century had begun on January 1, 1900, instead of on January 1, 1901 when it had really begun. Therefore the third millennium C.E. and in particular- the 21st century C.E. had begun on January 1, 2001 and will end on December 31, 2100.

In approximately 2 weeks, we should know the inductees of the Rock & Roll Hall Of Fame Class of 2020. Although, it calls for some speculation, these are the artists who I think (at the present time) will be awarded his honor:

01. Pat Benatar/Neil Giraldo
02. Doobie Brothers
03. Whitney Houston
04. Dave Matthews Band
05. Depeche Mode
06. Motörhead

If 7, either Judas Priest, or Thin Lizzy.

If given an award for Musical Excellence- Todd Rundgren

If considered as an early influence- Kraftwerk.

For those of you who appreciate the music of Rush and progressive rock, in particular- today is the 40th anniversary of the release of Permanent Waves.

For me, personally, in reference to the the world of "prog."

In August, I will celebrate what will be the 40th anniversary of my discovery of the music of The Moody Blues.

In October, I will celebrate my re-introduction to the music of Rush, via "Hemispheres."

In December, I will celebrate the 40th anniversary of my first Rush studio album purchase- "A Farewell To Kings."

Well, what do you think?

Posted by Enigmaticus on Wednesday, 01/1/2020 @ 04:24am

While we have been waiting for the list of 2020 Rock & Roll Hall Of Fame inductees to be revealed, I thought that it would be cool to repost my list of my 100 favorite PROG songs:

0001. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
0002. Yes: 'Awaken,' "Keys To Ascension" (1996)
0003. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
0004. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
0005. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
0006. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
0007. Yes: 'We Agree,' "Magnification" (2001)
0008. Rush: 'Available Light,' "Presto" (1989)
0009. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
0010. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
0011. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
0012. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1972)
0013. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
0014. Yes: 'Magnification' "Symphonic Live" (2009)
0015. Yes: 'Close To The Edge' "Symphonic Live" (2009)
0016. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
0017. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
0018. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
0019. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
0020. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
0021. Rush: 'Losing It,' "Signals" (1982)
0022. Rush: 'Faithless,' "Snakes & Arrows" (2007)
0023. Yes: 'Give Love Each Day,' "Magnification" (2001)
0024. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
0025. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
0026. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
0027. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
0028. Duran Duran: 'What Are The Chances?' "Paper Gods" (2015)
0029. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
0030. Supertramp: 'Fool's Overture,' "Paris" (1980)
0031. Gentle Giant: 'Free Hand,' "Free Hand" (1975)
0032. Electric Light Orchestra: 'Mr. Blue Sky,' "Out of the Blue" (1977)
0033. Kansas: 'Miracles Out Of Nowhere,' "Leftoverture" (1976)
0034. Jefferson Airplane: 'rejoyce,' "After Bathing At Baxters" (1968)
0035. Kansas: 'Dust In The Wind,' "Point of Know Return" (1977)
0036. Genesis: 'The Musical Box,' "Nursery Cryme" (1971)
0037. Peter Gabriel: 'Games Without Frontiers,' "Peter Gabriel" (1980)
0038. Emerson, Lake & Palmer: 'Take A Pebble,' "Emerson, Lake & Palmer" (1970)
0039. Genesis: 'Supper's Ready,' "Foxtrot" (1972)
0040. Rush: 'La Villa Strangiato,' "Hemispheres" (1978)
0041. Duran Duran: 'What Happens Tomorrow,' "Astronaut" (2004)
0042. Rush: 'Time & Motion,' "Test For Echo" (1996)
0043. Yes: 'In The Presence Of,' "Symphonic Live" (2009)
0044. The Moody Blues: '22,000 Days,' "Long Distance Voyager" (1981)
0045. Pink Floyd: 'Dogs,' "Animals" (1977)
0046. Jethro Tull: 'A Hunting Girl,' "Songs From The Wood" (1977)
0047. Gentle Giant: 'Wreck,' "Acquiring The Taste" (1971)
0048. Duran Duran: 'The Man Who Stole A Leopard,' "All You Need Is Now" (2010)
0049. Procol Harum: 'A Whiter Shade Of Pale,' "Procol Harum" (1967)
0050. Styx: 'Man In The Wilderness,' "The Grand Illusion" (1977)
0051. Yes: 'Roundabout,' "Fragile" (1972)
0052. Alan Parsons Project, "The Turn of A Friendly Card,' "The Turn Of A Friendly Card" (1980)
0053. Rush: 'Prime Mover,' "Hold Your Fire" (1987)
0054. Yes: 'Starship Trooper,' "The Yes Album" (1971)
0055. Pink Floyd: 'Shine On You Crazy Diamond,' "Wish You Were Here" (1975)
0056. Gentle Giant: 'Playing The Game,' "The Power and The Glory" (1974)
0057. King Crimson: 'Sleepless,' "Three of a Perfect Pair" (1984)
0058. Duran Duran: 'The Chauffeur,' "Rio" (1982)
0059. Kansas: 'The Pinnacle,' "Masque" (1975)
0060. Rush: Nobody's Hero, "Counterparts" (1993)
0061. Yes: 'And You And I,' "Symphonic Live" (2009)
0062. The Moody Blues: 'Strange Times,' "Strange Times" (1999)
0063. Pink Floyd: 'Comfortably Numb,' "The Wall" (1979)
0064. Gentle Giant: 'Nothing At All,' "Gentle Giant" (1970)
0065. Kansas: 'Closet Chronicles,' "Point Of Know Return" (1977)
0066. Yes: 'South Side Of The Sky,' "Fragile" (1972)
0067. The Moody Blues: 'Forever Afternoon (Tuesday),' "Days Of Future Passed" (1967)
0068. King Crimson: 'Starless,' "Red" (1974)
0069. Duran Duran: 'Come Undone,' "Duran Duran" (1993)
0070. Kansas: 'Magnum Opus,' "Leftoverture" (1976)
0071. Alan Parsons Project: 'Old and Wise,' "Eye In The Sky" (1982)
0072. Renaissance: 'Ashes Are Burning,' "Ashes Are Burning" (1973)
0073. Genesis: 'Squonk,' "A Trick of the Tail" (1976)
0074. Peter Gabriel: 'Here Comes The Flood," "Peter Gabriel" (1977)
0075. Emerson, Lake & Palmer: 'Tarkus,' "Tarkus" (1971)
0076. Rush: 'Red Lenses,' "Grace Under Pressure" (1984)
0077. Yes: 'Spirit Of Survival,' "Magnification" (2001)
0078. The Moody Blues: 'Candle Of Life,' "To Our Children's Children's Children" (1969)
0079. Rush: 'Bravado,' "Roll The Bones" (1991)
0080. Yes: 'Siberian Khatru,' "Keys To Ascension" (1996)
0081. The Moody Blues: 'The Voice,' "Long Distance Voyager" (1981)
0082. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
0083. Jethro Tull: 'Farm On A Freeway,' "Crest Of A Knave" (1987)
0084. Yes: 'The Remembering: High The Memory,' "Tales From Topographic Oceans" (1973)
0085. The Moody Blues: 'Blue World,' "The Present" (1983)
0086. Rush: 'Red Tide,' "Presto" (1989)
0087. Yes: 'Heart of the Sunrise,' "Fragile" (1972)
0088. The Moody Blues: 'I'm Just a Singer (In a Rock and Roll Band),' "Seventh Sojourn" (1972)
0089. Pink Floyd: 'Wish You Were Here,' "Wish You Were Here (1975)
0090. Duran Duran: 'The Universe Alone,' "Paper Gods" (2015)
0091. Talking Heads: 'I Zimbra,' "Fear Of Music" (1979)
0092. Genesis: 'Mad Man Moon,' "A Trick of the Tail" (1976)
0093. Yes: 'Yours Is No Disgrace,' "The Yes Album" (1971)
0094. Rush: 'Middletown Dreams,' "Power Windows" (1985)
0095. Yes: 'Turn Of The Century,' "Going For The One" (1977)
0096. The Moody Blues: 'The Actor,' "In Search of the Lost Chord" (1968)
0097. Renaissance: 'Trip to the Fair,' "Scheherezade and other Stories" (1975)
0098. Genesis: 'cul-de-sac,' "Duke" (1980)
0099. Peter Gabriel: 'Red Rain,' "So" (1986)
0100. Peter Gabriel: 'Shock the Monkey,' "Peter Gabriel" (1982)

Well, what do you think?

Posted by Enigmaticus on Friday, 01/3/2020 @ 10:14am

RIP Neil Peart

Posted by Gassman on Friday, 01/10/2020 @ 15:21pm

I am so shocked in disbelief. He was one of the greatest and most gifted drummers of all time along with Keith Moon, John Bonham, Mitch Mitchell, and Ginger Baker.

Sleep well, Neil. I'll be listening to your music to remember.

Posted by The Dude on Friday, 01/10/2020 @ 15:34pm

Even though it's been said earlier, Rest in Peace Neil Peart, 1952-2020.

Posted by Joe on Friday, 01/10/2020 @ 15:48pm

Rest in Peace Neil Peart. You may be gone but your legacy will live forever

Posted by Tom H. on Friday, 01/10/2020 @ 15:58pm

Rest in eternal peace, Neil!

Posted by Timothy Pernell on Friday, 01/10/2020 @ 16:28pm

I am almost at a loss for words. I had taken today off from work to deal with a few health issues, but something had compelled me to visit both the http://www.rushisaband.com website and the http://www.rush.com website. A few minutes later, I had heard the devastating news that Neil Peart, drummer and lyricist for progressive rock band Rush had passed away of Brain cancer at the age of 67. I had almost been in complete disbelief initially, after all Neil Peart had been the extraordinary lyricist who had helped me to appreciate the philosophical nature of Rush's songs. Not quite twenty three years ago, I had started creating my now long-archived website which had helped to served as the conduit to the petitions for the inductions of: Rush, Yes and The Moody Blues- the "holy trinity" of prog, into the Rock & Roll Hall Of Fame.

Neil Peart, thank you for nearly a lifetime of great lyrics and extraordinary music. You will certainly be missed by all those who have known you and those of us who have never met you. I hope that there really is an afterlife and that you are now in paradise with Ray Thomas, Chris Squire, Lemmy, Phil, Terry and Carl creating a new eternal prog band.

My most sincere condolences to your family and friends on your untimely passing.

Well, what do you think?

Posted by Enigmaticus on Friday, 01/10/2020 @ 17:35pm

I am almost at a loss for words. I had taken today off from work to deal with a few health issues, but something had compelled me to visit both the http://www.rushisaband.com website and the http://www.rush.com website. A few minutes later, I had heard the devastating news that Neil Peart, drummer and lyricist for progressive rock band Rush had passed away of Brain cancer at the age of 67. I had almost been in complete disbelief initially, after all Neil Peart had not only been a magnificent drummer, but Neil had also been the extraordinary lyricist who had helped me to appreciate the philosophical nature of Rush's songs. Not quite twenty three years ago, I had started creating my now long-archived website which had helped to serve as the conduit to the petitions for the inductions of: Rush, Yes and The Moody Blues- the "holy trinity" of prog, into the Rock & Roll Hall Of Fame.

Neil Peart, thank you for nearly a lifetime of great lyrics and extraordinary music. You will certainly be missed by all those who have known you and those of us who have never met you. I hope that there really is an afterlife and that you are now in paradise with Ray Thomas, Chris Squire, Lemmy, Phil, Terry Kath and Carl Wilson creating a new eternal prog band.

My most sincere condolences to your family and friends on your untimely passing. In honor of you, I will listen to 'The Garden',' 'Ordinary World' and 'Old & Wise,' three of the most important and poignant "prog" songs which deal with loss.

Well, what do you think?

Posted by Enigmaticus on Friday, 01/10/2020 @ 17:46pm

I can't believe it.. R.I.P. Neil Peart. OMG, I did not even now he was ill. Neil, you have given us so much with your intuitive, and humanity changing lyrics, and your amazing drumming and musical talents. The world will never know how much one individual can bless those who will listen, and never take any credit for it. His contributions are severely overlooked. Just a small sampling of a song I was just listening to 2 days ago.. from 2112..

Waiting for the Winds of change
To sweep the Clouds away
Waiting for the Rainbow's end
To cast it's Gold your way
Countless ways, you pass the days..

Waiting for someone to call
and Turn your world around
Looking for an Answer
To the questions you have found..
Looking for.. an open door

Oh, You don't get Something for Nothing
You Don't get Freedom for Free
You won't get Wise
With the Sleep still in your eyes
No matter what your Dreams may be..

What You own is your own Kingdom
What you do is your own Glory
What you Love is your own Power
What you Live is your own story

In your head is the answer
Let it guide you along
Let your Heart be the anchor
And the beat of your song

Oh you don't get Something for Nothing
You can't have Freedom for free..

Lyrics by Gary Lee Weinrib and Neil Elwood Peart.

Posted by Will N. on Friday, 01/10/2020 @ 22:35pm

I wonder when the last time Neil Peart voted was, if he ever did.

Posted by Follower on Saturday, 01/11/2020 @ 00:38am

I wonder when the last time Neil Peart voted was, if he ever did.

Posted by Follower on Saturday, 01/11/2020 @ 00:38am

@ Follower

If Neil voted before his death, I'm guessing he voted for Todd Rundgren, Nine Inch Nails, Thin Lizzy, Judas Priest, and Depeche Mode.

Posted by The Dude on Saturday, 01/11/2020 @ 08:05am

I read on Rush's Wikipedia site that the band was nominated for seven Grammy awards. Looking it up on the award's website, one is for the live album, "Beyond the Lighted Stage;" the other six are for instrumental songs.

I guess they don't like Geddy's voice?

https://www.grammy.com/grammys/artists/rush

Posted by Joe on Thursday, 01/16/2020 @ 01:53am

Well, even 8 days after the announcement that Neil Peart, extraordinary drummer and superlative lyricist for magnificent progressive rock band Rush had passed away from brain cancer- glioblastoma, tributes are still pouring in from various musicians around the world. The fact that Neil Peart had written some of the (deepest lyrics for a rock band) has probably been one of the motivating factors behind this outpouring of appreciation. For those of you who are interested, Sirius X-M's channel 27 - Deep Tracks will continue to play Rush songs throughout this weekend; returning to their regular programming schedule on Monday January 20, 2020- Martin Luther King Day.

Because of this recent unfortunate tragedy, Rush has been receiving a great deal of attention once again. Will there be a tribute to Neil Peart at the upcoming 2020 Rock & Roll Hall Of Fame Induction Ceremony? Will subscribers to Sirius X-M suggest that a channel is created for "progressive rock" and will the Rock & Roll Hall Of Fame Nominating Committee decide to offer more prog bands on the ballot later this year?

Well, what do you think?

Posted by Enigmaticus on Saturday, 01/18/2020 @ 12:21pm

Ten days from now, I will celebrate the 41st anniversary of my introduction to the majestic music of Rush. PROG Magazine's Issue No. 106 will feature a tribute to the late great Rush percussionist and drummer, Rush lyricist and author Neil Peart. By the way, four days ago, I had started my 59th revolution around the sun.

Well, what do you think?

Posted by Enigmaticus on Friday, 02/7/2020 @ 08:17am

Happy Birthday, Enig! Will have to check out that Prog issue.

Posted by Paul in KY on Friday, 02/7/2020 @ 11:40am

Paul in KY,

Thank you. Although it was actually 5 days ago, I may actually get to celebrate my birthday today. Unfortunately my birthday falls right in the middle of the busiest part of the Tucson Gem & Mineral show. So, only on rare occasions have I been able to go out and celebrate it. Today, it will probably be 70+ degrees outside here.

Regarding Rush, there is a great deal of new info available on the http://www.rushisaband.com website. Eddie Trunk had said something interesting yesterday about Rush, about a possible tribute to the late great Neil Peart in particular, although it may be too early yet for that to reach fruition.

Well, what do you think?

Posted by Enigmaticus on Saturday, 02/8/2020 @ 13:08pm

Today is not just Michael Jordan's 57th birthday, nor Richard Karn's 64th birthday. No, today is a much more important day for me, personally. For today is the 41st anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 23 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the "holy trinity" of prog (Rush, Yes and The Moody Blues) and of course- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, and of course, the aforementioned Kansas and Styx, among numerous others.

Of course, last month the passing of drummer, percussionist and lyricist Neil Peart had definitely put a kibosh on this celebration. I must now admit that Rush, in it's previous form, is now an entity of the past, although it is still extremely influential. Tributes to Neil Peart have still been coming in sporadically over the past month. On March 27 of this year, the 40th anniversary of "Permanent Waves" will be celebrated with a new box set.

Two weeks ago today, I had begun my 59th revolution around the sun. On Saturday, I had purchased two Le Creuset Moroccan Tagines in Cerise and Cobalt. Next month, I may purchase one Le Creuset Moroccan Tagine In Flame, which in my honest opinion is the most spectacular looking one. Of course, the purchase of the larger size Tagine is still on my mind. Tagines are extremely useful items for cooking a multitude of foods from Moroccan to Indian cuisine. Here is a link: https://www.lecreuset.com/moroccan-tagine. So, why am I mentioning this on the Rush page? Because of the instrumental "YYZ."

Posted by Enigmaticus on Monday, 02/17/2020 @ 08:10am

The unfortunate unexpected passing of Neil Peart from Glioblastoma on January 7, is still a shock to the prog community even more than a month and a half later. In 2018, Alex Lifeson had reluctantly announced that Rush had been basically done, but the announcement of Neil Peart's passing had essentially placed Rush in the no longer extant list. Unless, Geddy Lee and Alex Lifeson have permission to continue with another drummer and they can find another extraordinary lyricist; Rush will forever be etched in our memories. However, the possibility of Alex Lifeson and Geddy Lee performing at a charity concert for Cancer research has also been raised. Whether or not, it will occur later this year is speculative at best. Of course, the unfortunate passing of Neil Peart also raises the question of whether or not, any progressive rock bands will appear on the next Rock and Roll Hall of Fame Nominating Committee's ballots. Of course, the recent inductions of the "holy trinity" of prog (Rush, Yes & The Moody Blues), Roxy Music, The Zombies, Radiohead, Peter Gabriel (solo), Chicago, ELO, Deep Purple and Journey could not prog to once again receive consideration. Based upon these recent inductions, these are the artists who I think may be nominated during the next several years.

2021- Duran Duran and Jethro Tull
2022- Supertramp and Procol Harum
2023- King Crimson and Kansas
2024- Emerson Lake & Palmer & Styx
2025- Alan Parsons Project and Asia

What about Singer/Songwriters?

2021- Carole King and possibly Carly Simon
2022- Jim Croce
2023- Dan Fogelberg
2024- John Prine
2025- Harry Nilsson and possibly Warren Zevon

What about the nomination of possible "prog" adjacent artists:

2021- Sade
2022- Foreigner
2023- Boston
2024- Bad Company
2025- Phish

Well, what do you think?

Posted by Enigmaticus on Sunday, 02/23/2020 @ 06:29am

The unfortunate unexpected passing of Neil Peart from Glioblastoma on January 7, is still a shock to the prog community even more than a month and a half later. In 2018, Alex Lifeson had reluctantly announced that Rush had been basically done, but the announcement of Neil Peart's passing had essentially placed Rush in the no longer extant list. Unless, Geddy Lee and Alex Lifeson have permission to continue with another drummer and they can find another extraordinary lyricist; Rush will forever be etched in our memories. However, the possibility of Alex Lifeson and Geddy Lee performing at a charity concert for Cancer research has also been raised. Whether or not, it will occur later this year is speculative at best. Of course, the unfortunate passing of Neil Peart also raises the question of whether or not, any progressive rock bands will appear on the next Rock and Roll Hall of Fame Nominating Committee's ballots. Of course, the recent inductions of the "holy trinity" of prog (Rush, Yes & The Moody Blues), Roxy Music, The Zombies, Radiohead, Peter Gabriel (solo), Chicago, ELO, Deep Purple and Journey could help prog to once again receive consideration. Based upon these recent inductions, these are the artists who I think may be nominated during the next several years.

2021- Duran Duran and Jethro Tull
2022- Supertramp and Procol Harum
2023- King Crimson and Kansas
2024- Emerson Lake & Palmer & Styx
2025- Alan Parsons Project and Asia

What about Singer/Songwriters?

2021- Carole King and possibly Carly Simon
2022- Jim Croce
2023- Dan Fogelberg
2024- John Prine
2025- Harry Nilsson and possibly Warren Zevon

What about the nomination of possible "prog" adjacent artists:

2021- Sade
2022- Foreigner
2023- Boston
2024- Bad Company
2025- Phish

Well, what do you think?

Posted by Enigmaticus on Sunday, 02/23/2020 @ 06:32am

The unfortunate unexpected passing of Neil Peart from Glioblastoma on January 7, is still a shock to the prog community even more than a month and a half later. In 2018, Alex Lifeson had reluctantly announced that Rush had been basically done, but the announcement of Neil Peart's passing had essentially placed Rush in the no longer extant list. Unless, Geddy Lee and Alex Lifeson have permission to continue with another drummer and they can find another extraordinary lyricist; Rush will forever be etched in our memories. However, the possibility of Alex Lifeson and Geddy Lee performing at a charity concert for Cancer research has also been raised. Whether or not, it will occur later this year is speculative at best. Of course, the unfortunate passing of Neil Peart also raises the question of whether or not, any progressive rock bands will appear on the next Rock and Roll Hall of Fame Nominating Committee's ballots. Of course, the recent inductions of the "holy trinity" of prog (Rush, Yes & The Moody Blues), Roxy Music, The Zombies, Radiohead, Peter Gabriel (solo), Chicago, ELO, Deep Purple and Journey could help prog to once again receive consideration. Based upon these recent inductions, these are the artists who I think may be nominated during the next several years.

2021- Duran Duran and Jethro Tull
2022- Supertramp and Procol Harum
2023- King Crimson and Kansas
2024- Emerson Lake & Palmer & Styx
2025- Alan Parsons Project and Asia

What about Singer/Songwriters?

2021- Carole King and quite possibly Carly Simon
2022- Jim Croce
2023- Dan Fogelberg
2024- John Prine
2025- Harry Nilsson and possibly Warren Zevon

What about the nomination of possible "prog" adjacent artists:

2021- Sade
2022- Foreigner
2023- Boston
2024- XTC
2025- Phish

Well, what do you think?

Posted by Enigmaticus on Tuesday, 02/25/2020 @ 09:05am

Laissez les bon temps rouler." Yesterday had been Mardi Gras, a celebration of life.

Yesterday had also marked the termination of nearly slightly more than half of the 92nd rotation of my mother's orbit around the sun. At the age of slightly more than 91.5 she had passed away peacefully yesterday morning, while I had been driving to work. My father had only completed slightly more than 70 rotations when he had passed away nearly 17 years ago. My mother had lived a long life, but the incessant poking, prodding and trips back and forth to and from the hospital to an assisted care living facility over the past few years must have become quite tiresome. Always, the eternal optimist, I find it somehow ironic that her passing had occurred yesterday on a date of celebration for many other people. But the last week must have been exceptionally difficult on my other sibling, my older sister, who had been her primary caretaker for the past few years.

Fortunately, I had been removed from that for many years and my primary focus had been on my career. Nonetheless, I had managed to telephone her for several years, nearly once per day until she had become slightly less than responsive. I suppose that 92 would have been the asymptotic limit of her lifespan. My father's mother had also completed 91.5 rotations around the sun and even more ironically, 46 days later during the same year, my late father's orbit had been terminated as well. My father's grandmother had lived to be nearly a centenarian, passing away only a few days shy of her 99th birthday. Longevity runs in the family on both sides of it, by the way.

Why am I mentioning this? Because my mother had been the individual who had instilled in me as a child, the desire to develop many interests, beyond the norm. The reason why I have been a somewhat regular contributor to this website for nearly the past 8 years is due somewhat to her influence. Even though she had disliked much rock music, we had been allowed to listen to the music of The Carpenters when I had been a pre-teenage boy. Of course, my most recent focus has been on the induction of my favorite artists which for the most part, happen to fit into the art rock/progressive rock category. I have seen the inductions of the "holy trinity" of prog (Rush, Yes and The Moody Blues), Roxy Music, The Zombies, Radiohead, Electric Light Orchestra, Journey, Chicago, Deep Purple and of course, Peter Gabriel (as a solo artist) since I had joined this forum. However, the non-inductions of either Procol Harum, Supertramp, Jethro Tull, King Crimson, or Duran Duran have weighed heavily on my mind.

Last year, the Rock & Roll Hall Of Fame Nominating Committee had done those of us who are aficionados of progressive rock A huge disservice by almost completely ignoring "prog" as a genre. Of course, one could argue that new inductee, Nine Inch Nails, is perhaps the closest musical evolutionary link to my favorite genre, but in actuality I would have preferred to see Motörhead inducted instead, due to the late great Ian Fraser (Lemmy) Kilmister's ties to Hawkwind, a bonafide prog band.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 02/26/2020 @ 08:47am

Enig, my deepest condolences on the passing of your mother. 91.5 is a fine age to achieve. I bet she looked forward to your calls for many years.

Mine is 94 and not getting any younger. Beginning to accelerate the fading process. I miss my mom of 30 years ago.

Posted by Paul in KY on Wednesday, 02/26/2020 @ 12:14pm

Paul in KY,

Thank you. It is always difficult to lose a close family member, especially a parent. The last few years according to my sister had been very difficult for my mother, but that is all over now.

The fact that your mother has reached 94 is really quite remarkable. Congratulations!

Posted by Enigmaticus on Friday, 02/28/2020 @ 02:12am

Thank you for your kind words, Enig! Am very lucky to still have my mother around. My father is also still alive. He's 95. He has been diagnosed with senile dementia, so he's not quite as 'there' as mom is. He's still enjoying life, though.

Extreme old age is hard, as your body & mind just wear out (IMO).

Please let your sister know (if you haven't already) how much you appreciated her care for your mother. Being a caregiver is damned hard.

Posted by Paul in KY on Friday, 02/28/2020 @ 07:54am

Paul in KY,

You are very welcome. I know how hard being a caregiver is because I had taken care of my late grandmother for 5 years, from 1991 thru 1996, until she had been moved into an Assisted Care living facility. It had also been during the time when I had worked as a Rural Carrier Associate for the United States Postal Service. So either I had been delivering mail, or taking care of my late grandmother. However unlike my mother, my late grandmother had actually become mean and belligerent to myself and anyone else who had assisted her, which had been due primarily to her Dementia and possible bouts with Alzheimer's disease. .

Posted by Enigmaticus on Friday, 02/28/2020 @ 08:19am

Well, you have seen how hard it is! Alzheimers is a terrible disease. My grandmother had it (mom's mom) and we would go to visit her about once a month in the care place where she was.

Every once in awhile she would be lucid. They way we knew that was that she would be begging to die. Was so hard on my mom, seeing her like that. Me too, as my granny had been a total badass when I was growing up.

God bless you for the care you provided your Grandmother.

Posted by Paul in KY on Friday, 02/28/2020 @ 11:37am

Hopefully, the PROG Magazine issue featuring a tribute to the late great Neil Peart will be available here later this week.

Well, what do you think?

Posted by Enigmaticus on Sunday, 03/8/2020 @ 04:23am

Speaking of which, here are my 50 favorite versions of my 50 favorite Rush songs:

01. Xanadu (Exit... Stage Left, 1981)
02. Dreamline (Clockwork Angels Tour, 2013)
03. Ghost Of A Chance (Roll The Bones, 1991)
04. Available Light (Presto, 1989)
05. The Garden (Clockwork Angels Tour, 2013)
06. Mystic Rhythms (Power Windows, 1985)
07. Jacob's Ladder (Exit... Stage Left, 1981)
08. The Camera Eye (Moving Pictures, 1981)
09. Losing It (Signals, 1982)
10. Faithless (Snakes & Arrows, 2007)
11. La Villa Strangiato (Hemispheres, 1978)
12. Time & Motion (Test For Echo, 1996)
13. Prime Mover (Hold Your Fire, 1987)
14. Nobody's Hero (Counterparts, 1993)
15. Red Lenses (Grace Under Pressure, 1984)
16. Bravado (Roll The Bones, 1991)
17. Red Tide (Presto, 1989)
18. Middletown Dreams (Power Windows, 1985)
19. The Wreckers (Clockwork Angels Tour, 2013)
20. Roll The Bones (Roll The Bones, 1991)
21. Scars (Presto, 1989)
22. Manhattan Project (Power Windows, 1985)
23. Clockwork Angels (Clockwork Angels Tour, 2013)
24. Red Barchetta (Moving Pictures, 1981)
25. Natural Science (Permanent Waves, 1980)
26. Countdown (Signals, 1982)
27. Armor And Sword (Snakes & Arrows, 2007)
28. The Trees (Exit... Stage Left, 1981)
29. Closer To The Heart (Exit... Stage Left, 1981)
30. You Bet Your Life (Roll The Bones, 1991)
31. Presto (Presto, 1989)
32. Territories (Clockwork Angels Tour, 2013)
33. Where's My Thing (Clockwork Angels Tour, 2013)
34. Leave That Thing Alone (Counterparts, 1993)
35. Caravan (Clockwork Angels Tour, 2013)
36. Ghost Rider (Vapor Trails, 2002)
37. The Anarchist (Clockwork Angels Tour, 2013)
38. The Big Wheel (Roll The Bones, 1991)
39. The Pass (Presto, 1989)
40. BU2B (Clockwork Angels, 2012)
41. Limelight (Moving Pictures, 1981)
42. Different Strings (Permanent Waves, 1980)
43. Digital Man (Signals, 1982)
44. Far Cry (Snakes & Arrows Live, 2008)
45. Test For Echo (Test For Echo, 1996)
46. Second Nature (Hold Your Fire, 1987)
47. Animate (Counterparts, 1993)
48. YYZ (Exit... Stage Left, 1981)
49. Peaceable Kingdom (Vapor Trails, 2002)
50. Chemistry (Signals, 1982)

So you may be wondering, where is 'Tom Sawyer' on my list?

Well, it ranks in the 51st position.

Where is 'The Spirit Of Radio?' It is in 75th place.

Where is '2112?' It is in 109th place.

'Lessons' is in 186th place, at the very bottom of the list.

Well, what do you think?

Posted by Enigmaticus on Monday, 03/16/2020 @ 09:43am

Here are my 100 favorite Prog songs:

0001. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
0002. Yes: 'Awaken,' "Keys To Ascension" (1996)
0003. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
0004. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
0005. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
0006. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
0007. Yes: 'We Agree,' "Magnification" (2001)
0008. Rush: 'Available Light,' "Presto" (1989)
0009. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
0010. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
0011. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
0012. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1972)
0013. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
0014. Yes: 'Magnification' "Symphonic Live" (2009)
0015. Yes: 'Close To The Edge' "Symphonic Live" (2009)
0016. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
0017. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
0018. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
0019. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
0020. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
0021. Rush: 'Losing It,' "Signals" (1982)
0022. Rush: 'Faithless,' "Snakes & Arrows" (2007)
0023. Yes: 'Give Love Each Day,' "Magnification" (2001)
0024. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
0025. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
0026. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
0027. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
0028. Duran Duran: 'What Are The Chances?' "Paper Gods" (2015)
0029. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
0030. Supertramp: 'Fool's Overture,' "Paris" (1980)
0031. Gentle Giant: 'Free Hand,' "Free Hand" (1975)
0032. Electric Light Orchestra: 'Mr. Blue Sky,' "Out of the Blue" (1977)
0033. Kansas: 'Miracles Out Of Nowhere,' "Leftoverture" (1976)
0034. Jefferson Airplane: 'rejoyce,' "After Bathing At Baxters" (1968)
0035. Kansas: 'Dust In The Wind,' "Point of Know Return" (1977)
0036. Genesis: 'The Musical Box,' "Nursery Cryme" (1971)
0037. Peter Gabriel: 'Games Without Frontiers,' "Peter Gabriel" (1980)
0038. Emerson, Lake & Palmer: 'Take A Pebble,' "Emerson, Lake & Palmer" (1970)
0039. Genesis: 'Supper's Ready,' "Foxtrot" (1972)
0040. Rush: 'La Villa Strangiato,' "Hemispheres" (1978)
0041. Duran Duran: 'What Happens Tomorrow,' "Astronaut" (2004)
0042. Rush: 'Time & Motion,' "Test For Echo" (1996)
0043. Yes: 'In The Presence Of,' "Symphonic Live" (2009)
0044. The Moody Blues: '22,000 Days,' "Long Distance Voyager" (1981)
0045. Pink Floyd: 'Dogs,' "Animals" (1977)
0046. Jethro Tull: 'A Hunting Girl,' "Songs From The Wood" (1977)
0047. Gentle Giant: 'Wreck,' "Acquiring The Taste" (1971)
0048. Duran Duran: 'The Man Who Stole A Leopard,' "All You Need Is Now" (2010)
0049. Procol Harum: 'A Whiter Shade Of Pale,' "Procol Harum" (1967)
0050. Styx: 'Man In The Wilderness,' "The Grand Illusion" (1977)
0051. Yes: 'Roundabout,' "Fragile" (1972)
0052. Alan Parsons Project, "The Turn of A Friendly Card,' "The Turn Of A Friendly Card" (1980)
0053. Rush: 'Prime Mover,' "Hold Your Fire" (1987)
0054. Yes: 'Starship Trooper,' "The Yes Album" (1971)
0055. Pink Floyd: 'Shine On You Crazy Diamond,' "Wish You Were Here" (1975)
0056. Gentle Giant: 'Playing The Game,' "The Power and The Glory" (1974)
0057. King Crimson: 'Sleepless,' "Three of a Perfect Pair" (1984)
0058. Duran Duran: 'The Chauffeur,' "Rio" (1982)
0059. Kansas: 'The Pinnacle,' "Masque" (1975)
0060. Rush: Nobody's Hero, "Counterparts" (1993)
0061. Yes: 'And You And I,' "Symphonic Live" (2009)
0062. The Moody Blues: 'Strange Times,' "Strange Times" (1999)
0063. Pink Floyd: 'Comfortably Numb,' "The Wall" (1979)
0064. Gentle Giant: 'Nothing At All,' "Gentle Giant" (1970)
0065. Kansas: 'Closet Chronicles,' "Point Of Know Return" (1977)
0066. Yes: 'South Side Of The Sky,' "Fragile" (1972)
0067. The Moody Blues: 'Forever Afternoon (Tuesday),' "Days Of Future Passed" (1967)
0068. King Crimson: 'Starless,' "Red" (1974)
0069. Duran Duran: 'Come Undone,' "Duran Duran" (1993)
0070. Kansas: 'Magnum Opus,' "Leftoverture" (1976)
0071. Alan Parsons Project: 'Old and Wise,' "Eye In The Sky" (1982)
0072. Renaissance: 'Ashes Are Burning,' "Ashes Are Burning" (1973)
0073. Genesis: 'Squonk,' "A Trick of the Tail" (1976)
0074. Peter Gabriel: 'Here Comes The Flood," "Peter Gabriel" (1977)
0075. Emerson, Lake & Palmer: 'Tarkus,' "Tarkus" (1971)
0076. Rush: 'Red Lenses,' "Grace Under Pressure" (1984)
0077. Yes: 'Spirit Of Survival,' "Magnification" (2001)
0078. The Moody Blues: 'Candle Of Life,' "To Our Children's Children's Children" (1969)
0079. Rush: 'Bravado,' "Roll The Bones" (1991)
0080. Yes: 'Siberian Khatru,' "Keys To Ascension" (1996)
0081. The Moody Blues: 'The Voice,' "Long Distance Voyager" (1981)
0082. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
0083. Jethro Tull: 'Farm On A Freeway,' "Crest Of A Knave" (1987)
0084. Yes: 'The Remembering: High The Memory,' "Tales From Topographic Oceans" (1973)
0085. The Moody Blues: 'Blue World,' "The Present" (1983)
0086. Rush: 'Red Tide,' "Presto" (1989)
0087. Yes: 'Heart of the Sunrise,' "Fragile" (1972)
0088. The Moody Blues: 'I'm Just a Singer (In a Rock and Roll Band),' "Seventh Sojourn" (1972)
0089. Pink Floyd: 'Wish You Were Here,' "Wish You Were Here (1975)
0090. Duran Duran: 'The Universe Alone,' "Paper Gods" (2015)
0091. Talking Heads: 'I Zimbra,' "Fear Of Music" (1979)
0092. Genesis: 'Mad Man Moon,' "A Trick of the Tail" (1976)
0093. Yes: 'Yours Is No Disgrace,' "The Yes Album" (1971)
0094. Rush: 'Middletown Dreams,' "Power Windows" (1985)
0095. Yes: 'Turn Of The Century,' "Going For The One" (1977)
0096. The Moody Blues: 'The Actor,' "In Search of the Lost Chord" (1968)
0097. Renaissance: 'Trip to the Fair,' "Scheherezade and other Stories" (1975)
0098. Genesis: 'cul-de-sac,' "Duke" (1980)
0099. Peter Gabriel: 'Red Rain,' "So" (1986)
0100. Peter Gabriel: 'Shock the Monkey,' "Peter Gabriel" (1982)

Well, what do you think?

Posted by Enigmaticus on Monday, 03/16/2020 @ 09:55am

Once again, here are my favorite Rush recordings, which are not compilations:

To put it in a nutshell, very simply and concisely, "I am not a fan of screaming, nor screeching vocals," that is why I detest AC/DC so strongly and why I have ranked the Rush studio and live albums, accordingly. Once again, here is that list of Rush's studio and live recordings from least favorite to most favorite:

30. Rush (1974) (**)
29. Fly By Night (1975) (**1/2)
28. All The World's A Stage (1976) (**1/2)

27. Feedback (2004) (***)

26. 2112 (1976) (*** 1/2)
25. Caress Of Steel (1975) (***1/2)
24. Rush in Rio (2003) (*** 1/2)

23. Grace Under Pressure (1984) (****)
22. Vapor Trails (2002) (****)
21. A Show Of Hands (1989) (****)

20. A Farewell To Kings (1977) (**** 1/2)
19. Counterparts (1993) (**** 1/2)
18. Hold Your Fire (1987) (**** 1/2)
17. Time Machine 2011: Live In Cleveland (2011) (**** 1/2)

16. Test For Echo (1996) (*****)
15. Hemispheres (1978) (*****)
14. Different Stages (1998) (*****)
13. Snakes & Arrows (2007) (*****)
12. Signals (1982) (*****)
11. Snakes & Arrows Live (2008) (*****)
10. Permanent Waves (1980) (*****)
09. Moving Pictures (1981) (*****)
08. R30: 30th Anniversary Tour (2005) (*****)
07. Clockwork Angels (2012) (*****)
06. Power Windows (1985) (*****)

05. R40 Live (2015) (*****)
04. Presto (1989) (***** +)
03. Roll The Bones (1991) (***** +)
02. Clockwork Angels Tour (2013) (***** ++)
01. Exit... Stage Left (1981) (***** +++)

Well, what do you think?

Posted by Enigmaticus on Sunday, 03/22/2020 @ 18:15pm

A few weeks ago, I had made the trip over to a Barnes & Noble bookstore to pick up several copies of Issue #106 of PROG Magazine, which had included the tribute to extraordinary former Rush drummer and lyricist, Neil Peart. Unfortunately, due to COVID-19, I had been unable to purchase several copies of PROG Magazine Issue #107 which covers Yes. As many of you are well-aware, Yes and Rush are my co-favorite bands musically, with only the third member of the "holy trinity" of prog, The Moody Blues being slightly behind the other two. Of course, I had been a huge supporter of each of the members of the "holy trinity" of prog's (Rush, Yes and The Moody Blues) inductions into the Rock and Roll Hall Of Fame. The inductees list for 2019 had been much better than 2020 with the induction of three "prog" bands (The Zombies, Roxy Music and Radiohead), The Cure and of course second time inductee Stevie Nicks.

Unfortunately, the nomination list for 2020 had not included any major "prog" artists and rather unfortunately, the 2020 inductee's list in my honest opinion had been severely lacking, with only Doobie Brothers, Depeche Mode, T. Rex and the late great singer Whitney Houston making up the best inductee choices. I personally have nothing personal against Trent Reznor, or Nine Inch Nails, their music simply does not resonate with me. As far as the other inductee on this list is concerned, I can only shrug my shoulders in confusion as to why it had been so hugely important for the Rock Hall to induct an alleged criminal and the potential murderer of a previous inductee. Instead, Pat Benatar and Neil Giraldo should have been inducted.

Posted by Enigmaticus on Sunday, 04/5/2020 @ 07:32am

Over 11 years ago, the article "Why The Rock Hall says: No Rush For You," by Tony Sclafani had outlined the abhorrent snubbing of the progressive rock genre by the tastemakers in the Rock & Roll Hall Of Fame. Originally, one excerpt from this particular article had read:

The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but Rush, Yes, the Moody Blues, Jethro Tull, the Electric Light Orchestra, Genesis, Emerson, Lake and Palmer and Soft Machine have not. Beyond Pink Floyd, the closest the Hall gets to prog is Queen (who flirted with the genre) and Police drummer Stuart Copeland, who played in Curved Air.

However, in recent years, we have seen the inductions of the "holy trinity" of prog (Rush, Yes and The Moody Blues), Genesis and the Electric Light Orchestra, therefore the paragraph looks like this now:

The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but Jethro Tull, Emerson, Lake and Palmer and Soft Machine have not.

That, ladies and gentlemen is a huge accomplishment for the Rock & Roll Hall Of Fame.

Of course, we should not forget that Kansas, Styx, Supertramp, King Crimson and Duran Duran have not yet been inducted, either.

Well, what do you think?

Posted by Enigmaticus on Monday, 04/13/2020 @ 10:14am

By the way, the most recent issue of Classic Rock Magazine celebrates the 40th anniversary of the release of "Permanent Waves." Also, included is an album by album guide and an official Laptop Starman decal.

Well, what do you think?

Posted by Enigmaticus on Monday, 04/13/2020 @ 21:55pm

Today is the 64th anniversary of my late parent's wedding anniversary. Today is also the 94th anniversary of the birth of Queen Elizabeth II. I had often wondered why my late parents, acknowledged Anglophiles had decided to get married on the Queen's birthday. In two days, I will return to my hometown to attend my late mother's memorial service.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 04/21/2020 @ 09:44am

Today is the 64th anniversary of my late parent's wedding anniversary. Today is also the 94th anniversary of the birth of Queen Elizabeth II. I had often wondered while growing up, the reason why my late parents, (long acknowledged Anglophiles) had decided to get married on the Queen's birthday. In two days, I will return to my hometown, in order to attend my late mother's memorial service.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 04/21/2020 @ 09:48am

Today is the 64th anniversary of my late parent's wedding anniversary. Today is also the 94th anniversary of the birth of Queen Elizabeth II. I had often wondered while growing up, the reason why my late parents, (long acknowledged Anglophiles) had decided to get married on the Queen's birthday. In three more days, I will return to my hometown, in order to attend my late mother's memorial service.

So, why do I mention this, on the Rush page?

Well, what do you think?

Posted by Enigmaticus on Tuesday, 04/21/2020 @ 09:54am

Enig, bast of luck on travel to your mother's memorial service. Stay safe! She would want you to.

Posted by Paul in KY on Tuesday, 04/21/2020 @ 11:16am

Paul in KY,

Thank you. The trip to my hometown had been somewhat bittersweet. The drive south and eastward from my house, through Sonoita and into Sierra Vista, Az. was relative calm and peaceful. When I had left my house, it was 88 degrees outside, when I had arrived at the cemetery it was 86 degrees outside and when I had left Sierra Vista, it was well over 90 degrees outside and still not even the hottest time of the day. I imagine that it will be close to 100 degrees at both my house and my late parent's former house in Sierra Vista later this afternoon.

Although, I had first been introduced to the music of Rush at ZIP's record store in Tucson, Arizona more than 41 years ago, it was during the early summer of 1981 when I had first heard the music of Yes in my hometown of Sierra Vista, Arizona. As far as I had been concerned, the song 'Roundabout' from "Fragile" had been the song which had first hooked me on the music of Yes. From my perspective, Yes and Rush had a great deal in common. I had never thought of Rush as being a hard rock band, either. I had been appalled to discover that certain revisionist trolls on the Internet, masquerading as a legitimate website, have attempted to dismiss Rush's progressive legacy which I find totally and utterly incomprehensible, completely unforgivable and inexcusably and demonstrably ignorant and dangerous to "prog" in general. To deny that Rush is a major "prog" band is akin to saying that the sun is not a star and that the earth is flat. Such antiquated concepts need to be immediately dismissed for the greater good of mankind and the evolution of the human race. Misinformed miscreants aside, it had been encouraging to see the embracing of "prog" by the younger generations. It gives us hope that "prog" will continue onwards into the future. With the "holy trinity" of prog (Rush, Yes and The Moody Blues) already having been inducted into the Rock & Roll Hall Of Fame, the door has now opened widely for such great artists as: Duran Duran, Jethro Tull and King Crimson to also be inducted into the Rock & Roll Hall Of Fame. I am relieved to announce that Fuse's 2012 list of biggest Rock Hall snubs is no longer a thing. In case you were wondering their list had included: Kiss (2014), T. Rex (2020), Chicago (2016), Rush (2013) and Hall & Oates (2014). Of course, on at least one major site, Duran Duran tops the list of Rock Hall snubs, as did The Moody Blues and Rush before them.

Posted by Enigmaticus on Sunday, 04/26/2020 @ 07:08am

My SUV is at the Firestone Complete Service Center in the city where I reside; therefore, I am not going to work today. Instead, I will have the rare opportunity to post on this website. Today is only the 4th day of paid time off which I have taken this year. I had taken a day off in February to have my taxes prepared. I had taken a day off in May to have my battery replaced, I head taken off a day, due to exhaustion and I had taken today off, in order to have my coolant system repaired. Hopefully, I will be able to return to work tomorrow.

But, since this is the Rush webpage, I will let you know what's going on in their world.

This past Friday had marked the release of the 40th anniversary box set edition of "Permanent Waves." In case you are wondering, this particular Super Deluxe Vinyl set is available for $179.98 at Amazon.com. Alex Lifeson has not been playing his guitar very frequently, since the untimely passing of Neil Peart earlier this year. Geddy is still apparently doing other things.

Although, I had first been introduced to the music of Rush at ZIP's record store in Tucson, Arizona more than 41 years ago, it was during the early summer of 1981 when I had first heard the music of Yes in my hometown of Sierra Vista, Arizona. As far as I had been concerned, the song 'Roundabout' from "Fragile" had been the song which had first hooked me on the music of Yes. From my perspective, Yes and Rush had a great deal in common. I had never thought of Rush as being a hard rock band, either. I had been appalled to discover that certain revisionist trolls on the Internet, masquerading as a legitimate website, have attempted to dismiss Rush's progressive legacy which I find totally and utterly incomprehensible, completely unforgivable and inexcusably and demonstrably ignorant and dangerous to "prog" in general. To deny that Rush is a major "prog" band is akin to saying that the sun is not a star and that the earth is flat. Such antiquated concepts need to be immediately dismissed for the greater good of mankind and the evolution of the human race. Misinformed miscreants aside, it had been encouraging to see the embracing of "prog" by the younger generations. It gives us hope that "prog" will continue onwards into the future. With the "holy trinity" of prog (Rush, Yes and The Moody Blues) already having been inducted into the Rock & Roll Hall Of Fame, the door has now opened widely for such great artists as: Duran Duran, Jethro Tull and King Crimson to also be inducted into the Rock & Roll Hall Of Fame. I am relieved to announce that Fuse's 2012 list of biggest Rock Hall snubs is no longer a thing. In case you were wondering their list had included: Kiss (2014), T. Rex (2020), Chicago (2016), Rush (2013) and Hall & Oates (2014). Of course, on at least one major site, Duran Duran tops the list of Rock Hall snubs, as did The Moody Blues and Rush before them.

Well, what do you think?

Posted by Enigmaticus on Monday, 06/1/2020 @ 13:49pm

Today, I have been combing through my comments on this particular webpage since March, 2013. I had been looking specifically for these two:

Prior to Rush's induction into the Rock & Roll Hall Of Fame in 2013, there were very few progressive rock artists that had been inducted into the Rock Hall. Certainly, there were: Pink Floyd, Jefferson Airplane, Talking Heads, Traffic, and of course- Genesis. However, whether directly, or indirectly, Rush's induction was a catalyst for things to come. Before you knew it, a campaign for Yes' induction had emerged. Also, a new documentary had been released on Kansas. Chicago, Blue Oyster Cult and Duran Duran had declared themselves to be "prog" bands.

The unfortunate unexpected passing of Neil Peart from Glioblastoma on January 7, is still a shock to the prog community even more than a month and a half later. In 2018, Alex Lifeson had reluctantly announced that Rush had been basically done, but the announcement of Neil Peart's passing had essentially placed Rush in the no longer extant list. Unless, Geddy Lee and Alex Lifeson have permission to continue with another drummer and they can find another extraordinary lyricist; Rush will forever be etched in our memories. However, the possibility of Alex Lifeson and Geddy Lee performing at a charity concert for Cancer research has also been raised. Whether or not, it will occur later this year is speculative at best. Of course, the unfortunate passing of Neil Peart also raises the question of whether or not, any progressive rock bands will appear on the next Rock and Roll Hall of Fame Nominating Committee's ballots. Of course, the recent inductions of the "holy trinity" of prog (Rush, Yes & The Moody Blues), Roxy Music, The Zombies, Radiohead, Peter Gabriel (solo), Chicago, E.L.O., Deep Purple and Journey could help prog to once again receive consideration. Based upon these recent inductions, these are the artists who I think may be nominated during the next several years.

2021- Duran Duran and Jethro Tull
2022- Supertramp and Procol Harum
2023- King Crimson and Kansas
2024- Emerson Lake & Palmer & Styx
2025- Alan Parsons Project and Asia

What about Singer/Songwriters?

2021- Carole King and quite possibly Carly Simon, maybe even John Prine due to his recent passing
2022- Jim Croce
2023- Dan Fogelberg
2024- Warren Zevon
2025- Harry Nilsson

What about the nomination of possible "prog" adjacent artists:

2021- Sade
2022- Foreigner
2023- Boston
2024- XTC
2025- Phish

Well, what do you think?

Posted by Enigmaticus on Tuesday, 06/2/2020 @ 10:40am

I had just wanted to mention that there is an animated video of 'The Spirit Of Radio' from the 40th anniversary of "Permanent Waves," which you might want to check out. Also, former Rush producer Rupert Hine had passed away on June 4. I would like to extend my most sincere condolences to the family and friends of Rupert Hine on his passing. As many of you are well aware, my two favorite Rush studio albums: "Presto" (1989) and "Roll The Bones" (1991) had been co-produced by Rupert Hine and Rush.

Well, what do you think?

Posted by Enigmaticus on Saturday, 06/13/2020 @ 05:30am

A month ago today, I had attempted to start my car and it had been basically dead. Only the 12 V cigarette lighter had been operational. My SUV had previously had an overheating issue and that had been attended to during the previous week. So after 2 days of driving to work, I had gone outside, in order to start my car, but to no avail. Since, I had recently replaced the battery I had inferred that the battery had not been the issue. No, unfortunately the brains of my SUV had given out. On Monday morning, I had arranged for my SUV to be towed to a trusted car repair facility, which I had dealt with many years before- a place which could run a thorough diagnostic evaluation on my vehicle.

With only one car payment left, I had decided yesterday that the nearly $5K repair price tag had been an acceptable cost, in order to resurrect my SUV. For nearly an entire month, I have been without my SUV and have had to arrange Lyfts, in order to get back and forth to and from work. I have also had to order various deliveries groceries and deliveries of food from my favorite restaurant. During the previous weekend, I had ordered a Lyft, in order to be able to pick up items from a certain seafood restaurant. During this past several weeks, I have met 3 Lyft drivers who had been aficionados of progressive rock. Yesterday, when picking up my vehicle at the repair center, I had introduced a younger technician to the music of Rush and had re-introduced the owner of the establishment to the music of Rush and to Duran Duran's newer music. Days like these for me are always the best days and yesterday had been no exception. I had spent quite a lot of money yesterday, buying groceries, buying 18 copies of PROG Magazine issue #107 and having the freedom to drive around, instead of being stuck at home, during the weekends. In all, I had a relative lull at work during the past month, so I had taken off several days in order to take care of issues at home, I had also watched the first season of Billions on BluRay and nearly 4 seasons of Billions in HD on demand (why aren't the other seasons available on BluRay?) and had watched all three seasons of the Borgias in HD on demand. Why am I mentioning this on the Rush webpage, because the show Billions sometimes mentions Rush in their plot episodes.

Well, what do you think?

Posted by Enigmaticus on Saturday, 07/4/2020 @ 13:58pm

According to a recent readers poll of Classic Rock Magazine, Rush now ranks third after Led Zeppelin and The Who as the greatest rock band of all time. In another poll by What Culture.com, Rush ranks third behind Genesis and Pink Floyd as the greatest prog band of all time. Then of course, there is the readers poll from Rolling Stone Magazine from July 11, 2011 which ranks Rush as the greatest progressive rock band of all time.

Well, what do you think?

Posted by Enigmaticus on Sunday, 08/9/2020 @ 12:17pm

According to a recent readers poll of Classic Rock Magazine, Rush now ranks third after Led Zeppelin and Queen as the greatest rock band of all time. In another poll by What Culture.com, Rush ranks third behind Genesis and Pink Floyd as the greatest prog band of all time. Then of course, there is the readers poll from Rolling Stone Magazine from July 11, 2011 which ranks Rush as the greatest progressive rock band of all time.

Well, what do you think?

Posted by Enigmaticus on Sunday, 08/9/2020 @ 22:11pm

The "holy trinity" of prog (Rush, Yes and The Moody Blues) have 2 entries apiece on the list of 20 greatest prog albums on Sirius X-M's Deep Tracks. Thursday had marked the 29th anniversary of the release of "Roll The Bones."

Well, what do you think?

Posted by Enigmaticus on Saturday, 09/5/2020 @ 05:15am

Today is not only the 38th anniversary of my discovery of the music of Duran Duran, but also the 38th anniversary of the release of "Signals" (my 7th favorite Rush studio recording).

Posted by Enigmaticus on Wednesday, 09/9/2020 @ 09:49am

Today is not only the 37th anniversary of my discovery of the music of Duran Duran, but also the 38th anniversary of the release of "Signals" (my 7th favorite Rush studio recording).

Well, what do you think?

Posted by Enigmaticus on Wednesday, 09/9/2020 @ 09:56am

Enig,
Very Cool.. I love "Signals", a great transitional LP into 80's music with more synths and keyboards. Also really like the follow up record, "Grace Under Pressure", which I would consider as a companion piece..

Posted by Will N. on Wednesday, 09/9/2020 @ 11:03am

Very cool Will N.,

"Signals" in my opinion, had been the last Superlative Rush studio album that I had listened to, before I had enlisted in the U.S. Navy.

Today is the 24th anniversary of the release of "Test For Echo" (my 10th favorite Rush studio album). One week ago, "Roll The Bones" (my favorite Rush studio album) had celebrated it's 29th anniversary. On October 14th, "Power Windows" (my third favorite Rush studio album) will turn 35. On November 20, "R40 Live" will turn 5 years old.

Next year, several very important anniversaries of Rush albums will occur: "Moving Pictures" will celebrate it's 40th anniversary on February 12, 2021. "Exit.. Stage Left" will turn 40 on October 29, 2021. "Roll The Bones" will turn 30 on September 3, 2021. "Test For Echo" will turn 25 on September 10, 2021. Will 4 different box sets come out next year, or only 2? at this point, it's anybody's guess.

Well, what do you think?

Posted by Enigmaticus on Thursday, 09/10/2020 @ 05:59am

Yesterday would have been late drummer, percussionist, lyricist and author Neil Peart's 68th birthday. Unfortunately, Neil had succumbed to Glioblastoma on January 7 of this year. In honor of Neil Peart, the 20th annual Modern Drummer Festival had aired yesterday evening. In case you are interested, you can still purchase tickets at the livexlive website.

Yesterday had also been the 31st anniversary of my E.A.O.S. from the U.S. Navy.

Next month, will mark the 32nd anniversary of my air safari in Kenya and my two trips to the Tamarind Restaurant in Mombasa during that 5 day period. .

Next month will also mark the 39th anniversary of the release of "Exit... Stage Left," the 42nd anniversary of the release of "Hemispheres" and the 35th anniversary of the release of "Power Windows."

Next month, will also mark the 40th anniversary of my re-introduction to the music of Rush and the 40th anniversary of my introduction to the music of Pink Floyd, ( rather ironically), while majoring in Architecture at the U of A.

Prior to Rush's induction into the Rock & Roll Hall Of Fame in 2013, there were very few progressive rock artists that had been inducted into the Rock Hall. Certainly, there were: Pink Floyd, Jefferson Airplane, Talking Heads, Traffic, and of course- Genesis. However, whether directly, or indirectly, Rush's induction was a catalyst for things to come. Before you knew it, a campaign for Yes' induction had emerged. Also, a new documentary had been released on Kansas. Chicago, Blue Oyster Cult and Duran Duran had declared themselves to be "prog" bands.

The unfortunate unexpected passing of Neil Peart from Glioblastoma on January 7, is still a shock to the prog community even more than eight months later. In 2018, Alex Lifeson had reluctantly announced that Rush had been basically done, but the announcement of Neil Peart's passing had essentially placed Rush in the no longer extant list. Unless, Geddy Lee and Alex Lifeson have permission to continue with another drummer and they can find another extraordinary lyricist; Rush will forever be etched in our memories. However, the possibility of Alex Lifeson and Geddy Lee performing at a charity concert for Cancer research has also been raised. Whether or not, it will occur later next year is speculative at best. Of course, the unfortunate passing of Neil Peart also raises the question of whether or not, any progressive rock bands will appear on the next Rock and Roll Hall of Fame Nominating Committee's ballots. Of course, the recent inductions of the "holy trinity" of prog (Rush, Yes & The Moody Blues), Roxy Music, The Zombies, Radiohead, Peter Gabriel (solo), Chicago, E.L.O., Deep Purple and Journey could help prog to once again receive consideration. Based upon these recent inductions, these are the artists who I think may be nominated during the next several years.

2021- Duran Duran and Jethro Tull
2022- Supertramp and Procol Harum
2023- King Crimson and Kraftwerk
2024- Kansas & Styx

What about Singer/Songwriters?

2021- Carole King and quite possibly Carly Simon, maybe even John Prine due to his recent passing
2022- Jim Croce
2023- Dan Fogelberg
2024- Warren Zevon
2025- Harry Nilsson

What about the nomination of possible "prog" adjacent artists:

2021- Sade
2022- Foreigner
2023- Boston
2024- XTC
2025- Phish

Well, what do you think?

Posted by Enigmaticus on Sunday, 09/13/2020 @ 07:48am

5 to 10 in 2270.

A question had been asked earlier this week, as to whose music from this time will still be revered 200- 250 years from now? The answer that had been given had been The Beatles and Bob Dylan. Although, I agree that the music of The Beatles will probably be appreciated two centuries from now, I do not believe that they will be alone. Based upon the fact that older generations of fans have turned on their children to other bands and that their children have developed an appreciation for the said bands, I will offer the following list: The Beatles, the holy trinity of prog (Rush, Yes and The Moody Blues) and of course, Duran Duran. Bob Dylan will be remembered for his poetic contributions; the music of the aforementioned bands will still be played several centuries from now, proving that music truly is a continuum. Other possible artists that may still be appreciated and revered in 2270, include: Electric Light Orchestra, Sade, Genesis, Jethro Tull and King Crimson.

Well, what do you think?

Posted by Enigmaticus on Friday, 09/18/2020 @ 21:31pm

Although I am not absolutely certain, October 18, 1980 does (at this time) seem to be the date when I had been re-introduced to the majestic music of Rush and introduced to the music of Pink Floyd.

I will have a great deal to write about Rush next month. In the interim time, stay tuned.

Well, what do you think?

Posted by Enigmaticus on Thursday, 09/24/2020 @ 01:31am

The "holy trinity" of prog (Rush, Yes and The Moody Blues) have been paid somewhat of a disservice by the critics at Rolling Stone Magazine in their most recently updated list of 500 Greatest Albums (big surprise there?), since Rush ("Moving Pictures" at #379) & Yes ("Close To The Edge" at # 445) only have one entry apiece. Unfortunately, neither The Moody Blues, nor Duran Duran had made this list. However, I am completely convinced that hundreds of years, perhaps even thousands of years from now, artists like: Rush, Yes, The Moody Blues, Duran Duran and perhaps The Beatles will still be revered, have their lyrical content and music still appreciated and listened to, whereas many of the music critics' favorite musical stalwarts will all long be forgotten.

At least, the prog community still appreciates the "holy trinity" since (Rush, Yes and The Moody Blues) have several of their members acknowledged in PROG Magazine issue 113: The Greatest Prog Musicians Of All Time. I highly recommend checking this issue out!

Well, what do you think?

Posted by Enigmaticus on Saturday, 09/26/2020 @ 06:25am

The "holy trinity" of prog (Rush, Yes and The Moody Blues) have been paid somewhat of a disservice by the critics at Rolling Stone Magazine in their most recently updated list of 500 Greatest Albums (big surprise there?), since Rush ("Moving Pictures" at #379) & Yes ("Close To The Edge" at # 445) only have one entry apiece. Unfortunately, neither The Moody Blues, nor Duran Duran had a single entry on this list. However, I am completely convinced that hundreds of years, perhaps even thousands of years from now, artists like: Rush, Yes, The Moody Blues, Duran Duran and perhaps The Beatles will still be revered, have their lyrical content and music appreciated and still be listened to, whereas many of the music critics' favorite musical stalwarts will all long be forgotten.

At least, the prog community still appreciates the "holy trinity" since (Rush, Yes and The Moody Blues) have several of their members acknowledged in PROG Magazine issue 113: The Greatest Prog Musicians Of All Time. I highly recommend checking this issue out!

Well, what do you think?

Posted by Enigmaticus on Saturday, 09/26/2020 @ 06:30am

Enigmaticus,

What critical favorites do you think will be forgotten?

Posted by RG on Saturday, 09/26/2020 @ 11:42am

RG,

Unfortunately that list is rather lengthy. It is highly dependent upon just how much time an artist has endured, how timeless their music is and of course, how long of a time a particular act has a spotlight placed on them. The shorter the time in the spotlight; the less memorable the act. If generations of people have already forgotten who you are, then it is more likely that your legacy will not be remembered. In fact, critically praised darlings by their very nature do not endure. Of course, there are certainly exceptions to the rule: Talking Heads, R.E.M., Roxy Music, King Crimson and Sade being amongst the acts who may endure. But as far as hard punk rock acts or overplayed heavy metal acts are concerned, probably not.

Well, what do you think?

Posted by Enigmaticus on Saturday, 09/26/2020 @ 13:45pm

The belated recognition of various "prog" artists.

As many of you are well-aware, I have been a huge supporter of the induction of multiple major "prog" artists into the Rock & Roll Hall Of Fame. Over the past several years, the Rock Hall has nominated and inducted the "holy trinity" of prog (Rush, Yes & The Moody Blues), Genesis, Peter Gabriel (as a solo artist) and of course, Pink Floyd. Of course, there are still several major "prog" artists which have still not yet been inducted: Jethro Tull, King Crimson, Emerson Lake & Palmer, Kansas and Styx ( to name but a few). Of course, the attitude towards non-British "prog" bands had still been quite abominable that is at least, until the most recent poll by readers of PROG Magazine had come out quite recently, acknowledging that out of the 10 greatest prog musicians, 3 of them are from the same non-British band: Rush.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 09/30/2020 @ 05:14am

The belated recognition of various "prog" artists.

As many of you are well-aware, I have been a huge supporter of the multiple inductions of major "prog" artists into the Rock & Roll Hall Of Fame. Over the past several years, the Rock Hall has nominated and inducted the "holy trinity" of prog (Rush, Yes & The Moody Blues), Electric Light Orchestra, Genesis, Peter Gabriel (as a solo artist) and of course, Pink Floyd. Of course, there are still several major "prog" artists which have still not yet been inducted: Jethro Tull, Procol Harum, Supertramp, Duran Duran, King Crimson, Emerson Lake & Palmer, Gentle Giant, Renaissance, Kansas and Styx (to name but a few).

However, next year may mark the inductions of both Duran Duran and Jethro Tull, thus adding to the "prog" voting bloc.

Of course, the attitude towards non-British "prog" bands had still been quite abominable. That is at least, until the most recent poll by readers of PROG Magazine had come out quite recently, hereby acknowledging that out of the 10 greatest prog musicians, 3 of them are from the same non-British band: Rush.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 09/30/2020 @ 05:55am

Today is October 3, 2020. Later this month, possibly on October 18- will mark the 40th anniversary of my re-introduction to the music of Rush via "Hemispheres." Tomorrow will mark the 8th anniversary of the nomination of Rush into the Rock & Roll Hall Of Fame. October 14 will mark the 35th anniversary of the release of "Power Windows," which is third on my list of favorite Rush studio recordings. On October 29, 2020- "Hemispheres" (my 9th favorite Rush studio album) will turn 42 and "Exit... Stage Left," my favorite Rush live recording, my favorite Rush recording and my favorite "prog" album overall will celebrate it's 39th anniversary.

In a recent poll, readers of PROG Magazine had chosen their 100 favorite prog musicians of all time and the members of Rush had appropriately been awarded with 3 places in the top 10.

Speaking of which, here are my 50 favorite versions of my 50 favorite Rush songs:

01. Xanadu (Exit... Stage Left, 1981)
02. Dreamline (Clockwork Angels Tour, 2013)
03. Ghost Of A Chance (Roll The Bones, 1991)
04. Available Light (Presto, 1989)
05. The Garden (Clockwork Angels Tour, 2013)
06. Mystic Rhythms (Power Windows, 1985)
07. Jacob's Ladder (Exit... Stage Left, 1981)
08. The Camera Eye (Moving Pictures, 1981)
09. Losing It (Signals, 1982)
10. Faithless (Snakes & Arrows, 2007)
11. La Villa Strangiato (Hemispheres, 1978)
12. Time & Motion (Test For Echo, 1996)
13. Prime Mover (Hold Your Fire, 1987)
14. Nobody's Hero (Counterparts, 1993)
15. Red Lenses (Grace Under Pressure, 1984)
16. Bravado (Roll The Bones, 1991)
17. Red Tide (Presto, 1989)
18. Middletown Dreams (Power Windows, 1985)
19. The Wreckers (Clockwork Angels Tour, 2013)
20. Roll The Bones (Roll The Bones, 1991)
21. Scars (Presto, 1989)
22. Manhattan Project (Power Windows, 1985)
23. Clockwork Angels (Clockwork Angels Tour, 2013)
24. Red Barchetta (Moving Pictures, 1981)
25. Natural Science (Permanent Waves, 1980)
26. Countdown (Signals, 1982)
27. Armor And Sword (Snakes & Arrows, 2007)
28. The Trees (Exit... Stage Left, 1981)
29. Closer To The Heart (Exit... Stage Left, 1981)
30. You Bet Your Life (Roll The Bones, 1991)
31. Presto (Presto, 1989)
32. Territories (Clockwork Angels Tour, 2013)
33. Where's My Thing (Clockwork Angels Tour, 2013)
34. Leave That Thing Alone (Counterparts, 1993)
35. Caravan (Clockwork Angels Tour, 2013)
36. Ghost Rider (Vapor Trails, 2002)
37. The Anarchist (Clockwork Angels Tour, 2013)
38. The Big Wheel (Roll The Bones, 1991)
39. The Pass (Presto, 1989)
40. BU2B (Clockwork Angels, 2012)
41. Limelight (Moving Pictures, 1981)
42. Different Strings (Permanent Waves, 1980)
43. Digital Man (Signals, 1982)
44. Far Cry (Snakes & Arrows Live, 2008)
45. Test For Echo (Test For Echo, 1996)
46. Second Nature (Hold Your Fire, 1987)
47. Animate (Counterparts, 1993)
48. YYZ (Exit... Stage Left, 1981)
49. Peaceable Kingdom (Vapor Trails, 2002)
50. Chemistry (Signals, 1982)

So you may be wondering, where is 'Tom Sawyer' on my list?

Well, it ranks in the 51st position.

Where is 'The Spirit Of Radio?' It is in 75th place.

Where is '2112?' It is in 109th place.

'Lessons' is in 186th place, at the very bottom of the list.

And my list of favorite Rush albums (non-compilations) from least favorite to most favorite:

30. Rush (1974) (**)
29. Fly By Night (1975) (**1/2)
28. All The World's A Stage (1976) (**1/2)

27. Feedback (2004) (***)

26. 2112 (1976) (*** 1/2)
25. Caress Of Steel (1975) (***1/2)
24. Rush in Rio (2003) (*** 1/2)

23. Grace Under Pressure (1984) (****)
22. Vapor Trails (2002) (****)
21. A Show Of Hands (1989) (****)

20. A Farewell To Kings (1977) (**** 1/2)
19. Counterparts (1993) (**** 1/2)
18. Hold Your Fire (1987) (**** 1/2)
17. Time Machine 2011: Live In Cleveland (2011) (**** 1/2)

16. Test For Echo (1996) (*****)
15. Hemispheres (1978) (*****)
14. Different Stages (1998) (*****)
13. Snakes & Arrows (2007) (*****)
12. Signals (1982) (*****)
11. Snakes & Arrows Live (2008) (*****)
10. Permanent Waves (1980) (*****)
09. Moving Pictures (1981) (*****)
08. R30: 30th Anniversary Tour (2005) (*****)
07. Clockwork Angels (2012) (*****)
06. Power Windows (1985) (*****)

05. R40 Live (2015) (*****)
04. Presto (1989) (***** +)
03. Roll The Bones (1991) (***** +)
02. Clockwork Angels Tour (2013) (***** ++)
01. Exit... Stage Left (1981) (***** +++)

According to a recent readers poll of Classic Rock Magazine, Rush now ranks third after Led Zeppelin and Queen as the greatest rock band of all time. In another poll by What Culture.com, Rush ranks third behind Genesis and Pink Floyd as the greatest prog band of all time. Then of course, there is the reader's poll from Rolling Stone Magazine from July 11, 2011 which ranks Rush as the greatest progressive rock band of all time.

The "holy trinity" of prog (Rush, Yes and The Moody Blues) have 2 entries apiece on the list of 20 greatest prog albums on Sirius X-M's Deep Tracks.

The "holy trinity" of prog (Rush, Yes and The Moody Blues) have been paid somewhat of a disservice by the critics at Rolling Stone Magazine in their most recently updated list of 500 Greatest Albums (big surprise there?), since Rush ("Moving Pictures" at #379) & Yes ("Close To The Edge" at # 445) only have one entry apiece. Unfortunately, neither The Moody Blues, nor Duran Duran had a single entry on this list. However, I am completely convinced that hundreds of years, perhaps even thousands of years from now, artists like: Rush, Yes, The Moody Blues, Duran Duran and perhaps The Beatles will still be revered, have their lyrical content and music appreciated and still be listened to, whereas many of the music critics' favorite musical stalwarts will all long be forgotten.

At least, the prog community still appreciates the "holy trinity" since (Rush, Yes and The Moody Blues) have several of their members acknowledged in PROG Magazine issue 113: The Greatest Prog Musicians Of All Time. I highly recommend checking this issue out!

This month will also mark:

The 32nd anniversary of my air safari in Kenya and my two trips to the Tamarind Restaurant in Mombasa during that 5 day period.

the 40th anniversary of my introduction to the music of Pink Floyd, ( rather ironically), while majoring in Architecture at the U of A.

Prior to Rush's induction into the Rock & Roll Hall Of Fame in 2013, there were very few progressive rock artists that had been inducted into the Rock Hall. Certainly, there were: Pink Floyd, Jefferson Airplane, Talking Heads, Traffic, and of course- Genesis. However, whether directly, or indirectly, Rush's induction was a catalyst for things to come. Before you knew it, a campaign for Yes' induction had emerged. Also, a new documentary had been released on Kansas. Chicago, Blue Oyster Cult and Duran Duran had declared themselves to be "prog" bands.

The unfortunate unexpected passing of Neil Peart from Glioblastoma on January 7, is still a shock to the prog community even almost nine months later. In 2018, Alex Lifeson had reluctantly announced that Rush had been basically done, but the announcement of Neil Peart's passing had essentially placed Rush in the no longer extant list. Unless, Geddy Lee and Alex Lifeson have permission to continue with another drummer and they can find another extraordinary lyricist; Rush will forever be etched in our memories. However, the possibility of Alex Lifeson and Geddy Lee performing at a charity concert for Cancer research has also been raised. Whether or not, it will occur later next year is speculative at best. Of course, the unfortunate passing of Neil Peart also raises the question of whether or not, any progressive rock bands will appear on the next Rock and Roll Hall of Fame Nominating Committee's ballots. Of course, the recent inductions of the "holy trinity" of prog (Rush, Yes & The Moody Blues), Roxy Music, The Zombies, Radiohead, Peter Gabriel (solo), Chicago, E.L.O., Deep Purple and Journey could help prog to once again receive consideration. Based upon these recent inductions, these are the artists who I think may be nominated during the next several years.

2021- Duran Duran and Jethro Tull
2022- Supertramp and Procol Harum
2023- King Crimson and Kraftwerk
2024- Kansas & Styx

What about Singer/Songwriters?

2021- Carole King and quite possibly Carly Simon, maybe even John Prine due to his recent passing
2022- Jim Croce
2023- Dan Fogelberg
2024- Warren Zevon
2025- Harry Nilsson

What about the nomination of possible "prog" adjacent artists:

2021- Sade
2022- Foreigner
2023- Boston
2024- XTC
2025- Phish

Well, what do you think?

Posted by Enigmaticus on Saturday, 10/3/2020 @ 09:25am

Enig.
I was just scoping out your most recent favorite Rush tunes rankings and I think it is very cool that you favor newer Rush songs, 80's and 90's Rush, and you seem to exclude most all of the popular cuts that Joe Average Public all know, some you mention, but their better known "hits". Or those that do receive some airplay. However some hard core Rush fans would probably consider it blasphemous that you would have "2112" at 106th or whatever. Also the exclusion of "Working Man" which was the signature song for Rush, up until "The Spirit of Radio" became a hit.
For me I happen to favor the debut "Rush" album, because it was the first one I had heard, and being Hard Rock teenagers at the time, we jammed on it for about a year, until purchasing the "2112" album, and then the "All the World's A Stage" Live LP. I did not listen to "Caress Of Steel" or "Fly By Night" until a few years later, but my Top 10 or 20 Rush songs would differ quite a bit from yours as I tend to be into the first 10 or 15 years of material that Rush recorded. Besides "2112", "Working Man", "La Villa Strangiato"(you mention), and "Losing It"(One of my Favorites). I will just give you about 20 tunes that I think are great, that you excluded. And they are probably no doubt some of my favorites..

1. - The Weapon - (Signals)
2. - Circumstances - (Hemispheres)
3. - The Enemy Within - (Grace Under Pressure)
4. - Something For Nothing - (2112)
5. - In The End(Live) - (All the World's A Stage)
6. - The Body Electric - (Grace Under Pressure)
7. - Chemistry - (Signals)
8. - Entre Nous - (Permanent Waves)
9. - Finding My Way - (Rush)
10.- Vital Signs - (Moving Pictures)
11.- Bastille Day(Live) - (All the World's a Stage)
12.- Freewill - (Permanent Waves)
13.- Afterimage - (Grace Under Pressure)
14.- Anthem(Live) - (All the World's a Stage)
15.- Cygnus X-1 Book II - Hemispheres - (Hemispheres)
16.- The Necromancer - (Caress Of Steel)
17.- What Your Doing - (Rush)
18.- By-Tor and The Snow Dog(Live) - (All the World's a Stage)
19.- Cold Fire - (Counterparts)
20.- Earthshine - (Vapor Trails)

Normally I would have Ghost Of a Chance, Mystic Rhythms, The Trees, Closer To the Heart, and a few others in my Top listings but I chose to include some of those that were not mentioned in your favorite ratings..

Posted by Will N. on Saturday, 10/3/2020 @ 22:13pm

Will N.,

Here is my complete list of Rush songs and their rankings:

Speaking of "Exit... Stage Left," my favorite song from that masterpiece is 'Xanadu.'

Therefore, here are my favorite Rush songs (from most favorite to least favorite)

01. Xanadu (Exit... Stage Left)
02. Dreamline (Clockwork Angels Tour)
03. Ghost Of A Chance (Roll The Bones)
04. Available Light (Presto)
05. The Garden (Clockwork Angels Tour)
06. Mystic Rhythms (Power Windows)
07. Jacob's Ladder (Exit... Stage Left)
08. The Camera Eye (Moving Pictures)
09. Losing It (Signals)
10. Faithless (Snakes And Arrows)
11. Time & Motion (Test For Echo)
12. La Villa Strangiato (Hemispheres)
13. Prime Mover (Hold Your Fire)
14. Nobody's Hero (Counterparts)
15. Red Lenses (Grace Under Pressure)
16. Bravado (Roll The Bones)
17. Red Tide (Presto)
18. Middletown Dreams (Power Windows)
19. The Wreckers (Clockwork Angels Tour)
20. Roll The Bones (Roll The Bones)
21. Scars (Presto)
22. Manhattan Project (Power Windows)
23. Clockwork Angels (Clockwork Angels Tour)
24. Red Barchetta (Exit... Stage Left)
25. Natural Science (Permanent Waves)
26. Countdown (Signals)
27. Armor And Sword (Snakes And Arrows)
28. The Trees (Exit... Stage Left)
29. Closer To The Heart (Exit... Stage Left)
30. You Bet Your Life (Roll The Bones)
31. Presto (Presto)
32. Territories (Clockwork Angels Tour)
33. Where's My Thing (Clockwork Angels Tour)
34. Leave That Thing Alone (Counterparts)
35. Caravan (Clockwork Angels Tour)
36. Ghost Rider (Vapor Trails)
37. The Anarchist (Clockwork Angels Tour)
38. The Big Wheel (Roll The Bones)
39. The Pass (Presto)
40. BU2B (Clockwork Angels)
41. Limelight (Moving Pictures)
42. Different Strings (Permanent Waves)
43. Digital Man (Signals)
44. Far Cry (Snakes And Arrows Live)
45. Test For Echo (Test For Echo)
46. Second Nature (Hold Your Fire)
47. Animate (Counterparts)
48. YYZ (Exit... Stage Left)
49. Peaceable Kingdom (Vapor Trails)
50. Chemistry (Signals)

051. Tom Sawyer (Exit... Stage Left)
052. Red Sector A (Clockwork Angels Tour)
053. Heresy (Roll The Bones)
054. Anagram For (Mongo) (Presto)
055. Grand Designs (Power Windows)
056. Carnies (Clockwork Angels Tour)
057. Vital Signs (Moving Pictures)
058. Chain Lightning (Presto)
059. Subdivisions (Signals)
060. The Way The Wind Blows (Snakes And Arrows)
061. Marathon (Power Windows)
062. Totem (Test For Echo)
063. Bastille Day (Caress Of Steel)
064. Between The Wheels (Grace Under Pressure)
065. Vapor Trail (Vapor Trails)
066. Tears (2112)
067. Fly By Night (Fly By Night)
068. Working Man (Rush)
069. Freewill (Exit... Stage Left)
070. Seven Cities Of Gold (Clockwork Angels Tour)
071. Neurotica (Roll The Bones)
072. Entre Nous (Permanent Waves)
073. Cygnus X-1 Book II (Hemispheres) (Hemispheres)
074. Halo Effect (Clockwork Angels Tour)
075. The Spirit Of Radio (Exit... Stage Left)
076. New World Man (Signals)
077. The Larger Bowl (A Pantoum) (Snakes And Arrows)
078. Face Up (Roll The Bones)
079. Resist (Test For Echo)
080. Cut To The Chase (Counterparts)
081. R30 Overture (R30)
082. High Water (Hold Your Fire)
083. Afterimage (Grace Under Pressure)
084. Circumstances (Hemispheres)
085. Show Don't Tell (Presto)
086. The Big Money (Power Windows)
087. The Analog Kid (Signals)
088. The Main Monkey Business (Snakes And Arrows)
089. The Color Of Right (Test For Echo)
090. Open Secrets (Hold Your Fire)
091. Cold Fire (Counterparts)
092. A Passage To Bangkok (2112)
093. Making Memories (Fly By Night)
094. Here Again (Rush)
095. Hand Over Fist (Presto)
096. Emotion Detector (Power Windows)
097. Headlong Flight (Clockwork Angels)
098. The Weapon (Signals)
099. Good News First (Snakes And Arrows)
100. Half The World (Test For Echo)

101. War Paint (Presto)
102. BU2B2 (Clockwork Angels)
103. Workin' Them Angels (Snakes And Arrows)
104. Carve Away The Stone (Test For Echo)
105. Time Stand Still (Hold Your Fire)
106. Double Agent (Counterparts)
107. Distant Early Warning (Grace Under Pressure)
108. Ceiling Unlimited (Vapor Trails)
109. 2112 (2112)
110. Driven (Test For Echo)
111. Tai Shan (Hold Your Fire)
112. Out Of The Cradle (Vapor Trails)
113. Superconductor (Presto)
114. Hope (Snakes And Arrows)
115. Dog Years (Test For Echo)
116. Turn The Page (Hold Your Fire)
117. Madrigal (A Farewell To Kings)
118. Everyday Glory (Counterparts)
119. We Hold On (Snakes And Arrows)
120. Force Ten (Hold Your Fire)
121. Limbo (Test For Echo)
122. Between Sun & Moon (Counterparts)
123. Secret Touch (Vapor Trails)
124. Malignant Narcissism (Snakes And Arrows)
125. The Fountain Of Lamneth (Caress Of Steel)
126. The Twilight Zone (2112)
127. Cinderella Man (A Farewell To Kings)
128. The Stars Look Down (Vapor Trails)
129. The Speed Of Love (Counterparts)
130. Kid Gloves (Grace Under Pressure)
131. How It is (Vapor Trails)
132. Lock And Key (Hold Your Fire)
133. Sweet Miracle (Vapor Trails)
134. Mission (Hold Your Fire)
135. Witch Hunt (Moving Pictures)
136. Earthshine (Vapor Trails)
137. Lakeside Park (Caress Of Steel)
138. Broon's Bane (Exit... Stage Left)
139. Peke's Repose (Clockwork Angels Tour)
140. Wish Them Well (Clockwork Angels Tour)
141. The Enemy Within (Grace Under Pressure)
142. Cygnus X-1 (A Farewell To Kings)
143. Nocturne (Vapor Trails)
144. Freeze (Vapor Trails)
145. By-Tor & The Snow Dog (Fly By Night)
146. Best I Can (Fly By Night)
147. Before and After (Rush)
148. The Necromancer (Caress Of Steel)
149. O'Malley's Break (Time Machine 2011)
150. Moto Perpetuo/Love For Sale (Time Machine 2011)

151. The Percussor (R30)
152. O Baterista (Rush In Rio)
153. Der Trommler (R30)
154. Something For Nothing (2112)
155. The Body Electric (Grace Under Pressure)
156. Anthem (Fly By Night)
157. The Story So Far (R40 Live)
158. A Farewell To Kings (A Farewell To Kings)
159. Finding My Way (Rush)
160. In The End (Fly By Night)
161. Take A Friend (Rush)
162. Garden Road (Rush ABC 74)
163. In The Mood (Rush)
164. What You're Doing (Rush)
165. Need Some Love (Rush)
166. Beneath, Between & Behind (Exit... Stage Left)
167. Fancy Dancer (Rush ABC 74)
168. For What It's Worth (Feedback)
169. Heart Full Of Soul (Feedback)
170. The Seeker (Feedback)
171. Mr. Soul (Feedback)
172. Shapes Of Things (Feedback)
173. Seven and Seven Is (Feedback)
174. Crossroads (Feedback)
175. Summertime Blues (Feedback)
176. I Think I'm Going Bald (Caress Of Steel)
177. One Little Victory (Vapor Trails)
178. De Slagwerker (Snakes & Arrows Live)
179. Bad Boy (Rush ABC 74)
180. Not Fade Away (single)
181. Spindrift (Snakes And Arrows)
182. You Can't Fight It (single b-side)
183. Virtuality (Test For Echo)
184. Rivendell (Fly By Night)
185. Stick It Out (Counterparts)
186. Lessons (2112)

(Please note that songs #168-175 & 179-180 are Rush's covers of other artists.)

Posted by Enigmaticus on Sunday, 10/4/2020 @ 14:16pm

Will N.,

I had left work yesterday at a much earlier time than I had planned on. I had felt compelled to watch a portion of the most recent Rush documentary: "Rush: Time Stand Still" on BluRay yesterday evening. For the previous week and a half, I had been watching snippets of the documentary, "Chicago: Now More Than Ever."

Just in case you were interested,

here is my complete list of Rush songs, their rankings and their ratings:

(*****)

01. Xanadu (Exit... Stage Left, 1981)
02. Dreamline (Clockwork Angels Tour, 2013)
03. Ghost Of A Chance (Roll The Bones, 1991)
04. Available Light (Presto, 1989)
05. The Garden (Clockwork Angels Tour, 2013)
06. Mystic Rhythms (Power Windows, 1985)
07. Jacob's Ladder (Exit... Stage Left, 1981)
08. The Camera Eye (Moving Pictures, 1981)
09. Losing It (Signals, 1982)
10. Faithless (Snakes And Arrows, 2007)
11. Time & Motion (Test For Echo, 1996)
12. La Villa Strangiato (Hemispheres, 1978)
13. Prime Mover (Hold Your Fire, 1987)
14. Nobody's Hero (Counterparts, 1993)
15. Red Lenses (Grace Under Pressure, 1984)
16. Bravado (Roll The Bones, 1991)
17. Red Tide (Presto, 1989)
18. Middletown Dreams (Power Windows, 1985)
19. The Wreckers (Clockwork Angels Tour, 2013)
20. Roll The Bones (Roll The Bones, 1991)
21. Scars (Presto, 1989)
22. Manhattan Project (Power Windows, 1985)
23. Clockwork Angels (Clockwork Angels Tour, 2013)
24. Red Barchetta (Exit... Stage Left, 1981)
25. Natural Science (Permanent Waves, 1980)
26. Countdown (Signals, 1982)
27. Armor And Sword (Snakes And Arrows, 2007)
28. The Trees (Exit... Stage Left, 1981)
29. Closer To The Heart (Exit... Stage Left, 1981)
30. You Bet Your Life (Roll The Bones, 1991)
31. Presto (Presto, 1989)
32. Territories (Clockwork Angels Tour, 2013)
33. Where's My Thing (Clockwork Angels Tour, 2013)
34. Leave That Thing Alone (Counterparts, 1993)
35. Caravan (Clockwork Angels Tour, 2013)
36. Ghost Rider (Vapor Trails, 2002)
37. The Anarchist (Clockwork Angels Tour, 2013)
38. The Big Wheel (Roll The Bones, 1991)
39. The Pass (Presto, 1989)
40. BU2B (Clockwork Angels, 2012)
41. Limelight (Moving Pictures, 1981)
42. Different Strings (Permanent Waves, 1980)
43. Digital Man (Signals, 1982)
44. Far Cry (Snakes And Arrows Live, 2008)
45. Test For Echo (Test For Echo, 1996)
46. Second Nature (Hold Your Fire, 1987)
47. Animate (Counterparts, 1993)
48. YYZ (Exit... Stage Left, 1981)
49. Peaceable Kingdom (Vapor Trails, 2002)
50. Chemistry (Signals, 1982)
051. Tom Sawyer (Exit... Stage Left, 1981)
052. Red Sector A (Clockwork Angels Tour, 2013)
053. Heresy (Roll The Bones, 1991)
054. Anagram For (Mongo) (Presto, 1989)
055. Grand Designs (Power Windows, 1985)
056. Carnies (Clockwork Angels Tour, 2013)
057. Vital Signs (Moving Pictures, 1981)
058. Chain Lightning (Presto, 1989)
059. Subdivisions (Signals, 1982)
060. The Way The Wind Blows (Snakes And Arrows, 2007)
061. Marathon (Power Windows, 1985)
062. Totem (Test For Echo, 1996)
063. Bastille Day (Caress Of Steel, 1975)
064. Between The Wheels (Grace Under Pressure, 1984)
065. Vapor Trail (Vapor Trails, 2002)
066. Tears (2112, 1976)
067. Fly By Night (Fly By Night, 1975)
068. Working Man (Rush, 1974)
069. Freewill (Exit... Stage Left, 1981)
070. Seven Cities Of Gold (Clockwork Angels Tour, 2013)
071. Neurotica (Roll The Bones, 1991)
072. Entre Nous (Permanent Waves, 1980)
073. Cygnus X-1 Book II (Hemispheres) (Hemispheres, 1978)
074. Halo Effect (Clockwork Angels Tour, 2013)
075. The Spirit Of Radio (Exit... Stage Left, 1981)

(**** 1/2)

076. New World Man (Signals, 1982)
077. The Larger Bowl (A Pantoum) (Snakes And Arrows, 2007)
078. Face Up (Roll The Bones, 1991)
079. Resist (Test For Echo, 1996)
080. Cut To The Chase (Counterparts, 1993)
081. R30 Overture (R30, 2005 )
082. High Water (Hold Your Fire, 1987)
083. Afterimage (Grace Under Pressure, 1984)
084. Circumstances (Hemispheres, 1978)
085. Show Don't Tell (Presto, 1989)
086. The Big Money (Power Windows, 1985)
087. The Analog Kid (Signals, 1982)
088. The Main Monkey Business (Snakes And Arrows, 2007)
089. The Color Of Right (Test For Echo, 1996)
090. Open Secrets (Hold Your Fire, 1987)
091. Cold Fire (Counterparts, 1993)
092. A Passage To Bangkok (2112, 1976)
093. Making Memories (Fly By Night, 1975)
094. Here Again (Rush, 1974)
095. Hand Over Fist (Presto, 1989)
096. Emotion Detector (Power Windows, 1985)
097. Headlong Flight (Clockwork Angels, 2012)
098. The Weapon (Signals, 1982)
099. Good News First (Snakes And Arrows, 2007)
100. Half The World (Test For Echo, 1996)

(****)
101. War Paint (Presto, 1989)
102. BU2B2 (Clockwork Angels, 2012)
103. Workin' Them Angels (Snakes And Arrows, 2007)
104. Carve Away The Stone (Test For Echo, 1996)
105. Time Stand Still (Hold Your Fire, 1987)
106. Double Agent (Counterparts, 1993)
107. Distant Early Warning (Grace Under Pressure, 1984)
108. Ceiling Unlimited (Vapor Trails, 2002)
109. 2112 (2112, 1976)
110. Driven (Test For Echo, 1996)
111. Tai Shan (Hold Your Fire, 1987)
112. Out Of The Cradle (Vapor Trails, 2002)
113. Superconductor (Presto, 1989)
114. Hope (Snakes And Arrows, 2007)
115. Dog Years (Test For Echo, 1996)
116. Turn The Page (Hold Your Fire, 1987)
117. Madrigal (A Farewell To Kings, 1977)
118. Everyday Glory (Counterparts, 1993)
119. We Hold On (Snakes And Arrows, 2007)
120. Force Ten (Hold Your Fire, 1987)
121. Limbo (Test For Echo, 1996)
122. Between Sun & Moon (Counterparts, 1993)
123. Secret Touch (Vapor Trails, 2002)
124. Malignant Narcissism (Snakes And Arrows, 2007)
125. The Fountain Of Lamneth (Caress Of Steel, 1975)
126. The Twilight Zone (2112, 1976)
127. Cinderella Man (A Farewell To Kings, 1977)
128. The Stars Look Down (Vapor Trails, 2002)
129. The Speed Of Love (Counterparts, 1993)
130. Kid Gloves (Grace Under Pressure, 1984)
131. How It is (Vapor Trails, 2002)
132. Lock And Key (Hold Your Fire, 1987)
133. Sweet Miracle (Vapor Trails, 2002)
134. Mission (Hold Your Fire, 1987)
135. Witch Hunt (Moving Pictures, 1981)
136. Earthshine (Vapor Trails, 2002)
137. Lakeside Park (Caress Of Steel, 1975)
138. Broon's Bane (Exit... Stage Left, 1981)
139. Peke's Repose (Clockwork Angels Tour, 2013)
140. Wish Them Well (Clockwork Angels Tour, 2013)
141. The Enemy Within (Grace Under Pressure, 1984)
142. Cygnus X-1 (A Farewell To Kings, 1977)
143. Nocturne (Vapor Trails, 2002)
144. Freeze (Vapor Trails, 2002)
145. By-Tor & The Snow Dog (Fly By Night, 1975)
146. Best I Can (Fly By Night, 1975)
147. Before and After (Rush, 1974)
148. The Necromancer (Caress Of Steel, 1975)
149. O'Malley's Break (Time Machine 2011, 2011)
150. Moto Perpetuo/Love For Sale (Time Machine 2011, 2011)

(*** 1/2)

151. The Percussor (R30, 2005)
152. O Baterista (Rush In Rio, 2003)
153. Der Trommler (R30, 2005)
154. Something For Nothing (2112, 1976)
155. The Body Electric (Grace Under Pressure, 1984)
156. Anthem (Fly By Night, 1975)
157. The Story So Far (R40 Live, 2015)
158. A Farewell To Kings (A Farewell To Kings, 1977)

(***)

159. Finding My Way (Rush, 1974)
160. In The End (Fly By Night, 1975)
161. Take A Friend (Rush, 1974)
162. Garden Road (Rush ABC 74)
163. In The Mood (Rush, 1974)
164. What You're Doing (Rush, 1974)
165. Need Some Love (Rush, 1974)
166. Beneath, Between & Behind (Exit... Stage Left, 1981)
167. Fancy Dancer (Rush ABC 74)
168. For What It's Worth (Feedback, 2004)
169. Heart Full Of Soul (Feedback, 2004)
170. The Seeker (Feedback, 2004)
171. Mr. Soul (Feedback, 2004)
172. Shapes Of Things (Feedback, 2004)
173. Seven and Seven Is (Feedback, 2004)
174. Crossroads (Feedback, 2004)
175. Summertime Blues (Feedback, 2004)

(**)

176. I Think I'm Going Bald (Caress Of Steel, 1975)
177. One Little Victory (Vapor Trails, 2002)
178. De Slagwerker (Snakes & Arrows Live, 2008)
179. Bad Boy (Rush ABC 74)
180. Not Fade Away (single)

(*)

181. Spindrift (Snakes And Arrows, 2007)
182. You Can't Fight It (single b-side)
183. Virtuality (Test For Echo, 1996)
184. Rivendell (Fly By Night, 1975)

(1/2 *)
185. Stick It Out (Counterparts, 1993)

(0)
186. Lessons (2112, 1976)

(Please note that songs #168-175 & 179-180 are Rush's covers of other artists.)

Posted by Enigmaticus on Wednesday, 10/7/2020 @ 09:46am

Will N.,

I had left work yesterday at a much earlier time than I had planned on. I had felt compelled to watch a portion of the most recent Rush documentary: "Rush: Time Stand Still" on BluRay yesterday evening. For the previous week and a half, I had been watching snippets of the documentary, "Chicago: Now More Than Ever."

Just in case you are interested,
here is my complete list of Rush songs, their rankings and their ratings:

(*****)

01. Xanadu (Exit... Stage Left, 1981)
02. Dreamline (Clockwork Angels Tour, 2013)
03. Ghost Of A Chance (Roll The Bones, 1991)
04. Available Light (Presto, 1989)
05. The Garden (Clockwork Angels Tour, 2013)
06. Mystic Rhythms (Power Windows, 1985)
07. Jacob's Ladder (Exit... Stage Left, 1981)
08. The Camera Eye (Moving Pictures, 1981)
09. Losing It (Signals, 1982)
10. Faithless (Snakes And Arrows, 2007)
11. Time & Motion (Test For Echo, 1996)
12. La Villa Strangiato (Hemispheres, 1978)
13. Prime Mover (Hold Your Fire, 1987)
14. Nobody's Hero (Counterparts, 1993)
15. Red Lenses (Grace Under Pressure, 1984)
16. Bravado (Roll The Bones, 1991)
17. Red Tide (Presto, 1989)
18. Middletown Dreams (Power Windows, 1985)
19. The Wreckers (Clockwork Angels Tour, 2013)
20. Roll The Bones (Roll The Bones, 1991)
21. Scars (Presto, 1989)
22. Manhattan Project (Power Windows, 1985)
23. Clockwork Angels (Clockwork Angels Tour, 2013)
24. Red Barchetta (Exit... Stage Left, 1981)
25. Natural Science (Permanent Waves, 1980)
26. Countdown (Signals, 1982)
27. Armor And Sword (Snakes And Arrows, 2007)
28. The Trees (Exit... Stage Left, 1981)
29. Closer To The Heart (Exit... Stage Left, 1981)
30. You Bet Your Life (Roll The Bones, 1991)
31. Presto (Presto, 1989)
32. Territories (Clockwork Angels Tour, 2013)
33. Where's My Thing (Clockwork Angels Tour, 2013)
34. Leave That Thing Alone (Counterparts, 1993)
35. Caravan (Clockwork Angels Tour, 2013)
36. Ghost Rider (Vapor Trails, 2002)
37. The Anarchist (Clockwork Angels Tour, 2013)
38. The Big Wheel (Roll The Bones, 1991)
39. The Pass (Presto, 1989)
40. BU2B (Clockwork Angels, 2012)
41. Limelight (Moving Pictures, 1981)
42. Different Strings (Permanent Waves, 1980)
43. Digital Man (Signals, 1982)
44. Far Cry (Snakes And Arrows Live, 2008)
45. Test For Echo (Test For Echo, 1996)
46. Second Nature (Hold Your Fire, 1987)
47. Animate (Counterparts, 1993)
48. YYZ (Exit... Stage Left, 1981)
49. Peaceable Kingdom (Vapor Trails, 2002)
50. Chemistry (Signals, 1982)
051. Tom Sawyer (Exit... Stage Left, 1981)
052. Red Sector A (Clockwork Angels Tour, 2013)
053. Heresy (Roll The Bones, 1991)
054. Anagram For (Mongo) (Presto, 1989)
055. Grand Designs (Power Windows, 1985)
056. Carnies (Clockwork Angels Tour, 2013)
057. Vital Signs (Moving Pictures, 1981)
058. Chain Lightning (Presto, 1989)
059. Subdivisions (Signals, 1982)
060. The Way The Wind Blows (Snakes And Arrows, 2007)
061. Marathon (Power Windows, 1985)
062. Totem (Test For Echo, 1996)
063. Bastille Day (Caress Of Steel, 1975)
064. Between The Wheels (Grace Under Pressure, 1984)
065. Vapor Trail (Vapor Trails, 2002)
066. Tears (2112, 1976)
067. Fly By Night (Fly By Night, 1975)
068. Working Man (Rush, 1974)
069. Freewill (Exit... Stage Left, 1981)
070. Seven Cities Of Gold (Clockwork Angels Tour, 2013)
071. Neurotica (Roll The Bones, 1991)
072. Entre Nous (Permanent Waves, 1980)
073. Cygnus X-1 Book II (Hemispheres) (Hemispheres, 1978)
074. Halo Effect (Clockwork Angels Tour, 2013)
075. The Spirit Of Radio (Exit... Stage Left, 1981)

(**** 1/2)

076. New World Man (Signals, 1982)
077. The Larger Bowl (A Pantoum) (Snakes And Arrows, 2007)
078. Face Up (Roll The Bones, 1991)
079. Resist (Test For Echo, 1996)
080. Cut To The Chase (Counterparts, 1993)
081. R30 Overture (R30, 2005 )
082. High Water (Hold Your Fire, 1987)
083. Afterimage (Grace Under Pressure, 1984)
084. Circumstances (Hemispheres, 1978)
085. Show Don't Tell (Presto, 1989)
086. The Big Money (Power Windows, 1985)
087. The Analog Kid (Signals, 1982)
088. The Main Monkey Business (Snakes And Arrows, 2007)
089. The Color Of Right (Test For Echo, 1996)
090. Open Secrets (Hold Your Fire, 1987)
091. Cold Fire (Counterparts, 1993)
092. A Passage To Bangkok (2112, 1976)
093. Making Memories (Fly By Night, 1975)
094. Here Again (Rush, 1974)
095. Hand Over Fist (Presto, 1989)
096. Emotion Detector (Power Windows, 1985)
097. Headlong Flight (Clockwork Angels, 2012)
098. The Weapon (Signals, 1982)
099. Good News First (Snakes And Arrows, 2007)
100. Half The World (Test For Echo, 1996)

(****)

101. War Paint (Presto, 1989)
102. BU2B2 (Clockwork Angels, 2012)
103. Workin' Them Angels (Snakes And Arrows, 2007)
104. Carve Away The Stone (Test For Echo, 1996)
105. Time Stand Still (Hold Your Fire, 1987)
106. Double Agent (Counterparts, 1993)
107. Distant Early Warning (Grace Under Pressure, 1984)
108. Ceiling Unlimited (Vapor Trails, 2002)
109. 2112 (2112, 1976)
110. Driven (Test For Echo, 1996)
111. Tai Shan (Hold Your Fire, 1987)
112. Out Of The Cradle (Vapor Trails, 2002)
113. Superconductor (Presto, 1989)
114. Hope (Snakes And Arrows, 2007)
115. Dog Years (Test For Echo, 1996)
116. Turn The Page (Hold Your Fire, 1987)
117. Madrigal (A Farewell To Kings, 1977)
118. Everyday Glory (Counterparts, 1993)
119. We Hold On (Snakes And Arrows, 2007)
120. Force Ten (Hold Your Fire, 1987)
121. Limbo (Test For Echo, 1996)
122. Between Sun & Moon (Counterparts, 1993)
123. Secret Touch (Vapor Trails, 2002)
124. Malignant Narcissism (Snakes And Arrows, 2007)
125. The Fountain Of Lamneth (Caress Of Steel, 1975)
126. The Twilight Zone (2112, 1976)
127. Cinderella Man (A Farewell To Kings, 1977)
128. The Stars Look Down (Vapor Trails, 2002)
129. The Speed Of Love (Counterparts, 1993)
130. Kid Gloves (Grace Under Pressure, 1984)
131. How It is (Vapor Trails, 2002)
132. Lock And Key (Hold Your Fire, 1987)
133. Sweet Miracle (Vapor Trails, 2002)
134. Mission (Hold Your Fire, 1987)
135. Witch Hunt (Moving Pictures, 1981)
136. Earthshine (Vapor Trails, 2002)
137. Lakeside Park (Caress Of Steel, 1975)
138. Broon's Bane (Exit... Stage Left, 1981)
139. Peke's Repose (Clockwork Angels Tour, 2013)
140. Wish Them Well (Clockwork Angels Tour, 2013)
141. The Enemy Within (Grace Under Pressure, 1984)
142. Cygnus X-1 (A Farewell To Kings, 1977)
143. Nocturne (Vapor Trails, 2002)
144. Freeze (Vapor Trails, 2002)
145. By-Tor & The Snow Dog (Fly By Night, 1975)
146. Best I Can (Fly By Night, 1975)
147. Before and After (Rush, 1974)
148. The Necromancer (Caress Of Steel, 1975)
149. O'Malley's Break (Time Machine 2011, 2011)
150. Moto Perpetuo/Love For Sale (Time Machine 2011, 2011)

(*** 1/2)

151. The Percussor (R30, 2005)
152. O Baterista (Rush In Rio, 2003)
153. Der Trommler (R30, 2005)
154. Something For Nothing (2112, 1976)
155. The Body Electric (Grace Under Pressure, 1984)
156. Anthem (Fly By Night, 1975)
157. The Story So Far (R40 Live, 2015)
158. A Farewell To Kings (A Farewell To Kings, 1977)

(***)

159. Finding My Way (Rush, 1974)
160. In The End (Fly By Night, 1975)
161. Take A Friend (Rush, 1974)
162. Garden Road (Rush ABC 74)
163. In The Mood (Rush, 1974)
164. What You're Doing (Rush, 1974)
165. Need Some Love (Rush, 1974)
166. Beneath, Between & Behind (Exit... Stage Left, 1981)
167. Fancy Dancer (Rush ABC 74)
168. For What It's Worth (Feedback, 2004)
169. Heart Full Of Soul (Feedback, 2004)
170. The Seeker (Feedback, 2004)
171. Mr. Soul (Feedback, 2004)
172. Shapes Of Things (Feedback, 2004)
173. Seven and Seven Is (Feedback, 2004)
174. Crossroads (Feedback, 2004)
175. Summertime Blues (Feedback, 2004)

(**1/2)

176. I Think I'm Going Bald (Caress Of Steel, 1975)
177. One Little Victory (Vapor Trails, 2002)
178. De Slagwerker (Snakes & Arrows Live, 2008)
179. Bad Boy (Rush ABC 74)
180. Not Fade Away (single)

(**)

181. Spindrift (Snakes And Arrows, 2007)
182. You Can't Fight It (single b-side)
183. Virtuality (Test For Echo, 1996)
184. Rivendell (Fly By Night, 1975)

(*)
185. Stick It Out (Counterparts, 1993)
186. Lessons (2112, 1976)

(Please note that songs #168-175 & 179-180 are Rush's covers of other artists.)

Well, what do you think?

Posted by Enigmaticus on Thursday, 10/8/2020 @ 02:10am

Will N.,

Here are my 100 favorite prog songs:

0001. Rush: 'Xanadu,' "Exit... Stage Left" (1981)
0002. Yes: 'Awaken,' "Keys To Ascension" (1996)
0003. Rush: 'Dreamline,' "Clockwork Angels Tour" (2013)
0004. Yes: 'Mind Drive,' "Keys To Ascension 2" (1997)
0005. The Moody Blues: 'Legend Of A Mind,' "A Night At Red Rocks (Deluxe Edition)" (2003)
0006. Rush: 'Ghost of A Chance,' "Roll The Bones" (1991)
0007. Yes: 'We Agree,' "Magnification" (2001)
0008. Rush: 'Available Light,' "Presto" (1989)
0009. The Moody Blues: 'Nights In White Satin,' "Days Of Future Passed" (1967)
0010. Rush: 'The Garden,' "Clockwork Angels Tour" (2013)
0011. Pink Floyd: 'Time,' "Dark Side Of The Moon" (1973)
0012. Jethro Tull: 'Thick As A Brick,' "Thick As A Brick" (1972)
0013. Rush: 'Mystic Rhythms,' "Power Windows" (1985)
0014. Yes: 'Magnification' "Symphonic Live" (2009)
0015. Yes: 'Close To The Edge' "Symphonic Live" (2009)
0016. Rush: 'Jacob's Ladder,' "Exit... Stage Left" (1981)
0017. The Moody Blues: 'Gypsy (Of A Strange And Distant Time),' "To Our Children's Children's Children" (1969)
0018. Pink Floyd: 'High Hopes,' "p.u.l.s.e," (1995)
0019. Rush: 'The Camera Eye,' "Moving Pictures," (1981)
0020. Yes: 'The Revealing Science Of God,' "Keys To Ascension" (1996)
0021. Rush: 'Losing It,' "Signals" (1982)
0022. Rush: 'Faithless,' "Snakes & Arrows" (2007)
0023. Yes: 'Give Love Each Day,' "Magnification" (2001)
0024. King Crimson: 'In The Court of the Crimson King,' "In The Court of the Crimson King" (1969)
0025. King Crimson: 'Epitaph,' "In The Court of the Crimson King" (1969)
0026. Duran Duran: 'Ordinary World,' "Duran Duran" (1993)
0027. Talking Heads: 'The Great Curve,' "Remain In Light" (1980)
0028. Duran Duran: 'What Are The Chances?' "Paper Gods" (2015)
0029. Talking Heads: 'Burning Down The House,' "Speaking In Tongues" (1983)
0030. Supertramp: 'Fool's Overture,' "Paris" (1980)
0031. Gentle Giant: 'Free Hand,' "Free Hand" (1975)
0032. Electric Light Orchestra: 'Mr. Blue Sky,' "Out of the Blue" (1977)
0033. Kansas: 'Miracles Out Of Nowhere,' "Leftoverture" (1976)
0034. Jefferson Airplane: 'rejoyce,' "After Bathing At Baxters" (1968)
0035. Kansas: 'Dust In The Wind,' "Point of Know Return" (1977)
0036. Genesis: 'The Musical Box,' "Nursery Cryme" (1971)
0037. Peter Gabriel: 'Games Without Frontiers,' "Peter Gabriel" (1980)
0038. Emerson, Lake & Palmer: 'Take A Pebble,' "Emerson, Lake & Palmer" (1970)
0039. Genesis: 'Supper's Ready,' "Foxtrot" (1972)
0040. Rush: 'La Villa Strangiato,' "Hemispheres" (1978)
0041. Duran Duran: 'What Happens Tomorrow,' "Astronaut" (2004)
0042. Rush: 'Time & Motion,' "Test For Echo" (1996)
0043. Yes: 'In The Presence Of,' "Symphonic Live" (2009)
0044. The Moody Blues: '22,000 Days,' "Long Distance Voyager" (1981)
0045. Pink Floyd: 'Dogs,' "Animals" (1977)
0046. Jethro Tull: 'A Hunting Girl,' "Songs From The Wood" (1977)
0047. Gentle Giant: 'Wreck,' "Acquiring The Taste" (1971)
0048. Duran Duran: 'The Man Who Stole A Leopard,' "All You Need Is Now" (2010)
0049. Procol Harum: 'A Whiter Shade Of Pale,' "Procol Harum" (1967)
0050. Styx: 'Man In The Wilderness,' "The Grand Illusion" (1977)
0051. Yes: 'Roundabout,' "Fragile" (1972)
0052. Alan Parsons Project, "The Turn of A Friendly Card,' "The Turn Of A Friendly Card" (1980)
0053. Rush: 'Prime Mover,' "Hold Your Fire" (1987)
0054. Yes: 'Starship Trooper,' "The Yes Album" (1971)
0055. Pink Floyd: 'Shine On You Crazy Diamond,' "Wish You Were Here" (1975)
0056. Gentle Giant: 'Playing The Game,' "The Power and The Glory" (1974)
0057. King Crimson: 'Sleepless,' "Three of a Perfect Pair" (1984)
0058. Duran Duran: 'The Chauffeur,' "Rio" (1982)
0059. Kansas: 'The Pinnacle,' "Masque" (1975)
0060. Rush: Nobody's Hero, "Counterparts" (1993)
0061. Yes: 'And You And I,' "Symphonic Live" (2009)
0062. The Moody Blues: 'Strange Times,' "Strange Times" (1999)
0063. Pink Floyd: 'Comfortably Numb,' "The Wall" (1979)
0064. Gentle Giant: 'Nothing At All,' "Gentle Giant" (1970)
0065. Kansas: 'Closet Chronicles,' "Point Of Know Return" (1977)
0066. Yes: 'South Side Of The Sky,' "Fragile" (1972)
0067. The Moody Blues: 'Forever Afternoon (Tuesday),' "Days Of Future Passed" (1967)
0068. King Crimson: 'Starless,' "Red" (1974)
0069. Duran Duran: 'Come Undone,' "Duran Duran" (1993)
0070. Kansas: 'Magnum Opus,' "Leftoverture" (1976)
0071. Alan Parsons Project: 'Old and Wise,' "Eye In The Sky" (1982)
0072. Renaissance: 'Ashes Are Burning,' "Ashes Are Burning" (1973)
0073. Genesis: 'Squonk,' "A Trick of the Tail" (1976)
0074. Peter Gabriel: 'Here Comes The Flood," "Peter Gabriel" (1977)
0075. Emerson, Lake & Palmer: 'Tarkus,' "Tarkus" (1971)
0076. Rush: 'Red Lenses,' "Grace Under Pressure" (1984)
0077. Yes: 'Spirit Of Survival,' "Magnification" (2001)
0078. The Moody Blues: 'Candle Of Life,' "To Our Children's Children's Children" (1969)
0079. Rush: 'Bravado,' "Roll The Bones" (1991)
0080. Yes: 'Siberian Khatru,' "Keys To Ascension" (1996)
0081. The Moody Blues: 'The Voice,' "Long Distance Voyager" (1981)
0082. Pink Floyd: 'Us And Them,' "Dark Side Of The Moon" (1973)
0083. Jethro Tull: 'Farm On A Freeway,' "Crest Of A Knave" (1987)
0084. Yes: 'The Remembering: High The Memory,' "Tales From Topographic Oceans" (1973)
0085. The Moody Blues: 'Blue World,' "The Present" (1983)
0086. Rush: 'Red Tide,' "Presto" (1989)
0087. Yes: 'Heart of the Sunrise,' "Fragile" (1972)
0088. The Moody Blues: 'I'm Just a Singer (In a Rock and Roll Band),' "Seventh Sojourn" (1972)
0089. Pink Floyd: 'Wish You Were Here,' "Wish You Were Here (1975)
0090. Duran Duran: 'The Universe Alone,' "Paper Gods" (2015)
0091. Talking Heads: 'I Zimbra,' "Fear Of Music" (1979)
0092. Genesis: 'Mad Man Moon,' "A Trick of the Tail" (1976)
0093. Yes: 'Yours Is No Disgrace,' "The Yes Album" (1971)
0094. Rush: 'Middletown Dreams,' "Power Windows" (1985)
0095. Yes: 'Turn Of The Century,' "Going For The One" (1977)
0096. The Moody Blues: 'The Actor,' "In Search of the Lost Chord" (1968)
0097. Renaissance: 'Trip to the Fair,' "Scheherezade and other Stories" (1975)
0098. Genesis: 'cul-de-sac,' "Duke" (1980)
0099. Peter Gabriel: 'Red Rain,' "So" (1986)
0100. Peter Gabriel: 'Shock the Monkey,' "Peter Gabriel" (1982)

Well, what do you think?

Posted by Enigmaticus on Thursday, 10/8/2020 @ 02:19am

Enig,
I checked out your best Rush and best Prog lists which are very interesting. I will be using them for future reference when I want to check out some Rush or Prog tunes that I've not heard in awhile or had overlooked. I never thought about doing a Prog songs favorites list, maybe I will consider it in the future..

Posted by Will N. on Thursday, 10/8/2020 @ 09:58am

Will N.,

That is certainly good to hear. I will be working on my favorite prog albums list next year, because it will mark the 40th anniversary since my appreciation of progressive rock had begun.

Well, what do you think?

Posted by Enigmaticus on Friday, 10/9/2020 @ 08:15am

Forty years ago today, I had purchased two music cassettes for my archaic music player: "Lost In Love" by Air Supply and "The Original Motion Picture Soundtrack to Xanadu" featuring Olivia Newton John and the Electric Light Orchestra. "Xanadu" would somehow reacquaint me with the music of Electric Light Orchestra- a group which I had discovered while watching "Solid Gold" on television, over a year earlier. "Xanadu," however would also eventually lead me to the song, 'Xanadu' by Rush- my favorite song of all time; an epic piece of music which would be most gloriously celebrated on Rush's second live album, "Exit... Stage Left"released on October 29 of the following year.

Thirty two years ago today, I had been enjoying an air safari in the Maasai Mara Reserve in southwestern Kenya.

Well, what do you think?

Posted by Enigmaticus on Sunday, 10/11/2020 @ 01:39am

Thirty two years ago tonight, I had dinner at the Tamarind Restaurant in Mombasa, Kenya. In case you did not know, the Tamarind Restaurant is certainly one of the finest, if not the greatest seafood restaurant on the entire African continent. I would make two trips to the Tamarind Restaurant for dinner during that week.

Well, what do you think?

Posted by Enigmaticus on Monday, 10/12/2020 @ 02:52am

For the past several days, I have been watching "Rush: Time Stand Still" on BluRay. In case you did not know, the aforementioned documentary is the final document (thus far released) on the progressive rock band Rush. There have been suggestions that a Biopic should be created about Rush. One such site is this one: https://www.tvovermind.com/casting-a-movie-biopic-about-legendary-band-rush/.

Should a Biopic be made about the first member of the "holy trinity" of prog (Rush, Yes and The Moody Blues)- Rush?
Well, what do you think?

Posted by Enigmaticus on Wednesday, 10/14/2020 @ 09:23am

I have two more notes of interest:

Today is the 35th anniversary of the release of "Power Windows," my third favorite Rush studio album. From it's release date until January, 2012- a month before my 50th birthday, "Power Windows" had been my favorite Rush studio album. It had been eclipsed at that time by the Audiofidelity gold disc version of "Roll The Bones." Of course, my favorite overall Rush album and favorite overall "prog" album is still Exit... Stage Left, even after nearly 39 consecutive years.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 10/14/2020 @ 09:35am

As many of you are well aware, I have been an aficionado of Rush's music for nearly 40 consecutive years. In fact, on Sunday, it will mark 40 years since I had been re-introduced to the music of Rush.

Overall, I have only seen Rush 3 times in concert, approximately once per decade since I had turned 30. However, I would really like to meet the grey bearded man who has seen Rush 170 or more times in concert. As far as I am concerned, his appreciation for Rush is utterly fascinating. Does anybody know who this gentleman is? Should he be featured in a Rush Biopic?

Well, what do you think?

Posted by Enigmaticus on Wednesday, 10/14/2020 @ 09:48am

Tomorrow will mark the 40th anniversary of my re-introduction to the music of Rush via "Hemispheres" and my introduction to the music of Pink Floyd via "Dark Side Of The Moon."

Well, what do you think?

Posted by Enigmaticus on Saturday, 10/17/2020 @ 20:28pm

As many of you are well aware, I have been an aficionado of Rush's music for 40 consecutive years. In fact, today will mark 40 years since I had been re-introduced to the music of Rush.

Overall, I have only seen Rush 3 times live in concert, approximately once per decade since I had turned 30. However, I would really like to meet Jillian Maryonovich and the grey bearded men who have seen Rush 170 or more times in concert. As far as I am concerned, their appreciation for Rush is utterly fascinating. Does anybody know who these gentleman are? Should they be featured in a Rush Biopic? Should there be a museum for Rush which contains Ray Wawrzyniak's collection?

Well, what do you think?

Posted by Enigmaticus on Sunday, 10/18/2020 @ 06:32am

As I had stated previously, today had been the 40th anniversary of my re-introduction to the music of Rush. I had been Fortunate enough to be re-introduced to the music by a fellow architecture student in his dorm room 40 years ago. Although Yes is my co-favorite band musically (alongside Rush), it is in the lyrical department where Rush had reigned supreme. Since the passing of the magnificent Neil Peart over 9 months ago, I have been evaluating just how much Rush has meant to me. Although I would never consider myself a Rush fanatic, since I had only seen them 3 times live in concert, I am still a huge aficionado of their music. Rush and The Moody Blues have probably been the two most important influences on my evolving musical tastes for over 40 years. The reason why I have continued to appreciate such groups as: Yes, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Gentle Giant, Kansas, Renaissance, Electric Light Orchestra, Genesis, Peter Gabriel, Supertramp, Procol Harum, Emerson Lake & Palmer, Styx, Asia, Jefferson Airplane and of course, Sade, Andreas Vollenweider, Vangelis, Yanni and numerous others is directly related to my appreciation of those aforementioned bands. Rush in many ways has been my gateway band to the world of prog, but unfortunately nothing lasts forever. So it is with Neil's passing earlier this year, that rather unfortunately Rush's nearly 52 year long existence as a band has come to an end, or has it?

Still, I believe that the music of the progressive bands will long outlive many of those other popular groups of their era far into the future. Future generations will still be listening to their songs and appreciating their work, long after those musicians have long left the earth.

Well, what do you think?

Posted by Enigmaticus on Sunday, 10/18/2020 @ 22:26pm

As I had stated previously, today had been the 40th anniversary of my re-introduction to the music of Rush. I had been fortunate enough to be re-introduced to the music by a fellow architecture student in his dorm room 40 years ago. Although Yes is my co-favorite band musically (alongside Rush), it is in the lyrical department where Rush had reigned supreme. Since the passing of the magnificent Neil Peart over 9 months ago, I have been evaluating just how much Rush has meant to me. Although I would never consider myself a Rush fanatic, since I had only seen them 3 times live in concert, I am still a huge aficionado of their music. Rush and The Moody Blues have probably been the two most important influences on my evolving musical tastes for over 40 years. The reason why I have continued to appreciate such groups as: Yes, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Gentle Giant, Kansas, Renaissance, Electric Light Orchestra, Genesis, Peter Gabriel, Supertramp, Procol Harum, Emerson Lake & Palmer, Alan Parsons Project, Styx, Asia, Jefferson Airplane and of course, Sade, Andreas Vollenweider, Vangelis, Yanni and numerous others is directly related to my appreciation of those two aforementioned bands. Rush in many ways has been my gateway band to the world of prog, but unfortunately nothing lasts forever. So it is with Neil's passing earlier this year, that rather unfortunately Rush's nearly 52 year long existence as a band has come to an end, or has it?

Still, I believe that the music of the progressive bands will long outlive many of those other popular groups of their era far into the future. Future generations will still be listening to their songs and appreciating their work, long after those musicians have long since left the earth.

Well, what do you think?

Posted by Enigmaticus on Sunday, 10/18/2020 @ 23:08pm

As I had stated previously, last Sunday had been the 40th anniversary of my re-introduction to the music of Rush. I had been fortunate enough to be re-introduced to the music by a fellow architecture student in his dorm room 40 years ago. Although Yes is my co-favorite band musically (alongside Rush), it is in the lyrical department where Rush had reigned supreme. Since the passing of the magnificent Neil Peart over 9 months ago, I have been evaluating just how much Rush has meant to me. Although I would never consider myself a Rush fanatic, since I had only seen them 3 times live in concert, I am still a huge aficionado of their music. Rush and The Moody Blues have probably been the two most important influences on my evolving musical tastes for over 40 years. The reason why I have continued to appreciate such groups as: Yes, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Gentle Giant, Talking Heads, Kansas, Renaissance, Electric Light Orchestra, Genesis, Peter Gabriel, Supertramp, Procol Harum, Emerson Lake & Palmer, Alan Parsons Project, Styx, Asia, Jefferson Airplane and of course, Sade, Andreas Vollenweider, Vangelis, Yanni and numerous others is directly related to my appreciation of those two aforementioned bands. Rush in many ways has been my gateway band to the world of prog, but unfortunately nothing lasts forever. So is it with Neil's unfortunate and untimely passing earlier this year, that rather unfortunately Rush's nearly 52 year long existence as a band has come to an end, or has it?

Still, I believe that the music of the progressive bands will long outlive many of those other popular groups of their era far into the future. Future generations will still be listening to their songs and appreciating their work, long after those musicians have long since departed from this earth.

Well, what do you think?

Posted by Enigmaticus on Saturday, 10/24/2020 @ 17:48pm

Remember that pivotal event back in 2013 when a terminally unhip "prog" band had been inducted into the Rock & Roll Hall Of Fame and had changed the way that "prog" had been viewed forever?

Remember the flurry of artists who had declared themselves to be "prog" bands after that pivotal event?

Remember when that major "prog" band had declared that two of it's predecessors had long deserved induction into the Rock & Roll Hall Of Fame and how those long overlooked artists had finally been inducted?

Remember when two members of that particular band had inducted one of their biggest influences into the Rock Hall and had shone a huge spotlight on the "prog" genre as a result?

Now, we stand on the brink of another such moment, a long deserved acknowledgement that another artist who has long possessed "progressive tendencies" will finally be acknowledged, through having two of those members induct one of their greatest influences.

Yes ladies and gentlemen, the moment is now approaching which Duranie's have long waited for, the enshrinement and immortalization of their favorite artist by induction into the Rock & Roll Hall Of Fame.

Well, what do you think?

Posted by Enigmaticus on Saturday, 10/24/2020 @ 19:21pm

FRL Regulars: That brings the KING Question of the Day: What group's music do you like more? Simple Minds or Duran Duran
If you only could vote 1 into the Rock & Roll HOF, who would you vote for: Duran Duran or Simple Minds.
KING

Posted by KING on Sunday, 10/25/2020 @ 17:58pm

KING,

Quite obviously, I am always going to choose Duran Duran over Simple Minds. My favorite song by Simple Minds, 'Don't You Forget (About Me),' had not even been written by Simple Minds.

Well, what do you think?

Posted by Enigmaticus on Sunday, 10/25/2020 @ 21:33pm

ENIG
I think Duran Duran passed by Simple Minds now!!! I saw that Simple Minds had been considered by the Committee.Good luck on a Duran Duran nomination.It has to be the year.KING

Posted by KING on Monday, 10/26/2020 @ 01:12am

Yesterday had been the 39th anniversary of the release of "Exit... Stage Left" and the 41st anniversary of the release of "Hemispheres." Ordinarily, I would have mentioned this on yesterday, but I had been quite exhausted at that time and had inadvertently missed the 12:00 a.m. deadline.

Next year, there will be 6 major anniversaries for my fellow Rush aficionados to celebrate:

On February 12, "Moving Pictures" will celebrate it's 40th anniversary.

On April 1, "2112" will turn 45.

On September 3, "Roll The Bones" will celebrate it's 30th anniversary.

On September 10, "Test For Echo" will celebrate it's 25th anniversary.

On October 29, 2021- "Exit... Stage Left" will celebrate it's 40th anniversary.

So, there will definitely be much more to look forward to next year.

Yes, I know that "All The World's A Stage" will turn 45 also, on September 29, but I often try really hard to forget that.

Well, what do you think?

Posted by Enigmaticus on Friday, 10/30/2020 @ 09:59am

Yesterday had been the 39th anniversary of the release of "Exit... Stage Left" and the 41st anniversary of the release of "Hemispheres." Ordinarily, I would have mentioned this yesterday, but I had been quite exhausted at that time and had inadvertently missed the 12:00 a.m. deadline.

Next year, there will be 6 major anniversaries for my fellow Rush aficionados to celebrate:

On February 12, "Moving Pictures" will celebrate it's 40th anniversary.

On April 1, "2112" will turn 45.

On September 3, "Roll The Bones" will celebrate it's 30th anniversary.

On September 10, "Test For Echo" will celebrate it's 25th anniversary.

On October 29, 2021- "Exit... Stage Left" will celebrate it's 40th anniversary.

So, there will definitely be much more to look forward to next year.

Yes, I know that "All The World's A Stage" will turn 45 also, on September 29, but I often intentionally try really hard to forget that.

Well, what do you think?

Posted by Enigmaticus on Friday, 10/30/2020 @ 10:27am

Yesterday had been the 39th anniversary of the release of "Exit... Stage Left" and the 42nd anniversary of the release of "Hemispheres." Ordinarily, I would have mentioned this yesterday, but I had been quite exhausted at that time and had inadvertently missed the 12:00 a.m. deadline.

Next year, there will be 6 major anniversaries for my fellow Rush aficionados to celebrate:

On February 12, "Moving Pictures" will celebrate it's 40th anniversary.

On April 1, "2112" will turn 45.

On September 3, "Roll The Bones" will celebrate it's 30th anniversary.

On September 10, "Test For Echo" will celebrate it's 25th anniversary.

On October 29, 2021- "Exit... Stage Left" will celebrate it's 40th anniversary.

So, there will definitely be much more to look forward to next year.

Yes, I know that "All The World's A Stage" will turn 45 also, on September 29, but I often intentionally omit that one.

Well, what do you think?

Posted by Enigmaticus on Saturday, 10/31/2020 @ 00:39am

I will certainly admit that the 2020 Rock & Roll Hall Of Fame Induction Ceremony will probably be less than stellar when compared to those from recent years (2013, 2016, 2017, 2018 & 2019). Since no major "progressive rock" bands had even been nominated, this year's ceremony will probably have less than a mediocre level of appeal for me, similar to (2011, 2014 & 2015). Nonetheless, I will be compelled to watch this year's ceremony which airs on HBO tonight. I have been informed that there will be tributes to those extremely influential legendary artists who had passed away earlier this year (namely, Eddie Van Halen and Neil Peart).

In a post-Rush world, one will have to wonder about whether Geddy Lee and Alex Lifeson will once again unite together and create some new and interesting music?

Last night, I had received a new dvd copy of "Device-Voice-Drum," the Kansas concert which had featured former Kansas founding member Robby Steinhardt on violins and vocals. Since I have not seen it in recent years, my old copy may still be in storage. In any event, I had recently thought of this idea- Geddy Lee, Alex Lifeson and Robby Steinhardt joining together on stage, accompanied by a symphony orchestra, in order to re-interpret various songs from Rush's vast catalog as a tribute to Neil.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/7/2020 @ 07:26am

I had been first introduced to the music of Rush in early 1979 with the album, "Hemispheres." At that time, it had been the most amazing piece of music that I had ever heard. After enrolling in the University of Arizona, I would be re-introduced to "Hemispheres" by a fellow student in the autumn of 1980. I have been an aficionado of Rush's music ever since. With the possible exception of most of the songs on their debut album (with the notable exceptions of 'Here Again' and 'Working Man' which I actually like) and 'Lessons' from 2112, which I absolutely detest, I have enjoyed almost all of Rush's vast catalogue. I feel that Rush is one of those bands who is undoubtedly amongst the most consistently excellent songwriters of all time. Their induction into the Rock & Roll Hall Of Fame had been long overdue. My hope is that other "progressive rock" bands will be continue to be inducted in their wake. I am also hoping that this is the first of many honors yet to be bestowed upon them. They certainly deserve to receive induction into both the American and U.K. Songwriter's Hall Of Fame, a lifetime Grammy award and of course, the Kennedy Center Honors.

This month is also the anniversary of several great Rush live recordings, most notably the upcoming 7th anniversary of the release of "Clockwork Angels Tour," on Thursday of next week and the 5th anniversary of the release of "R40 Live," which had been Rush's final live recording. On November 21, one week from today, "Presto" will celebrate it's 31st anniversary.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/14/2020 @ 16:37pm

had been first introduced to the music of Rush in early 1979 with the album, "Hemispheres." At that time, it had been the most amazing piece of music that I had ever heard. After enrolling in the University of Arizona, I would be re-introduced to "Hemispheres" by a fellow student in the autumn of 1980. I have been an aficionado of Rush's music ever since. With the possible exception of most of the songs on their debut album (with the notable exceptions of 'Here Again' and 'Working Man' which I actually like) and 'Lessons' from 2112, which I absolutely detest, I have enjoyed almost all of Rush's vast catalogue. I feel that Rush is one of those bands who is undoubtedly amongst the most consistently excellent songwriters of all time. Their induction into the Rock & Roll Hall Of Fame had been long overdue. My hope is that other "progressive rock" bands will be continue to be inducted in their wake. I am also hoping that this is the first of many honors yet to be bestowed upon them. They certainly deserve to receive induction into both the American and U.K. Songwriter's Halls Of Fame, a lifetime Grammy award and of course, the Kennedy Center Honors.

This month is also the anniversary of several great Rush live recordings, most notably the upcoming 7th anniversary of the release of "Clockwork Angels Tour," on Thursday of next week and the 5th anniversary of the release of "R40 Live," which had been Rush's final live recording. On November 21, one week from today, "Presto" will celebrate it's 31st anniversary.

Otherwise, a new book titled "Dreamers and Misfits: The Definitive Book about Rush fans" has just been released as an eBook with the paperback version due out soon, see http://www.rushisaband.com for more information.

Posted by Enigmaticus on Saturday, 11/14/2020 @ 17:52pm

I had first been introduced to the music of Rush in early 1979 with the album, "Hemispheres." At that time, it had been the most amazing piece of music that I had ever heard. After enrolling in the University of Arizona, I would be re-introduced to "Hemispheres" by a fellow student in the autumn of 1980. I have been an aficionado of Rush's music ever since. With the possible exception of most of the songs on their debut album (with the notable exceptions of 'Here Again' and 'Working Man' which I actually like) and 'Lessons' from 2112, which I absolutely detest, I have enjoyed almost all of Rush's vast catalogue. I feel that Rush is one of those bands who is undoubtedly amongst the most consistently excellent songwriters of all time. Their induction into the Rock & Roll Hall Of Fame had been long overdue. 2013's Rock Hall class had been one consisting of many icons, still I am not apologetic in mentioning that Rush had been the most valuable player in that class. My hope is that other "progressive rock" bands will be continue to be inducted in their wake. I am also hoping that this is the first of many honors yet to be bestowed upon them. They certainly deserve to receive induction into both the American and U.K. Songwriter's Halls Of Fame, a lifetime Grammy award and of course, the Kennedy Center Honors.

This month is also the anniversary of several great Rush live recordings, most notably the upcoming 7th anniversary of the release of "Clockwork Angels Tour," on Thursday of next week and the 5th anniversary of the release of "R40 Live," which had been Rush's final live recording. On November 21, one week from today, "Presto" will celebrate it's 31st anniversary.

Otherwise, a new book titled "Dreamers and Misfits: The Definitive Book about Rush fans" has just been released as an eBook with the paperback version due out soon, see http://www.rushisaband.com for more information.

Several times, I have stated categorically that I am an aficionado of "prog." I also honestly believe that progressive rock music helps to improve, rather than divide society.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/14/2020 @ 20:56pm

Two days ago, "R40 Live" had celebrated it's 5th anniversary. Of course, "R40 Live" had been the final live recording released by Rush. In a way, it's a bit sobering to realize that the 52 year old entity, formerly known as Rush is simply no longer extant. With Neil Peart's passing from Glioblastoma on January 7 of this year, all possibilities of future Rush recordings had essentially ceased. When Alex Lifeson had announced the "mostly finished" status of Rush almost 3 years ago, there were certainly many individuals who had certainly been taken aback by the news. The release of Rush's final video document "Rush: Time Stand Still" had celebrated it's 4th anniversary on November 18.

Well, what do you think?

Posted by Enigmaticus on Sunday, 11/22/2020 @ 20:21pm

In Episode 52 of the "Hall Watchers Podcast," 'The Spirit Of Radio: A Conversation with Donna Halper,' Mary and Eric interview Professor Donna Halper, the former music director of WMMS in Cleveland who had discovered Rush and had first played their song, 'Working Man' on the radio. In case you have not done so, I would highly recommend listening to this particular episode, you might learn something that you had not previously known. I certainly did!

Well, what do you think?

Posted by Enigmaticus on Tuesday, 11/24/2020 @ 01:15am

Yesterday had been Thanksgiving Day, here in the United States. Instead of gathering with my family members and eating turkey, I had eaten a mild Paneer wrap and some mild Shrimp Saag. I had also watched my most recent purchase- "Spirits In The Forest" by Depeche Mode discs I and II on BluRay. So, why am I mentioning Depeche Mode on the Rush page?

Primarily, because I have found some similarities. In some ways, both artists have appealed to non-mainstream rock fan bases. Although miles apart musically, both artists have had very long musical careers- Depeche Mode is now 40 and Rush had been in existence as an entity for nearly 52 years, although Neil Peart's 45 year long career with Rush and contributions to Rush had taken central focus. Rush had essentially been a musical entity, from sometime in August, 1968 until the unfortunate and untimely passing of the magnificent Neil Peart from Glioblastoma on January 7, 2020.

The first disc of "Spirits In The Forest" focuses primarily on the lives of 6 different Depeche Mode fans. Similarly, Rush's most recent documentary, "Rush: Time Stand Still," also focuses on fans, but only focuses upon the fandom of three in particular-Jillian Maryonovich, Ray Wawrzyniak and George Summers. Each of these fans tell their remarkable stories about why they are fans and what Rush has meant to them. Jillian Maronovich had helped to co-found "Rushcon," Ray Wawrzyniak has a huge collection of Rush paraphernalia and George Summers' story is of course, nothing less than completely awe-inspiring.

Presently I am reading the ebook, "Dreamers & Misfits: The Definitive Book About Rush Fans" by Alexander Hellene. Of course, I would never consider myself to really be a Rush fan, just an aficionado of their music and lyrics.

Well, what do you think?

Posted by Enigmaticus on Friday, 11/27/2020 @ 09:21am

Yesterday had been Thanksgiving Day, here in the United States. Instead of gathering with my family members and eating turkey, I had eaten a mild Paneer wrap and some mild Shrimp Saag. I had also watched my most recent purchase- "Spirits In The Forest" by Depeche Mode discs I and II on BluRay. So, why am I mentioning Depeche Mode on a Rush site?

Primarily, because I have found some similarities. In some ways, both artists have appealed to non-mainstream rock fan bases. Although miles apart musically, both artists have had very long musical careers- Depeche Mode is now 40 and Rush had been in existence as an entity for nearly 52 years, although Neil Peart's 45 year long career with Rush and contributions to Rush had taken central focus. Rush had essentially been a musical entity, from sometime in August,1968 until the unfortunate and untimely passing of the magnificent Neil Peart from Glioblastoma on January 7, 2020.

The first disc of "Spirits In The Forest" focuses primarily on the lives of 6 different Depeche Mode fans. Similarly, Rush's most recent documentary, "Rush: Time Stand Still," also focuses on fans, but only focuses upon the fandom of three in particular-Jillian Maryonovich, Ray Wawrzyniak and George Summers. Each of these fans tell their remarkable stories about why they are fans and what Rush has meant to them. Jillian Maronovich had helped to co-found "Rushcon," Ray Wawrzyniak has a huge collection of Rush memorabilia and George Summers' story is of course, nothing less than completely awe-inspiring.

Presently I am reading the ebook, "Dreamers & Misfits: The Definitive Book About Rush Fans" by Alexander Hellene. Of course, I would never consider myself to really be a Rush fan, just an aficionado of their music and lyrics.

Well, what do you think?

Posted by Enigmaticus on Friday, 11/27/2020 @ 15:28pm

Yesterday, I had introduced a new friend to the majestic music of Rush via their two greatest live recordings : "Exit... Stage Left" and "Clockwork Angels Tour." These are two live recordings which in my honest opinion, vie for the greatest symphonic progressive rock live recordings of all time. Of course, I had been wearing one of my black psychedelic Moody Blues t-shirts at the time.

This past Friday, I had received my second online issue of PROG Magazine, Issue #115. Of course, I happen to subscribe to only two magazines at this time: Architectural Digest since 1992 and PROG Magazine since last month. In any event, this month's PROG Magazine features Jon Anderson, discusses the group Ultravox, in their "Outer Limits" section and interviews a Norwegian symphonic Progressive Rock group called Wobbler. I had certainly been so intrigued by their article about Wobbler's new album, "Dwellers Of The Deep" that I had decided to check out this band for myself. So, I had decided to go to their band page and find out just how accomplished these musicians are. While there, I had noticed that their present lead singer and composer Andreas Prestmo had been inspired by the music of Yes, Rush, Genesis, King Crimson and Anglagard. After listening to their music, I had been blown away and had ordered two copies apiece of "Dwellers Of The Deep" and their previous recording, "From Silence To Somewhere," from two different sources. If you like middle period Rush (1977- 1981) and middle period Yes (1971-1980), then I think that you would really enjoy the music of this particular group.

Paul in KY, you might want to check them out also.

Well, what do you think?

Posted by Enigmaticus on Sunday, 11/29/2020 @ 03:39am

Will check Wobbler out, Enig! Thank you for the recommend. Hope you have been safe & had a great Thanksgiving! That goes out to all our fine commenters (even Zach :-))!

Posted by Paul in KY on Sunday, 11/29/2020 @ 09:43am

Paul in KY,

You are very welcome, by the way.

Posted by Enigmaticus on Sunday, 11/29/2020 @ 12:03pm

From my own personal perspective, next year will mark the 40th anniversary of my introduction to the music of Yes, Genesis and Jethro Tull and the 40th anniversary of the release of my favorite live recording by Rush- "Exit... Stage Left," in addition to the 30th anniversary of the release of my favorite Rush studio recording, "Roll The Bones."

Next year will also mark the 40th anniversary of my purchase of "This Is The Moody Blues," the compilation which had inspired me to seek out more "progressive rock." Next year, will also essentially mark the 40th anniversary of my conversion to prog, in a nutshell.

So, why am I mentioning this? Primarily because I can hardly wait until this year is over.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 12/1/2020 @ 08:58am

I can hardly wait till this Hell of a year is over too! Other than Election, all crap for me.

Posted by Paul in KY on Tuesday, 12/1/2020 @ 10:22am

Paul in KY,

Thank you, I happen to share the same sentiment.

In 25 days, we will finally be able to bid farewell to this very crappy year.

I had just realized that In < 58.5 days, I will be 59 years old.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/6/2020 @ 21:47pm

Enig, good to have a birthday! Good to be vertical. Enjoy the last year of your 50s (I sure did). I'm expecting things to get better once Jan 20th rolls around & the adults are in charge.

Just hope you have a great & safe Holiday Season!

Posted by Paul in KY on Monday, 12/7/2020 @ 09:32am

Eight years ago yesterday, Rush had been announced as one of the Inductees to the 2013 Class of the Rock & Roll Hall Of Fame. For many of us, that had been a 15 year long event in the making. Four years later, the Electric Light Orchestra and Yes had joined them. In fact, Geddy Lee and Alex Lifeson had finally appropriately inducted Yes into the Rock & Roll Hall Of Fame in April, 2017. Although, Pearl Jam had been the closers of the 2017 Rock & Roll Hall Of Fame Induction Ceremony, the evening had still been billed as a "prog rock" gala.

One year afterwards, The Moody Blues had also joined them. Finally, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had justifiably been inducted into the Rock & Roll Hall Of Fame. One year later- Roxy Music, The Zombies and Radiohead had also joined them. Everything had started to look much better for the "progressive rock" genre overall until the 2020 Nomination list had come out with nary a "prog" band on the list. The closest artists to prog had been the late great Lemmy Kilmister of Motörhead, formerly of Hawkwind. The closest inductees had been Depeche Mode and of course, The Doobie Brothers whose former member Tiran Porter had released a solo album with progressive songs on it. Former Rush percussionist and lyricist extraordinaire Neil Peart had unexpectedly passed away after a 3 1/2 year battle with Glioblastoma on January 7, 2020. Now one of the greatest prog bands of all time, Rush had unfortunately become non-extant. With Yes split in half, into two competing factions with former members- Jon Anderson and Rick Wakeman of Classic Yes featuring Anderson, Rabin and Wakeman and Yes featuring Steve Howe and Alan White of Classic Yes competing against each other, the future seems uncertain. Finally, The Moody Blues have decided not to release any more recordings, however John Lodge and Justin Hayward now seem content to tour as solo artists. So, it appears that unfortunately the "holy trinity" of prog are fading away quickly. So, who will take their place?

Of course, rock music not unlike nature tends to abhor a vacuum. So, fortunately there is always a silver lining to this, believe it or not. Now, a relatively new band (at least in prog time terms) from Norway called Wobbler (which has only been around since 1999) consists of 5 extraordinary musicians- keyboardist and songwriter extraordinaire Lars Fredrik Frøislie, guitarist extraordinaire Geir Marius Halleland, bassist and woodwind maestro Kristian Hultgren, hyperkinetic drummer extraordinaire Martin Nordrum Kneppen and finally multi-instrumentalist, vocalist, lyricist and singer/songwriter extraordinaire Andreas Wettergreen Stromman Prestmo have recorded their fifth album,"Dwellers Of The Deep"; the single of which titled 'Five Rooms' draws influences from groups, such as: Yes, King Crimson, Genesis, Gentle Giant, Rush and others. 'Five Rooms' is available to be seen on YouTube and at Wobbler's official website. I highly encourage my fellow prog aficionados to check them out and give them a listen; you will not be disappointed.

However in 2020, no major "prog" acts had either been nominated, nor inducted so the "prog" train had unfortunately been derailed. However, at the dawn of the third decade of the 21st century, there will now be a renewed hope that Duran Duran, Jethro Tull, Procol Harum, Supertramp, Kansas, Styx, King Crimson and ELP amongst others will finally be inducted into the Rock Hall within the very near future.

Well, what do you think?

Posted by Enigmaticus on Saturday, 12/12/2020 @ 07:22am

Today is the 40th anniversary of my first purchase of a Rush studio recording. I had purchased a cassette copy of "A Farewell To Kings" at a small record store named Roads To Moscow, at that time.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/13/2020 @ 08:52am

Eight years ago on Friday, Rush had been announced as one of the Inductees to the 2013 Class of the Rock & Roll Hall Of Fame. For many of us, that had been a 15 year long event in the making. Four years later, the Electric Light Orchestra and Yes had joined them. In fact, Geddy Lee and Alex Lifeson had finally appropriately inducted Yes into the Rock & Roll Hall Of Fame in April, 2017. Although, Pearl Jam had been the closers of the 2017 Rock & Roll Hall Of Fame Induction Ceremony, the evening had still been billed as a "prog rock" gala.

One year afterwards, The Moody Blues had also joined them. Finally, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had justifiably been inducted into the Rock & Roll Hall Of Fame. One year later- Roxy Music, The Zombies and Radiohead had also joined them. Everything had started to look much better for the "progressive rock" genre overall until the 2020 Nomination list had come out with nary a "prog" band on the list. The closest artists to prog had been the late great Lemmy Kilmister of Motörhead, formerly of Hawkwind. The closest inductees had been Depeche Mode and of course, The Doobie Brothers whose former member Tiran Porter had released a solo album with progressive songs on it. Rather unfortunately, Former Rush percussionist and lyricist extraordinaire Neil Peart had unexpectedly passed away after a 3 1/2 year battle with Glioblastoma on January 7, 2020. Now one of the greatest prog bands of all time, Rush had unfortunately been placed on indefinite hiatus, in suspended animation, or limbo (whichever you prefer). With Yes split in half, into two competing factions with former members- Jon Anderson and Rick Wakeman of Classic Yes featuring Anderson, Rabin and Wakeman and Yes featuring Steve Howe and Alan White of Classic Yes competing against each other, the future seems uncertain. Finally, The Moody Blues have decided not to release any more recordings, however John Lodge and Justin Hayward now seem content to tour as solo artists. So, it appears that unfortunately the "holy trinity" of prog are fading away quickly. So, who will take their place?

Of course, rock music not unlike nature tends to abhor a vacuum. So, fortunately there is always a silver lining to this, believe it or not. Now, a relatively new band (or, at least in prog time terms) from Norway called Wobbler (which has only been around since 1999) consists of 5 extraordinary musicians- keyboardist and songwriter extraordinaire Lars Fredrik Frøislie, guitarist extraordinaire Geir Marius Halleland, bassist and woodwind maestro Kristian Hultgren, hyperkinetic drummer extraordinaire Martin Nordrum Kneppen and finally multi-instrumentalist, vocalist, lyricist and singer/songwriter extraordinaire Andreas Wettergreen Stromman Prestmo. Wobbler have recorded their fifth album,"Dwellers Of The Deep"; the single of which titled 'Five Rooms' draws influences from groups, such as: Yes, King Crimson, Genesis, Gentle Giant, Rush and others. 'Five Rooms' is available to be seen on YouTube and at Wobbler's official website. I highly encourage my fellow prog aficionados to check them out and give them a listen; you will not be disappointed.

However in 2020, no major "prog" acts had either been nominated, nor inducted so the "prog" train had unfortunately been derailed. However, at the dawn of the third decade of the 21st century, In 2021, there will now be a renewed hope that Duran Duran, Jethro Tull, Procol Harum, Supertramp, Kansas, Styx, King Crimson and ELP amongst others will finally be inducted into the Rock Hall within the very near future.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/13/2020 @ 12:31pm

For several years, I had been looking for an appropriate Rush (band) t shirt whichI had actually liked. Finally, I had found one, so I had ordered three of them. I am still interested in having a "holy trinity" of prog t shirt created for my 60th birthday, one year and 40 days from now.

Well, what do you think?

Posted by Enigmaticus on Friday, 12/25/2020 @ 23:02pm

Eight years ago and two weeks agoon Friday, Rush had been announced as one of the Inductees to the 2013 Class of the Rock & Roll Hall Of Fame. For many of us, that had been a 15 year long event in the making. Four years later, the Electric Light Orchestra and Yes had joined them. In fact, Geddy Lee and Alex Lifeson had finally appropriately inducted Yes into the Rock & Roll Hall Of Fame in April, 2017. Although, Pearl Jam had been the closers of the 2017 Rock & Roll Hall Of Fame Induction Ceremony, the evening had still been billed as a "prog rock" gala.

One year afterwards, The Moody Blues had also joined them. Finally, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had justifiably been inducted into the Rock & Roll Hall Of Fame. One year later- Roxy Music, The Zombies and Radiohead had also joined them. Everything had started to look much better for the "progressive rock" genre overall until the 2020 Nomination list had come out with nary a "prog" band on the list. The closest artists to prog had been the late great Lemmy Kilmister of Motörhead, formerly of Hawkwind. The closest inductees had been Depeche Mode and of course, The Doobie Brothers whose former member Tiran Porter had released a solo album with progressive songs on it. Rather unfortunately, Former Rush percussionist and lyricist extraordinaire Neil Peart had unexpectedly passed away after a 3 1/2 year battle with Glioblastoma on January 7, 2020. Now one of the greatest prog bands of all time, Rush had unfortunately been placed on indefinite hiatus, in suspended animation, or limbo (whichever you prefer). With Yes split in half, into two competing factions with former members- Jon Anderson and Rick Wakeman of Classic Yes featuring Anderson, Rabin and Wakeman and Yes featuring Steve Howe and Alan White of Classic Yes competing against each other, the future seems uncertain. Finally, The Moody Blues have decided not to release any more recordings, however John Lodge and Justin Hayward now seem content to tour as solo artists. So, it appears that unfortunately the "holy trinity" of prog are fading away quickly. So, who will take their place?

Of course, rock music not unlike nature tends to abhor a vacuum. So, fortunately there is always a silver lining to this, believe it or not. Now, a relatively new band (or, at least in prog time terms) from Norway called Wobbler (which has only been around since 1999) consists of 5 extraordinary musicians- keyboardist and songwriter extraordinaire Lars Fredrik Frøislie, guitarist extraordinaire Geir Marius Halleland, bassist and woodwind maestro Kristian Hultgren, hyperkinetic drummer extraordinaire Martin Nordrum Kneppen and finally multi-instrumentalist, vocalist, lyricist and singer/songwriter extraordinaire Andreas Wettergreen Stromman Prestmo. Wobbler have recorded their fifth album,"Dwellers Of The Deep"; the single of which titled 'Five Rooms' draws influences from groups, such as: Yes, King Crimson, Genesis, Gentle Giant, Rush and others. 'Five Rooms' is available to be seen on YouTube and at Wobbler's official website. I highly encourage my fellow prog aficionados to check them out and give them a listen; you will not be disappointed. By the way, in addition to these gentlemen being magnificent instrumentalists, they are also really nice guys.

However in 2020, no major "prog" acts had either been nominated, nor inducted so the "prog" train had unfortunately been derailed. However, at the dawn of the third decade of the 21st century, In 2021, there will now be a renewed hope that Duran Duran, Jethro Tull, Procol Harum, Supertramp, Kansas, Styx, King Crimson and ELP amongst others will finally be inducted into the Rock Hall within the very near future.

Well, what do you think?

Posted by Enigmaticus on Saturday, 12/26/2020 @ 12:45pm

Eight years ago and two weeks ago on Friday, Rush had been announced as one of the Inductees to the 2013 Class of the Rock & Roll Hall Of Fame. For many of us, that had been a 15 year long event in the making. Four years later, the Electric Light Orchestra and Yes had joined them. In fact, Geddy Lee and Alex Lifeson had finally appropriately inducted Yes into the Rock & Roll Hall Of Fame in April, 2017. Although, Pearl Jam had been the closers of the 2017 Rock & Roll Hall Of Fame Induction Ceremony, the evening had still been billed as a "prog rock" gala. And for those, who do not believe that the members of Rush are legendary, I would highly suggest checking out the various tributes to the late great Neil Peart.

One year afterwards, The Moody Blues had also joined them. Finally, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had justifiably been inducted into the Rock & Roll Hall Of Fame. One year later- Roxy Music, The Zombies and Radiohead had also joined them. Everything had started to look much better for the "progressive rock" genre overall until the 2020 Nomination list had come out with nary a "prog" band on the list. The closest artists to prog had been the late great Lemmy Kilmister of Motörhead, formerly of Hawkwind. The closest inductees had been Depeche Mode and of course, The Doobie Brothers whose former member Tiran Porter had released a solo album with progressive songs on it. Rather unfortunately, Former Rush percussionist and lyricist extraordinaire Neil Peart had unexpectedly passed away after a 3 1/2 year battle with Glioblastoma on January 7, 2020. Now one of the greatest prog bands of all time, Rush had unfortunately been placed on indefinite hiatus, in suspended animation, or limbo (whichever you prefer). With Yes split in half, into two competing factions with former members- Jon Anderson and Rick Wakeman of Classic Yes featuring Anderson, Rabin and Wakeman and Yes featuring Steve Howe and Alan White of Classic Yes competing against each other, the future seems uncertain. Finally, The Moody Blues have decided not to release any more recordings, however John Lodge and Justin Hayward now seem content to tour as solo artists. So, it appears that unfortunately the "holy trinity" of prog are fading away quickly. So, who will take their place?

Of course, rock music not unlike nature tends to abhor a vacuum. So, fortunately there is always a silver lining to this, believe it or not. Now, a relatively new band (or, at least in prog time terms) from Norway called Wobbler (which has only been around since 1999) consists of 5 extraordinary musicians- keyboardist and songwriter extraordinaire Lars Fredrik Frøislie, guitarist extraordinaire Geir Marius Halleland, bassist and woodwind maestro Kristian Hultgren, hyperkinetic drummer extraordinaire Martin Nordrum Kneppen and finally multi-instrumentalist, vocalist, lyricist and singer/songwriter extraordinaire Andreas Wettergreen Stromman Prestmo. Wobbler have recorded their fifth album,"Dwellers Of The Deep"; the single of which titled 'Five Rooms' draws influences from groups, such as: Yes, King Crimson, Genesis, Gentle Giant, Rush and others. 'Five Rooms' is available to be seen on YouTube and at Wobbler's official website. I highly encourage my fellow prog aficionados to check them out and give them a listen; you will not be disappointed. By the way, in addition to these gentlemen being magnificent instrumentalists, they are also really nice guys.

Unfortunately in 2020, no major "prog" acts had either been nominated, nor inducted so the "prog" train had been derailed. However, at the dawn of the third decade of the 21st century, In 2021, there will now be a renewed hope that Duran Duran, Jethro Tull, Procol Harum, Supertramp, Kansas, Styx, King Crimson and ELP amongst others will finally be inducted into the Rock Hall within the very near future.

Well, what do you think?

Posted by Enigmaticus on Saturday, 12/26/2020 @ 13:01pm

Glad you found a badass Rush shirt, Enig! Hope you have a great & safe New Year!

Posted by Paul in KY on Saturday, 12/26/2020 @ 16:33pm

Paul in KY,

Thank you. I had found a few Rush t shirts on Amazon.com that I had actually liked. However, I have been reticent to order more than 3 Rush t shirts at this time. Perhaps I will do so, later this month, instead. Have yourself a great and safe New Year, also.

Well, what do you think?

Posted by Enigmaticus on Monday, 12/28/2020 @ 07:27am

It is now December 30, 2020; tomorrow this year will finally be over. In < 45 days, "Moving Pictures" will celebrate it's 40th anniversary. In < 248 days, "Roll The Bones" will celebrate it's 30th anniversary. In < 255 days. "Test For Echo" will celebrate it's 25th anniversary and in < 304 days, "Exit... Stage Left" will celebrate it's 40th anniversary.

2020 will also herald the 40th anniversary since my introduction to the music of Yes and also the 40th anniversary of my introductions to the music of: Genesis and Jethro Tull.

2021 will also mark for me personally:

The 34th year since my last proper 3 day long vacation.
The 41st anniversary since my graduation from high school.
The 45th anniversary since my last fishing trip and my first and most recent visit to Disneyland.
The 47th anniversary since my last proper (4 or more day long) vacation.
The 59th anniversary of my birth.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 12/30/2020 @ 05:39am

After having watched the Depeche Mode "Spirits In The Forest" several times during the past few weeks, I had opted last night to watch the "R40 Live" BluRay instead.

Earlier that day, I had listened to "Dwellers of the Deep" by Wobbler in it's entirety. Having listened to this recording a few times , 'Five Rooms' definitely stands out (in my honest opinion) as the standout track on this particular recording. Although, I had thoroughly enjoyed the beautiful 'Naiad Dreams,' the introspective 'By The Banks' and the quirky 'Merry Macabre,' I think that 'Five Rooms' had definitely been quite mesmerizing and may quite possibly become Wobbler's signature track. In my honest opinion,'Five Rooms' is brilliant from start to finish and probably incorporates most of Wobbler's best attributes, overall. I will definitely be looking forward to more such Wobbler masterpieces in the not too distant future. Overall, I would give this particular recording a rating of (**** 1/2) at this time.

Posted by Enigmaticus on Wednesday, 12/30/2020 @ 12:24pm

I think you need a vacation, Enig! Stay safe, good sir!

Posted by Paul in KY on Wednesday, 12/30/2020 @ 12:28pm

Paul in KY,

Thank you, but due to the present worldwide situation, I do not foresee a vacation occurring for at least 5- 6 more years, at the earliest. I will probably be 65 years old, by then. Besides, just the idea of taking a vacation causes me great anxiety, for some unknown reason.

Of course, I will stay safe during the interim period.

Posted by Enigmaticus on Wednesday, 12/30/2020 @ 13:13pm

After having watched the Depeche Mode "Spirits In The Forest" several times during the past few weeks, I had opted last night to watch the "R40 Live" BluRay instead.

Earlier that day, I had listened to "Dwellers of the Deep" by Wobbler in it's entirety. Having listened to this recording a few times , 'Five Rooms' definitely stands out (in my honest opinion) as the standout track on this particular recording. Although, I had thoroughly enjoyed the beautiful 'Naiad Dreams,' the introspective 'By The Banks' and the quirky 'Merry Macabre,' I think that 'Five Rooms' had definitely been quite mesmerizing and may quite possibly become Wobbler's signature track. In my honest opinion, 'Five Rooms' is brilliant from start to finish and probably incorporates most of Wobbler's best attributes, overall. I will definitely be looking forward to more such Wobbler masterpieces in the not too distant future. Overall, I would give this particular recording a rating of (**** 1/2) at this time.

Posted by Enigmaticus on Wednesday, 12/30/2020 @ 14:43pm

Go to the beach, Enig. Rent a house on St. George Island, FL (below Apalachicola). I guarantee you can stay away from people on that island!

Posted by Paul in KY on Wednesday, 12/30/2020 @ 16:43pm

Paul in KY,

I am sorry to say that a vacation is probably not going to happen; I may now be past the point of actually ever being able to take a vacation. I should have said that the sheer idea of taking a vacation had caused me extreme anxiety and had increased both my systolic and diastolic blood pressure readings.

Well, what do you think?

Posted by Enigmaticus on Friday, 01/1/2021 @ 18:42pm

As far as bright spots during the previous tumultuous year, I would mention the following:

My discovery of various cookware items by both Le Creuset and Staub.

My development of new friendships, based upon having mutual interests in progressive rock music.

My discovery of the music of Wobbler, a spectacular symphonic progressive rock band from Norway, due to an article from Issue #115 of PROG Magazine.

My massive number of overtime hours at work, which had helped me to forget about just how really crappy this year had actually been for everybody.

My more in-depth discovery of the music of Depeche Mode, primarily due to their 2020 Rock & Roll Hall Of Fame induction.

My continued appreciation of The Moody Blues, even 40 years after my accidental discovery of their music.

My continued appreciation of the music of Rush, even 40 years after my re-introduction to their music via "Hemispheres" and the rather unfortunate and untimely passing of extraordinary drummer, percussionist, lyricist and author Neil Peart nearly one year ago.

My occasional interaction with various members on this site and my continued appreciation of the "Hall Watcher's Podcast" with Mary & Eric of E-Rockracy.

Well, what do you think?

Posted by Enigmaticus on Saturday, 01/2/2021 @ 06:39am

Yesterday, I had re-listened to "Dwellers of the Deep" by Wobbler in it's entirety. Having re-listened to this recording several more times over the past few days, 'Five Rooms' definitely stands out (in my honest opinion) as the standout track on this particular recording. Although, I had also thoroughly enjoyed the beautiful 'Naiad Dreams,' the introspective 'By The Banks' (my second favorite track) and the quirky 'Merry Macabre,' I think that 'Five Rooms' had definitely been quite astonishing and may quite possibly become Wobbler's signature track. In my honest opinion, 'Five Rooms' is incredibly brilliant from start to finish and probably incorporates most of Wobbler's best attributes, overall. I will definitely be looking forward to more such Wobbler masterpieces in the not too distant future. Here are my favorite songs in reverse order on "Dwellers Of The Deep."

04. Merry Macabre (9.25) (*****)
03. Naiad Dreams (9.50) (*****)
02. By The Banks (9.75) (*****)
01. Five Rooms (10.00) (*****)

Overall, I would give this particular recording a rating of (*****) at this time.

Well, what do you think?

Posted by Enigmaticus on Sunday, 01/3/2021 @ 12:39pm

A nice tribute to Neil Peart, who died one year ago today.

https://www.yahoo.com/entertainment/spirit-neil-peart-143054079.html

Posted by Joe on Thursday, 01/7/2021 @ 13:34pm

Joe,

Thank you for sharing that particular link. I will probably have something to write about Rush, tomorrow.

Well, what do you think?

Posted by Enigmaticus on Saturday, 01/9/2021 @ 23:51pm

One year ago today, I had taken my first workday of the year 2020 off from work. I had finally fallen asleep during the early morning hours and had awakened around 2:00 p.m., or so. Upon awakening, I had decided to surf the Internet. After completing my daily crossword puzzle on Dictionary.com and my usual (Hidden continent) quizzes on Sporcle.com, I had felt compelled to check out the news.

Then, I had unexpectedly read that Neil Peart, drummer and percussionist extraordinaire and magnificent lyricist for Rush had passed away from brain cancer (Glioblastoma) on January 7, 2020. Since Rush had been my co-favorite band musically and my favorite band lyrically, I had spent the day almost completely overwhelmed by the news. For the remainder of the weekend, I had almost been numb. Then I had happened upon several tributes from various famous friends and many other individuals who had been deeply influenced by his work on YouTube. However, one tribute in particular had stood out, an individual named Steve on Junk Drummer.TV who had given his most heartfelt and honest tribute. So much so, that he had in fact, actually given the wrong date- December 10, 2020 on his heartfelt tribute.

Well, what do you, think?

Posted by Enigmaticus on Sunday, 01/10/2021 @ 09:32am

Although we are now aware that Neil Peart had passed away one year and three days ago today, those of us who had not been (his closest friends) had not been aware of his passing, until we had found out about his passing one year ago today.

One year ago today, I had taken my first workday of the year 2020 off from work. I had finally fallen asleep during the early morning hours and had awakened around 2:00 p.m., or so. Upon awakening, I had decided to surf the Internet. After completing my daily crossword puzzle on Dictionary.com and my usual (Hidden continent) quizzes on Sporcle.com, I had felt compelled to check out the news.

Then, I had unexpectedly read that Neil Peart, drummer and percussionist extraordinaire and magnificent lyricist for Rush had passed away from brain cancer (Glioblastoma) on January 7, 2020. Since Rush had been my co-favorite band musically and my favorite band lyrically, I had spent the day almost completely overwhelmed by the news. For the remainder of the weekend, I had almost been numb. Then I had happened upon several tributes from various famous friends and many other individuals who had been deeply influenced by his work on YouTube. However, one tribute in particular had stood out, an individual named Steve of Junk Drummer.TV who had given his most heartfelt and honest tribute. So much so, that he had in fact, actually given the wrong date- December 10, 2020 on his own heartfelt tribute.
In case you have not done so, I would highly suggest that you check out this man's tribute to Neil Peart.

Thank you.

Well, what do you, think?

Posted by Enigmaticus on Sunday, 01/10/2021 @ 09:41am

The Spirit of Neil Peart

Rush's virtuoso drum hero lived by his own rules, to the very end. For the first time since Peart's passing, his bandmates and widow discuss his legacy and his final years

https://www.rollingstone.com/music/music-features/neil-peart-rush-dead-cover-story-1110496/

Posted by Roy on Saturday, 01/16/2021 @ 13:49pm

Roy,

That is certainly a great article about the late, great Neil Peart. Thank you for posting it.

As I approach the beginning of my 60th revolution around the sun in 4 more days, I am sometimes still amazed that I am still here.

As a constant for nearly the past 40 years, Progressive Rock Music has definitely been my anchor and my source of inspiration throughout these tumultuous times while navigating the minutiae of a myriad of uncertainties.

My discovery of Wobbler (a magnificent symphonic progressive rock band) from Norway, ensures that this extraordinary genre of progressive rock will continue to live on, even long after we have departed from this earth.

Last year, I had dealt with the passing of my mother and of course, the unexpected passing of the late great Neil Peart, for the most part, which had echoed the dissolution of Rush, as a musical entity. As an aficionado of progressive rock, watching the disbandment of any favorite band can be quite disheartening. Eighteen days from now, will mark the 42nd anniversary of my introduction to the music of Rush. Later this year, will mark the 40th anniversary of my introduction to the music of Yes and my discovery of the music of Vangelis, Genesis and Jethro Tull. This year will also mark the 38th anniversary of my discovery of the music of Duran Duran and the 37th anniversary of my discovery of the music of Andreas Vollenweider, Van der Graaf Generator, Procol Harum and Caravan. This year will also mark the 35th anniversary of my discovery of the music of Emerson Lake & Palmer and my self discovery and re-introduction to the music of King Crimson. This year will also mark the 30th anniversary of my discovery of music of Renaissance and Gentle Giant and the 25th anniversary of my discovery of the music of Echolyn.

Outside of music, I happen to enjoy many other artistic media, including paintings- particularly those of the Impressionists and Surrealists.

I have also developed a new appreciation for the culinary arts and much of my present cookware is either made by Le Creuset, or Staub, but I am also equally enthusiastic about the cookware which I have ordered from Emile Henry, as well.

Well, what do you think?

Posted by Enigmaticus on Saturday, 01/30/2021 @ 16:12pm

Roy,

That is certainly a great article about the late, great Neil Peart. Thank you for posting it.

As I approach the beginning of my 60th revolution around the sun in 4 more days, I am sometimes still amazed that I am still here.

As a constant for nearly the past 40 years, Progressive Rock Music has definitely been my anchor and my source of inspiration throughout these tumultuous times while navigating the minutiae of a myriad of uncertainties.

My discovery of Wobbler (a magnificent symphonic progressive rock band) from Norway, ensures that this extraordinary genre of progressive rock will continue to live on, even long after we have departed from this earth.

Last year, I had dealt with the passing of my mother and of course, the unexpected passing of the late great Neil Peart, which (for the most part) had echoed the dissolution of Rush, as a musical entity. As an aficionado of progressive rock, watching the disbandment of any favorite band can be quite disheartening. Eighteen days from now, will mark the 42nd anniversary of my introduction to the music of Rush. Later this year, will mark the 40th anniversary of my introduction to the music of Yes and my discovery of the music of Vangelis, Genesis and Jethro Tull. This year will also mark the 38th anniversary of my discovery of the music of Duran Duran and the 37th anniversary of my discovery of the music of Andreas Vollenweider, Van der Graaf Generator, Procol Harum and Caravan. This year will also mark the 35th anniversary of my discovery of the music of Emerson Lake & Palmer, my self discovery, discovery of Sade and my re-introduction to the music of King Crimson (via myself). This year will also mark the 30th anniversary of my discovery of music of Renaissance and Gentle Giant and the 25th anniversary of my discovery of the music of Echolyn.

Outside of music, I happen to enjoy many other artistic media, including paintings- particularly those of the Impressionists and Surrealists.

I have also developed a new appreciation for the culinary arts and much of my present cookware is either made by Le Creuset, or Staub, but I am also equally enthusiastic about the cookware which I have ordered from Emile Henry, as well.

Well, what do you think?

Posted by Enigmaticus on Saturday, 01/30/2021 @ 20:22pm

So, as we begin the month of February, I am reminded that within the next 48 hours, I will turn 59 years old. In some ways, it seems quite remarkable, that I am still here. I am also reminded, that in 16 days while I approach the 42nd anniversary of my introduction to the music of Rush, that Rush (for the most part as a band) no longer exists. For nearly 52 years, Geddy Lee and Alex Lifeson had been the cornerstones of that extraordinary band and for 45 years, Neil Peart had been their extraordinary partner in drumming, percussion, lyrical aplomb and co-songwriting, until his unfortunate passing more than a year ago.

While the dissolution of Rush as an entity had definitely been a very hard pill to take, the splitting of Yes into two separate camps and the two members of The Moody Blues going solo definitely had been even harder to take. Saying goodbye to the "holy trinity" of prog (Rush, Yes and The Moody Blues) had for the most part, left me numb.

However, things are not as bleak as they appear to be, since the Norwegian symphonic progressive rock band- Wobbler is probably the best thing to come about in progressive rock, since the formation of the "holy trinity" of prog, or perhaps even the release of King Crimson's monumental debut album.

In my honest opinion, the presence of Wobbler ensures that prog will continue to live on for generations to come.

Well, what do you think?

Posted by Enigmaticus on Monday, 02/1/2021 @ 08:25am

While the dissolution of Rush as an entity had definitely been a very hard pill to take, the splitting of Yes into two separate camps and the two members of The Moody Blues going solo definitely had been even harder to take. Saying goodbye to the "holy trinity" of prog (Rush, Yes and The Moody Blues) had for the most part, left me numb.

Of course, rock music not unlike nature tends to abhor a vacuum. So, fortunately there is always a silver lining to this, believe it or not. Now, a relatively new band (or, at least in prog time terms) from Norway called Wobbler (which has only been around since 1999) consists of 5 extraordinary musicians- keyboardist and songwriter extraordinaire Lars Fredrik Frøislie, guitarist extraordinaire Geir Marius Halleland, bassist and woodwind maestro Kristian Hultgren, hyperkinetic drummer extraordinaire Martin Nordrum Kneppen and finally multi-instrumentalist, vocalist, lyricist and singer/songwriter extraordinaire Andreas Wettergreen Stromman Prestmo. Wobbler have recorded their fifth album,"Dwellers Of The Deep"; the single of which titled 'Five Rooms' draws influences from groups, such as: Yes, King Crimson, Genesis, Gentle Giant, Rush and others. 'Five Rooms' is available to be seen on YouTube and at Wobbler's official website. I highly encourage my fellow prog aficionados to check them out and give them a listen; you will not be disappointed. By the way, in addition to these gentlemen being magnificent instrumentalists, they are also really nice guys.

In my honest opinion, the presence of Wobbler ensures that prog will continue to live on for generations to come.

Wobbler is probably the best thing to come about in progressive rock, since the formation of the "holy trinity" of prog, or perhaps even the release of King Crimson's monumental debut album.

Yesterday, I had re-listened to "Dwellers of the Deep" by Wobbler in it's entirety. Having re-listened to this recording several more times over the past few days, 'Five Rooms' definitely stands out (in my honest opinion) as the standout track on this particular recording. Although, I had also thoroughly enjoyed the beautiful 'Naiad Dreams,' the introspective 'By The Banks' (my second favorite track) and the quirky 'Merry Macabre,' I think that 'Five Rooms' had definitely been quite astonishing and may quite possibly become Wobbler's signature track. In my honest opinion, 'Five Rooms' is incredibly brilliant from start to finish and probably incorporates most of Wobbler's best attributes, overall. I will definitely be looking forward to more such Wobbler masterpieces in the not too distant future. Here are my favorite songs in reverse order on "Dwellers Of The Deep."

04. Merry Macabre (9.25) (*****)
03. Naiad Dreams (9.50) (*****)
02. By The Banks (9.75) (*****)
01. Five Rooms (10.00) (*****)

Overall, I would give this particular recording a rating of (*****) at this time.

Well, what do you think?

Posted by Enigmaticus on Saturday, 02/6/2021 @ 14:23pm

I had been on YouTube yesterday, watching videos about ranking Rush's studio albums, from S-tier to F-tier Here is how, I would evaluate all 19 of Rush's studio recordings:

S- tier: Moving Pictures, Clockwork Angels, Power Windows, Presto, Roll The Bones
A- tier: Test For Echo, Hemispheres, Snakes & Arrows, Signals, Permanent Waves
B- tier: A Farewell To Kings, Counterparts, Hold Your Fire
C-tier: Grace Under Pressure, Vapor Trails
D- tier: 2112, Caress Of Steel
F-tier: Rush, Fly By Night

Well, what do you think?

Posted by Enigmaticus on Sunday, 02/7/2021 @ 09:58am

I had been on YouTube yesterday, watching videos about ranking Rush's studio albums, from S-tier to F-tier.
Here is how, I would evaluate all 19 of Rush's studio recordings:

S- tier: Moving Pictures, Clockwork Angels, Power Windows, Presto, Roll The Bones
A- tier: Test For Echo, Hemispheres, Snakes & Arrows, Signals, Permanent Waves
B- tier: A Farewell To Kings, Counterparts, Hold Your Fire
C-tier: Grace Under Pressure, Vapor Trails
D- tier: 2112, Caress Of Steel
F-tier: Rush, Fly By Night

Well, what do you think?

Posted by Enigmaticus on Sunday, 02/7/2021 @ 10:01am

My latest Rush t shirt acquisitions:

3 -Clockwork Angels Tour t shirts
3 -Exit... Stage Left t-shirts.

Are each set of those shirts identical? Yes, I happen to have 3 identical Clockwork Angels Tour t- shirts and 3 identical Exit... Stage Left t- shirts.

Tomorrow will mark the 42nd anniversary of my introduction to the music of Rush.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 02/16/2021 @ 04:10am

My latest Rush t-shirt acquisitions:

3 -Clockwork Angels Tour t-shirts
3 -Exit... Stage Left t-shirts.

Are each set of those shirts identical? Yes, I happen to have 3 identical Clockwork Angels Tour t- shirts and 3 identical Exit... Stage Left t- shirts.

Tomorrow will mark the 42nd anniversary of my introduction to the music of Rush.

Well

Posted by Enigmaticus on Tuesday, 02/16/2021 @ 04:12am

Today is not just Michael Jordan's 58th birthday, nor Richard Karn's 65th birthday. No, today is a much more important day for me, personally. For today is the 42nd anniversary of my first introduction to the music of Rush via an album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 24 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the "holy trinity" of prog (Rush, Yes and The Moody Blues) and of course- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, and of course, the aforementioned Kansas and Styx, among numerous others.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 02/17/2021 @ 01:21am

It is now February 20, 2020; Eight days ago, "Moving Pictures" had celebrated it's 40th anniversary. In < 195 days, "Roll The Bones" will celebrate it's 30th anniversary. In < 202 days, "Test For Echo" will celebrate it's 25th anniversary and in < 251 days, "Exit... Stage Left" will celebrate it's 40th anniversary. In <272 days, "Clockwork Angels Tour " will be 8 years old. In < 278 days, it will mark the 9th anniversary of my last Rush concert during the "Clockwork Angels Tour."

2021 will also herald the 40th anniversary since my introduction to the music of Yes and also the 40th anniversary of my introductions to the music of: Genesis and Jethro Tull.

2021 will also mark for me personally:

The 34th year since my last proper 3 day long vacation.
The 41st anniversary since my graduation from high school.
The 45th anniversary since my last fishing trip and my first and most recent visit to Disneyland.
The 47th anniversary since my last proper (4 or more day long) vacation.

Well, what do you think?

Posted by Enigmaticus on Saturday, 02/20/2021 @ 21:22pm

Posted by Enigmaticus on Saturday, 02/20/2021 @ 22:06pm

It is now February 21, 2020; Nine days ago, "Moving Pictures" had celebrated it's 40th anniversary. In < 194 days, "Roll The Bones" will celebrate it's 30th anniversary. In < 201 days, "Test For Echo" will celebrate it's 25th anniversary and in < 250 days, "Exit... Stage Left" will celebrate it's 40th anniversary. In <271 days, "Clockwork Angels Tour " will be 8 years old. In < 277 days, it will mark the 9th anniversary of my last Rush concert during the "Clockwork Angels Tour." Also, the 8th anniversary of Rush's induction into the Rock & Roll Hall Of Fame will be celebrated in < 52 days, although those of us who watched it on H.B.O. would have waited < 88 days from now to acknowledge the 8th anniversary of Rush's induction.

2021 will also herald the 40th anniversary since my introduction to the music of Yes and also the 40th anniversary of my introductions to the music of: Genesis and Jethro Tull.

2021 will also mark for me personally:

The 34th year since my last proper 3 day long vacation.
The 41st anniversary since my graduation from high school.
The 45th anniversary since my last fishing trip and my first and most recent visit to Disneyland.
The 47th anniversary since my last proper (4 or more day long) vacation.

By the way, 18 days ago, I had turned 59. So what did I buy myself this year, thus far? 3 Rush Exit... Stage Left t-shirts, 4 Emile Henry Tagines and 1- 5 quart Staub tall cocotte.

Well, what do you think?

Posted by Enigmaticus on Saturday, 02/20/2021 @ 22:06pm

Posted by Enigmaticus on Sunday, 02/21/2021 @ 19:01pm

Today is Saturday- the 6th of March, 2021. Yesterday after returning home after an 11.9 hour workday, I watched "Coming 2 America," the sequel to "Coming To America." Although not as hilarious as the original film, I really thought that it was a very good film, overall. Will we have to wait another 30 years for the sequel to this one?

In any event, my birthday present (to myself), had arrived on my patio last night. Yes, I know that my birthday had been 31 days ago, which means that I will turn 60 in approximately 11 more months. Still, the opportunity to engage in my new hobby- cooking, means that I will be purchasing the best French cookware (that I can possibly afford). I now have several items from Le Creuset (including 4 enameled cast iron Tagines) and Emile Henry (4 flame ceramic Tagines), but many of my new purchases (including a Tagine) will now be from Staub. So, why am I mentioning cookware on the Rush page?

It is not just a question of cookware, but more specifically, Moroccan cookware. In my honest opinion, the Tagine happens to be one of the most versatile cookware items that has ever been created. It is an ingenious device, to say the least.

If there is a trend in this particular post, it is about Africa.

Last year, my formerly favorite Rush studio album, "Power Windows" had turned 35. Unfortunately, I had been remiss in acknowledging that fact. My sixth favorite song by Rush is 'Mystic Rhythms,' which in my honest opinion, is the greatest song from "Power Windows."

Rush had definitely been the band, which had encouraged me to seek out new cultures, including those of Africa.

Well, what do you think?

Posted by Enigmaticus on Saturday, 03/6/2021 @ 22:53pm

Ben,

According to Geddy Lee, Deep Purple had been a huge influence upon the music of Rush. Although Geddy has not specified the album "Deep Purple," per se, being very familiar with the music of Rush, Rush's interest in early prog and Rush's desire to become the world's "smallest symphony orchestra," I could definitely surmise that Deep Purple's third album , "Deep Purple" (1969) which contains 'April' had probably been quite influential on the music of Rush. By the way, I also really like Deep Purple's 8th album, "Burn," which had also been a "prog" album.

Well, what do you think?

Posted by Enigmaticus on Sunday, 03/14/2021 @ 01:22am

Today is April 1, 2021-All Fool's Day. Today is also the 45th anniversary of the release of "2112," which is definitely not one of my favorite studio recordings by Rush. So, why then am I mentioning this on the Rush page? Because it affords me the rate opportunity to wear one of my "Rush: Exit... Stage Left" t-shirts more than twice during a given week.

Well, what do you think?

Posted by Enigmaticus on Thursday, 04/1/2021 @ 09:13am

Posted by Enigmaticus on Thursday, 04/1/2021 @ 09:22am

I had been listening to "Exit... Stage Left" yesterday on my SUV's CD player. I had listened to most of "Exit," in almost it's entirety with the exception of 'Beneath, Between and Behind,' which I always skip over. Of course, the sequence beginning with 'Jacob's Ladder' thru 'Xanadu' is still my favorite section of that superlative recording. I always hear something new when I listen to it and of course, it is still "ear candy" to me.

Later that evening, I had felt compelled to pull out "Dwellers Of The Deep" by Wobbler and I listened to
A little more than 2/3 of that magnificent recording.

Well, what do you think?

Posted by Enigmaticus on Monday, 04/5/2021 @ 09:59am

Lest we forget that over 12 years ago, the article "Why The Rock Hall says: No Rush For You," by Tony Sclafani had outlined the abhorrent snubbing of the progressive rock genre by the tastemakers in the Rock & Roll Hall Of Fame. Originally, one excerpt from this particular article had read:

The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but Rush, Yes, the Moody Blues, Jethro Tull, the Electric Light Orchestra, Genesis, Emerson, Lake and Palmer and Soft Machine have not. Beyond Pink Floyd, the closest the Hall gets to prog is Queen (who flirted with the genre) and Police drummer Stuart Copeland, who played in Curved Air.

However, in recent years, we have seen the inductions of the "holy trinity" of prog (Rush, Yes and The Moody Blues), Genesis and the Electric Light Orchestra, therefore the paragraph looks like this now:

The Hall began honoring performers in 1986, starting with pioneers like Chuck Berry, Little Richard and Elvis Presley. More recently, pop acts like Billy Joel, the Bee Gees and Madonna have made the cut, but Jethro Tull, Emerson, Lake and Palmer and Soft Machine have not.

That, ladies and gentlemen is a huge accomplishment for the Rock & Roll Hall Of Fame.

Of course, we should not forget that Kansas, Styx, Supertramp, King Crimson, Duran Duran and Kate Bush have not yet been inducted, either.

Well, what do you think?

Posted by Enigmaticus on Saturday, 04/10/2021 @ 11:36am

Re: 'Xanadu':

It has come to my attention quite recently that I have been an aficionado of prog for over 52 years, although my history of actually collecting "progressive rock" and "art rock" recordings only goes back 40 years.

My first "prog" purchase was the "Original Picture Soundtrack to Xanadu" in October, 1980. My second "prog" purchase was "The Grand Illusion" by Styx in November, 1980. My third purchase of "progressive rock" was "A Farewell To Kings" by Rush in December, 1980. After that, the floodgates had opened, I was interested in collecting everything "prog" that I could.

So what was it about "A Farewell To Kings" that had opened my mind and my eyes?

So what was it about "A Farewell To Kings" that had encouraged me to buy more prog?

Was it Rush's first hit single, 'Closer To The Heart?' No, although it did not hurt.

Was it the title track? No.

Was it 'Madrigal,' 'Cinderella Man,' or 'Cygnus X-1 Book I? No.

No, instead it was 'Xanadu.'

As I had said previously, "I have now been on this ride for over 40 consecutive years."

Progressive rock has been an important part of my life now, for over 40 consecutive years. That is an awfully long time to appreciate this particular genre of rock music.

So, it may have began much earlier, with my introduction to the song, 'Classical Gas,' by Mason Williams. It may have been further reinforced by hearing various songs by Chicago on the radio. It may have been cemented into place by my introduction to the music of Kansas and Styx via the f.m. radio, however it had reached a
complete crescendo with my purchase of "A Farewell To Kings," in early December, 1980.

It was a rainy Saturday in December, 1980 in Tucson, Az, when I had finally made my first Rush album purchase. My purchase of "A Farewell To Kings" on cassette was probably the most important influence upon my musical evolution. Later that day, I had climbed up into my bunk, in my dorm room. I had been so exhausted that day that I had fallen asleep while listening to 'Xanadu.' Not only was the music on that cassette fascinating, it was also somehow otherworldly. As a result, I had a very lucid dream which had brought me to the top of Mt. Everest. I will not provide specific details about this dream, but I will say that it had definitely had erotic connotations. As a result, 'Xanadu' has been my favorite song for more than 40 consecutive years. My favorite version of 'Xanadu,' however comes from Rush's second live album, "Exit... Stage Left."

Indirectly, my appreciation of Tchaikovsky, Mozart, Beethoven, Bach, The Moody Blues, 'Man In The Wilderness' by Styx, 'Classical Gas' by Mason Williams and several songs by Electric Light Orchestra, from the "Xanadu" soundtrack had lead to this point.

'Xanadu' has been my favorite song for over 40 consecutive years, although my favorite present version of this epic comes from "Exit... Stage Left." Now, there may be a contender, the version of 'Xanadu' from "R40 Live." It is really great to know that Rush had included the full version of 'Xanadu' on this particular recording. In my honest opinion, 'Xanadu' would work as a purely acoustic version, as well as a version played with a full symphony orchestra.

'Xanadu' had cemented my interest in "prog" and all of it's sub genres. 'Xanadu' had also led me to my appreciation of new age composers, such as: Andreas Vollenweider, Yanni, Jean Michel Jarre, Vangelis, Hilary Stagg and others.

'Xanadu' had led me to discover such artists as: Yes, King Crimson, Gentle Giant, ELP, Duran Duran, Asia, Procol Harum, Genesis, Roxy Music, Alan Parson's Project, Caravan, Camel, Echolyn, Sade, etc.

'Xanadu' had cemented my appreciation for Rush, The Moody Blues, Pink Floyd, Kansas, Styx, E.L.O, Tchaikovsky, Rimsky Korsakov, Mussorgsky, Prokofiev, Stravinsky, Gershwin, Mozart, Beethoven and Bach.

Well, what do you think?

Posted by Enigmaticus on Saturday, 04/10/2021 @ 12:23pm

Re: 'Xanadu':

It has come to my attention quite recently that I have been an aficionado of prog for over 52 years, although my history of actually collecting "progressive rock" and "art rock" recordings only goes back 40 years.

My first "prog" purchase was the "Original Picture Soundtrack to Xanadu" in October, 1980. My second "prog" purchase was "The Grand Illusion" by Styx in November, 1980. My third purchase of "progressive rock" was "A Farewell To Kings" by Rush in December, 1980. After that, the floodgates had opened, I was interested in collecting everything "prog" that I could.

So what was it about "A Farewell To Kings" that had opened my mind and my eyes?

So what was it about "A Farewell To Kings" that had encouraged me to buy more prog?

Was it Rush's first hit single, 'Closer To The Heart?' No, although it did not hurt.

Was it the title track? No.

Was it 'Madrigal,' 'Cinderella Man,' or 'Cygnus X-1 Book I? No.

No, instead it was 'Xanadu.'

Although, I would eventually learn to appreciate the poem, 'Kubla Khan' by the late Samuel Taylor Coleridge, I would not say that it had been my initial inspiration for my appreciation of 'Xanadu.'

As I had said previously, "I have now been on this ride for over 40 consecutive years."

Progressive rock has been an important part of my life now, for over 40 consecutive years. That is an awfully long time to appreciate this particular genre of rock music.

So, it may have began much earlier, with my introduction to the song, 'Classical Gas,' by Mason Williams. It may have been further reinforced by hearing various songs by Chicago on the radio. It may have been cemented into place by my introduction to the music of Kansas and Styx via the f.m. radio, however it had reached a
complete crescendo with my purchase of "A Farewell To Kings," in early December, 1980.

It was a rainy Saturday in December, 1980 in Tucson, Az, when I had finally made my first Rush album purchase. My purchase of "A Farewell To Kings" on cassette was probably the most important influence upon my musical evolution. Later that day, I had climbed up into my bunk, in my dorm room. I had been so exhausted that day that I had fallen asleep while listening to 'Xanadu.' Not only was the music on that cassette fascinating, it was also somehow otherworldly. As a result, I had a very lucid dream which had brought me to the top of Mt. Everest. I will not provide specific details about this dream, but I will say that it had definitely had erotic connotations. As a result, 'Xanadu' has been my favorite song for more than 40 consecutive years. My favorite version of 'Xanadu,' however comes from Rush's second live album, "Exit... Stage Left."

Indirectly, my appreciation of Tchaikovsky, Mozart, Beethoven, Bach, The Moody Blues, 'Man In The Wilderness' by Styx, 'Classical Gas' by Mason Williams and several songs by Electric Light Orchestra, from the "Xanadu" soundtrack had led me to this point.

'Xanadu' has been my favorite song for over 40 consecutive years, although my favorite present version of this epic comes from "Exit... Stage Left." Now, there may be a contender, the version of 'Xanadu' from "R40 Live." It is really great to know that Rush had included the full version of 'Xanadu' on this particular recording. In my honest opinion, 'Xanadu' would work as a purely acoustic version, as well as a version played with a full symphony orchestra.

'Xanadu' had cemented my interest in "prog" and all of it's sub genres. 'Xanadu' had also led me to my appreciation of new age composers, such as: Andreas Vollenweider, Yanni, Jean Michel Jarre, Vangelis, Hilary Stagg and others.

'Xanadu' had led me to discover such artists as: Yes, King Crimson, Gentle Giant, ELP, Duran Duran, Asia, Procol Harum, Genesis, Roxy Music, Alan Parson's Project, Caravan, Camel, Echolyn, Sade, Wobbler, etc.

'Xanadu' had cemented my appreciation for Rush, The Moody Blues, Pink Floyd, Kansas, Styx, E.L.O, Tchaikovsky, Rimsky Korsakov, Mussorgsky, Prokofiev, Stravinsky, Gershwin, Mozart, Beethoven and Bach.

Well, what do you think?

Posted by Enigmaticus on Saturday, 04/10/2021 @ 20:58pm

Of course, I would be remiss if I had not mentioned that Rush- the 3rd member of the "holy trinity" of prog (Rush, Yes and The Moody Blues) had released their 19th studio album, 'Snakes & Arrows,' 14 years ago earlier this month.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 05/25/2021 @ 10:00am

Jethro Tull, King Crimson, Emerson, Lake & Palmer are the second trinity of Prog.

Posted by Roy on Tuesday, 05/25/2021 @ 11:07am

Of course, I would be remiss if I had not mentioned that Rush- the first inducted member of the "holy trinity" of prog (Rush, Yes and The Moody Blues) had released their 19th studio album, 'Snakes & Arrows,' 14 years ago earlier this month. In my honest opinion, "Snakes & Arrows" is quite a superlative album. My favorite song from "Snakes & Arrows" is 'Faithless.'

Well, what do you think?

Posted by Enigmaticus on Wednesday, 05/26/2021 @ 09:48am

Of course, I would be remiss if I had not mentioned that Rush- the first inducted member of the "holy trinity" of prog (Rush, Yes and The Moody Blues) had released their 18th studio album, 'Snakes & Arrows,' 14 years ago earlier in May. In my honest opinion, "Snakes & Arrows" is quite a superlative album. My favorite song from "Snakes & Arrows" is 'Faithless.'

Of course, I would be remiss if I had not mentioned that Rush-the first inducted member of the "holy trinity " of prog (Rush, Yes and The Moody Blues) had released their 19th and final studio album, "Clockwork Angels," 9 years ago, yesterday. In my honest opinion, "Clockwork Angels" is also quite a superlative album. My favorite song from "Clockwork Angels" is 'The Garden.

Well, what do you think?

Posted by Enigmaticus on Monday, 06/14/2021 @ 01:44am

Rest in Peace Manya [Malka] Rubinstein, nee Mary Weinrib (Geddy Lee's mother), 1925-2021.

Posted by Joe on Tuesday, 07/6/2021 @ 12:24pm

It is now August 2, 2021- last month we had experienced the unfortunate and unexpected passings of Mary Weinrib (mother of Geddy Lee), Robby Steinhardt (former violinist and vocalist for Kansas) and Dusty Hill (bassist, vocalist and songwriter for ZZ Top). Each of these aforementioned individuals had contributed significantly to our planet and had helped to improve our world immensely and will greatly be missed. Rush had opened for both Kansas and ZZ Top in their earlier days, yet I am somewhat surprised to have not read of a mention of either of the passings on various websites.

Even so, I have been extremely busy with work for the past 7 consecutive months and I had strongly contemplated taking today off from work. Meanwhile, my SUV is once again in the shop and may not be ready until sometime later this week. I have also been busy with purchasing various items for my culinary hobby once again. It will probably not be until sometime later this month when I will be likely to begin to cook again. Meanwhile, I am eagerly awaiting the arrivals of my newly purchased 2 Breville Sous Chef Pro food processors, with both the 12 cup (arriving during late November) and the 16 cup capacity models (arriving sometime this month) and of course, the magnificent Breville Sous Chef 16 cup Peel and Dice food processor with 2 additional sets of dicing disk kits (arriving sometime prior to my 60th birthday) . Due to long delays for both of their aforementioned arrivals, I have had to purchase an additional model with various attachments through the manufacturer's website, in order to put together another working device before the end of this year.

Later this year and possibly early next year, I am also planning on purchasing both the Breville Super Q blender and the Breville 3X Bluicer Pro. That will probably complete my needs for small appliances for my culinary activities.

So what on earth does that have to do with Rush?

Well, what do you think?

Posted by Enigmaticus on Monday, 08/2/2021 @ 03:51am

It is now August 8, 2021- (Infinity Day). Last month we had experienced the unfortunate and unexpected passings of Mary Weinrib (mother of Geddy Lee), Robby Steinhardt (former violinist and vocalist for Kansas) and Dusty Hill (bassist, vocalist and songwriter for ZZ Top). Each of these aforementioned individuals had contributed significantly to our planet and had helped to improve our world immensely and will greatly be missed. Rush had opened for both Kansas and ZZ Top in their earlier days, yet I am somewhat surprised to have not read of a mention of either of their passings on the various Rush-related websites.

Even so, I have been extremely busy with work for the past 7 consecutive months. I have also been busy with purchasing various items for my culinary hobby once again. It will probably not be until sometime later this month when I will be likely to begin to cook again. Meanwhile, I am eagerly awaiting the arrivals of my newly purchased 2 Breville Sous Chef Pro food processors, with both the 12 cup (arriving during late November) and the 16 cup capacity models (which I have yet to inbox) and of course, the magnificent Breville Sous Chef 16 cup Peel and Dice food processor with 2 additional sets of dicing disk kits (arriving sometime prior to my 60th birthday) . Due to long delays for both of their aforementioned arrivals, I have had to purchase an additional model with various attachments through the manufacturer's website, in order to put together another working device before the end of this year. My latest acquisition will be the Breville Super Q Blender which has been scheduled to arrive sometime this week.

Later this year and possibly early next year, I am also planning on purchasing the Breville 3X Bluicer Pro and possibly, the Fresh and Furious blender. That will probably complete my needs for small appliances for most of my culinary activities.

So what on earth does that have to do with Rush?

Well, what do you think?

Posted by Enigmaticus on Sunday, 08/8/2021 @ 14:44pm

Today is the 30th anniversary of the release of "Roll The Bones."

By the way, I had originally written this entry 6 years ago.

Today is the 30th anniversary of the release of what I consider to be Rush's greatest studio album, "Roll The Bones."

I think that each of us eventually reach a point in our lives when we realize that we are no longer invincible. It is definitely a sobering thought. We do not like to talk about aging; in fact many of us do not even like to think about aging. Yet, due to some unforeseen circumstances we do. There are those individuals who appear to outwardly defy aging, One could speculate that perhaps they had made better choices in their lives, perhaps they had avoided those things which would have caused aging, Perhaps they have chosen a better dietary regimen, perhaps they have even had facial reconstructive surgery? Perhaps, defying aging may even be due to certain genetic factors.

Each of us, go through our lives making choices. Eventually each of those choices that we have made throughout our lives, have consequences. Sometimes we make the correct decisions and those consequences are benign. Other times, the consequences of our actions are not so benign.

Even though we might not like to think about it, we take chances on a daily basis. When we cross the street we take a chance, when we get behind the wheels of our vehicles, we take chances. When we invest in the stock market, we are taking chances. When we play the lottery, or gamble on a horse race, or at a casino, we are also taking chances. Ultimately, we are all gamblers and we are hinging our bets on the likeliest of outcomes. The greater the risk; the greater the potential reward, or the greater possible catastrophic failure. Some individuals seem to go through their lives without encountering such adverse outcomes. Others are not so lucky. So each of us, in turn, throw those metaphorical dice and await the possible outcome.

For several years prior, Geddy Lee had been criticized severely for his singing; after 1980, his vocals had improved tremendously.

By the time that "Roll The Bones" had arrived, his vocal prowess had reached new heights. As a result, several songs from "Roll The Bones" were placed on heavy rotation on the radio.

Consequently, "Roll The Bones" had reached the third position on the Billboard Charts and had become the latest Rush album to reach platinum certification. Contrary to popular belief, "Roll The Bones" is neither a "pop" album, nor a "hard rock" album. No instead, "Roll The Bones" is an "art rock" concept album whose songs focus on choice, chance and fate.

The first track, 'Dreamline' is one of Rush's finest efforts. The lyrics appear to focus on the ephemeral nature of our lives. We eventually arrive at the realization that our youth is fleeting and that the decisions that we have made when we are younger, either improve or adversely effect our later lives. The music on 'Dreamline' is extraordinary, although the ultimate version had featured the Clockwork Angels String Ensemble on Rush's most recent live offering, "Clockwork Angels Tour." For some reason, Rush's music has always sounded better when enhanced by symphonic accompaniment. 'Dreamline' has been regularly featured on most recent live Rush recordings.

'Bravado,' the second track on the album, is another masterpiece. Once again, the lyrics focus on choice and fate. The music is somewhat subdued, but there is a perfect marriage between music and lyrics. As a result, 'Bravado' has also been featured on most of Rush's recent live recordings.

The title track, 'Roll The Bones' is also one of Rush's finest efforts. It is a bit more controversial however, due to the 'rap' piece in the middle of the song. Consequently the song, 'Roll The Bones' has received either praise or criticism from much of Rush's fanbase. In my opinion, this folk song is enhanced by the hip hop elements. Others believe that "prog" and "rap" should never be mixed together.

The fourth song, 'Face Up' is probably my least favorite song on "Roll The Bones." Although 'Face Up' is a great song, it is just not as great as the other masterpieces on this album.

The only instrumental on "Roll The Bones," 'Where's My Thing' is a jazz fusion workout. It was the second Grammy nominated instrumental by Rush. It has been most recently featured live on "Clockwork Angels Tour," without the orchestral backing, however.

The sixth track, 'The Big Wheel' is probably the most Rush like track on this recording. It is another fine effort focusing upon the nature of fate, utilizing the spinning of a Roulette wheel as a metaphor regarding our choices in life and their consequences.

The seventh track, 'Heresy' discusses the nature of the post Cold War. In this case, it discusses those 'wasted years' focusing upon the contrast between the two ideologies and the results.

The eighth track on "Roll The Bones," 'Ghost Of A Chance' rivals 'Dreamline' as the greatest track on this album. Personally, it is my favorite track from this album. 'Ghost Of A Chance' is ostensibly a love song focusing upon the statistically improbable idea of finding one's true love. Lyrically, it parallels 'Dear God' by XTC. Once again, the lyrics and music are married perfectly together.

"Roll The Bones" ninth track, 'Neurotica' is a bit weird even for Rush. The lyrics are a bit unusual, but it is another instrumental tour de force.

The tenth track, 'You Bet Your Life' is another masterpiece, the rhyming section rivals 'Roll The Bones' as Rush's most experimental track. It is quite catchy and lyrically contrasts juxtaposed ideas along with a lilting chorus. Each verse makes further allusions to gambling.

Overall, "Roll The Bones" may be for a more mature audience. "Power Windows" had been my favorite Rush album for 26 years with "Roll The Bones" ranking second for over 20 years. Then, when I had reached the age of 50 in early 2012, "Roll The Bones" suddenly had much more meaning. As the lyrics from Dreamline attest to our ephemeral nature, "Roll The Bones" overall discusses our own mortality and that may be a subject, which may be a bit too uncomfortable for most people to deal with. In my honest opinion, "Roll The Bones" is another essential album by Rush!

Whether by plan or perhaps by design, many songs from "Roll The Bones" are regularly featured on either live recordings or best of Rush compilations. After "Roll The Bones" had been released, many critics had finally started to regard Rush in a more favorable manner. Rush had also started to receive more accolades. In my honest opinion, "Roll The Bones" may be the recording which had led directly to Rush's nomination and induction into Rock & Roll Hall Of Fame over 21 years later.

In my honest opinion, "Roll The Bones" represents Rush's greatest parallel with the works of 2018 Rock & Roll
Hall of Fame Inductee- The Moody Blues and of course, Duran Duran, who definitely deserves immediate induction into the Rock & Roll Hall Of Fame.

Well, what do you think?

Posted by Enigmaticus on Thursday, 09/2/2021 @ 23:43pm

Today is September 6, 2021. In 150 days; I will be 60 years old.

In a way, that is quite a sobering thought. My late father had only lived to be 70 years old and my late mother had lived slightly more than 91.5 years.

So, here I am rapidly approaching the age of 60. For over 40 years, I have been a huge aficionado of progressive rock. I have been listening to the music of The Moody Blues for 41 years. More than forty years ago, I had been introduced to the music of Yes and Pink Floyd, re-introduced to the music of Rush and had discovered the music of Genesis and Jethro Tull on my own. I had also purchased albums by Styx: "The Grand Illusion" and "Paradise Theater" and Kansas: "Point of Know Return," "Leftoverture," "Mask," "Song For America" and "Kansas." However, my purchases of albums by Rush, Yes and The Moody Blues would eventually dwarf all of the other discographies, although I had also purchased several Pink Floyd albums as well.

Well, what do you think?

Posted by Enigmaticus on Monday, 09/6/2021 @ 04:33am

Today is September 6, 2021. In 150 days, I will be 60 years old.

In a way, that is quite a sobering thought. My late father had only lived to be 70 years old and my late mother had lived slightly more than 91.5 years.

So, here I am rapidly approaching the age of 60. For over 40 years, I have been a huge aficionado of progressive rock. I have been listening to the music of The Moody Blues for 41 years. More than forty years ago, I had been introduced to the music of Yes and Pink Floyd, re-introduced to the music of Rush and had discovered the music of Genesis and Jethro Tull on my own. I had also purchased albums by Styx: "The Grand Illusion" and "Paradise Theater" and Kansas: "Point of Know Return," "Leftoverture," "Mask," "Song For America" and "Kansas." However, my purchases of albums by Rush, Yes and The Moody Blues would eventually dwarf all of the other discographies, although I had also purchased several Pink Floyd albums as well. I probably have more Yes recordings than those by any other group, with Rush, The Moody Blues, King Crimson and Duran Duran following closely behind.

Well, what do you think?

Posted by Enigmaticus on Monday, 09/6/2021 @ 20:05pm

Today is the 25th anniversary of the release of "Test For Echo," Rush's 16th studio album.

Well, what do you think?

Posted by Enigmaticus on Friday, 09/10/2021 @ 02:24am

I had been listening to "Dwellers Of The Deep" by Wobbler on Saturday and last night online while eating a broiled lobster tail that I had previously ordered from Red Lobster on Saturday. So, you could say that I had lobster with Wobbler.

Yesterday had also been the 69th anniversary of the birth of the late great Neil Peart.

Saturday evening, I had short conversations with two of my fellow "prog" aficionados- although we had discussed my latest culinary acquisitions in both cases. Yes, now I finally have one complete Breville Sous Chef 16 cup Peel and Dice food processor with the aforementioned separate Dicing kit and one complete Breville Sous Chef 12 Plus food processor. I am presently planning on returning to cooking again sometime in October.

For those who like reaction videos, you might be interested in checking out Dr. Douglas Helvering's You Tube Channel-The Daily Doug.

Well, what do you think?

Posted by Enigmaticus on Monday, 09/13/2021 @ 03:16am

For those who like watching reaction videos, you might be interested in checking out Dr. R. Douglas Helvering's You Tube Channel- "The Daily Doug."

Posted by Enigmaticus on Friday, 10/8/2021 @ 04:27am

Today is the 40th anniversary of the release of "Exit... Stage Left," my favorite live Rush recording, live prog recording and favorite prog album of all time and the 43rd anniversary of the release of "Hemispheres," the first studio album which had introduced me to the majestic music of Rush slightly more than 42 years ago.

Well, what do you think?

Posted by Enigmaticus on Friday, 10/29/2021 @ 08:15am

Since this past weekend had marked the 40th anniversary of the release of "Exit... Stage Left," I had worn each of my three ESL t-shirts for 3 consecutive days.

Well, what do you think?

Posted by Enigmaticus on Monday, 11/1/2021 @ 02:16am

On the 40th anniversary of "Exit... Stage Left."

This past Friday- October 29 was the day which I happened to refer to as the holiest of all "prog" holidays. Why was it so special? Because on this date, in different years, Rush had released two very different, yet very important albums. Although I had previously referred to this day as the "trifecta of prog," for a few years, I would later find out that the superlative studio recording, "Power Windows" had been released 17 days prior.

In 1978, Rush had released "Hemispheres," their last album to feature side-long epics. "Hemispheres" represents Rush's final overtly "symphonic progressive" rock studio recording. In my honest opinion, it is Rush's first studio masterpiece and the 4 songs featured on it are among Rush's best work, especially 'La Villa Strangiato," which happens to be Rush's greatest instrumental and is #012 on my list of favorite Rush songs. 'La Villa Strangiato,' subtitled (An exercise in self indulgence) epitomizes the apex of Rush's instrumental work. It always sounds fresh and Alex's guitar on this is haunting, yet startlingly beautiful. According to "Rush: Beyond The Lighted Stage," it is highly regarded by Kirk Hammett, of Metallica and Mike Portnoy, formerly of Dream Theater, for it's virtuosity.

"Hemispheres" also features, 'The Trees,' another song which has been interpreted as a metaphor for class struggle. 'Circumstances' is one of Rush's most poignant shorter songs. 'Cygnus X-1 Part II: Hemispheres,' is perhaps Rush's most overtly complex epic.

"Hemispheres" had been my first introduction to the magnificent music of Rush. I had first heard it on February 17, 1979, two weeks after my 17th birthday. I had later become more familiar with this recording 37 years ago, when I had been re-introduced to this album, in late October, 1980.

If "Hemispheres" had been the album which had introduced me to the splendor of Rush, then "Exit... Stage Left" had been the recording which had cemented my interest in the music of Rush and accordingly, all things musically progressive. The reason why I had become an aficionado of "prog" has been due for the most part, to my appreciation of this superlative live recording. For 40 consecutive years, "Exit... Stage Left" has been my favorite Rush live recording, my favorite Rush album, my favorite progressive live recording, my favorite progressive rock recording and my favorite album of all time. It has been the standard, by which I have judged other recordings. It has also been the primary reason, why I have thoroughly embraced various artists such as: Yes, The Moody Blues, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Gentle Giant, ELP, Talking Heads, Kansas, Electric Light Orchestra, Alan Parson's Project, Renaissance, Genesis, Peter Gabriel, Procol Harum, Jefferson Airplane, Echolyn, Wobbler, etc.

My appreciation of "Exit... Stage Left" has also been the reason why I have been open to listening to and appreciating the works of the so-called "New Age" artists. Those artists have included: Vangelis, Jean Michel Jarre, Andreas Vollenweider, Yanni and Shadowfax, amongst others. The reason why I have also enjoyed various types of jazz fusion, progressive soul and smooth jazz has been due in no small part, to my appreciation of this highly underrated live masterpiece. So what makes, "Exit... Stage Left" so great, other than it had been like a live version of Rush's greatest hits, at that time?

After "Hemispheres," Rush had decided to change direction and embrace the so-called "new wave," with it's emblematically shorter songs, therefore they had decided to give up their side-long epics. In so doing, they had felt like they had been creating songs which still had embraced the complexity of earlier works, but in a shorter format. As a result, Rush had become even more popular. "Exit... Stage Left," in my honest opinion, has represented a synthesis of the old and the new. It had also been Rush's last overt attempt to become the world's smallest symphony orchestra, their raison d' etre.

In my honest opinion, the minimalistic style set forth by "Permanent Waves" and "Moving Pictures" combined with the grandeur and virtuosity of "A Farewell To Kings" and "Hemispheres" had culminated in the superlative music on "Exit... Stage Left." "Exit... Stage Left" features the epic prog masterpieces, 'Xanadu' and 'Jacob's Ladder,' In addition to the instrumental tour de force, 'La Villa Strangiato' and the shorter, but equally intense, 'YYZ,' as well as Alex Lifeson's shorter classical guitar intro to 'The Trees,' 'Broon's Bane.' In fact, II has been my honest opinion, that the succession of songs from the epic, 'Jacob's Ladder' through 'Xanadu' has represented the finest symphonic progressive rock ever having been committed to vinyl or cd.

Well, what do you think?

Posted by Enigmaticus on Monday, 11/1/2021 @ 04:31am

On the 40th anniversary of the release of "Exit... Stage Left" and the 43rd anniversary of the release of "Hemispheres. "

This past Friday- October 29 was the day which I happened to refer to as the holiest of all "prog" holidays. Why was it so special? Because on this date, in different years, Rush had released two very different, yet very important albums. Although I had previously referred to this day as the "trifecta of prog," for a few years, I would later find out that the superlative studio recording, "Power Windows" had been released 17 days prior.

In 1978, Rush had released "Hemispheres," their last album to feature side-long epics. "Hemispheres" represents Rush's final overtly "symphonic progressive" rock studio recording. In my honest opinion, it is Rush's first studio masterpiece and the 4 songs featured on it are among Rush's best work, especially 'La Villa Strangiato," which happens to be Rush's greatest instrumental and is #012 on my list of favorite Rush songs. 'La Villa Strangiato,' subtitled (An exercise in self indulgence) epitomizes the apex of Rush's instrumental work. It always sounds fresh and Alex's guitar on this is haunting, yet startlingly beautiful. According to "Rush: Beyond The Lighted Stage," it is highly regarded by Kirk Hammett, of Metallica and Mike Portnoy, formerly of Dream Theater, for it's virtuosity.

"Hemispheres" also features, 'The Trees,' another song which has been interpreted as a metaphor for class struggle. 'Circumstances' is one of Rush's most poignant shorter songs. 'Cygnus X-1 Part II: Hemispheres,' is perhaps Rush's most overtly complex epic.

"Hemispheres" had been my first introduction to the magnificent music of Rush. I had first heard it on February 17, 1979, two weeks after my 17th birthday. I had later become more familiar with this recording 41 years ago, when I had been re-introduced to this album, in late October, 1980.

If "Hemispheres" had been the album which had introduced me to the splendor of Rush, then "Exit... Stage Left" had been the recording which had cemented my interest in the music of Rush and accordingly, all things musically progressive. The reason why I had become an aficionado of "prog" has been due for the most part, to my appreciation of this superlative live recording. For 40 consecutive years, "Exit... Stage Left" has been my favorite Rush live recording, my favorite Rush album, my favorite progressive live recording, my favorite progressive rock recording and my favorite album of all time. It has been the standard, by which I have judged other recordings. It has also been the primary reason, why I have thoroughly embraced various artists such as: Yes, The Moody Blues, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Gentle Giant, ELP, Talking Heads, Kansas, Electric Light Orchestra, Alan Parson's Project, Renaissance, Genesis, Peter Gabriel, Procol Harum, Jefferson Airplane, Echolyn, Wobbler, etc.

My appreciation of "Exit... Stage Left" has also been the reason why I have been open to listening to and appreciating the works of the so-called "New Age" artists. Those artists have included: Vangelis, Jean Michel Jarre, Andreas Vollenweider, Yanni and Shadowfax, amongst others. The reason why I have also enjoyed various types of jazz fusion, progressive soul and smooth jazz has been due in no small part, to my appreciation of this highly underrated live masterpiece. So what makes, "Exit... Stage Left" so great, other than it had been like a live version of Rush's greatest hits, at that time?

After "Hemispheres," Rush had decided to change direction and embrace the so-called "new wave," with it's emblematically shorter songs, therefore they had decided to give up their side-long epics. In so doing, they had felt like they had been creating songs which still had embraced the complexity of earlier works, but in a shorter format. As a result, Rush had become even more popular. "Exit... Stage Left," in my honest opinion, has represented a synthesis of the old and the new. It had also been Rush's last overt attempt to become the world's smallest symphony orchestra, their raison d' etre.

In my honest opinion, the minimalistic style set forth by "Permanent Waves" and "Moving Pictures" combined with the grandeur and virtuosity of "A Farewell To Kings" and "Hemispheres" had culminated in the superlative music on "Exit... Stage Left." "Exit... Stage Left" features the epic prog masterpieces, 'Xanadu' and 'Jacob's Ladder,' In addition to the instrumental tour de force, 'La Villa Strangiato' and the shorter, but equally intense, 'YYZ,' as well as Alex Lifeson's shorter classical guitar intro to 'The Trees,' 'Broon's Bane.' In fact, II has been my honest opinion, that the succession of songs from the epic, 'Jacob's Ladder' through 'Xanadu' has represented the finest symphonic progressive rock ever having been committed to vinyl or cd.

In order to properly celebrate this important milestone, I had worn each of my 3 Exit... Stage Left t- shirts for the past 3 consecutive days.

Well, what do you think?

Posted by Enigmaticus on Monday, 11/1/2021 @ 04:41am

On the 40th anniversary of the release of "Exit... Stage Left" and the 43rd anniversary of the release of "Hemispheres. "

This past Friday- October 29 was the day which I happened to refer to as the holiest of all "prog" holidays. Why was it so special? Because on this date, in different years, Rush had released two very different, yet very important albums. Although I had previously referred to this day as the "trifecta of prog," for a few years, I would later find out that the superlative studio recording, "Power Windows" had been released 17 days prior.

In 1978, Rush had released "Hemispheres," their last album to feature side-long epics. "Hemispheres" represents Rush's final overtly "symphonic progressive" rock studio recording. In my honest opinion, it is Rush's first studio masterpiece and the 4 songs featured on it are among Rush's best work, especially 'La Villa Strangiato," which happens to be Rush's greatest instrumental and is #012 on my list of favorite Rush songs. 'La Villa Strangiato,' subtitled (An exercise in self indulgence) epitomizes the apex of Rush's instrumental work. It always sounds fresh and Alex's guitar on this is haunting, yet startlingly beautiful. According to "Rush: Beyond The Lighted Stage," it is highly regarded by Kirk Hammett, of Metallica and Mike Portnoy, formerly of Dream Theater, for it's virtuosity.

"Hemispheres" also features, 'The Trees,' another song which has been interpreted as a metaphor for class struggle. 'Circumstances' is one of Rush's most poignant shorter songs. 'Cygnus X-1 Part II: Hemispheres,' is perhaps Rush's most overtly complex epic.

"Hemispheres" had been my first introduction to the magnificent music of Rush. I had first heard it on February 17, 1979, two weeks after my 17th birthday. I had later become more familiar with this recording 41 years ago, when I had been re-introduced to this album, in late October, 1980.

If "Hemispheres" had been the album which had introduced me to the splendor of Rush, then "Exit... Stage Left" had been the recording which had cemented my interest in the music of Rush and accordingly, all things musically progressive. The reason why I had become an aficionado of "prog" has been due for the most part, to my appreciation of this superlative live recording. For 40 consecutive years, "Exit... Stage Left" has been my favorite Rush live recording, my favorite Rush album, my favorite progressive live recording, my favorite progressive rock recording and my favorite album of all time. It has been the standard, by which I have judged other recordings. It has also been the primary reason, why I have thoroughly embraced various artists such as: Yes, The Moody Blues, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Gentle Giant, ELP, Talking Heads, Kansas, Electric Light Orchestra, Alan Parson's Project, Renaissance, Genesis, Peter Gabriel, Procol Harum, Jefferson Airplane, Echolyn, Wobbler, etc.

My appreciation of "Exit... Stage Left" has also been the reason why I have been open to listening to and appreciating the works of the so-called "New Age" artists. Those artists have included: Vangelis, Jean Michel Jarre, Andreas Vollenweider, Yanni and Shadowfax, amongst others. The reason why I have also enjoyed various types of jazz fusion, progressive soul and smooth jazz has been due in no small part, to my appreciation of this highly underrated live masterpiece. So what makes, "Exit... Stage Left" so great, other than it had been like a live version of Rush's greatest hits, at that time?

After "Hemispheres," Rush had decided to change direction and embrace the so-called "new wave," with it's emblematically shorter songs, therefore they had decided to give up their side-long epics. In so doing, they had felt like they had been creating songs which still had embraced the complexity of earlier works, but in a shorter format. As a result, Rush had become even more popular. "Exit... Stage Left," in my honest opinion, has represented a synthesis of the old and the new. It had also been Rush's last overt attempt to become the world's smallest symphony orchestra, their raison d' etre.

In my honest opinion, the minimalistic style set forth by "Permanent Waves" and "Moving Pictures" combined with the grandeur and virtuosity of "A Farewell To Kings" and "Hemispheres" had culminated in the superlative music on "Exit... Stage Left." "Exit... Stage Left" features the epic prog masterpieces, 'Xanadu' and 'Jacob's Ladder,' In addition to the instrumental tour de force, 'La Villa Strangiato' and the shorter, but equally intense, 'YYZ,' as well as Alex Lifeson's shorter classical guitar intro to 'The Trees,' 'Broon's Bane.' In fact, it has been my honest opinion, that the succession of songs from the epic, 'Jacob's Ladder' through 'Xanadu' has represented the finest symphonic progressive rock ever having been committed to vinyl or cd.

In order to properly celebrate this important milestone, I had worn each of my 3 Exit... Stage Left t- shirts for the past 3 consecutive days.

Well, what do you think?

Posted by Enigmaticus on Monday, 11/1/2021 @ 18:56pm

On the 40th anniversary of the release of "Exit... Stage Left" and the 43rd anniversary of the release of "Hemispheres. "

This past Friday- October 29 was the day which I happened to refer to as the holiest of all "prog" holidays. Why was it so special? Because on this date, in different years, Rush had released two very different, yet very important albums. Although I had previously referred to this day as the "trifecta of prog," for a few years, I would later find out that the superlative studio recording, "Power Windows" had been released 15 days prior to that date, i.e. on October 14, 1985.

In 1978, Rush had released "Hemispheres," their last album to feature side-long epics. "Hemispheres" represents Rush's final overtly "symphonic progressive" rock studio recording. In my honest opinion, it is Rush's first studio masterpiece and the 4 songs featured on it are among Rush's best work, especially 'La Villa Strangiato," which happens to be Rush's greatest instrumental and is #012 on my list of favorite Rush songs. 'La Villa Strangiato,' subtitled (An exercise in self indulgence) epitomizes the apex of Rush's instrumental work. It always sounds fresh and Alex's guitar on this is haunting, yet startlingly beautiful. According to "Rush: Beyond The Lighted Stage," it is highly regarded by Kirk Hammett, of Metallica and Mike Portnoy, formerly of Dream Theater, for it's virtuosity.

"Hemispheres" also features, 'The Trees,' another song which has been interpreted as a metaphor for class struggle. 'Circumstances' is one of Rush's most poignant shorter songs. 'Cygnus X-1 Part II: Hemispheres,' is perhaps Rush's most overtly complex epic.

"Hemispheres" had been my first introduction to the magnificent music of Rush. I had first heard it on February 17, 1979, two weeks after my 17th birthday. I had later become more familiar with this recording 41 years ago, when I had been re-introduced to this album, in late October, 1980.

If "Hemispheres" had been the album which had introduced me to the splendor of Rush, then "Exit... Stage Left" had been the recording which had cemented my interest in the music of Rush and accordingly, all things musically progressive. The reason why I had become an aficionado of "prog" has been due for the most part, to my appreciation of this superlative live recording. For 40 consecutive years, "Exit... Stage Left" has been my favorite Rush live recording, my favorite Rush album, my favorite progressive live recording, my favorite progressive rock recording and my favorite album of all time. It has been the standard, by which I have judged other recordings. It has also been the primary reason, why I have thoroughly embraced various artists such as: Yes, The Moody Blues, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Gentle Giant, ELP, Talking Heads, Kansas, Electric Light Orchestra, Alan Parson's Project, Renaissance, Genesis, Peter Gabriel, Procol Harum, Jefferson Airplane, Echolyn, Wobbler and others.

My appreciation of "Exit... Stage Left" has also been the reason why I have been open to listening to and appreciating the works of the so-called "New Age" artists. Those artists have included: Vangelis, Jean Michel Jarre, Andreas Vollenweider, Yanni and Shadowfax, amongst others. The reason why I have also enjoyed various types of jazz fusion, progressive soul and smooth jazz has been due in no small part, to my appreciation of this highly underrated live masterpiece. So what makes, "Exit... Stage Left" so great, other than it had been like a live version of Rush's greatest hits, at that time?

After "Hemispheres," Rush had decided to change direction and embrace the so-called "new wave," with it's emblematically shorter songs, therefore they had decided to give up their side-long epics. In so doing, they had felt like they had been creating songs which still had embraced the complexity of earlier works, but in a shorter format. As a result, Rush had become even more popular. "Exit... Stage Left," in my honest opinion, has represented a synthesis of the old and the new. It had also been Rush's last overt attempt to become the world's smallest symphony orchestra, their raison d' etre.

In my honest opinion, the minimalistic style set forth by "Permanent Waves" and "Moving Pictures" combined with the grandeur and virtuosity of "A Farewell To Kings" and "Hemispheres" had culminated in the superlative music on "Exit... Stage Left." "Exit... Stage Left" features the epic prog masterpieces: 'Xanadu' and 'Jacob's Ladder,' In addition to the instrumental tour de force, 'La Villa Strangiato' and the shorter, but equally intense, 'YYZ,' as well as Alex Lifeson's shorter classical guitar intro to 'The Trees,' 'Broon's Bane.' In fact, it has been my honest opinion, that the succession of songs from the epic, 'Jacob's Ladder' through 'Xanadu' has represented the finest symphonic progressive rock ever having been committed to vinyl or cd.

In order to properly celebrate this important milestone, I had worn each of my 3 Exit... Stage Left t- shirts for the 3 consecutive days this past weekend.

Well, what do you think?

Posted by Enigmaticus on Thursday, 11/4/2021 @ 02:21am

Today is November 5, 2021.

In 90 days, I will be 60 years old.

Rush has many anniversaries to celebrate this month:

November 19- 8th anniversary of the release of "Clockwork Angels Tour," my second favorite live Rush album, only slightly eclipsed by "Exit... Stage Left."

November 21- 32nd anniversary of the release of "Presto," my second favorite Rush studio album after "Roll The Bones."

Also,

November 3 was the 5th anniversary of "Rush: Time Stand Still." (Documentary)

November 8 - 10th anniversary of the release of "Time Machine 2011: Live In Cleveland."

November 10- 22nd anniversary of the release of "Different Stages."

November 13- 12th anniversary of the release of "Working Men."

November 20- 6th anniversary of the release of "R40 Live."

November 22- 16th anniversary of the release of "R30: 30th Anniversary World Tour."

Well, what do you think?

Posted by Enigmaticus on Friday, 11/5/2021 @ 04:23am

Today is November 5, 2021.

In 90 days, I will be 60 years old.

Rush has many anniversaries to celebrate this month:

November 19- 8th anniversary of the release of "Clockwork Angels Tour," my second favorite live Rush album, only slightly eclipsed by "Exit... Stage Left."

November 21- 32nd anniversary of the release of "Presto," my second favorite Rush studio album after "Roll The Bones."

Also,

November 3 was the 5th anniversary of the release of "Rush: Time Stand Still." (Documentary)

November 8 - 10th anniversary of the release of "Time Machine 2011: Live In Cleveland."

November 10- 22nd anniversary of the release of "Different Stages."

November 13- 12th anniversary of the release of "Working Men."

November 20- 6th anniversary of the release of "R40 Live."

November 22- 16th anniversary of the release of "R30: 30th Anniversary World Tour."

Well, what do you think?

Posted by Enigmaticus on Friday, 11/5/2021 @ 04:35am

Today is November 7, 2021.

In 88 days, I will be 60 years old.

By the way, Rush has many anniversaries to celebrate this month:

November 19- 8th anniversary of the release of "Clockwork Angels Tour," my second favorite live Rush album, only slightly eclipsed by "Exit... Stage Left."

November 21- 32nd anniversary of the release of "Presto," my second favorite Rush studio album after "Roll The Bones."

Also,

November 3 was the 5th anniversary of the release of "Rush: Time Stand Still." (Documentary)

November 8 - 10th anniversary of the release of "Time Machine 2011: Live In Cleveland."

November 10- 22nd anniversary of the release of "Different Stages."

November 13- 12th anniversary of the release of "Working Men."

November 20- 6th anniversary of the release of "R40 Live."

November 22- 16th anniversary of the release of "R30: 30th Anniversary World Tour."

Well, what do you think?

Posted by Enigmaticus on Sunday, 11/7/2021 @ 11:06am

Today is November 9, 2021.

Yesterday was the 10th anniversary of the release of "Time Machine 2011: Live In Cleveland" which is notable for featuring "Moving Pictures" in it's entirety. Also, this sensational track listing had featured: 'Faithless' from "Snakes & Arrows" (my 10th favorite Rush song) and 'Caravan' and 'BU2B' from their then yet to be released studio recording "Clockwork Angels." Overall, I rank it 17th on my list of favorite Rush recordings.

Tomorrow is the 23rd anniversary of the release of "Different Stages," considered by Prog Archives to be the 50th greatest live prog album of all time and by Digital Dream Door to be the greatest live progressive rock album of all time. In contrast, my favorite live progressive rock album, "Exit... Stage Left" is tenth on their list. In my honest opinion, "Different Stages" (14th on my list of favorite Rush recordings) certainly has quite a few attributes to recommend listening to it- however I still do not think that this recording is either the best live prog recording of all time, nor do I think that it is the 50th best.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 11/9/2021 @ 11:57am

Speaking of Rush, here is my most recent assessment of their studio and live recordings:

To put it in a nutshell, very simply and concisely, "I am not a fan of screaming, nor screeching vocals," that is why I detest AC/DC so strongly and why I have ranked the Rush studio and live albums, accordingly. Once again, here is that list of Rush's studio and live recordings from least favorite to most favorite:

30. Rush (1974) (**)
29. All The World's A Stage (1976) (**)

28. Fly By Night (1975) (** 1/2)

27. Feedback (2004) (***)

26. 2112 (1976) (*** 1/2)
25. Caress Of Steel (1975) (***1/2)
24. Rush in Rio (2003) (*** 1/2)

23. Grace Under Pressure (1984) (****)
22. Vapor Trails (2002) (****)
21. A Show Of Hands (1989) (****)

20. A Farewell To Kings (1977) (**** 1/2)
19. Counterparts (1993) (**** 1/2)
18. Hold Your Fire (1987) (**** 1/2)
17. Time Machine 2011: Live In Cleveland (2011) (**** 1/2)

16. Test For Echo (1996) (*****)
15. Hemispheres (1978) (*****)
14. Different Stages (1998) (*****)
13. Snakes & Arrows (2007) (*****)
12. Signals (1982) (*****)
11. Snakes & Arrows Live (2008) (*****)
10. Permanent Waves (1980) (*****)
09. Moving Pictures (1981) (*****)
08. R30: 30th Anniversary Tour (2005) (*****)
07. Clockwork Angels (2012) (*****)
06. Power Windows (1985) (*****)

05. R40 Live (2015) (*****)
04. Presto (1989) (***** +)
03. Roll The Bones (1991) (***** +)
02. Clockwork Angels Tour (2013) (***** ++)
01. Exit... Stage Left (1981) (***** +++)

Well, what do you think?

Posted by Enigmaticus on Tuesday, 11/9/2021 @ 12:06pm

PaulinKY and others,

Just to let you know-

Wobbler has released several studio recordings from their back catalog on cd and vinyl:

1. Dwellers Of The Deep (2020) (*****)

2. From Silence To Somewhere (2017) (**** 1/2)

3. Rites At Dawn (2011)

4. Afterglow (2009)

5. Hinterland (2005)

6. Wobbler I-III (2021) on Vinyl & digital album

You can purchase them at bandcamp.com and on Wobbler's official website.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 11/9/2021 @ 12:40pm

Enig, thank you for that Wobbler info. See your birthday is coming up. Hope you have a great one!

Posted by Paul in KY on Tuesday, 11/9/2021 @ 15:28pm

Eight years ago today, Rush had released "Clockwork Angels Tour."

In my honest opinion, this is a phenomenal live recording made even more extraordinary through the addition of a nine member string ensemble. As far as I am concerned whenever anything can be done to bring about the enhancement of Rush's songs, it is always better. The Clockwork Angels String Ensemble is composed of great musicians who have redefined Rush as a symphonic progressive rock band; their interpretations of songs from "Clockwork Angels" are precise, uplifting and beautiful, providing each of these songs with a dramatic flair which would further improve Rush's already superlative compositions. Not surprisingly, the bulk of the material comes from the "Clockwork Angels" studio album. The remainder of the material comes from two of their more popular studio recordings: "Power Windows" (Manhattan Project) and "Roll The Bones" (Dreamline). There are also songs from "Grace Under Pressure" (Red Sector A) and "Moving Pictures" (YYZ) which also feature this symphonic enhancement.

The first set is a hodgepodge of earlier Rush classics, beginning with 'Subdivisions' from "Signals" and concluding with 'Far Cry' from "Snakes & Arrows." Much of this set is dominated by songs from "Power Windows," including 'The Big Money,' 'Grand Designs' and 'Territories', "Roll The Bones" is represented by 'Bravado' and 'Where's My Thing' and the remaining songs are either from "Signals" (The Analog Kid), or "Grace Under Pressure" (The Body Electric), or "Hold Your Fire," (Force Ten). These are all great songs, although I think that 'Bravado' would have been another great song to re-interpret with the addition of the string ensemble.

The second set and a portion of the third set however is what makes this recording really spectacular. First of all, let me say that I am not and have never been, a Rush purist. In my honest opinion, whatever can be done to improve their work is perfectly acceptable. Therefore, the songs on this disc are enhanced by the support of the Clockwork Angels String Ensemble. Beginning with 'Caravan,' we are led on a personal journey through some individual's life. 'Caravan' is extraordinary and sets the stage for the sublime 'Clockwork Angels,' the gripping 'Anarchist,' the dark and moody 'Carnies,' the intensely sad, but beautiful 'The Wreckers,' the energetic 'Headlong Flight,' the serene 'Halo Effect,' the intense 'Seven Cities Of Gold,' the reflective 'Wish You Well' and the superlative 'The Garden.' 'The Garden' has the elements which have made it an instant classic, it is sublime, understated and ethereal. Geddy Lee's singing reaches a new level of calmness, heretofore unknown.

The third set begins with the extraordinary 'Dreamline,' from the magnificent album "Roll The Bones." To those detractors who do not like "Roll The Bones," for some unknown reason, one cannot deny that Geddy Lee's voice had never been better before, nor since the release of that recording. On this particular song, the Clockwork Angels String Ensemble adds greatly to the overall atmosphere of 'Dreamline.' In my honest opinion, this version is even better than that on "Roll The Bones." The remainder of the songs, 'Red Sector A' and 'YYZ' benefit greatly from the String ensemble which adds more depth and texture to each of these songs. Of course, I was not surprised by yet another version of those Rush staples, 'The Spirit Of Radio,' 'Tom Sawyer,' and '2112,' but 'Middletown Dreams,' 'The Pass' and 'Manhattan Project' were spectacular. Conclusion: I highly recommend this recording; it is one of Rush's best live albums! I will give it a rating of (*****).

Well, what do you think?

Posted by Enigmaticus on Friday, 11/19/2021 @ 07:17am

Today is November 20, 2021.

Six years ago today, Rush had released "R40 Live," Rush's final live recording to date, Unlike the previous live album, "Clockwork Angels Tour," which is second on my list of Rush's favorite live recordings, I did not attend this particular Rush concert.

Overall, I have only seen Rush perform 3 times in a live setting. My final Rush concert was on November 25, 2012 a few weeks prior to the announcement of Rush becoming a member of the 2013 Rock & Roll Hall Of Fame Induction class. Strangely enough, that particular concert in Phoenix had been one of the three venues where Rush had decided to record the concert live, the other two concert locations were in Dallas, Texas and San Antonio, Texas respectively.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/20/2021 @ 05:43am

Paul in KY,

Thank you. It is sometimes hard for me to believe that I will be 60 in 75 days.

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/20/2021 @ 11:37am

Today is November 21, 2021.

32 years ago, "Presto" had been released.

52 years ago, "To Our Children's Children's Children" by The Moody Blues had been released.

Well, what do you think?

Posted by Enigmaticus on Sunday, 11/21/2021 @ 01:26am

Today is November 27, 2021. In 68 days, I will be 60 years old.

Speaking of Rush, here is my most recent assessment of their studio and live recordings:

To put it in a nutshell, very simply and concisely, "I am not a fan of screaming, nor screeching vocals," that is why I detest AC/DC so strongly and why I have ranked the Rush studio and live albums, accordingly. Once again, here is that list of Rush's studio and live recordings from least favorite to most favorite:

30. Rush (1974) (**)
29. All The World's A Stage (1976) (**)

28. Fly By Night (1975) (** 1/2)

27. Feedback (2004) (***)

26. 2112 (1976) (*** 1/2)
25. Caress Of Steel (1975) (***1/2)
24. Rush in Rio (2003) (*** 1/2)

23. Grace Under Pressure (1984) (****)
22. Vapor Trails (2002) (****)
21. A Show Of Hands (1989) (****)

20. A Farewell To Kings (1977) (**** 1/2)
19. Counterparts (1993) (**** 1/2)
18. Hold Your Fire (1987) (**** 1/2)
17. Time Machine 2011: Live In Cleveland (2011) (**** 1/2)

16. Test For Echo (1996) (*****)
15. Hemispheres (1978) (*****)
14. Different Stages (1998) (*****)
13. Snakes & Arrows (2007) (*****)
12. Signals (1982) (*****)
11. Snakes & Arrows Live (2008) (*****)
10. Permanent Waves (1980) (*****)
09. Moving Pictures (1981) (*****)
08. R30: 30th Anniversary Tour (2005) (*****)
07. Clockwork Angels (2012) (*****)
06. Power Windows (1985) (*****)

05. R40 Live (2015) (*****)
04. Presto (1989) (***** +)
03. Roll The Bones (1991) (***** +)
02. Clockwork Angels Tour (2013) (***** ++)
01. Exit... Stage Left (1981) (***** +++)

Well, what do you think?

Posted by Enigmaticus on Saturday, 11/27/2021 @ 11:44am

Another shift in my favorite prog bands has occurred recently.

Here are my top 20 progressive rock artists, as of today:

20. Asia
19. Alan Parsons Project
18. Supertramp
17. Procol Harum
16. Peter Gabriel
15. Genesis
14. Renaissance
13. Electric Light Orchestra
12. Jefferson Airplane
11. Kansas
10. Talking Heads
09. Gentle Giant
08. Pink Floyd
07. Jethro Tull
06. Duran Duran
05. King Crimson
04. Wobbler
03. The Moody Blues
02. Yes
01. Rush

Well, what do you think?

Posted by Enigmaticus on Saturday, 12/4/2021 @ 20:06pm

Enigmaticus, how familiar are you with Neo-Prog bands like Porcupine Tree, King's X or Spock's Beard? Or Dream Theater, Opeth and Coheed and Cambria? And where's Emerson, Lake & Palmer???

Posted by Johnny on Saturday, 12/4/2021 @ 20:24pm

Johnny,

That's a good and valid point; Thank you for reminding me, that I forgot Emerson, Lake & Palmer.

Let me rectify that list once, again. I own or have owned almost every single album by each of these artists, with the exception of "9012 Live" by Yes and a few others.

20. Jefferson Airplane
19. Alan Parsons Project
18. Supertramp
17. Procol Harum
16. Peter Gabriel
15. Genesis
14. Renaissance
13. Electric Light Orchestra
12. Emerson, Lake & Palmer
11. Kansas
10. Talking Heads
09. Gentle Giant
08. Pink Floyd
07. Jethro Tull
06. Duran Duran
05. King Crimson
04. Wobbler
03. The Moody Blues
02. Yes
01. Rush

As far as the other bands are concerned:

Porcupine Tree- I do not own a single album by them. I have heard their work, but it did not really resonate with me on any level.
King's X- I have never heard any of their music.
Spock's Beard- I have never heard any of their music.
Dream Theater- I own quite a few albums by them, but I do not own their entire discography. I like a few songs by them, but not any albums in their entirety. For example, I really enjoy 'On The Backs Of Angels' from "A Dramatic Turn Of Events,' but only that song on that entire album. Similarly, I also like 'Silent Lucidity,' from "Empire," by Queensryche, but only that song.
Opeth- I do not own any albums by them at this time.
Coheed & Cambria- What I have heard by them, I think is absolutely amazing. I have not purchased any albums by them, however.

Posted by Enigmaticus on Sunday, 12/5/2021 @ 01:42am

In 60 days, I will be 60 years old.

In 74 days, I will celebrate the 43rd anniversary of my introduction to the music of Rush via "Hemispheres."

Next year, there are several Rush anniversaries to celebrate:

On May 1, "Snakes & Arrows" will turn 15.

On May 14, "Vapor Trails" will turn 20.

On June 12, "Clockwork Angels" will turn 10.

On September 1, "A Farewell To Kings" will turn 45.

On September 9, "Signals" will turn 40.

Also, June 7th will mark the 30th anniversary of my first live Rush concert.

"Clockwork Angels Tour" will celebrate it's 9th anniversary of it's release on November 19.

The video version of "Exit... Stage Left" will celebrate it's 40th anniversary of it's release on February 13.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/5/2021 @ 23:06pm

Today is December 12, 2021. I will be wearing my Rush, "Exit... Stage Left" tee shirt most of today. In other news, I have ordered two whale tee shirts from the "Sea Of Tranquility" on-line store," I plan on ordering even more of these tee shirts later this year and perhaps next year. In case you are wondering, Sea of Tranquility is a great website that features discussions by music journalist Pete Pardo and many others about "prog rock," "hard rock" and "heavy metal."

I have been present here somewhat less frequently, since I have had an extremely busy work year. In the interim winding down period, I have increased my on-line presence on several youtube sites. I am still supporting Professor Douglas Helvering's site: "The Daily Doug" and I have also found a plethora of other sites to contribute to.

Does this mean that I will still be on Future Rock Legends? Of course, I still enjoy engaging with most of you on the topics related to the Rock & Roll Hall Of Fame. I am always eager to introduce prog enthusiasts to new bands and introduce other individuals to prog and it's many facets.

In 53 days, I will be 60 years old and in 67 days, I will celebrate the 43rd anniversary of my introduction to the music of Rush via "Hemispheres." In late May, I will also celebrate the 25th anniversary of the creation of my long - archived website: "AKD's Art Rock Site." I will definitely be looking forward to the 50th anniversary of the release of "Close To The Edge" by Yes on September 13, 2022, as well as other major prog album's anniversaries.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/12/2021 @ 11:41am

Nine years ago yesterday, Rush had been announced as one of the Inductees to the 2013 Class of the Rock & Roll Hall Of Fame. For many of us, that had been a 15 year long event in the making. Four years later, the Electric Light Orchestra and Yes had joined them. In fact, Geddy Lee and Alex Lifeson had finally appropriately inducted Yes into the Rock & Roll Hall Of Fame in April, 2017. Although, Pearl Jam had been the closers of the 2017 Rock & Roll Hall Of Fame Induction Ceremony, the evening had still been billed as a "prog rock" gala.

In 2018, The Moody Blues had also finally joined them. After several decades of eligibility, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had justifiably been inducted into the Rock & Roll Hall Of Fame. One year later- Roxy Music, The Zombies and Radiohead had also joined them. Everything had started to look much better for the "progressive rock" genre overall until the 2020 Nomination list had come out with nary a "prog" band on the list. The closest artists to prog had been the late great Lemmy Kilmister of Motörhead, formerly of Hawkwind. The closest inductees had been Depeche Mode and of course, The Doobie Brothers whose former member Tiran Porter had released a solo album with progressive songs on it. Former Rush percussionist and lyricist extraordinaire Neil Peart had unexpectedly passed away after a 3 1/2 year battle with Glioblastoma on January 7, 2020. Now one of the greatest prog bands of all time, Rush had unfortunately become non-extant. With Yes split in half, into two competing factions with former members- Jon Anderson and Rick Wakeman of Classic Yes featuring Anderson, Rabin and Wakeman and Yes featuring Steve Howe and Alan White of Classic Yes competing against each other, the future seems uncertain. Finally, The Moody Blues have decided not to release any more recordings, however John Lodge and Justin Hayward now seem content to tour as solo artists. So, it appears that unfortunately the "holy trinity" of prog are fading away quickly. So, who will take their place?

Of course, rock music not unlike nature tends to abhor a vacuum. So, fortunately there is always a silver lining to this, believe it or not. Now, a relatively new band (at least in prog time terms) from Norway called Wobbler (which has only been around since 1999) consists of 5 extraordinary musicians- keyboardist and songwriter extraordinaire Lars Fredrik Frøislie, guitarist extraordinaire Geir Marius Halleland, bassist and woodwind maestro Kristian Hultgren, hyperkinetic drummer extraordinaire Martin Nordrum Kneppen and finally multi-instrumentalist, vocalist, lyricist and singer/songwriter extraordinaire Andreas Wettergreen Stromman Prestmo have recorded their fifth album,"Dwellers Of The Deep"; the single of which titled 'Five Rooms' draws influences from groups, such as: Yes, King Crimson, Genesis, Gentle Giant, Rush and others. 'Five Rooms' is available to be seen on YouTube and at Wobbler's official website. I highly encourage my fellow prog aficionados to check them out and give them a listen; you will not be disappointed.

In neither 2020, nor 2021 were any major "prog" acts either nominated, nor inducted so the "prog" train had unfortunately been derailed. However, in 2022, the second year of the third decade of the 21st century, there will now be a renewed hope that Duran Duran, Jethro Tull and possibly Kansas will finally be nominated and inducted. There is also a renewed hope that Procol Harum, Supertramp, Styx, King Crimson and ELP amongst others will finally be inducted into the Rock Hall within the next several years, thereafter.

Well, what do you think?

Posted by Enigmaticus on Sunday, 12/12/2021 @ 23:29pm

Today is December 28, 2021, in 3 more days this year will finally be over. In approximately 37 more days, I will turn 60 and in 51 days, I will celebrate the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording, "Hemispheres."

I had recently ordered 3 Sea of Tranquility "Space Whales" t- shirts and have started to wear them on an alternating basis. Over the past year, Wobbler has become my 4th favorite progressive rock band of all time, narrowly edging out King Crimson. King Crimson is now my 5th favorite prog band and Duran Duran is my sixth favorite prog band overall.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 12/28/2021 @ 03:15am

Posted by Enigmaticus on Wednesday, 12/29/2021 @ 10:59am

Today is December 29, 2021; there are 2 days remaining in this year. In approximately 36 days, I will be 60 years old. In 50 more days, I will celebrate the 43rd anniversary of my introduction to the music of Rush via the superlative studio recording: "Hemispheres."

Lately, I have become quite an ardent enthusiast for the music of Wobbler- a magnificent Norwegian symphonic progressive rock band. My most recent purchases have been their previous studio recordings: "Hinterland" (2005), "Afterglow" (2009) and "Rites At Dawn" (2011). I had previously purchased "Dwellers Of The Deep" (2020) and "From Silence To Somewhere" (2017). It will be my utmost pleasure to delve through their back catalog while driving my SUV to work and elsewhere in southern Arizona. I had started to become very interested in Wobbler when I had read an article on them in issue #115 of PROG Magazine. Therefore, I had ordered numerous copies of "Dwellers Of The Deep" and "From Silence To Somewhere."

Several months ago, I had written this review:

While the dissolution of Rush as an entity had definitely been a very hard pill to take, the splitting of Yes into two separate camps and the two members of The Moody Blues going solo definitely had been even harder to take. Saying goodbye to the "holy trinity" of prog (Rush, Yes and The Moody Blues) had for the most part, left me numb.

Of course, rock music not unlike nature tends to abhor a vacuum. So, fortunately there is always a silver lining to this, believe it or not. Now, a relatively new band (or, at least in prog time terms) from Norway called Wobbler (which has only been around since 1999) consists of 5 extraordinary musicians- keyboardist and songwriter extraordinaire Lars Fredrik Frøislie, guitarist extraordinaire Geir Marius Halleland, bassist and woodwind maestro Kristian Karl Hultgren, hyperkinetic drummer extraordinaire Martin Nordrum Kneppen and finally multi-instrumentalist, vocalist, lyricist and singer/songwriter extraordinaire Andreas Wettergreen Stromman Prestmo. Wobbler have recorded their fifth album,"Dwellers Of The Deep"; the single of which titled 'Five Rooms' draws influences from groups, such as: Yes, King Crimson, Genesis, Gentle Giant, Rush and others. 'Five Rooms' is available to be seen on YouTube and at Wobbler's official website. I highly encourage my fellow prog aficionados to check them out and give them a listen; you will not be disappointed. By the way, in addition to these gentlemen being magnificent instrumentalists, they are also really great guys.

In my honest opinion, the presence of Wobbler ensures that prog will continue to live on for generations to come.

Wobbler is probably the best thing to come about in progressive rock, since the formation of the "holy trinity" of prog, or perhaps even the release of King Crimson's monumental debut album: "In The Court of The Crimson King."

Two weeks ago on Saturday, I had re-listened to "Dwellers of the Deep" and "From Silence To Somewhere" by Wobbler in their entirety. Having re-listened to these recordings several more times during the past year, 'Five Rooms' definitely stands out (in my honest opinion) as the standout track on "Dwellers Of The Deep." Although, I had also thoroughly enjoyed the beautiful 'Naiad Dreams,' the introspective 'By The Banks' (my second favorite track) and the quirky 'Merry Macabre,' I think that 'Five Rooms' had definitely been quite astonishing and may quite possibly become Wobbler's signature track. In my honest opinion, 'Five Rooms' is incredibly brilliant from start to finish and probably incorporates most of Wobbler's best attributes, overall. I will definitely be looking forward to more such Wobbler masterpieces in the not too distant future. Here are my favorite songs in reverse order on "Dwellers Of The Deep."

04. Merry Macabre (9.25) (*****)
03. Naiad Dreams (9.50) (*****)
02. By The Banks (9.75) (*****)
01. Five Rooms (10.00) (*****)

Overall, I would give this particular recording a rating of (*****) at this time.

My review of "From Silence To Somewhere" will arrive later.

Lately, I have introduced the music of Wobbler to several prog aficionados at work and elsewhere. I had been particularly impressed by Pete Pardo of "Sea Of Tranquility" for his enthusiastic support of this superlative symphonic progressive rock band. You can read Pete's reviews of Wobbler's studio recordings on his "Sea Of Tranquility" website.

While watching a previous episode of "In The Prog Seat," (another great discussion show from "Sea of Tranquility" which airs on Tuesday night) yesterday," Steven Reid of Scotland had mentioned that his favorite progressive rock album from his graduation year was "Roll The Bones" (1991). Of course, for those of you who are newcomers to this site, "Roll The Bones" has been my favorite Rush studio recording for nearly 10 consecutive years and my second favorite Rush studio recording for the 20 years prior.

I had written a rather lengthy opinion about "Roll The Bones" over 6 years ago, I had updated it on the 30th anniversary. .

September 3, 2021 was the 30th anniversary of the release of "Roll The Bones."

September 3 was the 30th anniversary of the release of what I consider to be Rush's greatest studio album, "Roll The Bones."

I think that each of us eventually reach a point in our lives when we realize that we are no longer invincible. It is definitely a sobering thought. We do not like to talk about aging; in fact many of us do not even like to think about aging. Yet, due to some unforeseen circumstances we do. There are those individuals who appear to outwardly defy aging, One could speculate that perhaps they had made better choices in their lives, perhaps they had avoided those things which would have caused aging, Perhaps they have chosen a better dietary regimen, perhaps they have even had facial reconstructive surgery? Perhaps, defying aging may even be due to certain genetic factors.

Each of us, go through our lives making choices. Eventually each of those choices that we have made throughout our lives, have consequences. Sometimes we make the correct decisions and those consequences are benign. Other times, the consequences of our actions are not so benign.

Even though we might not like to think about it, we take chances on a daily basis. When we cross the street we take a chance, when we get behind the wheels of our vehicles, we take chances. When we invest in the stock market, we are taking chances. When we play the lottery, or gamble on a horse race, or at a casino, we are also taking chances. Ultimately, we are all gamblers and we are hinging our bets on the likeliest of outcomes. The greater the risk; the greater the potential reward, or the greater possible catastrophic failure. Some individuals seem to go through their lives without encountering such adverse outcomes. Others are not so lucky. So each of us, in turn, throw those metaphorical dice and await the possible outcome.

For several years prior, Geddy Lee had been criticized severely for his singing; after 1980, his vocals had improved tremendously.

By the time that "Roll The Bones" had arrived, his vocal prowess had reached new heights. As a result, several songs from "Roll The Bones" were placed on heavy rotation on the radio.

Consequently, "Roll The Bones" had reached the third position on the Billboard Charts and had become the latest Rush album to reach platinum certification. Contrary to popular belief, "Roll The Bones" is neither a "pop" album, nor a "hard rock" album. No instead, "Roll The Bones" is an "art rock" or "prog rock" concept album whose songs focus on choice, chance and fate.

The first track, 'Dreamline' is one of Rush's finest efforts. The lyrics appear to focus on the ephemeral nature of our lives. We eventually arrive at the realization that our youth is fleeting and that the decisions that we have made when we are younger, either improve or adversely effect our later lives. The music on 'Dreamline' is extraordinary, although the ultimate version had featured the Clockwork Angels String Ensemble on Rush's most recent live offering, "Clockwork Angels Tour." For some reason, Rush's music has always sounded better when enhanced by symphonic accompaniment. 'Dreamline' has been regularly featured on most recent live Rush recordings.

'Bravado,' the second track on the album, is another masterpiece. Once again, the lyrics focus on choice and fate. The music is somewhat subdued, but there is a perfect marriage between music and lyrics. As a result, 'Bravado' has also been featured on most of Rush's recent live recordings.

The title track, 'Roll The Bones' is also one of Rush's finest efforts. It is a bit more controversial however, due to the 'rap' piece in the middle of the song. Consequently the song, 'Roll The Bones' has received either praise or criticism from much of Rush's fanbase. In my opinion, this folk song is enhanced by the hip hop elements. Others believe that "prog" and "rap" should never be mixed together.

The fourth song, 'Face Up' is probably my least favorite song on "Roll The Bones." Although 'Face Up' is a great song, it is just not as great as the other masterpieces on this album.

The only instrumental on "Roll The Bones," 'Where's My Thing' is a jazz fusion workout. It was the second Grammy nominated instrumental by Rush. It has been most recently featured live on "Clockwork Angels Tour," without the orchestral backing, however.

The sixth track, 'The Big Wheel' is probably the most Rush like track on this recording. It is another fine effort focusing upon the nature of fate, utilizing the spinning of a Roulette wheel as a metaphor regarding our choices in life and their consequences.

The seventh track, 'Heresy' discusses the nature of the post Cold War. In this case, it discusses those 'wasted years' focusing upon the contrast between the two ideologies and the results.

The eighth track on "Roll The Bones," 'Ghost Of A Chance' rivals 'Dreamline' as the greatest track on this album. Personally, it is my favorite track from this album. 'Ghost Of A Chance' is ostensibly a love song focusing upon the statistically improbable idea of finding one's true love. Lyrically, it parallels 'Dear God' by XTC. Once again, the lyrics and music are married perfectly together.

"Roll The Bones" ninth track, 'Neurotica' is a bit weird even for Rush. The lyrics are a bit unusual, but it is another instrumental tour de force.

The tenth track, 'You Bet Your Life' is another masterpiece, the rhyming section rivals 'Roll The Bones' as Rush's most experimental track. It is quite catchy and lyrically contrasts juxtaposed ideas along with a lilting chorus. Each verse makes further allusions to gambling.

Overall, "Roll The Bones" may be for a more mature audience. "Power Windows" had been my favorite Rush album for 26 years with "Roll The Bones" ranking second for over 20 years. Then, when I had reached the age of 50 in early 2012, "Roll The Bones" suddenly had much more meaning. As the lyrics from Dreamline attest to our ephemeral nature, "Roll The Bones" overall discusses our own mortality and that may be a subject, which may be a bit too uncomfortable for most people to deal with. In my honest opinion, "Roll The Bones" is another essential album by Rush!

Whether by plan or perhaps by design, many songs from "Roll The Bones" are regularly featured on either live recordings or best of Rush compilations. After "Roll The Bones" had been released, many critics had finally started to regard Rush in a more favorable manner. Rush had also started to receive more accolades. In my honest opinion, "Roll The Bones" may be the recording which had led directly to Rush's nomination and induction into Rock & Roll Hall Of Fame over 21 years later.

In my honest opinion, "Roll The Bones" represents Rush's greatest parallel with the works of 2018 Rock & Roll
Hall of Fame Inductee- The Moody Blues and of course, Duran Duran, who definitely deserves immediate induction into the Rock & Roll Hall Of Fame.

In summary, I encourage my fellow prog aficionados to check out "Sea Of Tranquility" on YouTube; you will definitely not be disappointed.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 12/29/2021 @ 12:08pm

Posted by Enigmaticus on Wednesday, 12/29/2021 @ 13:52pm

Today is December 31, 2021. There are no more days left in this year. In approximately 34 days, I will be 60 years old. In 48 more days, I will celebrate the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording: "Hemispheres."

As we finally say goodbye to this year and look forward to 2022, I am reminded of the many changes that 2021 wrought.

In 2021, Wobbler became my 4th favorite music artist overall. King Crimson is now in the 5th position and Duran Duran is in the sixth position.

In 2021, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. Next year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

In early February, I will attempt to celebrate the 60th anniversary of my birth.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid August, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022.

Well, what do you think?

Posted by Enigmaticus on Friday, 12/31/2021 @ 03:33am

Today is January 6, 2021. In approximately 28 more days, I will be 60 years old. In 42 more days, I will celebrate the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording: "Hemispheres."

In late 2021, Wobbler became my 4th favorite music artist overall. King Crimson is now in the 5th position and Duran Duran is in the sixth position.

In 2021, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. Later this year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

In early February, I will attempt to celebrate the 60th anniversary of my birth.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid August, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late grandma, my late aunt and my late uncle. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate this year. .

Well, what do you think?

Posted by Enigmaticus on Thursday, 01/6/2022 @ 01:35am

I had listened to the three earlier Wobbler studio recordings during this past weekend. In my opinion, their debut album "Hinterland" is my least favorite. Although, I appreciate the complexity of their music, former vocalist, Tony Johanessen really does not have a suitable voice for their heavier material. His vocals seem to get buried in the mix. On the other hand, his successor: Andreas Wettergreen Stromman Prestmo has a much stronger voice overall.

Therefore, here is my ranking and rating of Wobbler's studio albums:

05. Hinterland (2005) (****)

04. Rites At Dawn (2014) (*****)

03. Afterglow (2009) (*****)

02. From Silence To Somewhere (2017) (*****)

01. Dwellers of the Deep (2020) (*****)

I will attempt to write reviews of their 5 studio albums in the not-too-distant future.

In other Rush news, Rush & Stern Pinball have released a new Rush pinball game.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 01/11/2022 @ 01:27am

Today is January 11, 2022. In 20 days, Lobsterfest will begin at Red Lobster. In 23 more days, I will be 60 years old (not that I am counting) LOL!

In any event, I just wanted to mention a podcast that I just found on YouTube. It is called "Two Guys Talking Rush" and it is hosted by John Kane and Dan Bukszpan.

Also, tonight on "In The Prog Seat," on YouTube on the Sea Of Tranquility website, the subject will be best and worst Rush albums.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 01/11/2022 @ 16:53pm

Today is January 13, 2022. In 18 days, Lobsterfest will begin at Red Lobster. In 21 more days, I will be 60 years old (not that I am counting) LOL!

In any event, I just wanted to mention a podcast that I just found on YouTube. It is called "Two Guys Talking Rush" and it is hosted by John Kane and Dan Bukszpan.

Also, Tuesday night on "In The Prog Seat," on YouTube on the Sea Of Tranquility website, the subject had been best and worst Rush albums. I highly recommend this particular episode to prog aficionados and especially to those who enjoy Rush's music.

On a particularly sad note not related to Rush in any way, I had read about the passing of Ronnie Spector yesterday. Although I would say that even though I am not particularly a fan of the Ronettes, I am extremely saddened by the situations that this lady had been subjected to: by allegedly enduring a great deal of emotional pain and both physical and psychological torture from her former husband, Phil. Hopefully she is finally in a better place; finally resting in peace.

Well, what do you think?

Posted by Enigmaticus on Thursday, 01/13/2022 @ 19:38pm

Today is January 14, 2022. In 17 days, Lobsterfest will begin at Red Lobster. In 20 more days, I will be 60 years old (not that I am counting) LOL!

In any event, I just wanted to mention a podcast that I just found on YouTube. It is called "Two Guys Talking Rush" and it is hosted by John Kane and Dan Bukszpan.

Also, Tuesday night on "In The Prog Seat," on YouTube on the Sea Of Tranquility website, the subject had been best and worst Rush albums. I highly recommend this particular episode to prog aficionados and especially to those who enjoy Rush's music. In addition to the great topics (prog, metal, prog metal, jazz fusion, etc.) discussed on the Sea Of Tranquility website, they also have great clothing and other merchandise. I had recently ordered 3 additional "Space Whales" tee shirts, bringing my grand total up to 6. By the way, these are very high quality tee shirts. If you are interested, please check out the Sea of Tranquility YouTube site for various videos and often hilarious commentary.

In other Rush related news, the surviving members of Rush (Geddy Lee and Alex Lifeson) have been touting beer and pinball machines.

On a particularly sad note not related to Rush in any way, I had read about the passing of Ronnie Spector on Wednesday. Although I would say that even though I am not particularly a fan of the Ronettes, I am extremely saddened by the situations that this lady had been subjected to: by allegedly enduring a great deal of emotional pain and both physical and psychological torture from her former husband, Phil. Hopefully she is finally in a better place; finally resting in peace.

In other news, I am presently working on my updated list of 2022 nominees.

Well, what do you think?

Posted by Enigmaticus on Friday, 01/14/2022 @ 09:53am

Today is January 21, 2022. In 10 days, Lobsterfest will begin at Red Lobster. In 13 more days, I will be 60 years old (not that I am counting) LOL!

In any event, I just wanted to mention a podcast that I just found on YouTube. It is called "Two Guys Talking Rush" and it is hosted by John Kane and Dan Bukszpan.

Also, last Tuesday night on "In The Prog Seat," on YouTube on the Sea Of Tranquility website, the subject had been best and worst Rush albums. I highly recommend this particular episode to prog aficionados and especially to those who enjoy Rush's music. In addition to the great topics (prog, metal, prog metal, jazz fusion, etc.) discussed on the Sea Of Tranquility website, they also have great clothing and other merchandise. I had recently ordered 3 additional "Space Whales" tee shirts, bringing my grand total up to 6. (I had received the other 3 Space Whales tee shirts from T8 last night) By the way, these are very high quality tee shirts. If you are interested, please check out the Sea of Tranquility YouTube site for various videos and often hilarious commentary.

In other Rush related news, the surviving members of Rush (Geddy Lee and Alex Lifeson) have been touting beer and pinball machines.

On a particularly sad note not related to Rush in any way, I had read about the passing of Ronnie Spector on Wednesday. Although I would say that even though I am not particularly a fan of the Ronettes, I am extremely saddened by the situations that this lady had been subjected to: by allegedly enduring a great deal of emotional pain and both physical and psychological torture from her former husband, Phil. Hopefully she is finally in a better place; finally resting in peace. I am also very sorry to hear about the recent passing of Marvin Lee Aday, aka Meatloaf.

In other news, I am presently working on my updated list of 2022 nominees.

Well, what do you think?

Posted by Enigmaticus on Friday, 01/21/2022 @ 05:11am

I might give Sea of Tranquility another chance. I had been turned off due to his opinion on the Rock Hall.

Another YouTube channel I would recommend to you is Notes Reviews. He does a lot of prog reviews. Check his channel out if haven't already.

Posted by Greg F on Friday, 01/21/2022 @ 06:06am

@Greg F.,

That's good to hear. I now have six of Sea of Tranquility's Space Whales' tee shirts which I had ordered from T8 Clothing.

By the way, I am familiar with Notes Reviews also.

Posted by Enigmaticus on Sunday, 01/23/2022 @ 19:46pm

Today is January 30, 2022. In approximately 4 days, I will be 60 years old. In 18 more days, I will celebrate the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording: "Hemispheres."

Over the past year, Wobbler had become my 4th favorite music artist overall. King Crimson is now in the 5th position and Duran Duran is in the sixth position.

Last year, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. This year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

In early February, I will attempt to celebrate the 60th anniversary of my birth by going out to dinner sometime later this week. This is not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022.

Well, what do you think?

Posted by Enigmaticus on Sunday, 01/30/2022 @ 02:15am

Today is February 8, 2022. Five days ago, I turned 60 years old. In 9 more days, I will celebrate the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording: "Hemispheres."

Over the past year, Wobbler has become my 4th favorite music artist overall. Gentle Giant is now 5th, King Crimson is now in the 6th position and Duran Duran is in the 7th position.

Last year, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. This year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

In early February, I will attempt to celebrate the 60th anniversary of my birth by going out to dinner sometime later this week. This is not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries later.

Well, what do you think?

Posted by [email protected] on Tuesday, 02/8/2022 @ 05:10am

Posted by Enigmaticus on Tuesday, 02/8/2022 @ 05:55am

Today is February 8, 2022. Five days ago, I turned 60 years old. In 9 more days, I will celebrate the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording: "Hemispheres."

Over the past year, Wobbler has become my 4th favorite music artist overall. Gentle Giant is now 5th, King Crimson is now in the 6th position and Duran Duran is in the 7th position.

Last year, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. This year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

In mid February, I will attempt to celebrate the 60th anniversary of my birth by going out to dinner sometime later this week, or next week. This is not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" will turn 15.

On May 14, "Vapor Trails" will turn 20.

On June 12, "Clockwork Angels" will turn 10.

On September 1, "A Farewell To Kings" will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" will turn 35.

On September 9, "Signals" will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" will celebrate it's 9th anniversary.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 02/8/2022 @ 06:12am

Today is February 10, 2022. Seven days ago, I turned 60 years old. In 7 more days, I will celebrate the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording: "Hemispheres."

One month ago today had marked the 2nd anniversary of the very sad occasion of the announcement of the passing of the great percussionist, lyricist and author Neil Peart and essentially, the unfortunate ending of Rush.

Over the past year, Wobbler has become my 4th favorite music artist overall. Gentle Giant is now 5th, King Crimson is now in the 6th position and Duran Duran is in the 7th position.

Last year, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. This year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

In mid February, I will attempt to celebrate the 60th anniversary of my birth by going out to dinner sometime later this week, or next week. This is not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" will turn 15.

On May 14, "Vapor Trails" will turn 20.

On June 12, "Clockwork Angels" will turn 10.

On September 1, "A Farewell To Kings" will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" will turn 35.

On September 9, "Signals" will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" will celebrate it's 9th anniversary.

Well, what do you think?

Posted by Enigmaticus on Thursday, 02/10/2022 @ 02:33am

Posted by Enigmaticus on Friday, 02/11/2022 @ 03:29am

Today is February 12, 2022. Nine days ago, I turned 60 years old. In 5 more days, I will celebrate the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording: "Hemispheres."

Slightly more than one month ago had marked the 2nd anniversary of the very sad occasion of the announcement of the passing of the great percussionist, lyricist and author Neil Peart and essentially, the unfortunate ending of Rush.

Over the past year, Wobbler has become my 4th favorite music artist overall. Gentle Giant is now 5th, King Crimson is now in the 6th position and Duran Duran is in the 7th position.

Last year, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. This year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

In mid February, I will attempt to celebrate the 60th anniversary of my birth by going out to dinner sometime later this week, or next week. This is not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" will turn 15.

On May 14, "Vapor Trails" will turn 20.

On June 12, "Clockwork Angels" will turn 10.

On September 1, "A Farewell To Kings" will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" will turn 35.

On September 9, "Signals" will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" will celebrate it's 9th anniversary.

Well, what do you think?

Posted by Enigmaticus on Saturday, 02/12/2022 @ 02:53am

Tomorrow will mark the 43rd anniversary of my introduction to the music of Rush via their superlative studio
recording: "Hemispheres."

Well, what do you think?

Posted by Enigmaticus on Wednesday, 02/16/2022 @ 16:45pm

Today is not just Michael Jordan's 59th birthday, nor Richard Karn's 66th birthday. No, today is a much more important day for me, personally. For today is the 43rd anniversary of my first introduction to the music of Rush via a studio album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 25 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the "holy trinity" of prog (Rush, Yes and The Moody Blues) and of course- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, Gentle Giant and of course, the aforementioned Kansas and Styx, among numerous others.

Slightly more than one month ago had marked the 2nd anniversary of the very sad occasion of the announcement of the passing of the great percussionist, lyricist and author Neil Peart and essentially, the unfortunate ending of Rush.

Over the past year, Wobbler has become my 4th favorite music artist overall. Gentle Giant is now 5th, King Crimson is now in the 6th position and Duran Duran is in the 7th position.

Last year, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. This year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

In mid February, I will attempt to celebrate the 60th anniversary of my birth by going out to dinner sometime later this week, or next week. This is not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show. I still have not done so, yet.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" (2007) (*****) will turn 15.

On May 14, "Vapor Trails"(2002) (****) will turn 20.

On June 12, "Clockwork Angels"(2012) (*****) will turn 10.

On September 1, "A Farewell To Kings" (1977) (**** 1/2) will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" (1987) (**** 1/2) will turn 35.

On September 9, "Signals" (1982) (*****) will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" (2013) (*****++) will celebrate it's 9th anniversary.

Well, what do you think?

Posted by Enigmaticus on Thursday, 02/17/2022 @ 07:01am

Today is February 25, 2022. Two years ago today, my mother had passed away at at the age of 91.5.

Twenty two days ago, I had turned 60 years old.

Seven days ago, I had celebrated the 43rd anniversary of my introduction to the magnificent music of Rush via their superlative studio recording: "Hemispheres."

Slightly more than one month ago had marked the 2nd anniversary of the very sad occasion of the announcement of the passing of the great percussionist, lyricist and author Neil Peart and essentially, the unfortunate ending of Rush.

Over the past year, Wobbler has become my 4th favorite music artist overall. Gentle Giant is now 5th, King Crimson is now in the 6th position and Duran Duran is in the 7th position.

Last year, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended the year by purchasing food processors, blenders and cooking thermometers. This year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg, after I have my house repainted.

For me, personally:

In late February, I will attempt to celebrate the 60th anniversary of my birth by going out to dinner sometime later this week, or next week. This is not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" will turn 15.

On May 14, "Vapor Trails" will turn 20.

On June 12, "Clockwork Angels" will turn 10.

On September 1, "A Farewell To Kings" will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" will turn 35.

On September 9, "Signals" will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" will celebrate it's 9th anniversary.

Well, what do you think?

Posted by Enigmaticus on Friday, 02/25/2022 @ 05:49am

Navigating through the 2022 Rock Hall Nominee's list as a fellow prog aficionado:

The recent news that Gary Brooker, co-founder, vocalist and co-songwriter for Procol Harum had passed away had certainly surprised and saddened me. Procol Harum has only been on the ballot once prior for the (2013) induction class and during that particular year they had been facing the prog rock juggernaut: Rush. Nonetheless, I had voted for: Randy Newman, the late great Donna Summer, Heart, Rush and Procol Harum that year. In the following year, Peter Gabriel as a solo artist had been inducted. Unfortunately, no major prog bands had been inducted in 2015. In 2016, Chicago and Deep Purple had joined. In 2017, Yes had finally been Inducted after 3 nominations and their inductors had been Geddy Lee and Alex Lifeson of Rush. Of course, they were not alone because E.L.O. had also been inducted in 2017. In 2028, The Moody Blues had finally joined Rush and Yes. Now, the "holy trinity" of prog had been inducted. In 2019, The Zombies, Radiohead and Roxy Music had joined them. In 2020, only prog adjacent Depeche Mode had been inducted and in 2021, no major prog artists had been inducted either. Then in 2022 Duran Duran had finally received a nomination, since coming out as a"prog" band in 2015, the nomination and induction of Duran Duran has been one of my major focuses. With this in mind, and with the previous "prog" train back on it's proverbial track, I would like to suggest that my fellow prog aficionados vote for the following artists:

Duran Duran
Kate Bush
Judas Priest
Carly Simon
Eurythmics

Also, for those those of you who like great singer/songwriters, I would also consider these great artists: Lionel Richie, Pat Benatar, Dolly Parton and Beck.

Thank you,

Well, what do you think?

Posted by Enigmaticus on Sunday, 02/27/2022 @ 01:51am

The recent news that Gary Brooker, co-founder, vocalist and co-songwriter for Procol Harum had passed away had certainly surprised and saddened me. Procol Harum has only been on the ballot once prior for the (2013) induction class and during that particular year they had been facing the prog rock juggernaut: Rush. Nonetheless, I had voted for: Randy Newman, the late great Donna Summer, Heart, Rush and Procol Harum that year. In the following year, Peter Gabriel as a solo artist had been inducted. Unfortunately, no major prog bands had been inducted in 2015. In 2016, Chicago and Deep Purple had joined. In 2017, Yes had finally been Inducted after 3 nominations and their inductors had been Geddy Lee and Alex Lifeson of Rush. Of course, they were not alone because E.L.O. had also been inducted in 2017. In 2018, The Moody Blues had finally joined Rush and Yes. Now, the "holy trinity" of prog had been inducted. In 2019, The Zombies, Radiohead and Roxy Music had joined them. In 2020, only prog adjacent Depeche Mode had been inducted and in 2021, no major prog artists had been inducted either, although one may argue that Todd Rundgren had been "prog adjacent." Then in 2022 Duran Duran had finally received a nomination, since coming out as a"prog" band in 2015, the nomination and induction of Duran Duran has been one of my major focuses. With this in mind, and with the previous "prog" train back on it's proverbial track, I would like to suggest to my fellow prog aficionados that they vote for the following artists:

Duran Duran
Kate Bush
Judas Priest
Carly Simon
Eurythmics

Also, for those who like great singer-songwriters, great choices would also include: Lionel Richie, Pat Benatar and Beck, in addition to the aforementioned list.

Thank you,

Well, what do you think?

Posted by Enigmaticus on Sunday, 02/27/2022 @ 01:54am

The recent news that Gary Brooker, co-founder, vocalist and co-songwriter for Procol Harum had passed away had certainly surprised and saddened me. Procol Harum has only been on the ballot once prior for the (2013) induction class and during that particular year they had been facing the prog rock juggernaut: Rush. Nonetheless, I had voted for: Randy Newman, the late great Donna Summer, Heart, Rush and Procol Harum that year. In the following year, Peter Gabriel as a solo artist had been inducted. Unfortunately, no major prog bands had been inducted in 2015. In 2016, Chicago and Deep Purple had joined the Rock Hall. In 2017, Yes had finally been Inducted after 3 nominations and their inductors had been Geddy Lee and Alex Lifeson of Rush. Of course, they were not alone because E.L.O. had also been inducted in 2017. In 2018, The Moody Blues had finally joined Rush and Yes. Now, the "holy trinity" of prog (Rush, Yes and The Moody Blues) had been inducted. In 2019, The Zombies, Radiohead and Roxy Music had joined them. In 2020, only prog adjacent Depeche Mode had been inducted and in 2021, no major prog artists had been inducted either, although one may argue that Todd Rundgren had been "prog adjacent." Then in 2022 Duran Duran had finally received a nomination, since coming out as a"prog" band in 2015, the nomination and induction of Duran Duran has been one of my major focuses. With this in mind, and with the previous "prog" train back on it's proverbial track, I would like to suggest to my fellow prog aficionados that they vote for the following artists:

Duran Duran
Kate Bush
Judas Priest
Carly Simon
Eurythmics

Also, for those who like great singer-songwriters, great choices would also include: Lionel Richie, Pat Benatar, Dolly Parton and Beck, in addition to the aforementioned list.

Thank you,

Well, what do you think?

Posted by Enigmaticus on Friday, 03/4/2022 @ 04:27am

According to the Rock Hall snubs website, Duran Duran is now the #1 Rock Hall snub.

Okay, I can certainly understand that. Apparently, The Moody Blues induction had now opened the door for Duran Duran.

I could also argue that Duran Duran and Jethro Tull are most probably the next two "prog" bands to be inducted into the Rock Hall, but I am still very interested in seeing a King Crimson nomination, also.

Some individuals still do not believe that Duran Duran is a major "prog" band and they are most certainly entitled to their opinion. But, over recent years, Duran Duran has become more and more "proggy," in fact, 'What Are The Chances?' is one song which would probably fit quite nicely on any post "Grace Under Pressure," Rush recording, with the possible exception of "Vapor Trails."

Since, this had already happened:

Rush——————> Yes (2017)
Rush—————————> The Moody Blues (2018)

The induction of the "holy trinity" of prog (Rush, Yes and The Moody Blues) had been a game changer.

Maybe, just maybe, This will happen:
Rush——————————————————> Duran Duran (2022)
Rush——————————————————-> Jethro Tull (2023)
Rush————————————————————————-> King Crimson (2024)
Procol Harum (2025)

Well, what do you think?

Posted by Enigmaticus on Thursday, 03/17/2022 @ 04:54am

Rush was formed by Alex Lifeson, former drummer John Rutsey (deceased) and Jeff Jones (who was immediately replaced by Geddy Lee) in August, 1968. In March, 1974 they had released their debut album. On April 18, 2013 Rush was finally inducted into the Rock & Roll Hall Of Fame. Rush was officially disbanded when Neil Peart passed away on January 7, 2020.

Well, what do you think?

Posted by Enigmaticus on Saturday, 03/19/2022 @ 20:12pm

Today is Sunday March 27, 2022. I had turned 60 years old 45 days ago. As of this writing, I have not yet attended
this year's Lobsterfest at Red Lobster and I have not yet celebrated my belated birthday by going out to a particular restaurant of my choice.

Yesterday, I rested and watched a documentary on YouTube called "Harmontown."

Well, what do you think?

Posted by Enigmaticus on Sunday, 03/27/2022 @ 03:28am

Today is March 27, 2022. I had turned 60 years old 45 days ago. As of the time of this writing, I have not yet attended Lobsterfest at Red Lobster and I have not yet celebrated my birthday by going out to a particular restaurant of my choice. Yesterday, I had rested most of the day and watched a YouTube documentary titled "Harmontown."

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" (2007) (*****) will turn 15.

On May 14, "Vapor Trails"(2002) (****) will turn 20.

On June 12, "Clockwork Angels"(2012) (*****) will turn 10.

On September 1, "A Farewell To Kings" (1977) (**** 1/2) will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" (1987) (**** 1/2) will turn 35.

On September 9, "Signals" (1982) (*****) will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" (2013) (*****++) will celebrate it's 9th anniversary.

Well, what do you think?

Posted by Enigmaticus on Sunday, 03/27/2022 @ 03:40am

Today is March 27, 2022. I had turned 60 years old- 52 days ago. As of the time of this writing, I have not yet attended Lobsterfest at Red Lobster and I have not yet celebrated my birthday by going out to a particular restaurant of my choice. Yesterday, I had rested most of the day and watched a YouTube documentary titled "Harmontown."

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" (2007) (*****) will turn 15.

On May 14, "Vapor Trails"(2002) (****) will turn 20.

On June 12, "Clockwork Angels"(2012) (*****) will turn 10.

On September 1, "A Farewell To Kings" (1977) (**** 1/2) will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" (1987) (**** 1/2) will turn 35.

On September 9, "Signals" (1982) (*****) will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" (2013) (*****++) will celebrate it's 9th anniversary.

Many apologies, I had needed to correct the previous posting.

Well, what do you think?

Posted by Enigmaticus on Sunday, 03/27/2022 @ 04:20am

Today is March 27, 2022. I had turned 60 years old- 52 days ago. As of the time of this writing, I have not yet attended Lobsterfest at Red Lobster and I have not yet celebrated my birthday by going out to a particular restaurant of my choice.

Yesterday, I had rested most of the day and had watched a YouTube documentary titled "Harmontown." By the way, I was so impressed with the honesty of Dan Harmon that I had decided to order a copy of "Harmontown" on dvd. By the way, The 94th Annual Academy Awards air tonight at 8:00 p.m. E.D.T. on ABC.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" (2007) (*****) will turn 15.

On May 14, "Vapor Trails" (2002) (****) will turn 20.

On June 12, "Clockwork Angels" (2012) (*****) will turn 10.

On September 1, "A Farewell To Kings" (1977) (**** 1/2) will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" (1987) (**** 1/2) will turn 35.

On September 9, "Signals" (1982) (*****) will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" (2013) (*****++) will celebrate it's 9th anniversary.

Many apologies, I had needed to correct the previous posting.

Well, what do you think?

Posted by Enigmaticus on Sunday, 03/27/2022 @ 11:12am

Today is March 27, 2022. I had turned 60 years old- 52 days ago. As of the time of this writing, I have not yet attended Lobsterfest at Red Lobster and I have not yet celebrated my birthday by going out to a particular restaurant of my choice.

Yesterday, I had rested most of the day and had watched a YouTube documentary titled "Harmontown." By the way, I was so impressed with the honesty of Dan Harmon that I had decided to order a copy of "Harmontown" on dvd. By the way, I have not seen either "Community," nor "Rick and Morty," have you?

In case you are interested, The 94th Annual Academy Awards Ceremony is scheduled to air tonight at 8:00 p.m. E.D.T. on ABC.

In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" (2007) (*****) will turn 15.

On May 14, "Vapor Trails" (2002) (****) will turn 20.

On June 12, "Clockwork Angels" (2012) (*****) will turn 10.

On September 1, "A Farewell To Kings" (1977) (**** 1/2) will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" (1987) (**** 1/2) will turn 35.

On September 9, "Signals" (1982) (*****) will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" (2013) (*****++) will celebrate it's 9th anniversary.

Many apologies, I had needed to correct the previous posting.

Well, what do you think?

Posted by Enigmaticus on Sunday, 03/27/2022 @ 12:50pm

Today is April 8, 2022. I had turned 60 years old- 64 days ago. As of the time of this writing, I have not yet attended Lobsterfest at Red Lobster and I have not yet celebrated my birthday by going out to a particular restaurant of my choice.

Yesterday had marked the 5th anniversary of the 2017 Rock & Roll Hall Of Fame Induction Ceremony and in particular, the induction of Yes by Geddy Lee and Alex Lifeson of Rush.
In late April, it will mark the 35th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 25th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 30th anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 10th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 48th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 34th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2022. Please stay tuned for I will
mention more anniversaries now:

On May 1, "Snakes & Arrows" (2007) (*****) will turn 15.

On May 14, "Vapor Trails" (2002) (****) will turn 20.

On June 12, "Clockwork Angels" (2012) (*****) will turn 10.

On September 1, "A Farewell To Kings" (1977) (**** 1/2) will celebrate it's 45th anniversary.

On September 8, "Hold Your Fire" (1987) (**** 1/2) will turn 35.

On September 9, "Signals" (1982) (*****) will celebrate it's 40th anniversary.

On November 19, "Clockwork Angels Tour" (2013) (*****++) will celebrate it's 9th anniversary.

Many apologies, I had needed to correct the previous posting.

Well, what do you think?

Posted by Enigmaticus on Friday, 04/8/2022 @ 05:15am

It is Sunday, April 17, 2021 and time to rectify my list of favorite musical artists once again:
I own or have owned almost every single album by each of these artists, with the exception of "9012 Live" by Yes and a few others.

21. Sade
20. Jefferson Airplane
19. Alan Parsons Project
18. Supertramp
17. Procol Harum
16. Peter Gabriel
15. Genesis
14. Renaissance
13. Electric Light Orchestra
12. Emerson, Lake & Palmer
11. Kansas
10. Talking Heads
09. Jethro Tull
08. Pink Floyd
07. Duran Duran
06. King Crimson
05. Gentle Giant
04. Wobbler
03. The Moody Blues
02. Yes
01. Rush

Please note: of the aforementioned bands, (Rush, Yes and The Moody Blues) aka the "holy trinity" of prog, their positions have not changed in over 40 years; their positions have been written in stone, or so to speak.

As far as the other bands are concerned:

XTC- I own all of their newer catalog, from "Skylarking" to "Wasp Star (Apple Venus Volume 2)."

Depeche Mode- I have started to get more into their music since 2020.

Andreas Vollenweider- I own the three recordings ("Behind The Gardens- Behind The Wall- Under The Tree," "Caverna Magica" and "White Winds," in addition to "Book Of Roses" and "Kryptos." Of those particular albums, my favorites are: "White Winds" and "Caverna Magica."

The Beatles- I used to own "Rubber Soul," "Revolver," "Sgt. Pepper's Lonely Heart's Club Band," "Magical Mystery Tour," "Abbey Road" and "Let It Be." I have never owned "The Beatles" and those first 3 albums (R.S., Rev and SPLHCB" were stolen from me and replaced with an L. Ron Hubbard book while I was still in the U.S.N.

Porcupine Tree- I do not own a single album by them. I have heard their work, but it did not really resonate with me on any level.
King's X- I have never heard any of their music.
Spock's Beard- I have never heard any of their music.
Dream Theater- I own quite a few albums by them, but I do not own their entire discography. I like a few songs by them, but not any albums in their entirety. For example, I really enjoy 'On The Backs Of Angels' from "A Dramatic Turn Of Events,' but only that song on that entire album. Similarly, I also like 'Silent Lucidity,' from "Empire," by Queensryche, but only that song.
Marillion- As far as I am concerned, they sound too much like early Genesis. If I want to listen to early Genesis- I will listen to early Genesis, in lieu of Marillion.
Opeth- I do not own any albums by them at this time.
Coheed & Cambria- What I have heard by them, I think is absolutely amazing. I have not purchased any albums by them yet, however.

Well, what do you think?

Posted by Enigmaticus on Sunday, 04/17/2022 @ 11:05am

It is Sunday, April 17, 2021 and time to rectify my list of favorite musical artists once again:
I own or have owned almost every single album by each of these artists, with the exception of "9012 Live" by Yes and a few others.

23. Asia
22. Styx
21. Sade
20. Jefferson Airplane
19. Alan Parsons Project
18. Supertramp
17. Procol Harum
16. Peter Gabriel
15. Genesis
14. Renaissance
13. Electric Light Orchestra
12. Emerson, Lake & Palmer
11. Kansas
10. Talking Heads
09. Jethro Tull
08. Pink Floyd
07. Duran Duran
06. King Crimson
05. Gentle Giant
04. Wobbler
03. The Moody Blues
02. Yes
01. Rush

Please note: of the aforementioned bands, (Rush, Yes and The Moody Blues) aka the "holy trinity" of prog, their respective positions have not changed in over 40 years; i.e. their positions have been written in stone, or so to speak.

As far as the other bands are concerned:

XTC- I own all of their newer catalog, from "Skylarking" to "Wasp Star (Apple Venus Volume 2)."

Depeche Mode- I have started to get more into their music since 2020.

Andreas Vollenweider- I own the three recordings ("Behind The Gardens- Behind The Wall- Under The Tree," "Caverna Magica" and "White Winds"), in addition to "Book Of Roses" and "Kryptos." Of those particular albums, my all-time favorites are: "White Winds" and "Caverna Magica."

The Beatles- I used to own "Rubber Soul," "Revolver," "Sgt. Pepper's Lonely Heart's Club Band," "Magical Mystery Tour," "Abbey Road" and "Let It Be." I have never owned "The Beatles" and those first 3 albums (R.S., Rev and SPLHCB") were stolen from me and replaced with a worthless and useless L. Ron Hubbard book while I was still in the U.S.N. Unfortunately, I have not replaced "Rubber Soul," nor "Revolver."

Porcupine Tree- I do not own a single album by them. I have heard their work, but it did not really resonate with me on any level.
King's X- I have never heard any of their music.
Spock's Beard- I have never heard any of their music.
Dream Theater- I do own quite a few albums by them, but I do not own their entire discography. I like a few songs by them, but not any albums in their entirety. For example, I really enjoy 'On The Backs Of Angels' from "A Dramatic Turn Of Events,' but only that song on that entire album. Similarly, I also like 'Silent Lucidity,' from "Empire," by Queensryche, but only that song.
Marillion- As far as I am concerned, they sound too much like early Genesis. If I had wanted to listen to early Genesis- I would listen to early Genesis, in lieu of Marillion.
Opeth- I do not own any albums by them at this time.

Coheed & Cambria- What I have heard by them, I think is absolutely amazing. I have not purchased any albums by them yet, however.

Well, what do you think?

Posted by Enigmaticus on Sunday, 04/17/2022 @ 11:57am

The biggest news during this past two weeks in the world of Rush has been the 40th anniversary deluxe edition of "Moving Pictures" which had been released on Friday April 15, 2022. In fact, the new issue of PROG Magazine which will be released next month in the U.S. features the artwork for this particular edition on the cover.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 04/26/2022 @ 04:49am

ENIG
How would you compare Procol Harum and Rush? I know you like Rush more but what are their similarities and differences? KING

Posted by KING on Tuesday, 04/26/2022 @ 08:29am

KING,

Although (Rush, Yes and The Moody Blues), i.e. the "holy trinity" of prog had previously been inducted into the Rock & Roll Hall Of Fame, Procol Harum is still fairly high on my list of favorite prog bands. I am very familiar with most of their early studio recordings, I also happen to own 2 different compilations, in addition to their studio albums: "Procol Harum" (1967), "Shine On Brightly" (1968), "A Salty Dog" (1969) and "Grand Hotel" (1973).

When Procol Harum had first appeared on the 2013 Rock & Roll Hall Of Fame Nomination ballot, I had voted for: Procol Harum, the late Donna Summer, Heart, Randy Newman and Rush.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 04/27/2022 @ 06:15am

It is now Friday, April 29, 2022 and time to rectify my list of favorite musical artists once again and include the length of time since I have been introduced to, or had discovered their music on my own.
I own or have owned almost every single album by each of these artists, with the exception of "9012 Live" by Yes and a few others.

23. Asia (40) (Introduced to via radio).
22. Styx (44) (introduced to via radio).
21. Sade (37) (discovered at record store).
20. Jefferson Airplane (32) (discovered on my own).
19. Alan Parsons Project (42) (introduced to via radio).
18. Supertramp (42) (Introduced to via radio).
17. Procol Harum (35) (discovered via record store).
16. Peter Gabriel (38) (discovered via radio).
15. Genesis (42) (introduced to via friend at U of A).
14. Renaissance (25) (discovered via Internet).
13. Electric Light Orchestra (43) (introduced to via 'Solid Gold' on TV).
12. Emerson, Lake & Palmer (36) (discovered by myself).
11. Kansas (45) (introduced to via radio).
10. Talking Heads (36) (discovered via MTV).
09. Jethro Tull (40) (Introduced to via friend at U of A).
08. Pink Floyd (41) (Introduced to via friend at U of A).
07. Duran Duran (39) (discovered via 'Night Tracks,').
06. King Crimson (38) (Introduced to albeit quite briefly, discovered back catalog on my own and became aficionado of (36).
05. Gentle Giant (25) (introduced to via Internet).
04. Wobbler (02) (discovered via "PROG" Magazine).
03. The Moody Blues (42) (discovered by accident via radio).
02. Yes (41) (introduced to via record shop owner in hometown).
01. Rush (43) (introduced to via record shop and high school colleague, re-introduced to via friend at U of A)

Please note: of the aforementioned bands, (Rush, Yes and The Moody Blues) aka the "holy trinity" of prog, their respective positions have not changed in over 40 consecutive years; i.e. their positions have been written in stone, or so to speak. My first prog song introduction was 'Classical Gas', I was introduced to this song via radio and TV almost 54 years ago).

As far as the other artists are concerned:

XTC- I own all of their newer catalog, from "Skylarking" to "Wasp Star (Apple Venus Volume 2)." (36) (Introduced to via MTV)

Depeche Mode- I have started to get more into their music since 2020.

Andreas Vollenweider- I own the three recordings ("Behind The Gardens- Behind The Wall- Under The Tree," "Caverna Magica" and "White Winds"), in addition to "Book Of Roses" and "Kryptos." Of those particular albums, my all-time favorites are: "White Winds" and "Caverna Magica." (38) (Discovered on my own at record store in metropolitan Chicago, along with Van der Graaf Generator and Caravan).

The Beatles- I used to own "Rubber Soul," "Revolver," "Sgt. Pepper's Lonely Heart's Club Band," "Magical Mystery Tour," "Abbey Road" and "Let It Be." I have never owned "The Beatles" and those first 3 albums (R.S., Rev and SPLHCB") were stolen from me and replaced with a worthless and useless L. Ron Hubbard book while I was still in the U.S.N. Unfortunately, I have not replaced "Rubber Soul," nor "Revolver." (54).

Porcupine Tree- I do not own a single album by them. I have heard their work, but it did not really resonate with me on any level.
King's X- I have never heard any of their music.
Spock's Beard- I have never heard any of their music.
Dream Theater- I do own quite a few albums by them, but I do not own their entire discography. I like a few songs by them, but not any albums in their entirety. For example, I really enjoy 'On The Backs Of Angels' from "A Dramatic Turn Of Events,' but only that song on that entire album. Similarly, I also like 'Silent Lucidity,' from "Empire," by Queensryche, but only that song.
Marillion- As far as I am concerned, they sound too much like early Genesis. If I had wanted to listen to early Genesis- I would listen to early Genesis, in lieu of Marillion.
Opeth- I do not own any albums by them at this time.

Coheed & Cambria- What I have heard by them, I think is absolutely amazing. I have not purchased any albums by them yet, however.

Well, what do you think?

Posted by Enigmaticus on Friday, 04/29/2022 @ 06:00am

It is now Friday, April 29, 2022 and time to rectify my list of favorite musical artists once again and include the length of time since I have been introduced to, or had discovered their music on my own as of the end of this year.
I own or have owned almost every single album by each of these artists, with the exception of "9012 Live" by Yes and a few others.

23. Asia (40) (Introduced to via radio).
22. Styx (44) (introduced to via radio).
21. Sade (37) (discovered at record store).
20. Jefferson Airplane (32) (discovered on my own).
19. Alan Parsons Project (42) (introduced to via radio).
18. Supertramp (42) (Introduced to via radio).
17. Procol Harum (35) (discovered via record store).
16. Peter Gabriel (38) (discovered via radio).
15. Genesis (42) (introduced to via friend at U of A).
14. Renaissance (25) (discovered via Internet).
13. Electric Light Orchestra (43) (introduced to via 'Solid Gold' on TV).
12. Emerson, Lake & Palmer (36) (discovered by myself).
11. Kansas (45) (introduced to via radio).
10. Talking Heads (36) (discovered via MTV).
09. Jethro Tull (42) (Introduced to via friend at U of A).
08. Pink Floyd (42) (Introduced to via friend at U of A).
07. Duran Duran (39) (discovered via 'Night Tracks,').
06. King Crimson (38) (Introduced to albeit quite briefly, discovered back catalog on my own and became aficionado of (36).
05. Gentle Giant (25) (introduced to via Internet).
04. Wobbler (02) (discovered via "PROG" Magazine).
03. The Moody Blues (42) (discovered by accident via radio).
02. Yes (41) (introduced to via record shop owner in hometown).
01. Rush (43) (introduced to via record shop and high school colleague, re-introduced to via friend at U of A)

Please note: of the aforementioned bands, (Rush, Yes and The Moody Blues) aka the "holy trinity" of prog, their respective positions have not changed in over 40 consecutive years; i.e. their positions have been written in stone, or so to speak. My first prog song introduction was 'Classical Gas', I was introduced to this song via radio and TV almost 54 years ago).

As far as the other artists are concerned:

XTC- I own all of their newer catalog, from "Skylarking" to "Wasp Star (Apple Venus Volume 2)." (36) (Introduced to via MTV)

Depeche Mode- I have started to get more into their music since 2020.

Andreas Vollenweider- I own the three recordings ("Behind The Gardens- Behind The Wall- Under The Tree," "Caverna Magica" and "White Winds"), in addition to "Book Of Roses" and "Kryptos." Of those particular albums, my all-time favorites are: "White Winds" and "Caverna Magica." (38) (Discovered on my own at record store in metropolitan Chicago, along with Van der Graaf Generator and Caravan).

The Beatles- I used to own "Rubber Soul," "Revolver," "Sgt. Pepper's Lonely Heart's Club Band," "Magical Mystery Tour," "Abbey Road" and "Let It Be." I have never owned "The Beatles" and those first 3 albums (R.S., Rev and SPLHCB") were stolen from me and replaced with a worthless and useless L. Ron Hubbard book while I was still in the U.S.N. Unfortunately, I have not replaced "Rubber Soul," nor "Revolver." (54).

Porcupine Tree- I do not own a single album by them. I have heard their work, but it did not really resonate with me on any level.
King's X- I have never heard any of their music.
Spock's Beard- I have never heard any of their music.
Dream Theater- I do own quite a few albums by them, but I do not own their entire discography. I like a few songs by them, but not any albums in their entirety. For example, I really enjoy 'On The Backs Of Angels' from "A Dramatic Turn Of Events,' but only that song on that entire album. Similarly, I also like 'Silent Lucidity,' from "Empire," by Queensryche, but only that song.
Marillion- As far as I am concerned, they sound too much like early Genesis. If I had wanted to listen to early Genesis- I would listen to early Genesis, in lieu of Marillion.
Opeth- I do not own any albums by them at this time.

Coheed & Cambria- What I have heard by them, I think is absolutely amazing. I have not purchased any albums by them yet, however.

Well, what do you think?

Posted by Enigmaticus on Friday, 04/29/2022 @ 06:24am

It is now Saturday, April 30, 2022 and time to correct my list of favorite musical artists once again and include the length of time (in years) since I have been introduced to, or had discovered their music on my own as of the end of this year.
By the way, I own or have owned almost every single album by each of these artists, with the exception of "9012 Live" by Yes and a few others.

23. Asia (40) (Introduced to via radio).
22. Styx (44) (introduced to via radio).
21. Sade (37) (discovered at record store).
20. Jefferson Airplane (32) (discovered on my own).
19. Alan Parsons Project (42) (introduced to via radio).
18. Supertramp (42) (Introduced to via radio).
17. Procol Harum (35) (discovered via record store).
16. Peter Gabriel (38) (discovered via radio).
15. Genesis (42) (introduced to via friend at U of A).
14. Renaissance (25) (discovered via Internet).
13. Electric Light Orchestra (43) (introduced to via 'Solid Gold' on TV).
12. Emerson, Lake & Palmer (36) (discovered by myself).
11. Kansas (45) (introduced to via radio).
10. Talking Heads (36) (discovered via MTV).
09. Jethro Tull (42) (Introduced to via friend at U of A).
08. Pink Floyd (42) (Introduced to via friend at U of A).
07. Duran Duran (39) (discovered via 'Night Tracks,').
06. King Crimson (38) (Introduced to albeit quite briefly, discovered back catalog on my own and became aficionado of (36).
05. Gentle Giant (25) (introduced to via Internet).
04. Wobbler (02) (discovered via "PROG" Magazine).
03. The Moody Blues (42) (discovered by accident via radio).
02. Yes (41) (introduced to via record shop owner in hometown).
01. Rush (43) (introduced to via record shop and high school colleague, re-introduced to via friend at U of A)

Please note: of the aforementioned bands, (Rush, Yes and The Moody Blues) aka the "holy trinity" of prog, their respective positions have not changed in over 40 consecutive years; i.e. their positions have been written in stone, or so to speak. My first prog song introduction was 'Classical Gas', I was introduced to this song via radio and TV almost 54 years ago. Today is now the day to celebrate that song and it's effect on my musical tastes.

As far as the other artists are concerned:

XTC- I own all of their newer catalog, from "Skylarking" to "Wasp Star (Apple Venus Volume 2)." (36) (Introduced to via MTV).

Depeche Mode- I have started to get more into their music since 2020. (35) (Introduced to their music via MTV).

Andreas Vollenweider- I own the three recordings ("Behind The Gardens- Behind The Wall- Under The Tree," "Caverna Magica" and "White Winds"), in addition to "Book Of Roses" and "Kryptos." Of those particular albums, my all-time favorites are: "White Winds" and "Caverna Magica." (38) (Discovered on my own at record store in metropolitan Chicago, alongside Van der Graaf Generator and Caravan).

The Beatles- I used to own "Rubber Soul," "Revolver," "Sgt. Pepper's Lonely Heart's Club Band," "Magical Mystery Tour," "Abbey Road" and "Let It Be." I have never owned "The Beatles" and those first 3 albums (R.S., Rev and SPLHCB") were stolen from me and replaced with a worthless and useless L. Ron Hubbard book while I was still in the U.S.N. Unfortunately, I have not replaced "Rubber Soul," nor "Revolver." (54) (Introduced to via radio).

Porcupine Tree- I do not own a single album by them. I have heard their work, but it did not really resonate with me on any level.
King's X- I have never heard any of their music.
Spock's Beard- I have never heard any of their music.
Dream Theater- I do own quite a few albums by them, but I do not own their entire discography. I like a few songs by them, but not any albums in their entirety. For example, I really enjoy 'On The Backs Of Angels' from "A Dramatic Turn Of Events,' but only that song on that entire album. Similarly, I also like 'Silent Lucidity,' from "Empire," by Queensryche, but only that song. (20)
Marillion- As far as I am concerned, they sound too much like early Genesis. If I had wanted to listen to early Genesis- I would listen to early Genesis, in lieu of Marillion. (37)
Opeth- I do not own any albums by them at this time.

Coheed & Cambria- What I have heard by them, I think is absolutely amazing. I have not purchased any albums by them yet, however.

Camel- I may start to collect their catalog, now.

Well, what do you think?

Posted by Enigmaticus on Saturday, 04/30/2022 @ 14:01pm

It is now Wednesday, May 4, 2022 and time to correct my list of favorite musical artists once again and include the length of time (in years) since I have been introduced to, or had discovered their music on my own as of the end of this year.
By the way, I own or have owned almost every single album by each of these artists, with the exception of "9012 Live" by Yes and a few others.

23. Asia (40) (Introduced to via radio).
22. Styx (44) (introduced to via radio).
21. Sade (37) (discovered at record store).
20. Jefferson Airplane (32) (discovered on my own).
19. Alan Parsons Project (42) (introduced to via radio).
18. Supertramp (42) (Introduced to via radio).
17. Procol Harum (35) (discovered via record store).
16. Peter Gabriel (38) (discovered via radio).
15. Genesis (42) (introduced to via friend at U of A).
14. Renaissance (25) (discovered via Internet).
13. Electric Light Orchestra (43) (introduced to via 'Solid Gold' on TV).
12. Emerson, Lake & Palmer (36) (discovered by myself).
11. Kansas (45) (introduced to via radio).
10. Talking Heads (36) (discovered via MTV).
09. Jethro Tull (42) (Introduced to via friend at U of A).
08. Pink Floyd (42) (Introduced to via friend at U of A).
07. Duran Duran (39) (discovered via 'Night Tracks,').
06. King Crimson (38) (Introduced to albeit quite briefly, discovered back catalog on my own and became aficionado of (36).
05. Gentle Giant (25) (introduced to via Internet).
04. Wobbler (02) (discovered via "PROG" Magazine).
03. The Moody Blues (42) (discovered by accident via radio).
02. Yes (41) (introduced to via record shop owner in hometown).
01. Rush (43) (introduced to via record shop and high school colleague, re-introduced to via friend at U of A)

Please note: of the aforementioned bands, (Rush, Yes and The Moody Blues) aka the "holy trinity" of prog, their respective positions have not changed in over 40 consecutive years; i.e. their positions have been written in stone, or so to speak. My first prog song introduction was 'Classical Gas', I was introduced to this song via radio and TV almost 54 years ago. Today is now the day to celebrate that song and it's effect on my musical tastes.

As far as the other artists are concerned:

XTC- I own all of their newer catalog, from "Skylarking" to "Wasp Star (Apple Venus Volume 2)." (36) (Introduced to via MTV). I am interested in purchasing "English Settlement" and possibly "Mummer."

Depeche Mode- I have started to get more into their music since 2020. (35) (Introduced to their music via MTV).

Andreas Vollenweider- I own the three recordings ("Behind The Gardens- Behind The Wall- Under The Tree," "Caverna Magica" and "White Winds"), in addition to "Book Of Roses" and "Kryptos." Of those particular albums, my all-time favorites are: "White Winds" and "Caverna Magica." (39) Discovered on my own at record store in the metropolitan Chicago area, alongside Van der Graaf Generator and Caravan).

The Beatles- I used to own "Rubber Soul," "Revolver," "Sgt. Pepper's Lonely Heart's Club Band," "Magical Mystery Tour," "Abbey Road" and "Let It Be." I have never owned "The Beatles" and those first 3 albums (R.S., Rev and SPLHCB") were stolen from me and replaced with a worthless and useless L. Ron Hubbard book while I was still in the U.S.N. Unfortunately, I have not replaced "Rubber Soul," nor "Revolver." (54) (Introduced to via radio).

Porcupine Tree- I do not own a single album by them. I have heard their work, but it did not really resonate with me on any level.
King's X- I have never heard any of their music.
Spock's Beard- I have never heard any of their music.
Dream Theater- I do own quite a few albums by them, but I do not own their entire discography. I like a few songs by them, but not any albums in their entirety. For example, I really enjoy 'On The Backs Of Angels' from "A Dramatic Turn Of Events,' but only that song on that entire album. Similarly, I also like 'Silent Lucidity,' from "Empire," by Queensryche, but only that song. (20)
Marillion- As far as I am concerned, they sound too much like early Genesis. If I had wanted to listen to early Genesis- I would listen to early Genesis, in lieu of Marillion. (37)
Opeth- I do not own any albums by them at this time.

Coheed & Cambria- What I have heard by them, I think is absolutely amazing. I have not purchased any albums by them yet, however.

Camel- I may now start to collect their catalog.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 05/4/2022 @ 04:43am

According to the Rock Hall snubs website, Duran Duran had been the #1 Rock Hall snub.

Okay, I can certainly understand that. Apparently, The Moody Blues induction had now opened the door for Duran Duran.

I could also argue that Duran Duran and Jethro Tull are most probably the next two "prog" bands to be inducted into the Rock Hall, but I am still very interested in seeing a King Crimson nomination, also.

Some individuals still do not believe that Duran Duran is a major "prog" band and they are most certainly entitled to their opinion. But, over recent years, Duran Duran has become more and more "proggy," in fact, 'What Are The Chances?' is one song which would probably fit quite nicely on any post "Grace Under Pressure," Rush recording, with the possible exception of "Vapor Trails."

Since, this had already happened:

Rush——————> Yes (2017)
Rush—————————> The Moody Blues (2018)
Rush ————————————————————————————————-> Duran Duran (2022)

The induction of the "holy trinity" of prog (Rush, Yes and The Moody Blues) had been a game changer.

Maybe, just maybe this will happen.

Rush————————————————————————————————————-> Jethro Tull (2023)
Rush———————————————————————————————————————--> King Crimson (2024)——————————————————————————————————————————————-->Procol Harum (2025)
Rush ————————————————————————————————————————————————> Supertramp (2026)

Well, what do you think?

Posted by Enigmaticus on Saturday, 05/7/2022 @ 01:09am

Yesterday, I had an overwhelming desire to head into the Catalina Foothills and visit the temple of culinary delights, aka Williams-Sonoma and of course, AJ's Purveyors of Fine Foods. When you make such a trip to the north side of Tucson you really need to listen to "White Winds" by Andreas Vollenweider on your SUV's CD player. Unfortunately, I was without a single copy. My new copies would not arrive until tomorrow. What was I to do? Luckily, we happen to have a Zia's store near Whole Foods in central Tucson. Therefore, I had telephoned Zia to confirm that there had been a copy of "White Winds" there. Then, I had proceeded to check their store for this masterwork. Unfortunately, I had been unable to find it anywhere. I had checked several sections of the store to no avail. Finally, I had to ask the staff at the front of the store. One younger gentleman pointed out the "New Age" section to me. I then proceeded to purchase a copy of "White Winds" and also a copy of the "Trilogy" which also includes a copy of the aforementioned "White Winds," in addition to "Caverna Magica" and "Behind The Gardens- Behind The Wall- Under The Tree." Fortunately, Andreas Vollenweider's work has been classified as "crossover Prog" by Prog Archives and "White Winds" has a magnificent rating on Amazon. So why am I mentioning this on the Rush page? Because I consider Andreas Vollenweider to be another successor to the magnificence of the "holy trinity" of prog (Rush, Yes and The Moody Blues), not unlike Duran Duran, or Wobbler.

Well, what do you think?

Posted by Enigmaticus on Saturday, 05/14/2022 @ 09:08am

Today is June 7, 2022. Thirty years ago tonight, I saw my first major rock concert at Desert Sky Pavilion in Phoenix, Arizona. Of course, my first rock concert had been Rush during the "Roll The Bones" tour; I had been 30 years old, at that time.

Well, what do you think?

Posted by Enigmaticus on Wednesday, 06/8/2022 @ 00:46am

Tomorrow morning will mark the 10th anniversary of my first posting on this Particular website. Here is that posting:

My list of 2013 inductees:

Donna Summer (posthumously)
Heart (two sisters who had dominated a band, whose great singles are still being played on the radio)
Rush (their long term snub is starting to reach critical mass, even Rolling Stone magazine readers are in favor of this. Rush was voted greatest prog rock of all time by their readers). They are ranked third in most consecutive gold and platinum albums behind The Beatles and The Rolling Stones.
Yes (IMHO, if you induct Rush, then you absolutely must induct Yes), but probably not necessarily in 2013.
Yes was instrumental in starting prog rock, plus 90125 was a danceable hit album.

I think that The Moody Blues deserve a nod also, for inventing the "prog rock" genre, but inducting Rush and Supertramp should push the Moodies and Procol Harum, in within the next several years. Compared to the amount of time that they have waited, this will be relatively soon. Technically, Rush is not really heavy metal, and most of their songs are not that hard anyway.

Although one could argue for King Crimson as well,
"ITCOCK," "Red" and "Discipline" are bonafide masterpieces.
Supertramp sold millions of albums, especially "Crime Of The Century" and "Breakfast In America." therefore they are the most likely prog band to get in this year.
Monkees (Davy Jones will be inducted posthumously)

Posted by Keith on Sunday, 06/10/2012 @ 02:12am

Posted by Enigmaticus on Thursday, 06/9/2022 @ 04:48am

Today is the 25th anniversary of my presence on the Internet. I felt like a pioneer when I had started to create AKD's Art Rock Site at that time. As I have noted before, my first two pages were the Duran Duran and Rush index pages, respectively. Back in those days, there were various rings and pipelines for each of the major progressive rock bands (art rock bands) and my site joined those together, in addition to rating various studio
and live recordings by each prominent band. I would continue to build my website for the next 2 years, until I started to become quite busy with my present job. My site has long been archived since 2008, the year when I had made my last entry on that site.

Well, what do you think?!

Posted by Enigmaticus on Sunday, 07/3/2022 @ 12:48pm

Today is the 69th birthday of former Rush guitarist Alex Lifeson. Happy Birthday Alex and thank you for all of the great music whichyou have co-written for the past 5 decades.

Well, what do you think?

Posted by Enigmaticus on Saturday, 08/27/2022 @ 14:22pm

Today is the 69th birthday of former Rush guitarist Alex Lifeson. Happy Birthday Alex and thank you for all of the great music which you have co-written for more than the past 5 decades.

Well, what do you think?

Posted by Enigmaticus on Saturday, 08/27/2022 @ 14:28pm

I just wanted you to know that the BluRay for the 2010- 2019 Rock & Roll Hall Of Fame Induction Ceremonies is now available.

Well, what do you think?

Posted by Enigmaticus on Sunday, 09/18/2022 @ 20:23pm

Having watched a certain portion of the 2019 Rock & Roll Hall Of Fame Ceremony on BluRay relatively recently, I must admit that I had been extremely disappointed with the editing of the 2019 induction ceremony. There were no induction speeches for either The Zombies (Susanna Hoffs' speech had been removed), nor Roxy Music (no induction speeches by either Simon Le Bon, nor John Taylor). Also, the editing of Roxy Music's presentation is quite terse and severely limited to only a snippet of a portion of 'Love Is The Drug' and 'Avalon.' The omission of 'Out Of The Blue' had certainly been the biggest mistake (in my honest opinion) made by these video editing neophytes. On the other hand, the presentation of The Moody Blues from the 2018 Rock Hall Induction ceremony had been much better, overall. Perhaps Time Life will (in the not too distant future) reissue an expanded version of these recordings at a later date?

In other news, my air safari and time spent at the Tamarind Restaurant in Mombasa, Kenya (last semi-vacation) has now been over 34 years ago. Next week will mark the 42nd anniversary of my re-introduction to the music of Rush by a former classmate at the University of Arizona.

Well, what do you think?

Posted by Enigmaticus on Friday, 10/14/2022 @ 02:25am

As I had stated previously, today had been the 42nd anniversary of my re-introduction to the music of Rush. I had been fortunate enough to be re-introduced to the music by a fellow architecture student in his dorm room 42 years ago. Although Yes is my co-favorite band musically (alongside Rush), it is in the lyrical department where Rush had reigned supreme. Since the passing of the magnificent Neil Peart over 2 years and 9 months ago, I have been evaluating just how much Rush has meant to me. Although I would never consider myself a Rush fanatic, since I had only seen them 3 times live in concert, I am still a huge aficionado of their music. Rush and The Moody Blues have probably been the two most important influences on my evolving musical tastes for over 42 years. The reason why I have continued to appreciate such groups as: Yes, Wobbler, Gentle Giant, King Crimson, Duran Duran, Pink Floyd, Jethro Tull, Talking Heads, Kansas, Renaissance, Electric Light Orchestra, Genesis, Peter Gabriel, Supertramp, Procol Harum, Emerson Lake & Palmer, Alan Parsons Project, Styx, Asia, Jefferson Airplane and of course, Sade, Andreas Vollenweider, Vangelis, Yanni and numerous others is directly related to my appreciation of those two aforementioned bands. Rush in many ways has been my gateway band to the world of prog, but unfortunately nothing lasts forever.

Still, I believe that the music of the progressive bands will long outlive many of those other popular groups of their era far into the future. Future generations will still be listening to their songs and appreciating their work, long after those musicians have left the earth.

Well, what do you think?

Posted by Enigmaticus on Tuesday, 10/18/2022 @ 22:06pm

Today is November 21, 2022.

33 years ago, "Presto" had been released.

53 years ago, "To Our Children's Children's Children" by The Moody Blues had been released.

9 years ago, on November 19- Rush had released "Clockwork Angels Tour."

Well, what do you think?

Posted by Enigmaticus on Monday, 11/21/2022 @ 05:59am

Yesterday was not just Michael Jordan's 60th birthday, nor Richard Karn's 67th birthday. No, yesterday was a much more important day for me, personally. For yesterday was the 44th anniversary of my first introduction to the music of Rush via a studio album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, over 25 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the "holy trinity" of prog (Rush, Yes and The Moody Blues) and of course- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, Gentle Giant and of course, the aforementioned Kansas and Styx, among numerous others.

Slightly more than one month ago had marked the 3rd anniversary of the very sad occasion of the announcement of the passing of the great percussionist, lyricist and author Neil Peart and essentially, the unfortunate ending of Rush.

Over the past two years, Wobbler has become my 4th favorite music artist overall. Gentle Giant is now 5th, King Crimson is now in the 6th position and Duran Duran is in the 7th position.

Two years ago, I began the year by purchasing more French cookware items from Le Creuset, Staub and Emile Henry; I ended that year by purchasing food processors, blenders and cooking thermometers. Next year, I am planning on purchasing an outdoor grill by either Primo, Golden's Cast Iron, or the Big Green Egg.

For me, personally:

On February 3, (for the first time in 11 consecutive years) I had actually celebrated the 61st anniversary of my birth. This was not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show.

In late April, it will mark the 36th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 26th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 31st anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 11th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 49th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 35th anniversary of my visit to Kenya.

On a more positive note, there will be several Rush anniversaries to celebrate in 2023.

On October 19, "Counterparts" (1993) (**** 1/2) will celebrate it's 30th anniversary.

On October 31, "Hemispheres" (1978) (*****) will celebrate it's 45th anniversary.

On November 19, "Clockwork Angels Tour" (2013) (*****++) will celebrate it's 10th anniversary.

Well, what do you think?

Posted by Enigmaticus on Saturday, 02/18/2023 @ 03:07am

Tonight will mark the 31st anniversary of my first rock concert. I had seen Rush during their "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Arizona. I had been 30 years old at that time. Well, what do you think?

Posted by Enigmaticus on Wednesday, 06/7/2023 @ 07:32am

Enig! Great to see you comment again. Hope all going well with you. Happy Rush Anniversary! My cousin Gary loved them more than any other band.

Posted by Paul in KY on Thursday, 06/8/2023 @ 05:31am

Paul in KY,

Thank you. Yes, it is hard to believe that over 31 years have passed since my first Rush concert. Of course, I had been fortunate enough to have seen Rush play live 3 times, prior to Neil Peart's untimely passing from Glioblastoma at the young age of 67 on January 7, 2020. Geddy Lee and Alex Lifeson will both celebrate their 70th birthday anniversaries later this summer.

After last years' extraordinary Rock & Roll Hall Of Fame Induction Ceremony, I had somewhat lost interest in the general overall day to day postings on this site. Lately, I have been extremely busy with work and puppy sitting my best friend's two Pomeranians (Wolfgang and Samson). I am also in the process of putting together the pieces for an outdoor kitchen in my backyard.

I had needed to acknowledge that It has now been over 10 years since Rush had been inducted into the Rock & Roll Hall Of Fame. Of course, I had concentrated for many years on inducting various prog acts, including the "holy trinity" of prog (Rush, Yes & The Moody Blues) and of course, Duran Duran. With those 4 artists now having been inducted, my focus has been placed on other interests. Of course, I am still in favor of seeing more prog artists being inducted, including: Gentle Giant, Jethro Tull, King Crimson, Kansas, Procol Harum and Supertramp, amongst others.

As far as Rush is concerned, Geddy Lee's autobiographical book "My Effin' Life" is scheduled to be released on November 14, 2023. I may pre-order a copy.

Well, what do you think?

Posted by Enigmaticus on Sunday, 06/18/2023 @ 10:02am

Yesterday was the 32nd anniversary of the release of "Roll The Bones," my favorite Rush studio album. It was also the 24th official anniversary of the date that I started working at my present job.

Well, what do you think?

Posted by Enigmaticus on Monday, 09/4/2023 @ 02:46am

There have been quite a few articles recently about Geddy Lee and Alex Lifeson re-animating (sorry) Rush. The obvious question: Who do they get as a drummer? Obviously, truly replacing Neil Peart is impossible. Nevertheless, is there anyone who may be able to do justice to the music of Rush? (I was going to say something like they shoud recruit Graeme Edge, Charlie Watts and Taylor Hawkins--because iat would be easier resuscitating all three of these than replacing Peart--but I won't go there.)

Posted by Joe S. on Monday, 11/13/2023 @ 12:29pm

3 days from now will mark the 45th anniversary since my introduction to the music of Rush.

Posted by Enigmaticus on Wednesday, 02/14/2024 @ 07:09am

Today is not just Michael Jordan's 61st birthday, nor Richard Karn's 68th birthday. No, today is a much more important day for me, personally. For today is the 45th anniversary of my first introduction to the music of Rush via a studio album, titled "Hemispheres."

It had happened almost purely by accident. At the time, I had been just 17 years old and I had known almost nothing about progressive rock music. I had certainly heard a few songs by Kansas and Styx on the radio, but that had pretty much been it. My parents had forbidden my sister, or myself from purchasing, or even listening to rock music, they had felt that listening to rock music, had led to drug addiction. So, rock music had been prohibited, however anything that had enhanced education had been perfectly acceptable.

It had been because of this environment then, which had stressed academics above everything else, which had led to my first introduction to the music of Rush. For during this time, I had been a Junior in High School, attending the "Heart Seminar" at the University of Arizona. This had been a course given by the University of Arizona College of Medicine for high school students who had shown an interest in a career in medicine, or some other health related field. My late aunt and uncle had been pharmacists and physicians, respectively and they had fueled my interest in medicine since early childhood. That is correct, when most of the kids in my neighborhood had been outside playing softball, I had been inside my room reading medical encyclopedias.

So, naturally I had gravitated towards an interest in various sciences over the ensuing years. I would later major in Biomedical Engineering, but that is another story for another time. Anyway, I had accompanied two of my fellow classmates to a record store, a few blocks away from the U of A Health Sciences Center, during the two hour lunch break. In a record store, adjacent to Jeff's Classical Record Shop (Zips) which had then been located on Speedway Blvd, west of Campbell, I had heard the music of the band which has had the greatest musical influence upon my life- Rush.

Perhaps it had been because of the cover artwork, or perhaps it had been because of the way that the songs had been arranged, or perhaps it had been because of the music itself which had led me to a profound appreciation of "Hemispheres." Since, I had grown up listening to various works of Classical and Romantic music, it had seemed very familiar. I had found Rush's music, to not be that dissimilar to the music of Tchaikovsky and as a result, it had taken hold. Up until that time, the works of Tchaikovsky had been the most amazing music that I had ever heard in my life. Now I had heard the music of Rush, which had been even more amazing, but due to my parent's restriction on most modern music, I would not hear the music of Rush again until a year and a half later, when I had been a Freshman attending the University of Arizona College Of Architecture.

Once the seed had been planted deep within my subconscious, the desire to listen to more progressive music had taken hold. As a result, nearly 27 years ago- I had started to create my now long-archived website. Over the past several decades, I have listened to a great amount of progressive rock music, but my introduction to the music of Rush had been the major catalyst for this. I have also actively supported the induction of several other prog artists into the Rock & Roll Hall Of Fame for the past several decades, chiefly among them, the "holy trinity" of prog (Rush, Yes and The Moody Blues) and of course- Electric Light Orchestra, Roxy Music, The Zombies, Duran Duran, Jethro Tull, Procol Harum, Supertramp, King Crimson, ELP, Gentle Giant and of course, the aforementioned Kansas and Styx, among numerous others.

Slightly more than one month ago had marked the 4th anniversary of the very sad occasion of the announcement of the passing of the great percussionist, lyricist and author Neil Peart and essentially, the unfortunate ending of Rush.

Over the past three years, Wobbler has become my 4th favorite music artist overall. Gentle Giant is now 5th, King Crimson is now in the 6th position and Duran Duran is in the 7th position.

Last year, I began the year by purchasing 2 Weber gas grills; I ended the year with introducing most of my friends and colleagues to the wonders of cooking using the Sous vide method via Anova Precision Pro cookers.

In mid February, I will attempt to celebrate the 62nd anniversary of my birth by going out to dinner sometime later this week, or next week. This is not such an easy event to celebrate, due to my birthday occurring during the middle of the Tucson Gem & Mineral show. I still have not done so, yet.

In late April, it will mark the 37th anniversary of my last official 3 day long vacation in Tokyo, Japan during a torrential rainstorm.

In late May, it will mark the 27th anniversary of the creation of my long-archived website: "AKD's Art Rock Site."

On June 7, it will mark the 32nd anniversary of my first actual rock concert, i.e. Rush during the "Roll The Bones" tour at Desert Sky Pavilion in Phoenix, Az.

On November 25, it will mark the 12th anniversary of my last rock concert, i.e. Rush during the "Clockwork Angels Tour" at America West Arena in Phoenix, Az.

In mid July, it will mark the 50th anniversary since my last actual vacation (according to my sister) when my late mother, sister and I had last visited my late mother's late mother, late sister and late brother-in-law. In case you are wondering, most of my relatives have already passed away.

In early October, it will mark the 36th anniversary of my visit to Kenya.

Well, what do you think?

Posted by Enigmaticus on Saturday, 02/17/2024 @ 07:27am

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